Arts & Entertainment
Hidden history
New book examines cross-dressing in early America
‘Re-Dressing America’s Frontier Past’
By Peter Boag
University of California Press
$39.95/257 pages
The outfit was beyond your budget.
It was impractical, too, because you’d probably never wear it. It looked great on, it fit just right, it was so perfect, but it would just hang in your closet. Still….
You couldn’t whip your credit card out fast enough.
Do clothes make the (wo)man? Are we what we wear? In the new book “Re-Dressing America’s Frontier Past,” author Peter Boag, proves that those questions plagued our ancestors more than history admits.
Joe Monahan’s neighbors were shocked.
The fall of 1903 was short and winter came early. Tough and self-sufficient, Joe had come to the Mallory ranch complaining of illness and he didn’t look good. Shortly after his arrival, he died in the warmth of his neighbors’ home.
The shock came when they went to prepare Joe’s body for burial: Grizzled Joe Monahan was a woman.
Peter Boag says that such scenarios were common in the West in the decades between 1850 and 1920. Cross-dressers, for myriad reasons, were “very much a part of daily life…” and while people tittered and talked, general attitudes were based on late-19th-century beliefs on gender. Medical experts eventually claimed that cross-dressing was part of a “neurological disease” called homosexuality, and “…homosexuality was understood as an unfortunate by-product of modernization.”
But button-holing wasn’t so easy.
For women, the frontier was a man’s world. There was adventure and prosperity there, and becoming a man as much as possible was a way to seize opportunity. Safety was another reason for appearing masculine, cross-dressing could be scandalous fun, and it could help escape punishment for criminal behavior. There were also women who believed themselves to be boys from birth.
For smooth-faced men, it was common to dress as women for dances and parties because biological women were scarce. Men impersonated women to entertain others. In some Native American communities, “berdaches” were encouraged to embrace femininity. Like some women, males took on girlish appearances to escape crime, and then there were the men who simply wanted to be women.
But for those men, and their female counterparts, life wasn’t easy.
Being arrested for the “crime” of wearing clothes for the opposite sex was common and cross-dressers were often shunned. Interestingly, however, their partners (usually same-sex) were generally socially accepted.
“Re-Dressing America’s Frontier Past” is good, but long.
Author Boag offers lots of excellent examples to back up his reasoning behind why these stories are largely hidden from history, and what he found will set western fans (not to mention screenwriters) on their ears. This is fascinating stuff, on many levels.
And yet – the book has its distractions. It’s scholarly and often reads like a dissertation, which occasionally makes it hard to digest if you’re just looking for a peek at hidden history and not a lecture.
That aside, because it uncovers a wealth of stories that are overdue for telling, I liked “Re-Dressing America’s Frontier Past” and I think you will, too. If you’re a history buff especially, you need to outfit yourself with this book soon.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)
Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
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