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Altogether ooky

Creaky ‘Addams Family’ adaptation lacks wit, charm

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‘The Addams Family’
Through July 29
The Kennedy Center Opera House
$39-$115
202-467-4600
kennedy-center.org

Grandma (Pippa Pearthree) and Pugsley (Patrick D. Kennedy) in ‘The Addams Family,’ whose touring production is at the Kennedy Center. (Photo by Jeremy Daniel)

“The Addams Family,” the musical comedy take on Charles Addams’ New Yorker cartoon (now playing at the Kennedy Center), begins rather well.

Thing, the unforgettable disembodied hand, pulls back a vermilion curtain to reveal a misty cemetery at midnight. The whole ghoulish gang is on hand — Gomez, Morticia, Wednesday, Pugsley, Grandma, Uncle Fester and towering, taciturn Lurch — to sing “When You’re  an Addams.” Backing the familiar faces is an exuberant chorus of dancing Addams ancestors who’ve emerged from their mausoleum for the evening. The pallid apparitions include a neatly dressed young woman still wearing the life vest that didn’t save her from an untimely demise.

But then the number ends and the story begins.

Penned by Marshall Brickman and Rick Elice, the disappointingly slim plot involves a romance between Wednesday and a nice boy. Things go awry when the young man’s “normal” parents visit from bland Ohio (in the musical, the Addams’ baronial pile is located in Central Park) to meet Wednesday and her oddball family. Further complicating matters is Gomez’s agreement to keep Wednesday’s imminent nuptials a secret from his controlling wife Morticia.

The plot is a familiar one. Young person attempts to hide oddball family’s eccentricities from prospective, buttoned-up in-laws.  It’s been done to death and usually with better results: Think “La Cage aux Folles” and “You Can’t Take It with You” for starters.

To accommodate the love story, Wednesday’s age has been upped changing her from solemn pre-teen to strident young adult. Sadly, her iconic black braids have been replaced with a boring bob.

The score by Andrew Lippa (who’s gay) is mostly underwhelming. Exceptions include “The Moon and Me,” a second act love song sung by Uncle Fester (Blake Hammond) and “Just Around the Corner,” an upbeat ode to death sung by Morticia and the ancestors.

The fabulously whimsical puppetry of Basil Twist is evident mostly in Fester’s moon song. Twist (also gay) designed a scary dragon that lives beneath Pugsley’s bed, and Cousin Itt’s love interest is a coquettish anthropomorphized tassel cut from the stage curtain.

Phelim McDermott and Julian Crouch are credited with original direction, spot-on costumes and an appropriately creepy, Halloweenish set. Broadway director Jerry Zaks supervises the entire production.

As Gomez, talented Douglas Sills is well cast and charming, but even he can’t elevate the mediocre material. And while Sara Gettelfinger is a terrific singer, her oafish Morticia lacks elegance — absent are the macabre femme fatale’s famed mincing steps and graceful gestures.  Not that it matters. Gettelfinger’s navel-cut neckline entirely upstages her performance anyway.

“The Addams Family” musical premiered on Broadway in 2010. It’s the latest addition to an Addams franchise that began with the New Yorker cartoon and went more middlebrow with the popular ‘60s sitcom and two successful ‘90s feature films. The national tour production currently at the Kennedy Center is a reworked version of the Broadway version.

Regrettably, the musical has none of the fun, wit or style of other Addams entertainments. Too bad, because of all the many TV-to-big screen franchises, “The Addams Family” with its distinct atmosphere and strong characters seemed particularly poised to be successfully mined for musical theater. Unfortunately it didn’t happen.

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New book reveals what we can learn from animal sex

‘Poking the Squid’ on homosexuality, gender swapping, and more

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(Book cover image courtesy W.W. Norton)

‘Poking the Squid: What We Can Learn from Animal Sex’
By Perrin Roosevelt Ireland
c.2026, W.W. Norton
$29.99 241 pages

Birds do it.

According to Cole Porter, bees do, too, but it’s not exactly what he imagined. Wild and tame, avians, insects, and mammals all have sex – although not always as you’ve been told or for reasons you might think. Even educated fleas do it and, as in the new book, “Poking the Squid” by Perrin Roosevelt Ireland, humans can learn from them all.

If you read through scientific papers on animal reproduction, you might notice something unusual: for scientists, the word “sex” means a lot of different things.

Says Ireland, “It’s used to describe behaviors, biology, life histories, and more.”

That might be because animals are not simply binary.

Take, for instance, hyenas. It’s easy for the casual observer to mistake a male hyena for a female and vice versa because of stereotypes of anatomy. Mating, for hyenas, requires subordination for the male and a nifty trick on the part of the female’s body to get things done.

Our feathered friends are no birdbrains, either: black-browed albatrosses were once thought to be monogamous but global warming seems to have changed their nesting habits sometimes. Male flamingos have sex with one another, as a territorial thing; other birds and animals form same-sex pairs for other reasons.

The Chinese mantis eats her mate after fertilization. Female snakes, alpacas, guinea pigs, and monkeys are anatomically able to enjoy sex. Genitalia between species varies quite a bit; in fact, the vaginas of ducks “are highly complex.” Lionesses will mate up to 100 times when in heat. Female damselflies will change into a “third sex” to avoid overly aggressive mating males. Bearded dragons can change their sex, if needed, as can yellow clown goby fish. And seahorse pregnancy and birth sparked a book banning in Tennessee.

So, asks Ireland, if animals, including us, vary so much in biology and life, “… why are we using the word sex like it means something, anything, consistent?!”

Pick up “Poking the Squid,” page through it a few seconds, and you’ll see that the information here is largely told through cartoon-like drawings mixed with captions. It seems to be something on the lighter side, but don’t let that artwork fool you.

Author Perrin Roosevelt Ireland offers readers solid information that cozies up to the scholarly, with hard science, philosophy, feminism, and quotations from researchers to support it, thus furthering the narrative and hitting the points squarely. If you see the art and expect something lighthearted, comic, and small-talk-worthy, you could be disappointed.

On the other hand, if you want solid, wryly serious facts, you’re in for a treat.

There’s lots of learning to be gleaned here, and some slight nudge-wink whimsy to emphasize the absurdity of wrong-headed thinking. This can make readers feel like they’re in-the-know on the jokes, and the playfulness balances the seriousness of the information well.

So, serious, scholarly, or slightly silly, none of these are negative but you’re going to know what you want from a book like this. For the right reader, someone in the mood, “Poking the Squid” is wild.

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PHOTOS: Westminster Pride

LGBTQ festival held in Maryland city

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Bambi Ne'cole Ferrah performs at the Westminster Pride Festival on Saturday. (Washington Blade photo by Michael Key)

The eighth annual Westminster Pride Festival was held at Westminster City Park in Westminster, Md. on Saturday, July 11.

(Washington Blade photos by Michael Key)

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PHOTOS: Emerald City Pride

Colorful march followed by festival in Greenbelt, Md.

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Band members of Greenbelt Honk Situation lead the Emerald City Pride Parade in Greenbelt, Md. on Saturday. (Washington Blade photo by Michael Key)

The fifth annual Emerald City Pride was held in Greenbelt, Md. on Saturday, July 11.

(Washignton Blade photos by Michael Key)

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