Arts & Entertainment
Remembering Rue
‘Golden Girls’ actress wanted fans to have a chance to own her belongings
The late Rue McClanahan with her gay best friend, Michael J. LaRue. (Photo courtesy Nik Pressley)
Some people can’t stand having stuff around they don’t use. Rue McClanahan was not one of them.
The “Golden Girls” actress, who died at age 76 in 2010 of a brain hemorrhage, wanted fans to have a chance to have her many personal belongings. Her best gay friend, Michael J. LaRue, has organized her items in a series of sales. The two met at Studio 54 of all places (for an animal charity event) about 10 years before she died and quickly became the closest of friends, LaRue says.
“For some reason, we could just crack each other up all the time,” LaRue says. “We just became really good friends. She always joked about marrying me so she could be Rue LaRue, but of course that wouldn’t have worked.”
LaRue, who was collaborating with the actress on a stage adaptation of her memoirs, says McClanahan was a keeper and collector.
“Let me tell you, that woman was a shopper and she saved everything,” he says. “She had this sprawling urban oasis in mid-town Manhattan … she had 13 closets in the house and five external storage areas and you couldn’t fit a paperclip in any one of them.”
As per McClanahan’s instructions, after family and friends had their pick, the rest goes to auction. Some was sold in Beverly Hills. A large sampling, including several scripts, costumes and collectibles from “The Golden Girls,” are available for purchase at estateofrue.com. The items are direct purchase and some are available for about $100.
“She really wanted the fans to have a chance to have what they wanted,” he says. “This isn’t about generating a zillion dollars. It’s about getting the stuff out there.”
LaRue says he’s “not a stuff person.” He has a drawing McClanahan made for him, her ashes and her Emmy. Her only child, her son Mark who lives in Texas, also took many items he wanted. In all, McClanahan named 22 beneficiaries in her will.
LaRue says McClanahan was a great pal. In addition to the work on the autobiography adaptation (“It was tight and really coming together when she got sick,” he says), a film crew followed the actress around for two years while she worked on it. Of the 150 hours they shot, a documentary is being made LaRue hopes will be finished within 18 months or two years.
LaRue says McClanahan was completely unguarded with him and had high regard for her fellow actresses, Betty White and the late Bea Arthur, though Arthur didn’t particularly care for White.
“Betty and Rue were friends and Rue and Bea were friends, and they all loved Estelle (Getty),” he says. “Susan Harris told Rue, ‘Thank God you’re here to play mediator. This show would never work without you.’”
The actresses, though, were always professional with each other, LaRue says. On taping nights, they would wait until all four were ready to go to the commissary. A reunion in which their segments were filmed separately was done because of logistics, not animosity LaRue says.
“She used to say she was nothing like Blanche, but that was such bullshit,” LaRue says of his pal. “I mean come on, she had six husbands … she was like Blanche in a lot of ways.”
The ultimate, LaRue says, was watching “Golden Girls” reruns with McClanahan, who also had starring roles on “Maude” and “Mama’s Family” in addition to the 70 movies and 250 theatrical plays she was in over her lifetime.
“We’d sit there watching and she’d say, ‘Listen to that, listen to that.’ It wasn’t about her performance. She was always pointing out how brilliant the writing was.”
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By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)
Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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