Arts & Entertainment
Trials and tribulations
No other medium absorbs LGBT angst quite like the printed page
How’s that for eye-catching art? ‘Gorgeous Gallery,’ a coffee table book featuring the work of contemporary gay artists, is out this fall from Bruno Gmuender. The lavish, 160-page book was compiled by David Leddick. (Photo courtesy Bruno Gmuender)
There’s a lot less money on the line with a book than with a movie or TV show. Which is why the printed page is always one of the best places to find LGBT content. This fall is no exception.
If the summer saw you with new bling-er on your finger, then you’ll want to grab “From the Closet to the Altar: Courts, Backlash and the Struggle for Same-Sex Marriage” by Michael J. Klarman.
As a legal expert, Klarman has excellent insight into litigation and the fight for same-sex marriage. In this book, he looks at the politics, legal wrangling, personal stories, fallout and triumphs in the movement toward equality in marriage.
Speaking of marriage, you might also like “My Husband and My Wives: A Gay Man’s Odyssey” by Charles Rowan Beye. On one hand, this is the story of one man’s realization that he’s attracted to men. On the other hand, it’s about his marriages to women — not once, but twice — and then his marriage to the love of his life.
Look for Cyndi Lauper’s autobiography “Cyndi Lauper: A Memoir” Tuesday from Simon & Schuster.
For something a little more somber, look for “October Mourning: A Song for Matthew Shepard” by Leslea Newman. Written as a novel in verse form, this work of fiction allows voices from various points of view to come forth in remembrance of the day Shepard died so violently. This is a quick book to read, which is good: you’ll have time to read it again and again. Also look for “Letters to My Bully” written and/or edited by Azaan Kamau, Ifalade Ta-Shia Asanti, Kergan Edwards-Stout and Robert LaSardo. It’s a book that lets victims of bullying speak up and be heard, written by a host of contributors who are mad and won’t sit down and shut up anymore.
On a lighter note, what makes you gay? In “Born This Way: Real Stories of Growing Up Gay” by Paul Vitagliano, you’ll get a look at personal stories, memories and childhood pictures of real people who’ve embraced their LGBT lives, who’ve known it since they were kids and who celebrate it with pride. Yes, this book is based on the blog of the same name and yes, the book is equally fun to read.
“How to Be Gay” by David M. Halperin could also be fun but it could incite argument, too, because it’s filled with thought-provoking ideas and hypotheses. Halperin doesn’t shy away from controversy here, nor does he bow to stereotypes, which means that this is a book you might finish and then share with your straight friends.
Discuss.
Lesbian writer (and Lambda Literary Award winner) Emma Donoghue is back with “Astray,” a new collection of short stories that’s slated for Oct. 30.
Of course, maybe you’ve got a busy fall, a jam-packed schedule and you’re overloaded with things to do and when you’re busy, who has time to read, right?
Well surely you’ve got time for some eye-popping art like “Gorgeous Gallery” by David Leddick. This huge collection of erotic artwork features some old favorite artists and lots of new talent that could quickly become your new fave. This book is from Bruno Gmüender, as is “Bel Ami Rebels” by photographer Joan Crisal, a look at European porn stars who are willing to show their naughty and nice sides.
Bruno Gmuender, by the way, also has a new Tom of Findland book due this fall, as well as a new superhero comic art book by Iceman Blue.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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