Arts & Entertainment
Tragic hero
Film tells story of Alan Turing — from cracking Nazi code, to chemical castration and suicide
Patrick Sammon, right, on the set of his new docu-drama ‘Codebreaker’ in London. (Photo by Marc Sethi)
Scientist cracks codes to help defeat Germany during World War II, essentially laying the groundwork for modern computer science, but is busted for being gay and in 1950s England is chemically castrated and eventually commits suicide.
It’s a tragedy of epic proportions but such is the little-heard biography of Alan Turing. A new 81-minute docudrama about his life called “Codebreaker” debuts next week in Washington.
Novice filmmaker Patrick Sammon — a former executive director of the Log Cabin Republicans — says Turing’s story needs to be told.
“As I sorted through my hundred ideas,” Sammon says, “Turing’s idea quickly came to the top of the pile, because it was an amazing story, and I thought everyone should know about Turing’s contribution to our world. And then I realized there really hadn’t been a film like this done about him.”
The film (turingfilm.com) was released in the U.K. last year. Its U.S. premiere is Wednesday at the Georgetown AMC. It’s sponsored by the D.C. Center and tickets are available to the public (todpix.com/codebreaker). An advance screening and discussion were held last week at the National Press Club on the centenary of Turing’s birth and the film will also screen in New York on Oct. 25. Beyond that, TODpix, a distribution company, is working with grassroots organizations across the country to find audiences for additional showings.
Sammon, who’s gay, hopes to reach pockets of both the LGBT and tech communities to build a demand for additional screenings, culminating in “A Night with Alan Turing,” featuring screenings in 50 cities on Nov. 8.
Turing grew up in England in the early 20th century. He quickly stood out as a bright student and his teachers praised his “considerable powers of reasoning.” He developed a strong bond with fellow student Christopher Morcom. According to David Leavitt, novelist and Turing historian, “Morcom was, I think, more important to Turing than any other human being in his life. Turing was probably, in an adolescent way, quite in love with him.”
Patrick Sammon (Photo courtesy Sammon)
When Morcom died at a young age, Turing delved into his work as a sort of tribute to his late friend. As years passed, Turing developed the idea of the computer, broke encrypted German army messages during World War II and laid the groundwork for the future of artificial intelligence and mathematical biology.
Later in life, Turing had an affair with a 19-year-old named Arnold Murray, a friend of whose burgled Turing’s house early in 1952. Turing reported the crime, and the circumstances surrounding it, to the police. At the time, homosexuality was illegal in England and they charged Turing with indecency. Turing opted for hormonal treatment over prison, resulting in serious physical and mental side effects. Shortly after ending treatment, Turing committed suicide at the age of 41.
Sammon moved to Washington in 2003 to become a documentary filmmaker, but his career took a detour when he began working for, and ultimately running, the Log Cabin Republicans, a conservative organization that advocates for equal rights for the LGBT community. During this time, Sammon amassed many ideas for films. When he launched Story Center Productions in 2009, he partnered with a U.K.-based production company to help with his first film, “Codebreaker.”
He spent about six months in London during the production, which he’s been focused on full time since 2010. He factored in some living expenses into the production cost, which was funded largely from Channel 4 in the U.K. and also on his savings. Other donors, foundations and corporations including Intel and Google helped finance the project.
Sammon calls the film a “drama-documentary,” saying, “A third of it is drama, recreation, and then two-thirds is documentary. It’s a good mix of those two elements, and I think they play well together.”
It features a myriad of interviews with Turing’s relatives and associates, historians and industry professionals. His work is widely recognized as the foundation of all modern-day technology. In the film, Google’s Alma Whitten describes his contributions as timeless, saying, “They’re the things that are fundamentally true, so they’re always going to be with us, in the same way that the things that Galileo and Newton contributed to physics are always going to be with us.”
Apple co-founder Steve Wozniak credits Turing with making possible all subsequent technology. “Alan Turing was sort of at the top of everything that ever developed,” Wozniak says in the film. “All the future research that was done by people, building real equipment that can compute.”
The interviews are juxtaposed with dramatizations of therapy sessions from Turing’s last year, while Turing was undergoing chemical castration. Ed Stoppard (“Upstairs, Downstairs”) plays Turing opposite Henry Goodman (“Taking Woodstock”) as Franz Greenbaum, Turing’s psychiatrist and friend.
Production for the dramatizations lasted only five days, but Stoppard’s performance is a stand-out piece of the film. He dramatizes the internal struggle that drove Turing to take his own life. Stoppard’s sometime-sardonic, sometimes-reflective comments mask a pain his character carried with him.
Sammon’s passion for the story stemmed from the injustice Turing faced despite his contributions to society.
“Here you have someone who is one of the key people who helped the Allies win World War II by breaking Germany’s naval enigma code,” Sammon says. “Then you have the technology world really giving Turing credit for creating the intellectual foundation for modern computer science. The paper he wrote in 1936 really laid down the key ideas for the modern computer.”
Sammon goes on to describe the “Shakespearean tragedy” that followed. “In spite of his genius, in spite of his amazing contribution to the war, the fact that he was gay, the government persecuted him because of it.”
During the course of a year of chemical castration, Turing took daily doses of estrogen. Effects of the treatment included shrunken testicles, a loss of his libido, a loss of body hair and the development of breasts. Months after the treatment ended, Turing’s body had not returned to its normal state. Sammon believes Turing elected the hormone therapy, in place of a year in prison, to avoid being taken away from his work.
Sammon, who says he has “a lot of other ideas” for future film projects though he’s focused on the “Codebreaker” distribution for now, says it’s important to recognize the historical accomplishments of the LGBT community and foster a more inclusive society. At the same time, he believes all people, regardless of sexual orientation, should admire Turing as a hero and a genius.
“I admire him very much because he was unconventional,” Sammon says. “I respect Turing for the fact of how unconventional he was, and he wasn’t afraid to be different. The sad part is society, at the time, didn’t have tolerance for differences.”
Leavitt describes Turing as a tragic hero we must learn from.
“His refusal to compromise or lie, under such circumstances, was nothing less than heroic — yet we must remember that, as a consequence of his heroism, he was erased from history for many years. Nor is the institutionalized hatred of gay men and lesbians any less of a reality today than it was in 1953. Even as we honor Alan Turing, we must be vigilant. We must not let ourselves lapse into complacency. This could happen again.”
Bars & Parties
Impulse Group DC to host fundraiser
Giving Tuesday and Happy Hour held at Thurst Lounge
Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge.
This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.
A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.
Admission is free and more details are available on Eventbrite.
Friday, November 28
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 29
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, November 30
Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.
Monday, December 1
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Tuesday, December 2
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions.
Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite.
Wednesday, December 3
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected].
Thursday, December 4
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].
Theater
D.C. theater scene has something for everyone this holiday season
‘Nutcracker,’ ‘A Christmas Carol,’ and much more
With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.
Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent
At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org
Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.” edcjcc.org
The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org
With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show.
This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org
At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org
Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.
Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.
Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org
At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse.
The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org
And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history. washingtonballet.org
And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org
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