Arts & Entertainment
‘Midsummer’ magic
Cleverly staged production transports action to the 1940s
‘A Midsummer Night’s Dream’
Through Dec. 30
Shakespeare Theatre Company
Sidney Harman Hall
610 F Street NW
$43-$105
202-547-1122
Shakespeare’s “A Midsummer Night’s Dream” brings together fairies, high-born Athenians and a sextet of skilled workmen with theatrical aspirations to create an improbable but magical world where even the most extreme situations end happily. In a visually exciting and extremely fun production currently playing at Shakespeare Theatre Company’s Sidney Harman Hall, director Ethan McSweeny keeps the old material fresh.
McSweeny’s take is appropriately magic-filled and newly theatrical. He sets the story in the 1940s inside an empty theater where possibilities are boundless. After all, as the program points out, Shakespeare premiered this play on a bare stage. With two balconies, a couple chandeliers, fly ropes, trap doors, Lee Savage’s beautiful set — a once grand theater — is essentially a blank slate, allowing the action to move convincingly (with the help of Tyler Micoleau’s skilled lighting) from Athens to an enchanted forest.
Cast members are equally versatile. Tim Cambell and Sara Topham appealingly play the comely ruling couple Theseus, Duke of Athens, and Hippolyta, Queen of the Amazons, as well as Oberon and Titania, King and Queen of the fairies. Adam Green splendidly transforms from Theseus’ oddly buttoned up assistant to literature’s mischief maker extraordinaire, Puck. Dressed in a corset and breeches, Green’s agile fairy nimbly traverses the set delighting in the mayhem he initiates without ever being too cutesy or grating. It’s a terrific performance.
“Dream” is a comic tale of young love, both requited and not. Hermia (Amelia Pedlow) cannot bear Demetrius (Chris Myers), the preppy boy her father insists she must marry. Instead she loves Lysander (Robert Beitzel), a folksy poet who is never without his acoustic guitar. Hermia’s best friend Helena (the excellent Christiana Clark), whose taste runs toward shopping and chocolates, loves Demetrius; but alas Demetrius loves Hermia. In order escape her father’s commands, Hermia and Lysander retreat to the woods.
Along the way, before all ends well, Hermia and Helena, clad only in their underthings, fall into a long, drawn out cat fight (staged wet and goopy by McSweeny). The boys (also stripped to their skivvies) get involved too. Puck watches from the sidelines perched in a theater balcony nibbling on popcorn. Invisible to the young lovers, he descends into the fray, cleverly egging on the battle. It’s a wonderfully well-rehearsed scene that comes off without a hitch.
“Dream’s” amusing subplot focuses on the rude mechanicals, a group of workers including a tinker and a tailor who are keen to perform a work of their own making (Shakespeare’s enduring slapstick-filled skit within the play) for the Duke and Queen. Led by Ted van Griethuysen as Peter Quince, the group of avid amateur thespians includes Robin Starveling (Christopher Bloch), Tom Snout (a dour Herschel Sparber), the slowwitted Snug (Robert Dorfman) and the wonderful David Graham Jones as Francis Flute who plays the mechanical’s enthusiastic ingénue. The group’s most eager member, Nick Bottom, is hilariously played by Bruce Dow as a total drama queen, more than ready for his close up.
McSweeney’s imagery is unforgettable: The show strikingly opens with the Duke (covered in medals) and his first lady (looking more than a little Evita-ish with a chic hat and carefully arranged fur piece), addressing their drab public from the palace balcony. There is the moving tableau featuring an ardent Titania and her disinterested paramour Bottom (who has been magically made into an ass) being pulled across stage by a team of young fairies as they lie in the gutted piano that serves as their bed. Then at the play’s close, there’s Puck making his apologies to the audience lit by the glow of a lone ghost light.
Jennifer Moeller provides a collection of impeccably realized costumes from the 1940s suits and gowns worn by the Athenians to Oberon and Titania’s romantic frayed remnants of court finery. And the fairies’ costumes: vintage foundation garments topped with odds and ends culled from an abandoned backstage.
With its classic storyline, inventive staging and delightful cast that handles the language and comedy more than ably, Shakespeare Theatre Company’s “Midsummer Night’s Dream” makes perfect holiday fare both for Bard aficionados and the uninitiated alike.
Citrine, Andromeda and Silver Ware Sidora celebrated their birthdays at JR.’s Bar with a drag show on Saturday, Nov. 2.
(Washington Blade photos by Michael Key)
Theater
Signature’s fresh take on classic ‘Forum’
Actor Mike Millan says ‘it’s like a new work in many ways’
‘A Funny Thing Happened on the Way to the Forum’
Through Jan. 12
Signature Theatre
4200 Campbell Ave.
Arlington, Va.
$40-$126
sigtheatre.org
For out actor Mike Millan, Signature Theatre’s production of “A Funny Thing Happened on the Way to the Forum,” couldn’t feel fresher.
Set in ancient Rome, the 62-year-old Tony-winning hit (music with lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart) borrows from Roman comedy, farce, and a dash of bawdy vaudeville to the tales of slaves, soldiers, courtesans, and a lovesick young man.
Millan plays Hysterium, a nervous slave in the House of Senex, whose tagline reads “I live to grovel.”
“I’ve never done ‘Forum,’ so to me it’s like a new work in many ways,” he says. “And because it’s older and has a classic musical point of view and we’re doing it now, it’s as if we’ve been given a lovely opportunity to make it our own.”
And indeed, they are doing just that. Directed and choreographed by Matthew Gardiner, the Signature production is introducing new bits and playing with gender: the central character Pseudolus, a sly slave role created by Zero Mostel, is played by Erin Weaver; Erronius is played by Sherri Edelen in drag; and two male actors and one nonbinary actor play courtesans.
Though Millan, 35, is based with his partner in Los Angeles, he regularly travels to New York and is pleased to make Signature in Shirlington an additional destination on his bicoastal work journey. Recently, the affable actor took time to talk about Signature and “Forum.”
WASHINGTON BLADE: A little about the brilliantly named Hysterium, please.
MIKE MILLAN: As a gay actor, I can say that Hysterium is one of the gayer characters I’ve ever played. He’s a sort of fop and he’s in drag most of the second act. How can you not see him as a queer character?”
When the part was written it was sort of gay coded and now it’s just abundantly clear, you don’t think twice about it.
BLADE: “Forum” is unapologetically fun. Is now the right time for a romp?
MILLAN: The show comes with a level of escapism that is really infectious. During these tense times, it feels great to be doing a silly musical. We’re doing fart jokes in tunics, and the material and jokes really hold up. You’ll feel better leaving than when you came in.
BLADE: All that and a Sondheim score too?
MILLAN: He’s the reason I’m here. In high school, I discovered his “Into the Woods” and remember locking myself in my room until I knew every word to “Giants in the Sky.”
“Passion,” “Follies,” I love it all. He’s so singular because he writes from a perspective of acting and storytelling; Sondheim touches me in a way that feels quasi-religious.
When I think about the number of times I sang “Last Midnight” alone in my car, it fills me with a joy that I’ve never gotten from any other composer or jukebox musical.
BLADE: In 2022, you played Idina Menzel super fan Jeff in “Which Way to the Stage” at Signature. Are you glad to be back?
MILLAN: Yes, I’m happy to be employed. It’s a tough business. Not only are we asked to be great singers, dancers, actors, and performers but we’re asked to have a social media presence and to be the most popular kid in school.
Signature provides a safe environment to try something new and different, to experiment with a community that respects doing that. Also at Signature, it never feels like any audience members are being dragged by their partners to see a show. It’s a supportive community.
BLADE: Speaking of partners, do you miss being away from home?
MILLAN: Sometime it’s nice to have that time away from each other; it builds a little mystery.
BLADE: Will your performance change between now and January?
MILLAN: In recent years, I’ve changed my acting approach from cracking the code on how to play a character to inviting the audience on a journey and making them part of the process.
I was raised in musical theater, but by doing comedy, standup, and improv, I’ve come to find the joy of failure freeing. And I like being part of a changing show. I like the idea of somebody being able to say “I was there the night Patti LuPone yelled at the guy who took a picture.”
BLADE: An unexpected moment.
MILLAN: Of course, I go in with certain things I have planned out, but I like the element of excitement that anything might happen. And I think the audience should feel that way too.
The flight over to Barcelona was uneventful and landed on-time in this beautiful city. I was met at the airport by a very nice taxi driver I had pre-arranged through booking.com. He drove me to my hotel, the Barcelona Continental, on the Ramblas. It was a little disappointing. They neglected to tell those booking the road in front of the hotel was dug up and therefore you needed to be let out of the taxi across the Ramblas and had a long walk with your luggage. It is really old and not redone, except for the bathrooms, those are nice. But I would not recommend it.
I was early and they couldn’t get me checked in for a few hours, so had coffee and then met my friend Simone, also staying at the hotel. She had checked in a couple of days earlier and had the same reaction to the hotel I did. But that didn’t stop either one of us from enjoying Barcelona in all its beauty. I don’t sleep on planes, so the first day was spent relaxing and wandering aimlessly past cathedrals, long shopping streets, and wonderful little side streets off the Ramblas. Simone took off to do her shopping with more specific plans. It was an early night for me and we met again in the morning for coffee and spent a wonderful day together, shopping, walking, and seeing some great street performers. Then it was dinner with friends who we would be boarding the ship with the next morning. They kept predicting rain. It did come late at night and continued through us heading to the port to board the ASCENT. Because of the broken-up roadway we got a little wet heading to the taxi stand, which didn’t make us feel any better about the hotel.
It was a short ride to the port, and soon the beautiful ASCENT came into view. Boarding was easy and then suddenly the cruise was beginning. A walk around the ship unveiled some beautiful artwork, and small changes from the rest of the EDGE series ships I have been on. But it still felt like a welcome home. I headed to deck 15 and the Retreat lounge to meet some of the 70 people I would be traveling with. Scott and Dustin of My Lux Cruise had planned a sail-away party for all of us in their beautiful Iconic suite. They will be hosting a number of events during the cruise, which makes them such great travel agents, and friends. Another friend, the extraordinarily talented Andrew Derbyshire, who would be performing that evening, was there. He was on the ship for only one night, getting off in Alicante to head home to the UK the next day.
I joined friends, Scott, Mike, and the irrepressible Jason, for dinner in Luminae, the dining room for the retreat. It was to be a night where dinner came first and then the show. At 9 p.m. we were seated in the third row of the beautiful theater, to hear Andrew. He didn’t disappoint. He is better than ever. He has an incredible voice and such great stage presence. I, and everyone else, were just so sorry he wouldn’t be staying on the cruise with us. He reminded us he has been working with Celebrity for more than eight years and is one of their biggest stars. He also hosts their Pride month events doing so with great panache. As a young man Andrew performed in the West End in London, and has been a star performer for much of his life. Then it was off to The Club for a little disco music, and then off to bed with a satisfied smile on my face to complete day one on the ASCENT.
Day two began with a knock on the door of my cabin with delivery of coffee, juice, and a bagel. I sat down to write, which I do every morning, and then headed to the gym for my first workout on the ship. It was empty, which was great, and the sun had come out and the view from the lifecycle made it fun. After the gym I headed to the retreat lounge and met some friends and had a cappuccino. The sky started to get gray and clearly it was going to rain in Alicante, our first stop. But that didn’t stop anyone from walking around the town. I was getting the best feeling this was going to be a great cruise.
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