Arts & Entertainment
Silver bells, silver screen
Several gay-themed flicks among holiday fare
Hugh Jackman as Jean Valjean in the film adaptation of ‘Les Miserables.’
LGBT filmgoers have some interesting mainstream and independent movie choices coming up this holiday season.
Already in theaters (D.C.’s Landmark E Street Cinema among them) is “Any Day Now” starring Alan Cumming and Garret Dillahunt. Set in Los Angeles in 1979, it tells the story of an unconventional family battling internalized and institutional homophobia as an unlikely gay couple tries to adopt a special needs child.
Cumming plays Rudy Donatello, a flamboyant drag queen who yearns to stop lip-synching and perform his own cabaret act. Dillahunt plays Paul Flieger, a shy fan who finally gathers up the nerve to approach the performer after a show. Paul’s a straight-laced closeted assistant district attorney, so the two clearly have some challenges in making their relationship work.
Rudy lives down the hall from a prostitute who has a 14-year-old son, Marco, with Down syndrome. When she’s arrested on drug possession charges, Rudy impulsively and reluctantly decides to care for Marco. Soon, Paul, Rudy and Marco are living together in Rudy’s cramped apartment, although the two men initially pretend to be cousins to avoid public scrutiny. Trouble ensues when the couple decides to adopt Marco and take on a hostile bureaucracy that doesn’t consider gay men appropriate guardians and that routinely places special needs children in institutions.
Rebels of a different sort are on-screen in Walter Salles’ adaptation of Jack Kerouac’s classic Beat novel, “On the Road.” Like the novel, the movie is a thinly veiled recreation of the famous cross-country road trip taken by Kerouac with his friend Neal Cassady and Cassady’s girlfriend LuAnne Henderson. Sam Riley plays Kerouac’s alter ego Sal Paradise and Garrett Hedlund plays the charismatic Dean Moriarty (based on Cassady). Kristen Stewart appears as Moriarty’s girlfriend Marylou and Viggo Mortenson and Tom Sturridge are featured as characters based on William S. Burroughs (author of “Naked Lunch”) and Allen Ginsburg (the openly gay poet who wrote “Howl”).
Reunited with screenwriter Jose Rivera (the two worked together on “The Motorcycle Diaries,” a road movie inspired by the life of Che Guevara), Salles unflinchingly recreates the artistic, philosophical and sexual awakening of Paradise. The film combines a celebration of the Beat writers and the women and gay men who were part of their world along with an understanding of the misogyny and homophobia that ultimately underscored much of their work. The movie includes explicit sex scenes but the focus remains on the sexual liberties taken by the straight white writers.
“On the Road” opens in limited release Dec. 21 and is expected in D.C. theaters in January.
A very different road trip is the subject of “The Guilt Trip,” a holiday release starring the unlikely comic team of gay icon Barbra Streisand and Seth Rogen. Currently in wide release, the movie is based on a real-life from suburban New Jersey-to-Las Vegas trip taken by screenwriter Dan Fogelman (“Tangled” and “Cars”) and his mother.
In the movie, Rogen plays Andy Brewster, an inventor travelling across the country to sell his newest product. Streisand, in her first lead movie role since “The Mirror Has Two Faces” (1996), plays his pushy mother Joyce, who decides to join her reluctant son on his travels. Along the way, mother and son rebuild their strained relationship and Joyce is reunited with a lost love.
It opened this week in wide release.
The blockbuster release of the 2012 holiday season is the much-anticipated “Les Misérables,” the musical adaptation of the classic Victor Hugo novel about a popular uprising against an oppressive regime (the 1832 June Rebellion in Paris) and the transcendent power of love. Directed by Tom Hooper, the musical extravaganza stars Hugh Jackman as Jean Valjean, who serves a brutal 19-year prison sentence for stealing bread to feed his sister’s starving children. Breaking parole and living under an assumed name, Valjean is relentlessly pursued by the ruthless Inspector Javert (Russell Crowe).
The all-star ensemble cast features Anne Hathaway as Fantine, the doomed factory worker; Amanda Seyfried as Cosette, Fantine’s beautiful illegitimate daughter who is raised by Jean Valjean; Eddie Redmayne as Marius, the student who falls instantly in love with Cosette; and Samantha Banks as Éponine, the wily gamine who pines with unrequited love for Marius. The principal cast is rounded out by Aaron Tveit as the leader of the student revolutionaries; Colm Wilkinson (who originated the role of Jean Valjean in London and New York) as the kindly Bishop of Digne; and, Helena Bonham Carter and Sacha Baron Cohen as the Thénardiers, comic denizens of the Parisian underworld.
“Les Miz” makes movie musical history by being the first film musical to be recorded live on the set (performers usually lip-synch to tracks previously laid down in a recording studio). The movie adaptation will also include a new song written specifically for leading man Hugh Jackman. The authors of the English stage musical (Claude-Michel Schönberg, Alain Boublil and Herbert Kretzmer), working with screenwriter William Nicholson, wrote the song “Suddenly” for Jean Valjean to sing after he rescues Cosette from the Thénardiers. The new song clarifies the character’s emotional journey and will be eligible for Oscar consideration.
“Les Misérables” opens nationwide in wide release Tuesday.
Celebrity News
Fashion icon Bob Mackie dead at 87
Designing legend to all the divas, gone but not forgotten
To those still reeling from the loss of Dolly Parton and Tim Curry, we have another queer icon to add to the In Memoriam of 2026: Bob Mackie. A designer known for being extra, before that was even a thing, has left us with a legacy of looks and an indelible mark on fashion.
The news broke on his Instagram account Monday, Sept. 14, with the message:
“It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a fashion and costume designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world.” According to People magazine, he passed away in Palm Springs, Calif., due to pneumonia.
At 87, Mackie is the definitive designer for divas. Mackie has literally dressed them all, including Diana Ross, Whitney Houston, Barbara Streisand, Dolly Parton, Tina Turner, Bette Midler, Bernadette Peters, and even RuPaul. He’s dressed film and television icons like Raquel Welch, Lynda Carter, Goldie Hawn, and Jennifer Lopez. It’s not just female divas; he’s also done many of Elton John’s famous costumes as well as David Bowie’s.
His first major mark was drawing the first design of Marilyn Monroe’s famous “Happy Birthday, Mr. President” dress. Next, he was an assistant to costume designer Ray Aghayan on “The Judy Garland Show.” The two would carry on a professional and romantic partnership for 50 years until Aghayan’s passing in 2011.
Mackie then went on to do all of the costumes for “The Carol Burnett Show,” creating an estimated 17,000 costumes for her show’s 11-year run. This gave him much critical acclaim and notoriety, making him a permanent fixture in the variety show market.
He became a frequent collaborator of Cher, having made her famous midriff-revealing Oscar gown, her “If I Could Turn Back Time” costume, and being her designer for her various television shows, including “The Sonny and Cher Show.” He even designed costumes for her Farewell Tour. The two are synonymous with him having lent his artistic sensibilities to give her a distinct look. Cher even said in 2024, “He helped me create a different me.”
Mackie has left his mark on fashion with a distinct style of glamorous, over-the-top looks. He received the monikers the “Sultan of Sequins,” the “Rajah of Rhinestones,” and the “Guru of Glitter” for challenging the line between costume and fashion with lots of fringe, flash, and over-the-top eye-catching elements. He’s managed to retain a presence not just in entertainment but in the fashion industry for decades. Most recently, one of his outfits was a major plot point for the final season of “Hacks.”
Mackie has received his share of awards and acknowledgments. In addition to dressing many people for the Oscars, he received three nominations, including dressing Diana Ross for “Lady Sings the Blues.” He won a Tony Award for “The Cher Show.” He won nine Emmy Awards and received 30 nominations for his prolific television work.
Luckily, Mackie’s life was celebrated before his passing, receiving various Lifetime achievement awards including the Geoffrey Beene CFDA Lifetime Achievement Award, being honored by the Television Hall of Fame, and receiving “RuPaul’s Drag Race”‘s Giving Us Life-time Achievement Award. He was the first guest judge on the popular series.
It’s clear that not only was Mackie talented, he was magical. He gave a bit of stardust to countless celebrities, luminaries, and public figures with looks that not only defied expectations but managed to be truly spectacular. He’s part of the glitz we think of when we think of Hollywood, and while often elaborate costumes, the shrewd fashion sense and elegance cannot be denied. Mackie will be missed, but his work lives on in the countless pieces still in circulation and forever captured on film and in media.
The 29th annual SMYAL Fall Brunch was held at the Marriott Marquis on Sunday, Sept. 13.
(Washington Blade photos by Michael Key)
Books
Dolly Parton biography puts her hardships into context
‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed
‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages
Not too bright.
That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.
When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.
Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.
Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.
She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.
As a friend said, “’She had her head on pretty good.’”
Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.
Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story.
Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.
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