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Lights out, fun begins

Two current Signature productions find illumination in the dark

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13 years ago

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Rex Daugherty, Jefferson Farber, Romeo and Juliet, Shakespeare's R&J, Signature Theatre, theater, gay news, Washington Blade
Rex Daugherty, Jefferson Farber, Romeo and Juliet, Shakespeare's R&J, Signature Theatre, theater, gay news, Washington Blade

Two students (Rex Daugherty, left, and Jefferson Farber) get caught up in their reading of ‘Romeo and Juliet’ in ‘Shakespeare’s R&J,’ now playing at Virginia’s Signature Theatre through March 3. (Photo by Teresa Wood, courtesy Signature)

‘Shakespeare’s R&J’
Through March 3
Signature Theatre
4200 Campbell Avenue, Arlington
$40-$89
703-573-SEAT
signature-theatre.org

It’s not a bong or porn. The contraband hidden beneath the dorm floorboards in this Catholic boys’ prep school is a nicely bound copy of Shakespeare’s “Romeo and Juliet.” In a repressed world where every movement is dictated by a bell’s toll and days are filled with rote recitations of Latin verb conjugations and catechism, it seems escaping into the play is the thing. So, each night after lights out, four teenage boys whip out their flashlights and energetically act out the bard’s torrid tale of star-crossed young lovers.

“Shakespeare’s R&J” now playing at Signature Theatre, is a play within a play — both a male adolescent coming of age story and an edited version of the classic. Like the horny teenagers in the original text, the heat between R&J’s Romeo, the poetically ardent Student 1 (Alex Mills) and his determined Juliet, Student 2 (Jefferson Farber) is real. The lovers’ recognition of attraction — definitely the play’s most powerful moment — is followed by plenty of kisses and contact. Effectively divvying up the remainder of the parts are Student 3 (Joel David Santner) and Student 4 (Rex Daugherty) who is particularly uncomfortable with his schoolmates’ raging same-sex romance and does what he can to stop it.

Staged by “R&J’s” author Joe Calarco (who is gay), the production (Signature’s first-ever in the round) is beautiful to watch. Impeccably rehearsed, the appealingly boyish cast moves nonstop with manic energy and teenage boy horseplay, while never missing a cue or bit of business. James Kronzer’s impressively spare-yet-rich wood set is gorgeously lit by Chris Lee who slyly creates Verona’s romantic lattices, shadows and misty rain showers without a drop of water.

As the four students become increasingly involved in the play, they shed their jackets, ties, sweater vests and inhibitions, taking their bodies and emotions far away from their stultifyingly structured days. And when they reach the end of the of Shakespeare’s beloved tragedy, will they return lockstep to a buttoned-down life of bells and indoctrination? Or will each choose his own way?

Though entirely unsubtle, “R&J’s” ending is undeniably affirming.

‘Black Comedy’
Through March 2
No Rules Theatre Company
Signature Theatre
4200 Campbell Avenue, Arlington
$30
703-820-9771
norulestheatre.org

If you’re into farce, there’s a humdinger titled “Black Comedy” running concurrently next door in Signature’s more intimate ARK Theatre. Mounted by No Rules Theatre Company, the spirited production marks the beginning of an enviable three-year residency at Signature for the young company.

Penned by British playwright Peter Shaffer, the 1966 romp takes place mostly in the dark. Up-and-coming artist Brindsley (Jerzy Gwiazdowski) and his facile but connected girlfriend Carol (Kathryn Saffell) are planning a special gathering in which Brindsley will both meet Carol’s very conservative father Colonel Melkett (Matthew R. Wilson) and show his sculptures to a rich German art collector. But all goes wrong when the building’s main fuse blows leaving the hosts and their guests in total darkness. In the playwright’s brilliantly reversed conceit, the stage is illuminated when the lights are out, and is darkened when the lights are meant to be on, allowing us to see the awkwardness and hilarity of an evening spent without light.

All the usual farce stock players are on hand: In addition to the wily young man, dim debutante and her stuffy colonel father, there’s the spinster Miss Furnival (Lisa Hodsoll) who more than loosens up after accidentally downing a few drinks in the dark; Harold Gorringe (Brian Sutow), the campy gay neighbor with a penchant for old China and younger men; and a sensitive repairman with an eye for art. Also there’s Brindsley’s clever, ex-lover Clea (Dorea Schmidt), a part written by Shaffer especially for his pal Maggie Smith most presently of TV’s “Downton Abbey” fame.

The very able cast is game indeed, ready and willing to fall over chairs and bump into walls in the dark. There’s an especially wonderful mid-play sequence in which Gwiazdowski’s agility and physical comedy talents along with director Matt Cowart’s amusingly inventive staging are shown to best advantage. While guests exchange middle class mundanities, Gwiazdowski’s Brindsley moves a roomful of secretly borrowed furniture in the dark from his bohemian digs (compliments of John Bowhers) back to Gorringe’s piss elegant flat down the hall.

A review of “Black Comedy” demands a nod to Travis McHale for his marvelously upside down lighting: When candles are lit, stage lights dim. A shining flashlight makes things even darker.

The playwright Shaffer, who is gay, went on to write “Equus,” that disturbing drama about a boy and his obsession with horses, and the delightful comic-tragedy “Amadeus,” before being knighted in 2001. Though the LGBT experience isn’t central to his work, gay characters frequently appear in his plays.

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Theater

Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions

Synetic production pulls audience into grips of doomed lovers’ passion

Published

17 hours ago

on

January 17, 2026

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Stella Bunch as Mardian and Irina Kavsadze as Cleopatra in Synetic Theatre's ‘Antony & Cleopatra.’ (Photo by Katerina Kato)

‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org

A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge. 

Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.  

As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.  

Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers. 

The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.

Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.

There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.

Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.

Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc. 

When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.

Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp. 

When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.

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Out & About

Love board games and looking for love?

Published

2 days ago

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January 16, 2026

By

(Image by VLADGRIN/Bigstock)

Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC. 

Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?

Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment. 

At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.

Tickets cost $31.80 and can be purchased on Eventbrite. 

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Calendar

Calendar: January 16-22

LGBTQ events in the days to come

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2 days ago

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January 16, 2026

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Friday, January 16

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Trans and Genderqueer Game Night will be at 7 p.m. at the DC LGBTQ+ Community Center. This is a relaxing, laid-back evening of games and fun. For more details, visit the DC Center’s website. 

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new connections and community building or just to unwind and enjoy extended happy hour. Attendance is free and more details are available on Eventbrite.

Saturday, January 17

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center and SMYAL will host a free film screening of “Mama Bears” celebrating queer youth, resilience, and the power of living authentically. Whether you’re a movie lover, looking to make new friends, or simply want a safe, affirming space to relax, this event is for you. Click this link to RSVP. 

LGBTQ People of Color will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ people of color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There will be all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.

Sunday, January 18

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, January 19

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, January 20

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Tae Kwon Do Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.

Wednesday, January 21

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, January 22

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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