Arts & Entertainment

Books: Hot gay page turners

Spring book release schedule chock full of LGBT content

Published

13 years ago

February 27, 2013

‘Decadence’ by Eric Jerome Dickey, ‘Gypsy Boy on the Run’ by Mikey Walsh and ‘Prairie Silence’ by Melanie Hoffert, just three of many gay-themed books slated for release in the coming months. (Photos courtesy the publishers)

The spring publishing season is full of gay reads, especially if you like memoirs.

Mikey Walsh gifts us with a sequel to last year’s “Gypsy Boy” (one of my favorite books of 2012) with his new book “Gypsy Boy on the Run.” This book picks up where the first book left off — Walsh has just escaped his father’s abuse and the Romany culture in which he grew up — and off we go. Which is great, since the first book practically begged for an update. His being gay is a major reason he was shunned by his culture of origin.

What would you do if you hailed from a place where you being gay was the farthest thing from your neighbors’ minds? In “Prairie Silence,” author Melanie Hoffert tackles that, coming from her home state of North Dakota. This is a beautiful book, almost bucolic, and filled with a quiet sense of calm and crops.

“Letters from the Closet: Ten Years of Correspondence That Changed My Life” by Amy Hollingsworth is a bit of a unusual memoir: it’s about a teacher who was not “out,” his favorite student and letters that he wrote to her that she kept until his death, years later. It’s a powerful story of secrets that aren’t so secret, from a Christian writer.

Speaking of church, “Banished: Surviving My Years in the Westboro Baptist Church” by Lauren Drain is the true story of the organization and a little girl whose father got so caught up in his examination of the church that he moved his family to Kansas and into the fold. It’s also the story of a girl who examines her conscience and realizes that her former beliefs were wrong. Controversial? You betcha, but oh-so-interesting, too.

“Plane Queer” by Phil Tiemeyer is a book about male flight attendants from the 1920s to about a decade ago, their work in a female-dominated career, the discrimination they faced and how AIDS has tied into their area of the industry. There’s a lot to learn here (because — did you know this? — they were in the forefront of an important civil rights law), so this book isn’t just a scandal-filled, juicy read.

Local gay author Garrett Peck continues his historical explorations with “The Smithsonian Castle and the Seneca Quarry.” This is somewhat of a sequel to Peck’s last book and explains how some of D.C.’s best-loved sites are tied together in an unlikely way.

California-based gay author and pop culture historian Mike Pingel is out with another tidbit-crammed page turner. “Betty White Rules the World” traces the legend’s career from “Life With Elizabeth,” “Mary Tyler Moore,” “The Golden Girls,” “Hot in Cleveland” and more. As with previous books on everything from “Wonder Woman” to “Charlie’s Angels,” Pingel keeps the pace moving — pullout boxes and mini-chapters are well-chocked with interesting factoids that keep the pace moving.

So you’re clamoring for a novel. Just a good story, that’s all you want.

And then you want “The Beauty of Men Never Dies” by David Leddick.

Blending fiction with memoir, this book is about aging and falling in love later in life. It’s a whirlwind trip from America to Europe, from one fabulous job to another, and from love lost to love gained. How much is true and how much is not? I’m not saying. Read the book.

Gay author Brent Hartinger will release “The Elephant of Surprise” from Buddha Kitty Books on March 31. It’s the fourth book in the “Geography Club” series, the first entry of which has been adapted into a film starring Scott Bakula and Nikki Blonsky. In “Elephant,” Russel and his friends Min and Gunnar laugh about a phenomenon referenced in the title — the tendency of life to never turn out as expected. Russel becomes involved with Wade, a hot-but-homeless activist, just as his old flame Kevin returns to his front burner. And Min is learning surprising things about her girlfriend Leah. Hartinger, a former Blade contributor, has earned kudos for his well-crafted depictions of gay teen life.

Finally, if you just want something fun, hedonistic and so hot you’ll need oven mitts, then look for “Decadence” by Eric Jerome Dickey this spring. Nia Simone Bijou (she of 2008’s “Pleasure”) is back and looking to hone her “gifts” of love by stepping into a pleasure palace for awhile.

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What ‘Queer Eye for the Straight Guy’ can still teach us

Producer David Collins on lasting impact of hit series

Published

13 hours ago

August 20, 2026

Joel Medina

David Collins (Photo courtesy of Collins)

It’s hard to imagine where LGBTQ+ television would be without “Queer Eye for the Straight Guy,” the trailblazing reality series that premiered in 2003.

Each episode of this Emmy-winning show saw a group of gays converge on a struggling man — the titular straight guy — and offer nonstop wit while organizing his endlessly messy life. This program about a group of homosexual helpers took the world by storm, furthering the love of gay television begun by shows like “Will and Grace” but bringing it into the growing medium of reality TV. Of course, it wasn’t perfect; “Queer Eye for the Straight Guy” often cast its experts less as multi-faceted queer folks and more as sources of early 2000s gay jokes. But despite these pitfalls, it’s undeniable that the original program explored the realities of being gay in a way audiences had never seen before. It was a monumental piece of LGBTQ+ representation, and its success is largely owed to the man who fought to get this show made: producer David Collins.

Collins spoke with the Blade from his Los Angeles home, where he’s spent the past few years living with his husband and his two daughters. David spoke fondly of his many years in the industry, detailing how it feels to be such a huge part of LGBTQ+ history. He explained, however, that he didn’t initially set out to alter how queer people were seen on television. “I never went out to make gay television,” said the producer. “I went out to tell great stories.”

“I’m a hillbilly from Ohio, and I thought I was going to be an editor,” David laughed, looking back on his career. “I interned at the Cincinnati Film Office, and I showed up to work my very first day, and the film commissioner was like, ‘Get to the airport right now and pick [someone] up. Don’t talk to them.’ Well, I ended up picking up Jodie Foster.” Collins raved about this car ride that changed his life, with the pair becoming friends and Foster pushing him to become a producer who puts their own media out into the world. Eventually, he did just that, and after learning about the wild new genre that was reality TV, he pitched a series to Bravo: “Queer Eye for the Straight Guy.”

“I was obsessed with Esquire magazine, and they had five categories: fashion, grooming, interior design, culture, food, and wine. So I gave them each a gay, and the Fab Five were born!” Collins said, describing how viewers quickly fell in love with the concept and earned the program four seasons and an Emmy for Outstanding Reality Program. He spoke about how proud he felt creating a show that centered real gay people, not characters in a story, remembering, “To stand in the middle of Times Square and look up and see this massive billboard with the original Queer Eye guys…it wasn’t even a dream come true, because it wasn’t a dream I had even fathomed.”

With his series, people were watching actual gay men and learning the realities of a queer culture that had always been portrayed as a danger to society. Collins tearfully recounted hearing about queer people using the show as a way to connect with their family, saying, “What I’m most proud of that’s come out of Queer Eye [are] the conversations that that series has allowed to have people around their kitchen tables with little boys in Ohio like me who were scared to death that they were going to burn in hell because their pastor was telling them that they were a sinner.”

Now, for all of its trailblazing, the program wasn’t wholly positive; the show’s focus on the central ‘straight guy’ meant it rarely delved into the lives of its Fab Five. Collins regretted that lack of depth but understood that earlier audiences weren’t accustomed to such a nuanced look into queerness — that would have to wait for the reboot.

When “Queer Eye” came out in 2018, audiences were introduced to not only a new Fab Five, but a whole new format (that didn’t rely on a straight person). Now, the series would assist queer folks and allies alike, spotlighting these individuals as well as the queer experts helping them improve their lives. The show has been applauded for its amazing makeovers, but where it truly stands out is its representation, offering a look into individuals across the country and the struggles — along with the immense joys — of being queer in America today.

Fans were disappointed to hear that “Queer Eye” would be ending after its 10th season, but David stressed that they wouldn’t have to be sad for long. “What I will say to you is this: hang tight,” he teased. “There’s yet another version of ‘Queer Eye’ to come, and we’re working on that now.” In the meantime, Collins is continuing his work with new shows like the “House of Stassi,” a series centered on “Vanderpump Rules’”prolific waitress. He’s excited about these new projects, but emphasized that his heart will always belong to “Queer Eye for the Straight Guy” and all that it continues to do for viewers 19 years after its finale.

“It’s not about your new outfit or your new couch or your new whatever. It’s about your humanity,” said Collins, speaking about the core lesson he hopes people take away from the Queer Eye franchise. “It’s about seeing yourself. It’s about dignity. It’s about how confidence breeds success.”

A valuable message that queer folks can benefit from even more now than they did in 2003. And, while it’s unclear just what lies ahead for this franchise, one thing is for sure: “Queer Eye for the Straight Guy” helped people everywhere understand the power that exists within our queerness. It’s a truth that has impacted countless pieces of LGBTQ+ television today, and it’s one that Collins promises to keep alive through whatever hit show he creates next.

Celebrity News

Madonna nominated for 11 MTV VMAs

Musical icon has been nominated in every decade of her career

Published

2 days ago

August 18, 2026

Christian Cintron

While Michael Jackson is the uncontested King of Pop, Madonna can easily be considered its queen. She has managed to maintain relevancy throughout the decades and borrowed from different genres and even cultures. There was Puerto Rican freestyle-inspired early Madonna, the “Evita” moment, Madonna as a guru with “Ray of Light,” and more.

Regardless of how you feel about her acting, she has consistently performed hits for films, garnering her multiple awards.

Her follow-up to the wildly popular “Confessions on a Dance Floor,” “Confessions II” has managed to snag her 11 VMA nominations, more than any artist this year. This brings her total up to 80 nominations, and whatever she takes home will add to her 20 wins.

Madonna’s relationship with the VMAs has consistently included history-defining moments. In 1984, she performed at the first VMA ceremony dressed like a bride, emerging from a cake singing “Like a Virgin.” It was provocative and, of course, got conservatives into a tizzy.

One of her most memorable performances was her 1990 performance of “Vogue” in full Marie Antoinette regalia, which is forever etched in history. She also sang “Hollywood” in 2003 and famously kissed both Britney Spears and Christina Aguilera. She even eulogized Michael Jackson at the 2009 ceremony.

Fans have long awaited a follow-up to this monumental album. Despite her long career, “Confessions” marked her second Grammy for music achievement. Her follow-up album has delighted the gays and gone viral on social media with LGBTQ folks reigniting their love of Madonna with “I Feel So Free.” She is giving us what we need, much like Lady Gaga dropping “Chromatica” post-pandemic.

Since the album has been released, Madonna united with pop royalty, Kylie Minogue, on a remix of her song “Love Sensation.” The two appeared together on the stage for her set at World Pride in Amsterdam.

(Washington Blade video by Michael K. Lavers)

Rather than releasing a plain old music video, she released a film which strings together multiple celebrity appearances including collaborator Sabrina Carpenter, Benedict Cumberbatch, her longtime friend Debi Mazar, Honey Dijon, Kate Moss, Game of Thrones star Gwendoline Christie, and even her daughter Lourdes Leon. While the state of her biopic is in limbo, Julia Garner appeared in Madonna drag for the video. This video is the lion’s share of her nominations and could lead to an epic performance at the ceremony.

Time will tell how she will top these history-defining moments, but one thing is for sure … it will be a show. This year’s nominations include:

Artist of the Year
Video of the Year (CONFESSIONS II – THE FILM)
Song of the Year (Bring Your Love with Sabrina Carpenter)
Best Collaboration (Madonna & Sabrina Carpenter)
Best Dance (CONFESSIONS II – THE FILM)
Best Choreography (CONFESSIONS II – THE FILM)
Best Editing (CONFESSIONS II – THE FILM)
Best Visual Effects (CONFESSIONS II – THE FILM)
Best Direction (CONFESSIONS II – THE FILM)
Best Art Direction (CONFESSIONS II – THE FILM)
Best Cinematography (CONFESSIONS II – THE FILM)

You can vote for Madonna on MTV’s website and find out how many awards she takes home and see her soon-to-be-legendary performance at the 2026 VMAs on Sunday, Sept. 27, on CBS, MTV, and Paramount+.