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Opera: Girl drama

Washington opera’s spring season features plum roles for women

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Patricia Racette, Manon Lascaut, Washington National Opera, gay news, Washington Blade
Angela Mead, Norma, Washington National Opera, gay news, Washington Blade

Angela Mead in a promo photo for ‘Norma.’ (Photo by Dario Acosta; courtesy WNO)

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This spring at Washington National Opera, the fairer sex will be the talk of the capital’s operatic scene. From stars to directors and the repertoire itself, women rule the stage, with exciting company debuts as part of the stable.

First out of the gate, opening Saturday, is “Manon Lescaut,” starring Washington favorite Patricia Racette in the title role. Last seen on the Kennedy Center’s opera stage in 2011 for “Iphigenie en Tauride” and “Tosca,” Racette (a lesbian) will be tackling the role of Manon Lescaut for the first time in the revival of gay director John Pascoe’s 2007 production.

Patricia Racette, Manon Lascaut, Washington National Opera, gay news, Washington Blade

Patricia Racette in the title role for ‘Manon Lescaut.’ (Photo by Cory Weaver; courtesy WNO)

Written by Giacomo Puccini and premiered in 1893, “Manon Lescaut” was a risky undertaking for the composer. Almost a decade earlier, Frenchman Jules Massenet had unveiled a wildly popular version of the same story, simply titled “Manon.” Up to this point in his career, Puccini hadn’t been particularly successful, but “Manon Lescaut” put Puccini on the operatic map.

For many of his operas, Puccini’s heroine is the crux of the drama, and “Manon Lescaut” set the bar for this winning equation. At the opera’s start, the young and achingly beautiful Manon is on her way to a convent at her family’s insistence. Her carriage stops in a small town for a rest, where she meets the young and handsome Des Grieux. After he professes his undying love for her, she decides to run away with him, whether for love or a convenient escape is up for debate.

At the start of the second act, time has passed and Manon has cashed in her chips for money and comfort instead of love. She’s now the kept woman of an older wealthy man, and although she has everything she could ever dream of, she pines for Des Grieux. Eventually, the young pair manages to reconnect with disastrous results, including an appropriately operatic death scene for Manon.

One of the greatest tests of an operatic soprano is the titular role of “Norma.” Divas from Rosa Ponselle to Maria Callas and Joan Sutherland have made the Druid priestess their calling card, and now, rising soprano Angela Meade steps up to the plate for her first full production of this titanic role.

Audiences and critics have long been anticipating this moment with a mixture of hopeful curiosity and timidity. In July of 2010, Meade sang the role in a concert version, and while the reviews were generally kind, many felt it was too much too soon for the young soprano. Cut to February 2012 when a more seasoned Meade, on the heels of winning the Beverly Sills Artist Award, received glittering notices for her performance at the Metropolitan Opera in Verdi’s “Ernani.” Starting March 9, the soprano makes another run at Norma in a new production, directed by out theater and opera director Anne Bogart.

“Norma” is a tale of betrayed love and, ultimately, redemption, headed by the priestess of the title. The ancient Celts, under Roman occupation, are biding their time to destroy the southern interlopers until Norma gives her consent.

She’s been delaying, though, because she’s fallen deeply in love with the Roman general and has secretly born him two children.

As men are wont to do, the Roman falls in love with another priestess, leaving Norma in the emotional lurch. The opera ends in a spectacularly heartbreaking climax between Norma, her former lover and her father who is shocked to learn of Norma’s transgression. Written by Vincenzo Bellini and premiered in 1831, “Norma” has persevered in the repertoire because of its interpreters. This spring, we’ll see if Angela Meade makes it her own.

Later in spring, comes the final offering of the opera’s season, the American musical “Show Boat,” a piece that has long straddled the line between opera and musical theater. This new production, opening May 4, will be directed by Washington National Opera’s new artistic director, Francesca Zambello, who started her tenure as artistic director in January.

Jerome Kern’s musical masterpiece features songs that have become woven into America’s cultural identity, including the show stopping “Ol’ Man River.” Zambello, who is gay, is no stranger to Washington’s operatic stage, having directed much of Wagner’s Ring Cycle for the company along with another great American opera “Porgy and Bess.”

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Photos

PHOTOS: Queen of Hearts

Bev crowned winner of 44th annual pageant at The Lodge

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Bev is crowned Queen of Hearts 2026 at The Lodge in Boonsboro, Md. (Washington Blade photo by Michael Key)

The 44th annual Queen of Hearts pageant was held at The Lodge in Boonsboro, Md. on Friday, Feb. 20. Six contestants vied for the title and Bev was crowned the winner.

(Washington Blade photos by Michael Key)

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Books

New book profiles LGBTQ Ukrainians, documents war experiences

Tuesday marks four years since Russia attacked Ukraine

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Artur Ozerov, a drag queen who performs as AuRa and works for the Kyiv City Military Administration, prepares to perform at a nightclub in Kyiv, Ukraine, on Dec. 10, 2022. Ozeroy is among the LGBTQ Ukrainians profiled in J. Lester Feder's new book, 'The Queer Face of War: Portraits and Stories from Ukraine' (Photo by J. Lester Feder, courtesy of Outright International)

Journalist J. Lester Feder’s new book profiles LGBTQ Ukrainians and their experiences during Russia’s war against their country.

Feder for “The Queer Face of War: Portraits and Stories from Ukraine” interviewed and photographed LGBTQ Ukrainians in Kyiv, the country’s capital, and in other cities. They include Olena Hloba, the co-founder of Tergo, a support group for parents and friends of LGBTQ Ukrainians, who fled her home in the Kyiv suburb of Bucha shortly after Russia launched its war on Feb. 24, 2022.

Russian soldiers killed civilians as they withdrew from Bucha. Videos and photographs that emerged from the Kyiv suburb showed dead bodies with their hands tied behind their back and other signs of torture.

Olena Hloba (Photo by J. Lester Feder, courtesy of Outright International)

Olena Shevchenko, chair of Insight, a Ukrainian LGBTQ rights group, wrote the book’s forward.

Olena Shevchenko, leader of Insight, poses for a portrait, in Kyiv, Ukraine, on Sept. 8, 2025. (Washington Blade photo by Caroline Gutman)

The book also profiles Viktor Pylypenko, a gay man who the Ukrainian military assigned to the 72nd Mechanized Black Cossack Brigade after the war began. Feder writes Pylypenko’s unit “was deployed to some of the fiercest and most important battles of the war.”

“The brigade was pivotal to beating Russian forces back from Kyiv in their initial attempt to take the capital, helping them liberate territory near Kharkiv and defending the front lines in Donbas,” wrote Feder.

Pylypenko spent two years fighting “on Ukraine’s most dangerous battlefields, serving primarily as a medic.”

“At times he felt he was living in a horror movie, watching tank shells tear his fellow soldiers apart before his eyes,” wrote Feder. “He held many men as they took their final breaths. Of the roughly one hundred who entered the unit with him, only six remained when he was discharged in 2024. He didn’t leave by choice: he went home to take care of his father, who had suffered a stroke.”

Feder notes one of Pylypenko’s former commanders attacked him online when he came out. Pylypenko said another commander defended him.

Feder also profiled Diana and Oleksii Polukhin, two residents of Kherson, a port city in southern Ukraine that is near the mouth of the Dnieper River.

Ukrainian forces regained control of Kherson in November 2022, nine months after Russia occupied it.

Diana, a cigarette vender, and Polukhin told Feder that Russian forces demanded they disclose the names of other LGBTQ Ukrainians in Kherson. Russian forces also tortured Diana and Polukhin while in their custody.

Polukhim is the first LGBTQ victim of Russian persecution to report their case to Ukrainian prosecutors.

Oleksii Polukhin (Photo by J. Lester Feder)

Feder, who is of Ukrainian descent, first visited Ukraine in 2013 when he wrote for BuzzFeed.

He was Outright International’s Senior Fellow for Emergency Research from 2021-2023. Feder last traveled to Ukraine in December 2024.

Feder spoke about his book at Politics and Prose at the Wharf in Southwest D.C. on Feb. 6. The Washington Blade spoke with Feder on Feb. 20.

Feder told the Blade he began to work on the book when he was at Outright International and working with humanitarian groups on how to better serve LGBTQ Ukrainians. Feder said military service requirements, a lack of access to hormone therapy and documents that accurately reflect a person’s gender identity and LGBTQ-friendly shelters are among the myriad challenges that LGBTQ Ukrainians have faced since the war began.

“All of these were components of a queer experience of war that was not well documented, and we had never seen in one place, especially with photos,” he told the Blade. “I felt really called to do that, not only because of what was happening in Ukraine, but also as a way to bring to the surface issues that we’d had seen in Iraq and Syria and Afghanistan.”

J. Lester Feder (Photo by J. Lester Feder)

Feder also spoke with the Blade about the war’s geopolitical implications.

Russian President Vladimir Putin in 2013 signed a law that bans the “promotion of homosexuality” to minors.

The 2014 Winter Olympics took place in Sochi, a Russian resort city on the Black Sea. Russia annexed Crimea from Ukraine a few weeks after the games ended.

Russia’s anti-LGBTQ crackdown has continued over the last decade.

The Russian Supreme Court in 2023 ruled the “international LGBT movement” is an extremist organization and banned it. The Russian Justice Ministry last month designated ILGA World, a global LGBTQ and intersex rights group, as an “undesirable” organization.

Ukraine, meanwhile, has sought to align itself with Europe.

Ukrainian President Volodymyr Zelenskyy after a 2021 meeting with then-President Joe Biden at the White House said his country would continue to fight discrimination based on sexual orientation and gender identity. (Zelenskyy’s relationship with the U.S. has grown more tense since the Trump-Vance administration took office.) Zelenskyy in 2022 publicly backed civil partnerships for same-sex couples.

Then-Ukrainian Ambassador to the U.S. Oksana Markarova in 2023 applauded Kyiv Pride and other LGBTQ and intersex rights groups in her country when she spoke at a photo exhibit at Ukraine House in D.C. that highlighted LGBTQ and intersex soldiers. Then-Kyiv Pride Executive Director Lenny Emson, who Feder profiles in his book, was among those who attended the event.  

“Thank you for everything you do in Kyiv, and thank you for everything that you do in order to fight the discrimination that still is somewhere in Ukraine,” said Markarova. “Not everything is perfect yet, but you know, I think we are moving in the right direction. And we together will not only fight the external enemy, but also will see equality.”

Feder in response to the Blade’s question about why he decided to write his book said he “didn’t feel” the “significance of Russia’s war against Ukraine” for LGBTQ people around the world “was fully understood.”

“This was an opportunity to tell that big story,” he said.

“The crackdown on LGBT rights inside Russia was essentially a laboratory for a strategy of attacking democratic values by attacking queer rights and it was one as Ukraine was getting closet to Europe back in 2013, 2014,” he added. “It was a strategy they were using as part of their foreign policy, and it was one they were using not only in Ukraine over the past decade, but around the world.”

Feder said Republicans are using “that same strategy to attack queer people, to attack democracy itself.”

“I felt like it was important that Americans understand that history,” he said.

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Sports

More than a dozen LGBTQ athletes medal at Olympics

Milan Cortina games ended Sunday

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Gay French ice dancer Guillaume Cizeron, left, is among the LGBTQ athletes who medaled at the Milan Cortina Winter Olympics that ended on Feb. 22, 2026. (Screenshot via NBC Sports/YouTube)

More than a dozen LGBTQ athletes won medals at the Milan Cortina Winter Olympics that ended on Sunday.

Cayla Barnes, Hilary Knight, and Alex Carpenter are LGBTQ members of the U.S. women’s hockey team that won a gold medal after they defeated Canada in overtime. Knight the day before the Feb. 19 match proposed to her girlfriend, Brittany Bowe, an Olympic speed skater.

French ice dancer Guillaume Cizeron, who is gay, and his partner Laurence Fournier Beaudry won gold. American alpine skier Breezy Johnson, who is bisexual, won gold in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, was part of the American figure skating team that won gold in the team event.

Swiss freestyle skier Mathilde Gremaud, who is in a relationship with Vali Höll, an Austrian mountain biker, won gold in women’s freeski slopestyle.

Bruce Mouat, who is the captain of the British curling team that won a silver medal, is gay. Six members of the Canadian women’s hockey team — Emily Clark, Erin Ambrose, Emerance Maschmeyer, Brianne Jenner, Laura Stacey, and Marie-Philip Poulin — that won silver are LGBTQ.

Swedish freestyle skier Sandra Naeslund, who is a lesbian, won a bronze medal in ski cross.

Belgian speed skater Tineke den Dulk, who is bisexual, was part of her country’s mixed 2000-meter relay that won bronze. Canadian ice dancer Paul Poirier, who is gay, and his partner, Piper Gilles, won bronze.

Laura Zimmermann, who is queer, is a member of the Swiss women’s hockey team that won bronze when they defeated Sweden.

Outsports.com notes all of the LGBTQ Olympians who competed at the games and who medaled.

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