Arts & Entertainment
Calendar through April 25
D.C. LGBT events, parties, concerts, meetings and more
‘CHAWbaret 10: Take a Chance on Me,’ a musical show dedicated to risk taking and gambling, runs on Saturday evening. Most of the cast members are LGBT. (Photo courtesy Megan Cheek)
Friday, April 19
The D.C. Center (1318 U St., NW) hosts a “silent lunch” in honor of Day of Silence today at noon. Day of Silence brings attention to anti-LGBT harassment in schools and those who participate in the day take their vow of silence in hopes that their comrades will address the problem. The lunch provides a space for those who are participating and need a silent place for lunch. The Center will also be putting together a “Wall of Silence,” made of different quotes and pictures sent in from the community. For more information, visit thedccenter.org.
The Capital Area Gay & Lesbian Chamber of Commerce honors exceptional business leaders in the area at the Mayflower Renaissance (1127 Connecticut Ave., NW) this evening at 6:30 p.m. The awards dinner was created to showcase the impact of LGBT business and community leaders in the Washington region. Tickets range from $175-$465. Visit caglcc.org for more information.
The Northern Virginia Jewish Film Festival screens the film “Life In Stills” by Tamar Tal tonight at 7:15 p.m. at the Angelika Film Center and Café (2911 District Avenue, Fairfax, Va.). The film tells the story of Miriam Weissenstein and her grandson Ben Peter as they try to defend their family’s Tel Aviv photo studio from demolition. Weissenstein’s late husband was the unofficial photographer for Israel and documented the country’s political and daily life from the 1930s until he died in 1992. Tickets for this particular screening is $11. Attendees can also buy a festival pass for $60. Visit jccnv.org for more information
Life In Stills trailer
The noon-time pipe organ series “Magical, Mystical, Musical Machine” resumes today at National City Christian Church after going on hiatus in November. The church had to provide restoration to its sanctuary and famed pipe organ as a result of the August 2011 earthquake. This concert will feature organist Kristine Adamaite and saxophonist Artis Semanis from Latvia. This performance is free. For more information, visit nationalcitycc.org.
Saturday, April 20
Burgundy Crescent, a gay volunteer organization, volunteers today at Lost Dog & Cat Rescue Foundation at Falls Church PetSmart (6100 Arlington Blvd., Falls Church, Va.) starting at 11:45 a.m. For more information, visit burgundycrescent.org.
The AFI Silver Silent Cinema Showcase (8633 Colesville Rd., Silver Spring, Md.) begins today at 2 p.m. and features silent film actors Mary Pickford, Harold Lloyd, Janet Gaynor, Charlie Chaplin and Laurel & Hardy. Tonight’s showcase is “Sparrows,” with Pickford starring as the oldest girl of a group of orphans held as slaves in a “child farm” in a Southern swamp. Tickets for this screening are $7-$11.50. For more screenings and their tickets, visit afi.com.
Trailer for Mary Pickford in Sparrows
The Capitol Hill Arts Workshop presents “CHAWbaret 10: Take a Chance on Me,” an evening performance featuring pop songs, standards and show tunes that celebrate gambling, taking chances and the risks we face tonight at 8 p.m. and Sunday at 5 and 8 p.m. at CHAW (545 7th St., SE). The performance features members of the D.C. Cabaret Network, including Amy Conley, Tim Gavagan, Maris Wicker and Dean Reichard. Tickets are $15 in advance and $20 at the door. Visit chaw.org for more information.
Filmfest D.C. continues this evening with the screening of the “The Parade” at the Avalon Theatre (5612 Connecticut Ave., NW) at 4:30 p.m. The film follows a gay rights march organizer and the prejudiced former soldier he hires to provide security for one of the events. The film recently won the Panorama Audience Award at the Berlin International Film Festival. Tickets for this individual screening are $12. Following it is a screening of “Laurence Anyways” at Landmark E Street Cinema (555 11th St., NW) at 6 p.m. The film follows Laurence after he tells his girlfriend he wants to become a woman. Tickets are $12. Attendees of the festival can buy individual tickets at each location’s box office or may purchase the director’s package, which is 10 tickets for $95, or the weekday package, which is four tickets for $39. For show times, locations and more information about the films, visit filmfestdc.org.
Laurence Anyways trailer
Sunday, April 21
Special Agent Galactica hosts her show “Across the River!” at Freddie’s Beach Bar (555 S. 23rd St., Crystal City) from 7-9:30 p.m. tonight. The show begins in the era of gin and juke joints, Vaudeville and Sinatra, and ends with rock and pop acts. Admission is free. For more information, visit pinkharedone.com.
Monday, April 22
The D.C. Center (1318 U St., NW) holds coffee drop-in for the senior LGBT community today at 10 a.m.-noon. The Center will provide complimentary coffee and a community to chat with. For more information, visit thedccenter.org.
Bears do Yoga is this evening 6:30 p.m. as part of a series at the Green Lantern (1335 Green Court, NW). This is part of a basic yoga series that takes place every Monday and is open to people of varying body types and experience. There is no charge. For more information, visit thedccenter.org.
Tuesday, April 23
Capital Pride and the D.C. Center host “A Toast to Pride Happy Hour” at Lost Society (2001 14th St., NW) this evening at 6 p.m. The venue evokes an underground, Victorian atmosphere. For more information, visit thedccenter.org.
Green Lantern (1335 Green Court, N.W.) hosts its Safer Sex Kit-packing program tonight from 7-10:30. The packing program is looking for more volunteers to help produce the kits because they say they are barely keeping up with demand. Admission is free and volunteers can just show up. For more information, visit thedccenter.org.
Wednesday, April 24
Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It’s a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. Registration is required and attendees must call 202-797-3580 or email [email protected]. For details, visit whitman-walker.org.
Thursday, April 25
Eight-time Grammy winner Gladys Knight brings her rich soulful voice to the Strathmore (5301 Tuckerman Lane, North Bethesda, Md) tonight at 8 p.m. Tickets are $58-$128. For details, visit strathmore.org.
Gladys Knight – Love Overboard
Martha Stewart gives a lecture on learning, teaching and inspiring others to do what they love and enjoy at the Smithsonian Craft Show today at 11 a.m. at the National Building Museum (401 F St., NW). This particular event is $50 to attend and has limited seating. The festival continues until Sunday at 5 p.m. General admission is $15, a two-day pass is $20 and special group rates are $10. For more information, visit smithsoniancraftshow.org.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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