Arts & Entertainment
Scaled-back ‘Saigon’
Signature gets to the show’s essence in tight production

Diana Huey as Kim in ‘Miss Saigon’ at Signature Theatre. (Photo by Christopher Mueller; courtesy Signature)
‘Miss Saigon’
Through Sept. 29
Signature Theatre
4200 Campbell Ave. Arlington
tickets start at $40
703-820-9771
signature-theatre.org
When “Miss Saigon” ran on Broadway in the ‘90s, there was big buzz surrounding the production’s life-sized helicopter.
The audacious prop was used to recreate the iconic photo depicting the fall of Saigon in 1975 to the Viet Kong when hordes of terrified pro-American Vietnamese fought for spots on a few C.I.A. aircrafts taking off from rooftops. Those who were left behind knew they’d likely be executed. For Signature Theatre’s version, director Eric Schaeffer — in his typical paring down fashion — merely suggests a helicopter, retaining the suspenseful element while losing the impractical spectacle.
From the composers who gave the world “Les Miserables” (Claude-Michel Schonberg and Alain Boublil), the hugely successful “Miss Saigon” is a hard driving, sung through, rock opera based on Puccini’s 1904 classic “Madama Butterfly.” Its eclectic, ballad-heavy score is served beautifully here by a talented cast and a stellar 15-person orchestra tucked away on a perch behind corrugated metal panels. Despite some cloying spots and clunky lyrics by Richard Maltby, Jr., the music works. Memorable tunes include “The Heat Is On,” “I Still Believe,” “Why God Why?” and “The American Dream.”
Signature’s Schaeffer (who is gay) has also halved the 40-person Broadway cast, allowing his take to focus more intimately on the musical’s love story: U.S. Marine Chris (likable Gannon O’Brien) temporarily rescues wide-eyed, Vietnamese bar-girl Kim (vocal powerhouse Diana Huey) from a life of prostitution. Saigon falls and Chris goes home to Atlanta where he marries. Unknown to Chris, Kim has given birth to their son. Kim does what she has to stay alive, driven by the desire to one day reunite as a family. Eventually, Chris and his wife travel to Vietnam to meet the boy. A happy ending for all is hard to imagine.
But the best scenes of Signature’s “Miss Saigon” take place in Saigon’s sleazy hooker bar Dreamland and (later) a similar joint in Bangkok. It’s in a dimly lit, alcohol-fueled Dreamland that war-weary Marines and desperate Vietnamese civilians come together against a backdrop of feverish partying. And it comes off splendidly in Signature’s not huge MAX Theatre.
Dreamland is the domain of the Engineer, a host/pimp played by the unctuous and terrifically entertaining Thom Sesma (who played the role in the show’s second national tour). He bullies a chorus of sexy bar girls led by experienced Gigi (Cheryl Daro). The eye-catching Daro makes a big impression singing “The Movie In My Mind,” a dream about a new life in America, but unfortunately her part essentially ends there. The rest of the cast includes Erin Driscoll as Ellen, Chris’ outwardly sedate spouse. Chris Sizemore is Chris’ Marine buddy who after the war works to reunite Vietnam-born Amerasian children with their American fathers. Christopher Mueller plays menacing Thuy, an unpleasant figure from Kim’s past.
“Miss Saigon” can be melodramatic and overwrought — it’s not for everyone. But Signature offers an opportunity to see it done particularly well.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)















