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Synetic expands tableau

‘Dorian Gray’ intersperses dialogue with company’s signature moves

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The Picture of Dorian Gray, Synetic Theater, gay news, Washington Blade
The Picture of Dorian Gray, Synetic Theater, gay news, Washington Blade

The cast of Synetic’s ‘Picture of Dorian Gray.’ The production represents a bold move for the company. (Photo courtesy Synetic)

‘The Picture of Dorian Gray’

Through Nov. 3

Synetic Theater

1800 South Bell Street, Crystal City

$35 and up

866-811-4111

Synetictheater.org

In adapting Oscar Wilde’s “The Picture of Dorian Gray,” Synetic Theater turns its attention to that eternal nagging question: What price beauty? The 1891 work, Wilde’s only novel, chronicles the downfall of a handsome Londoner who trades his soul to remain eternally young. While Dorian never ages, his physical decline and moral purification is reflected in a portrait tucked safely away in the attic. Tempting tradeoff, eh?

“The only way to get rid of a temptation is to yield to it,” advises decadent Lord Henry (Joseph Carlson) to his willing young student Dorian (Dallas Tolentino). And yield Dorian does: he enthusiastically tastes all the pleasures that the British metropolis has to offer, tragically seducing young actresses, damaging the reputations of respectable married ladies and bedding their sons. He dips into opium, orgies, blackmail and along the way develops an increasingly cruel edge that takes him from pleasure seeking fop to cold-hearted killer.

Typically Synetic follows a fast-paced mostly mute, 90-minute formula. Many past productions have succeeded using this recipe. For “Dorian Gray,” they’ve veered from the course. At two-and-a-half hours, it combines spates of wordy dialogue intercut with choreographer Irina Tsikurishvili’s endlessly imaginative, athletic dance movement for which the company is best known.

And though heavier on witticisms and lyricism than action (despite a murder-filled plotline), “Dorian Gray’s” poetry and foray into the unreal give director Paata Tsikurishvili a lot to play with. Rather than a static painting, the picture is portrayed by Synetic veteran Philip Fletcher, allowing Dorian to interact and struggle with his likeness — these curious and sometimes combative interactions are the most interesting part of the play. As the portrait, Fletcher (who is gay) changes from enigmatically beautiful to hideously debauched, effectively demonstrating Dorian’s excessively naughty behavior. Fletcher’s is a strong and graceful performance.

With his gravity defying backside and enviable abs, Tolendo’s Dorian is the envy of his contemporaries including besotted portraitist and eventual victim Basil (Robert Bowen Smith) and Lord Henry who revels in his ageless friend’s possibilities to continue on a path of evil indefinitely. But despite a good long run of nastiness, Dorian grows tired and reconsiders his wicked ways.

Daniel Pinha’s versatile set is made up of stark metal frames suspended at different heights, beautifully fostering a complete multimedia experience. It’s clear from Coin K. Bills’ wonderfully evocative lighting and Kendra Rai’s gorgeous late Victorian costumes and orgy gear (including Dorian’s tight pleather briefs) that Synetic’s once shallow pockets have grown deservedly deeper in recent years.

While Wilde identified with Dorian, Basil and Lord Harry, his most worldly, pithiest philosophies are voiced through the self-serving aristocrat Lord Henry, haughtily delivered by Carlson. Maxims spoken to Dorian include “there is only one thing in the world worse than being talked about, and that is not being talked about,” and “to get back my youth, I would do anything in the world, except take exercise, get up early or be respectable.”

Other than Wilde’s clever words, the play is mostly devoid of wit, which seems a missed opportunity since Synetic productions are typically peppered with amusing movement bits. Here, they take their decadence and immorality quite seriously.

And while the exchanges between Carlson’s Lord Henry and Tolentino Dorian gives insight into the title character’s motives and emotional turmoil, the play’s best moment are not spoken. And though this production is without Synetic’s more virtuosic choreographic moves, there are moments of sheer ingenuity. For instance, when Dorian visits an opium den, Irina Tsikurishvili uses splattered Day-Glo paint and a plastic screen to transform one more orgy gone wrong into a stunningly dramatic tableau. It’s just another inspired Synetic moment. And this is why even though “Dorian Gray” is not the company’s most sterling effort, it’s still something beautiful and not to be missed.

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Sports

Trans cyclist’s victory sparks outrage in conservative media

Katheryn Phillips is originally from DC

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(Bigstock photo)

On the heels of UPenn erasing the record of the first openly transgender NCAA Division I All-American swimmer and the U.S. Supreme Court’s decision to tackle bans on trans student-athletes, right wing media is now all hot and bothered about the latest trans woman who won a cycling championship — even though she competed according to the rules.

On Tuesday, 58-year-old Katheryn Phillips finished first in USA Cycling’s Lyons Masters National Championship race for women aged 55-59, with a time of 1:42:10, according to the official results posted by the organization. The record shows her gender as “F” for female.  

One second behind Phillips was Julie Peterson, with a time of 1:42:11 — as were three other cyclists: Mary Beth Grier, Andrea Cherniak-Tyson, and Carolyn Maddox. 

Peterson, 57, was so outraged, she told Fox News she refused to stand on the podium in second place next to Phillips. Her story was swiftly shared by the New York Post (also owned by Fox’s parent company News Corp.), the Daily Mail, Breitbart, and other conservative media. 

Both Peterson and another competitor are accusing USA Cycling of “hiding” that a transgender woman had registered to race. 

“It was hidden from us. Katheryn Phillips, KJ’s name, was not on that list. And I checked it up all the way to the point of closure when we couldn’t register online anymore,” Debbie Milne told Fox.

“If I had known, I wouldn’t have spent thousands of dollars in travel and time off work to come and do a race,” Peterson said. Fox welcomed Milne, 56, who finished seventh on Tuesday, to Fox & Friends Thursday morning. 

(Video courtesy of Fox News)

Peterson told Fox she did complain to USA Cycling officials prior to the race. Both Milne and Peterson referred to Phillips as a male, and with “he/him” pronouns. 

“To be fair to all humans, if we want to say ‘him’ or ‘her,’ he was born a biological male, that is a fact,” Milne said. “And that is the thing that makes it an unfair advantage. Whatever has happened after that is a whole different topic.”

“I said, ‘I don’t want to race against a man,’ and they quickly scolded me and said ‘Oh, you can’t call him a man,’ and I’m like ‘Well, he is a man,’ so I was quickly scolded and corrected that it is a woman and I don’t even know what to say.”

USA Cycling did not respond to the Washington Blade’s emails requesting comment. 

Phillips, who goes by Kate and by “KJ,” is a former rugby player with the D.C. Furries, who stated in the comments of a 2024 article published by Zwift Insider that she was the first out trans athlete in the U.S. to compete under the 2004 International Olympic Committee’s guidelines on trans participation. 

“When USA Rugby told me about the IOC decision in 2004, I raised my hand to be included. I experience nothing but joy when I play, ride, and race,” Phillips said. 

As the Blade has reported, the International Olympic Committee drastically revised those rules in 2021, and in March, Republican lawmakers in D.C. demanded the IOC ban trans female athletes from women’s sporting events altogether. 

The Blade also reached out to Phillips for comment but as of press time we have not received a response. She told Zwift Insider in March 2024 she does not let those who disapprove or spread hate impact her performance or her attitude. 

“I am unaffected by dissent. I love, I share joy, I am me, and I have been my authentic self for decades,” she said. It’s been reported Phillips came out in 1999, and told Zwift Insider she considers herself a lifelong cyclist. 

“I’ve been on a bike for as long as I can remember,” said Phillips. “As kids, my friends and I rode all over town, we were feral kids; no cell phones, no trackers … we just roamed, and nobody got in trouble or hurt bad enough not to ride home … Scrapes/bruises/cuts were not an issue for us. In my teens, I worked for myself as a court/legal messenger, doing all of the work via my bike until I got a car. Raced BMX as a kiddo (when I mowed lawns to cover the race entry fees), I did MTB stuff (non-racing) and Sprint/Olympic Triathlons in my 30’s, and now I’m racing on Zwift, Road/Gravel, and CX in my 50s.”

In the comments section, Phillips made clear she’s not competing to win. 

“I don’t do sports for victory, I do it because like many other women, I am an athlete to my core,” she said. “Unlike some, I am not there to WIN, I am there to do my best with the competitors and teammates I have around me trying to do the same…we are in it for the experience. I rejoice in their wins, and a lot of joy is reflected back to me when I have a good day.”

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Celebrity News

Nina West’s ‘Sugar in the Tank’ tour comes to Rehoboth Beach

Drag Race’ contestant will be at Clear Space Theater Company on July 6

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Nina West (Photo courtesy of Clear Space Theatre)

Nina West, a drag queen known for competing on “RuPaul’s Drag Race,” is currently on her ‘Sugar in the Tank’ tour around U.S. cities. 

With previous shows in Key West, Fla., New York, and hometown of Columbus, Ohio, the tour is staying put in Provincetown, Mass., from late July to early September. It will make a stop at Clear Space Theater Company in Rehoboth Beach, Del., as part of a summer cabaret series on July 6. 

Andrew Levitt has been performing as Nina West for 25 years, who got her rise from starring in “Drag Race” Season 11, where she placed sixth and won Miss Congeniality, a title awarded to the contestant who is regarded as the kindest and most helpful one of that season. 

West has toured “Hairspray” on Broadway as Edna Turnblad, starred in a couple of feature films and published a children’s book titled ‘The You Kind of Kind.’

Levitt said he wrote this show in response to attacks from the government towards the LGBTQ community. 

“‘Sugar in the Tank’ is a big old gay fabulous summer musical,” Levitt told the Washington Blade. “The show is a response to the darkness that I think has fallen over a lot of people in the country and it’s hopefully trying to bring a little bit of light and a little bit of joy.” 

“Sugar in the Tank” is a Southern euphemism for gay, often holding a negative connotation. Levitt said he wanted to “reclaim and embrace” queerness in times when some people want to take that away. 

Levitt said he knew he would be traveling to predominantly queer destinations like Key West and Provincetown for these shows and that was always at the forefront of his mind when writing “Sugar in the Tank.” 

This will be Levitt’s first time in Rehoboth Beach. Clear Space Theater is considered Delaware’s second-largest professional non-profit theater and the state’s most prolific producer of professional theater. The space seats just 170 patrons and Levitt said he loves the intimacy of a small venue and that it’s his favorite way to do a show. 

“Stages like this size are the perfect size for me because it allows for me to really showcase my talents,” Levitt said. 

Levitt founded the Nina West Foundation in 2015 to uplift and sustain the central Ohio LGBTQ community, which has raised more than $3 million for various organizations. He said he makes activism part of the entertainment in his career. 

“That’s the nuance of what drag is. We can be ridiculous for fun and we can be serious but it’s all wrapped up into one thing,” Levitt said. “I think that can be the power of it.”

Levitt said West is so much more confident now than when he first started performing as her. He didn’t know where his voice belonged in the community in the past, but because of those who came before him in this art form, he has learned to harness the power of the stage and the power of the wig to be able to tell stories. 

“I really love my community. I love queer people. I love who we are and what we represent,” Levitt said. “Knowing our history and knowing that we’ve been through a lot, I’m really thrilled that as a queen, I can use my voice and my platform to help try to better our community, not try to speak for everyone but try to lend voice to people who desperately need it.”

Levitt’s advice to young queer artists is to not give up on yourself, surround yourself with supportive people and allow yourself the opportunity and space to fail, to ask questions, and to not give up. 

“Our young people have got to be told they matter,” Levitt said. “Oftentimes, people are told that they don’t matter, that their voice doesn’t matter, that they cannot make a difference and I want to remind every single person who’s doing this that they do matter, they can make a difference, their voice is intrinsic to who we are as a community.” 

If Sugar in the Tank was a drink, it would be a Bahama Mama or Sex on the Beach, said Levitt, because they are delicious, juicy, and sugary, just like the show. 

“I just want everyone to know that they should come to ‘Sugar in the Tank’ and experience a show that’s built on joy and levity and silliness and fun and come have some fun with me and show me the fabulous love of Rehoboth Beach,” Levitt said. “I can’t wait.”

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Out & About

Celebrate the Fourth of July the gay way!

LGBTQ events planned for Friday

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(Washington Blade photo by Michael Key)

The Rainbow History Project will host “Pickets, Protests and Parade Exhibit Tour” at 7 p.m. at Freedom Plaza. This event honors the courage, resilience and resistance of D.C.’s gay community. For more details, visit Eventbrite

Go Gay DC will host “LGBTQ Community Social” at 7 p.m. at Hyatt Centric Arlington (1325 Wilson Blvd.). This fun event is ideal for meeting new people and community building. Attendance is free and more details are available on Eventbrite

Xavier Entertainment DC will host “Cowboy Carter Afterparty” at 10 p.m. at Nellie’s Sports Bar. There will be fireworks, parades, and patriotic fun. For more details, visit Eventbrite

Mezcal Amaras will host “Sha Boing Boing Showdown” at 6 p.m. at Snappy’s Small Bar (3917 Georgia Ave., N.W.). Get ready to test your hotdog eating abilities. Tickets start at $12.51 and can be purchased on Eventbrite

Illusions Drag Queen Show will host “Drag Queen Dinner Show” at 7 p.m. at 2323 18th St. N.W. Guests will be treated to the very best celebrity drag impersonations in entertainment. Tickets start at $12.97 and are available on Eventbrite

Thurst Lounge will host “A Thirsty Cowboy Afterparty” at 5 p.m. DJ Apollo will be performing. For more details, visit Thurst’s website

9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” at 9 p.m. The DJ will play plenty of disco hits from the 70s and 80s. Tickets cost $45.30 and can be purchased on Ticketmaster.

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