Arts & Entertainment
Emmylou Harris on her LGBT support, love of animals
Country legend to play D.C. show next week


Emmylou Harris came to prominence in the Washington, D.C. music scene. (Photo by Jack Spencer)
Emmylou Harris
Dec. 4, 7:30 p.m.
The Hamilton, 600 14th St., N.W.
Tickets $94 and $104
202-787-1000;
Those that assume country, bluegrass and Americana artists aren’t supportive of LGBT rights may not realize that many routinely work to further the cause.
Consider 12-time Grammy Award-winning artist Emmylou Harris, who came to prominence in the Washington, D.C. music scene, and will soon perform here. Harris has performed and donated auction items to the Human Rights Campaign’s Equality Dinners in Nashville and has otherwise lent her voice to furthering LGBT rights.
“You know, Nashville still has a ways to go there, but we’re on the move,” the legendary artist said in an interview with the Blade. Harris lives in Nashville in Davidson County and says that, “Davidson is a little blue county in a sea of red in the State of Tennessee.”
Harris lent her name to hasten that move just this past May when she joined fellow musicians Big & Rich’s William “Big Kenny” Alphin, Mary Chapin Carpenter and Rodney Crowell in co-signing an open letter in support of the now successful marriage equality push in Illinois.
“Traditionally speaking, country music, arguably more than any other genre, draws its inspiration from that inexplicable conundrum known as the human condition,” the letter reads. “Songs and stories of love, family, joy, and human imperfection are the root of its appeal. To deny our gay brothers and sisters the right to legally ritualize their love – to marry – is to deny that they too experience the complexity of human emotion that make a song like Dolly Parton’s ‘I Will Always Love You’ the shared phenomenon that it is.”
Harris doesn’t recall a particular turning point that heightened her awareness of LGBT issues when she lived in the D.C. area but was caught up in the urgency of it in recent years.
“I was totally not aware of that at all,” she says of the discrimination faced by the LGBT community, especially in the 1970s when she lived in the D.C. area. “Really it just sort of came to me later in life, the urgency of the situation. You broaden your horizons as you meet people and more people come into your fold as friends. I just believe in equal rights for everyone. Everyone has the right to happiness — to life, liberty and the pursuit of happiness. And, you know, it shouldn’t be different for anyone.”
She was quick to add that she would welcome the opportunity to perform at Capital Pride and other LGBT events. For now, fans can support Harris by attending her upcoming show to benefit Bonaparte’s Retreat, which she operates from her Nashville home. Named after her beloved dog Bonaparte who died nearly 10 years ago, Harris takes in dogs whose time has run out at Nashville’s Metro Animal Control and houses them in a bunk house in the corner of her small backyard. She relies on support from the greater Nashville community, which pitches in to foster the dogs. “We keep them, socialize them and love them until we find homes for them,” Harris said.
Key to the success of the retreat are the many fundraising efforts Harris undertakes around the country on top of her regular – and busy – touring schedule. The show next week is another homecoming for Harris who fondly recalls her years in D.C. and often returns. “I was kind of a staple there at Clyde’s and my mother and I used to shop there at Garfinckles,” she says of the famed department store that was at the site currently occupied by the Hamilton. Harris says she hopes the Hamilton benefit becomes an annual tradition.
She also fondly recalls performing at the now defunct Childe Harold bar and restaurant in Dupont Circle, which saw early performances by Bruce Springsteen, The Ramones, Al Jarreau and Bonnie Raitt. Harris laughed when told her name was used for a sandwich at the Childe Harold. “Right, well, you know, you get publicity any way you can, a sandwich, or whatever,” she said.
Now, of course, Harris receives publicity everywhere she goes, and everywhere almost always includes her dogs. During her March show in the D.C. area with Rodney Crowell in support of their album “Old Yellow Moon,” she welcomed a special canine guest appearance by her yellow rescue dog Keeta. “I love it when I can travel with the dogs,” she says. “They make life so much richer, especially when you’re on the road and away from home.” She recalls that Bonaparte was an incredible travel dog and went everywhere with her. Her one regret during her many years on the road was that she spent many of those years without a dog. When Bonaparte died and Harris eventually adopted Keeta and then Bella, “the big black dog that came into my life, they were just great!”
Fans know that Harris wrote the song “Big Black Dog” based on her experience meeting and then rescuing Bella from the pound. Listen for her to likely include that song in her upcoming concert. Although her show will take place after Thanksgiving, she says her heart is always full of thanks for the joys she has found in life. “As far as music, I think I’ve been able to do whatever I want. I’ve been able to play with extraordinary musicians, all of whom have remained friends,” she says. “You don’t work alone; it’s all sort of a group effort, whether in the studio or on the road. I’ve been so fortunate to work with so many wonderful musicians on my own records and then with so many of my heroes like Neil Young, Mark Knopfler and, of course, Linda Ronstadt and Dolly Parton. It’s been like being at Disneyland, my whole career, you know, it never gets boring.”
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)























The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)


































