Connect with us

Arts & Entertainment

A charming menagerie

WNO’s holiday opera a breath of fresh air despite uneven writing

Published

on

Soloman Howard, The Lion, the Unicorn and Me, opera, gay news, Washington Blade
Soloman Howard, The Lion, the Unicorn and Me, opera, gay news, Washington Blade

Bass Soloman Howard plays a blustering king of the jungle in WNO’s new holiday opera, ‘The Lion, the Unicorn and Me.’ (Photo by Scott Suchman)

‘The Lion, The Unicorn and Me’

Through Dec. 22

Kennedy Center

2700 F St., NW

$44-$64

kennedy-center.org/wno

With the glut of saccharine holiday entertainment going around, it’s refreshing to catch a more genuine offering, and Washington National Opera’s newly commissioned holiday work, “The Lion, The Unicorn and Me,” gives us a delightful break from all the tinsel. While composer Jeanine Tesori’s opera doesn’t always rise to its promised heights, the story of a self-effacing donkey charged with carrying the Virgin Mary to Bethlehem is a go-to for anyone looking for holiday magic.

As director Francesca Zambello, a lesbian, announced on opening night, this was the first time in WNO’s 58 seasons that the company is premiering a new work composed by a woman. Tesori, a four-time Tony nominee for composition, often brought a light ironical touch to her score, yet the music also broke out into moments of stunning lyricism.

The Unicorn’s first act aria (ravishingly sung by Jacqueline Echols), as well as the Donkey’s introductory piece (in a great singing and acting performance by John Orduña), brought out the deeper tones of Tesori’s evocative skill. Too bad, then, that a lack of consistency nagged the work as a whole. The first act, featuring a child angel played by the sparkling Henry Wager, was almost perfect, but the one problem spot became a touchstone for the work’s greater inconsistencies.

In a troublesome sequence, the blustering Lion, brashly played by bass Soloman Howard, strides onto the stage in a jungle-motif militaristic costume accompanied by photographers and begins his appropriately arrogant aria. Suddenly, the piece takes flight with drums, a backup chorus (including the audience) and a melody that causes the heart to jump.

And then it dies on the vine.

 

Sadly, the same thing happened with act two. What started off with such promise in the first half lost its steam in the second. The opera seemed to suffer from a lack of focus in music and plot, becoming slightly redundant, before rallying for an inspiring end.

However the beauty of the story prevails overall, helped along by a moving libretto from gay poet J.D. “Sandy” McClatchy and an exciting production from Zambello. As told here and in Jeanette Winterson’s original book on which the opera is based, an angel needs to find the right animal for the holy job of getting Mary to that legendary stable, and all the creatures in the world apply. Costume designer Erik Teague smartly avoids the obvious, opting instead to mix animal characteristics with modern sartorial symbols — the glamorous Unicorn hoofs it in Lady Gaga’s famous heel-less boot and a ponderously slouchy hippo wears a hoodie and baseball hat.

The children’s chorus, beautifully on pitch and absolutely charming whether playing sheep or a menacing snake, rounded out a solid cast of adult ringers. Ian McEuen’s lyric tenor and Wei Wu’s incisive bass complemented their engaging performances in supporting roles, while mezzo-soprano Catherine Martin sang luxuriously as Mary (although her rough handling of the baby Jesus was enough to make one wince).

So if Tesori’s first crack at her opera needs some tweaking (as have countless premiered works before it), there’s still plenty of enchantment to engage audiences of all ages. The children present on opening night laughed loudly and clapped excitedly as various animals pranced across the stage or Mary gave birth to that oh-so-special child, but it wasn’t just the kids who were swept up in the story. In a season that often feels overblown and out of touch, the tale of a simple person discovering the gifts that lie within him feels like the best holiday present of all.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Theater

Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions

Synetic production pulls audience into grips of doomed lovers’ passion

Published

on

Stella Bunch as Mardian and Irina Kavsadze as Cleopatra in Synetic Theatre's ‘Antony & Cleopatra.’ (Photo by Katerina Kato)

‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org

A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge. 

Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.  

As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.  

Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers. 

The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.

Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.

There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.

Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.

Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc. 

When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.

Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp. 

When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.

Continue Reading

Out & About

Love board games and looking for love?

Published

on

(Image by VLADGRIN/Bigstock)

Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC. 

Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?

Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment. 

At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.

Tickets cost $31.80 and can be purchased on Eventbrite

Continue Reading

Calendar

Calendar: January 16-22

LGBTQ events in the days to come

Published

on

Friday, January 16

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Trans and Genderqueer Game Night will be at 7 p.m. at the DC LGBTQ+ Community Center. This is a relaxing, laid-back evening of games and fun. For more details, visit the DC Center’s website

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new connections and community building or just to unwind and enjoy extended happy hour. Attendance is free and more details are available on Eventbrite.

Saturday, January 17

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center and SMYAL will host a free film screening of “Mama Bears” celebrating queer youth, resilience, and the power of living authentically. Whether you’re a movie lover, looking to make new friends, or simply want a safe, affirming space to relax, this event is for you. Click this link to RSVP

LGBTQ People of Color will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ people of color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There will be all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.

Sunday, January 18

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, January 19

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, January 20

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Tae Kwon Do Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.

Wednesday, January 21

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, January 22

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

Continue Reading

Popular