Arts & Entertainment

Ultimate launching pad

Out ‘Idol’ runner-up promises ‘evening of songs and storytelling’

Published

12 years ago

March 20, 2014

Crystal Bowersox likes to test candidates for upcoming releases during her live show. She plays Wolf Trap next week. (Photo courtesy Wolf Trap)

Crystal Bowersox

The Barns at Wolf Trap

1635 Trap Road, Vienna, Va.

Wednesday

8 p.m.

Tickets: $24-28

Wolftrap.org

Conventional wisdom has it that the holidays are not a good time to come out.

Crystal Bowersox didn’t quite do it around a Christmas Day family meal, but she definitely didn’t follow the usual path either.

When Bowersox released her Christmas album last December, one of the songs was called “Coming Out For Christmas” and the singer came out as bisexual during her touting of the record.

“I think it’s important that people in the public eye be public about where they stand and who they are because it will give kids around the world the confidence to be who they are,” she says. “It’s not good for anyone to hate any aspect of themselves and I think it sets a good example for young people to love themselves.”

America was introduced to Bowersox in 2010 as a contestant on “American Idol,” a single mother with dreadlocks who had a voice that crossed the territories of blues, country, folk and rock. Although she finished second to Lee DeWyze, her star was on the rise.

“Before ‘Idol,’ I had never done any excessive touring. I did some local gigs in my hometown and I was happy doing what I was doing,” she says. “When I had my son, I realized I wasn’t doing it on the level I needed to be doing it on to provide a stable income and life for my child.”

Historically, “American Idol” has elevated a number of members of the LGBT community to fame, including former runners-up Clay Aiken (season two) and Adam Lambert (season eight) — but like Bowersox, none came out until after their time on the show was over. Still, their braveness paved the way for the show’s first openly gay contestant, MK Nobilette, to compete and make it to the top 10 this season.

“The show changes your life in every possible way. There’s no other way to be heard by 30 million people,” Bowersox says. “The show gave me everything. It gave me a sounding board, industry cred and taught me what I was capable of as a performer. I learned a lot and now I can take what I learned and go out there and do what I do.”

The “American Idol” fave makes her Wolf Trap debut on Wednesday. Bowersox will play tunes off her critically acclaimed debut album “Farmer’s Daughter,” her latest “All That For This” and an EP she released quietly pre-“Idol” called “Once Upon a Time.” She also plans some possible candidates for an upcoming EP. She likes to sing them live to gauge audience reaction.

“It will be an evening of songs and storytelling,” she says. “I really like to interact with my audience and my show is like an on-going conversation with them. During the show people are calling things out and we’re telling jokes and having a lot of fun. I just hope people come, are entertained and leave feeling good.”

One of the things she loves most about a concert date is seeing the audience singing along with her — something she never imagined would happen.

http://www.youtube.com/watch?v=MSEyOa-cmko

“It’s nice to have recognition in something you created and have a crowd know every single word and sing them back to you,” she says. “That’s the true reward of being a singer/songwriter and performer.”

Bowersox will also surprise one lucky audience member with a trip to join her on stage, and after the show, she will make herself available for photos and autographs to every single person who wants one.

“I love to say hello and meet people,” she says. “I get a lot of feedback from people after the show and I just want them to be honest and help me know what’s working for my fans and what isn’t.”

Bowersox is also attached to the musical, “Always … Patsy Cline,” which has been rumored to make it to Broadway sometime in the next year. The singer plays the famous title character and croons the best of Cline.

She’s fulfilling a dream she’s had since she was little. In first grade, Bowersox played Suzy Snowflake in a school production and from there on in, wanted to perform for a living.

“I always loved to sing and dance but didn’t know I could make money doing it,” she says. “Eventually, I learned I didn’t have to go and get a job at Burger King, I could get people to pay for this service. I haven’t done much else since then. I am very lucky that I could do what I love for a living.”

Up Next

Rites of passage

Don't Miss

Calendar: March 14-20

FUND LGBTQ JOURNALISM

Photos

PHOTOS: 2026 Capital Pride Parade

Large crowds attend annual LGBTQ march in Washington, D.C.

Published

22 hours ago

June 21, 2026

Washington Blade photography department

David Archuleta is one of the Grand Marshals of the 2026 Capital Pride Parade. (Washington Blade photo by Michael Key)

The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.

(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

Theater

‘Feeling Afraid’ explores life of a neurotic stand-up comic

Navigating sex, work, and possibly love in London

Published

2 days ago

June 20, 2026

Patrick Folliard

Steven Webb in ‘Feeling Afraid As If Something Terrible Is Going To Happen’ (Photo by DJ Corey)

‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org

Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.

Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.

Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.

At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.

Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.

With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.

The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.

Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.

Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)

Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.

Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.

One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.

They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.