Connect with us

Arts & Entertainment

Flower power revival

Keegan’s ‘Hair’ is youthful, fun and solid

Published

on

Hair, Inez Nassara, theater, Keegan, gay news, Washington Blade
Hair, Inez Nassara, theater, Keegan, gay news, Washington Blade

Inez Nassara and company in ‘Hair.’ (Photo by C. Stanley Photography; courtesy Keegan)

‘Hair’

Through April 27

Keegan Theatre

1742 Church Street, NW

$37-42

703-892-0202

Keegantheatre.com

With Keegan Theatre’s Helen Hayes Award-winning production of the Broadway musical “Rent” several seasons ago, company artistic director Mark A. Rhea and his wife Susan Marie Rhea rendered a glimpse into New York City bohemia in the ‘90s, insightfully tackling the show’s big issues like homelessness, AIDS and art. Now the co-directors have turned their attention to another era with their version of “Hair,” the groundbreaking rock musical also set in Manhattan but in the turbulent late ‘60s.

When “Hair” premiered in New York in 1967, its depiction of a counterculture youth was novel. Never before had bisexuality, interracial relationships, drug use, full frontal nudity and a strong antiwar sentiment been set to a beat you could dance to. Times were changing. Though less shocking today, “Hair” remains relevant, and so does Galt MacDermot’s timeless music (with book and lyrics by James Rado and Gerome Ragini): a score that includes “Aquarius”/“Let the Sun Shine In,” “Hair” and “Easy To Be Hard” doesn’t languish on the shelf.

“Hair” is shaped more by a mood than a storyline. The plot is simple: A tribe of hippie kids pass the time dropping acid and making love in New York City. They’re content. But then Uncle Sam upsets the adolescent idyll with invitations to Vietnam, and suddenly the band of merrymakers is forced to make a decision: burn your draft card or go to war.

The show’s central relationship is a bisexual love triangle involving the tribe’s puckish leader Berger (Josh Sticklin), Sheila (Carolina Wolfson) a socially conscience college freshman, and Claude (played with heartrending honesty by Paul Scanlan), a young guy from working class Queens with a faux British accent who’s working out where he fits in Vietnam-era America. The original “Hair” featured a new kind of physical affection between men, opening up the way for future onstage portrayals of relationships and sexuality.

James Rado, co-creator and original star of “Hair,” has commented on his relationship with collaborator Gerome Ragni who died in 1991. Their relationship inspired the characters of Claude and Berger.

Like youth itself, “Hair” is filled with anguish and joy. Overall, the directors have embraced the darker side of the show. Set designer Matthew Keenan has followed suit opting for dreary realism with a squat-inspired two-tiered functional set. An old made over washing machine makes a tired salute to flower power.

Keegan’s ensemble-generated “Hair” features a full voiced, 20-plus person cast accompanied by an onstage nine-piece orchestra led by Jake Null. It’s a busy stage. While Rachel Leigh Dolan’s choreography celebrates the fun of communal living and a well-attended protest, it also functions as crowd control.

Made up mostly of diverse local talent, the show’s full-voiced cast is young and energetic. And though they look at home in their fringy vests, striped bell bottoms, granny skirts (compliments of costume designer Chelsey Schuller) and wild hair, they surely had to be familiarized with references to Spiro Agnew and others. While some of the acting, especially comedy, is lacking, their singing is largely on point — they do the familiar songs justice. Standouts include Jade Jones who demonstrates a big soulful voice and comedic flair. And Christian Montgomery is terrific as Woof, a gay hippie boy who insists he’s straight yet carries a very public torch for Mick Jagger.

As with Keegan’s previous musicals, “Hair” offers a solid opportunity to see the work of area actors early in their careers.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Calendar

Calendar: May 1-7

LGBTQ events in the days to come

Published

on

Friday, May 1

Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

“Illusions The Drag Queen Show Washington, D.C.” will be at 7 p.m. at 2323 18th St., N.W. Come see this amazing D.C. drag show and laugh all night long while being amazed by the stellar performances in tribute to some of your old-time favorite classics as well as the latest pop favorites. Come see the likes of Madonna, Cher, Tina Turner, Whitney Houston, Joan Rivers, Phyllis Diller, Beyoncé, Pink, and many more. Tickets are $12.97 and are available on Eventbrite

Saturday, May 2

Go Gay DC will host “LGBTQ+ Community Brunch” at 11:00a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Drag Queen Sip and Paint Washington DC will be at 4 p.m. at Town Tavern DC. This event combines the joy of painting with the lively energy of a drag queen, offering an hour and a half of fun, creativity, and entertainment. Participants paint a canvas while enjoying cocktails, all under the guidance of a glamorous drag queen host. Tickets are $47.19 and are available on Eventbrite

Monday, May 4

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, May 5

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].   

Wednesday, May 6

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected]

Thursday, May 7

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

Continue Reading

Photos

PHOTOS: 90’s Flashback Drag Brunch

Logan Stone leads new show at Red Bear Brewing

Published

on

The inaugural 90's Flahsback Drag Brunch was held at Red Bear Brewing Co. on Sunday, April 26. (Washington Blade photo by Michael Key)

The new monthly 90’s Flashback Drag Brunch premiered at Red Bear Brewing Co. on Sunday, April 26. Performers included Logan Stone, Tiffany D. Carter and Charlemagne Chateau.

(Washington Blade photos by Michael Key)

Continue Reading

Celebrity News

Madonna makes rare club appearance in West Hollywood

Gay icon brought ‘Confessions II’ to The Abbey

Published

on

Madonna takes the dance floor at The Abbey in West Hollywood, Calif., on April 25, 2026. (Los Angeles Blade photo)

A line of celebrities, “Drag Race” queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.

With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated “Confessions on A Dance Floor” album sequel, “Confessions II.” That night, the Abbey also unveiled its remodeled dance floor, a fitting collaboration.

The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.

The lights began to dim, the dance floor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”

Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.

Released in 2005 (yes, it has been that long), “Confessions on a Dance Floor” was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.

Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.

Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.

“Confessions II” releases on July 3.

Continue Reading

Popular