Arts & Entertainment
Flower power revival
Keegan’s ‘Hair’ is youthful, fun and solid

Inez Nassara and company in ‘Hair.’ (Photo by C. Stanley Photography; courtesy Keegan)
‘Hair’
Through April 27
Keegan Theatre
1742 Church Street, NW
$37-42
703-892-0202
With Keegan Theatre’s Helen Hayes Award-winning production of the Broadway musical “Rent” several seasons ago, company artistic director Mark A. Rhea and his wife Susan Marie Rhea rendered a glimpse into New York City bohemia in the ‘90s, insightfully tackling the show’s big issues like homelessness, AIDS and art. Now the co-directors have turned their attention to another era with their version of “Hair,” the groundbreaking rock musical also set in Manhattan but in the turbulent late ‘60s.
When “Hair” premiered in New York in 1967, its depiction of a counterculture youth was novel. Never before had bisexuality, interracial relationships, drug use, full frontal nudity and a strong antiwar sentiment been set to a beat you could dance to. Times were changing. Though less shocking today, “Hair” remains relevant, and so does Galt MacDermot’s timeless music (with book and lyrics by James Rado and Gerome Ragini): a score that includes “Aquarius”/“Let the Sun Shine In,” “Hair” and “Easy To Be Hard” doesn’t languish on the shelf.
“Hair” is shaped more by a mood than a storyline. The plot is simple: A tribe of hippie kids pass the time dropping acid and making love in New York City. They’re content. But then Uncle Sam upsets the adolescent idyll with invitations to Vietnam, and suddenly the band of merrymakers is forced to make a decision: burn your draft card or go to war.
The show’s central relationship is a bisexual love triangle involving the tribe’s puckish leader Berger (Josh Sticklin), Sheila (Carolina Wolfson) a socially conscience college freshman, and Claude (played with heartrending honesty by Paul Scanlan), a young guy from working class Queens with a faux British accent who’s working out where he fits in Vietnam-era America. The original “Hair” featured a new kind of physical affection between men, opening up the way for future onstage portrayals of relationships and sexuality.
James Rado, co-creator and original star of “Hair,” has commented on his relationship with collaborator Gerome Ragni who died in 1991. Their relationship inspired the characters of Claude and Berger.
Like youth itself, “Hair” is filled with anguish and joy. Overall, the directors have embraced the darker side of the show. Set designer Matthew Keenan has followed suit opting for dreary realism with a squat-inspired two-tiered functional set. An old made over washing machine makes a tired salute to flower power.
Keegan’s ensemble-generated “Hair” features a full voiced, 20-plus person cast accompanied by an onstage nine-piece orchestra led by Jake Null. It’s a busy stage. While Rachel Leigh Dolan’s choreography celebrates the fun of communal living and a well-attended protest, it also functions as crowd control.
Made up mostly of diverse local talent, the show’s full-voiced cast is young and energetic. And though they look at home in their fringy vests, striped bell bottoms, granny skirts (compliments of costume designer Chelsey Schuller) and wild hair, they surely had to be familiarized with references to Spiro Agnew and others. While some of the acting, especially comedy, is lacking, their singing is largely on point — they do the familiar songs justice. Standouts include Jade Jones who demonstrates a big soulful voice and comedic flair. And Christian Montgomery is terrific as Woof, a gay hippie boy who insists he’s straight yet carries a very public torch for Mick Jagger.
As with Keegan’s previous musicals, “Hair” offers a solid opportunity to see the work of area actors early in their careers.
Italy
Olympics Pride House ‘really important for the community’
Italy lags behind other European countries in terms of LGBTQ rights
The four Italian advocacy groups behind the Milan Cortina Winter Olympics’ Pride House hope to use the games to highlight the lack of LGBTQ rights in their country.
Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano organized the Pride House that is located in Milan’s MEET Digital Culture Center. The Washington Blade on Feb. 5 interviewed Pride House Project Manager Joseph Naklé.
Naklé in 2020 founded Peacox Basket Milano, Italy’s only LGBTQ basketball team. He also carried the Olympic torch through Milan shortly before he spoke with the Blade. (“Heated Rivalry” stars Hudson Williams and Connor Storrie last month participated in the torch relay in Feltre, a town in Italy’s Veneto region.)
Naklé said the promotion of LGBTQ rights in Italy is “actually our main objective.”
ILGA-Europe in its Rainbow Map 2025 notes same-sex couples lack full marriage rights in Italy, and the country’s hate crimes law does not include sexual orientation or gender identity. Italy does ban discrimination based on sexual orientation in employment, but the country’s nondiscrimination laws do not include gender identity.
ILGA-Europe has made the following recommendations “in order to improve the legal and policy situation of LGBTI people in Italy.”
• Marriage equality for same-sex couples
• Depathologization of trans identities
• Automatic co-parent recognition available for all couples
“We are not really known to be the most openly LGBT-friendly country,” Naklé told the Blade. “That’s why it (Pride House) was really important for the community.”
“We want to use the Olympic games — because there is a big media attention — and we want to use this media attention to raise the voice,” he added.

Naklé noted Pride House will host “talks and roundtables every night” during the games that will focus on a variety of topics that include transgender and nonbinary people in sports and AI. Another will focus on what Naklé described to the Blade as “the importance of political movements now to fight for our rights, especially in places such as Italy or the U.S. where we are going backwards, and not forwards.”
Seven LGBTQ Olympians — Italian swimmer Alex Di Giorgio, Canadian ice dancers Paul Poirier and Kaitlyn Weaver, Canadian figure skater Eric Radford, Spanish figure skater Javier Raya, Scottish ice dancer Lewis Gibson, and Irish field hockey and cricket player Nikki Symmons — are scheduled to participate in Pride House’s Out and Proud event on Feb. 14.
Pride House Los Angeles – West Hollywood representatives are expected to speak at Pride House on Feb. 21.
The event will include a screening of Mariano Furlani’s documentary about Pride House and LGBTQ inclusion in sports. The MiX International LGBTQ+ Film and Queer Culture Festival will screen later this year in Milan. Pride House Los Angeles – West Hollywood is also planning to show the film during the 2028 Summer Olympics.
Naklé also noted Pride House has launched an initiative that allows LGBTQ sports teams to partner with teams whose members are either migrants from African and Islamic countries or people with disabilities.
“The objective is to show that sports is the bridge between these communities,” he said.
Bisexual US skier wins gold
Naklé spoke with the Blade a day before the games opened. The Milan Cortina Winter Olympics will close on Feb. 22.
More than 40 openly LGBTQ athletes are competing in the games.
Breezy Johnson, an American alpine skier who identifies as bisexual, on Sunday won a gold medal in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, on the same day helped the U.S. win a gold medal in team figure skating.
Glenn said she received threats on social media after she told reporters during a pre-Olympics press conference that LGBTQ Americans are having a “hard time” with the Trump-Vance administration in the White House. The Associated Press notes Glenn wore a Pride pin on her jacket during Sunday’s medal ceremony.
“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking about being decent — human rights and decency,” said Glenn, according to the AP. “So that was really disappointing, and I do think it kind of lowered that excitement for this.”
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















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