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Flower power revival

Keegan’s ‘Hair’ is youthful, fun and solid

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Hair, Inez Nassara, theater, Keegan, gay news, Washington Blade
Hair, Inez Nassara, theater, Keegan, gay news, Washington Blade

Inez Nassara and company in ‘Hair.’ (Photo by C. Stanley Photography; courtesy Keegan)

‘Hair’

Through April 27

Keegan Theatre

1742 Church Street, NW

$37-42

703-892-0202

Keegantheatre.com

With Keegan Theatre’s Helen Hayes Award-winning production of the Broadway musical “Rent” several seasons ago, company artistic director Mark A. Rhea and his wife Susan Marie Rhea rendered a glimpse into New York City bohemia in the ‘90s, insightfully tackling the show’s big issues like homelessness, AIDS and art. Now the co-directors have turned their attention to another era with their version of “Hair,” the groundbreaking rock musical also set in Manhattan but in the turbulent late ‘60s.

When “Hair” premiered in New York in 1967, its depiction of a counterculture youth was novel. Never before had bisexuality, interracial relationships, drug use, full frontal nudity and a strong antiwar sentiment been set to a beat you could dance to. Times were changing. Though less shocking today, “Hair” remains relevant, and so does Galt MacDermot’s timeless music (with book and lyrics by James Rado and Gerome Ragini): a score that includes “Aquarius”/“Let the Sun Shine In,” “Hair” and “Easy To Be Hard” doesn’t languish on the shelf.

“Hair” is shaped more by a mood than a storyline. The plot is simple: A tribe of hippie kids pass the time dropping acid and making love in New York City. They’re content. But then Uncle Sam upsets the adolescent idyll with invitations to Vietnam, and suddenly the band of merrymakers is forced to make a decision: burn your draft card or go to war.

The show’s central relationship is a bisexual love triangle involving the tribe’s puckish leader Berger (Josh Sticklin), Sheila (Carolina Wolfson) a socially conscience college freshman, and Claude (played with heartrending honesty by Paul Scanlan), a young guy from working class Queens with a faux British accent who’s working out where he fits in Vietnam-era America. The original “Hair” featured a new kind of physical affection between men, opening up the way for future onstage portrayals of relationships and sexuality.

James Rado, co-creator and original star of “Hair,” has commented on his relationship with collaborator Gerome Ragni who died in 1991. Their relationship inspired the characters of Claude and Berger.

Like youth itself, “Hair” is filled with anguish and joy. Overall, the directors have embraced the darker side of the show. Set designer Matthew Keenan has followed suit opting for dreary realism with a squat-inspired two-tiered functional set. An old made over washing machine makes a tired salute to flower power.

Keegan’s ensemble-generated “Hair” features a full voiced, 20-plus person cast accompanied by an onstage nine-piece orchestra led by Jake Null. It’s a busy stage. While Rachel Leigh Dolan’s choreography celebrates the fun of communal living and a well-attended protest, it also functions as crowd control.

Made up mostly of diverse local talent, the show’s full-voiced cast is young and energetic. And though they look at home in their fringy vests, striped bell bottoms, granny skirts (compliments of costume designer Chelsey Schuller) and wild hair, they surely had to be familiarized with references to Spiro Agnew and others. While some of the acting, especially comedy, is lacking, their singing is largely on point — they do the familiar songs justice. Standouts include Jade Jones who demonstrates a big soulful voice and comedic flair. And Christian Montgomery is terrific as Woof, a gay hippie boy who insists he’s straight yet carries a very public torch for Mick Jagger.

As with Keegan’s previous musicals, “Hair” offers a solid opportunity to see the work of area actors early in their careers.

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Theater

‘Inherit the Wind’ isn’t about science vs. religion, but the right to think

Holly Twyford on new role and importance of listening to different opinions

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Holly Twyford

‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org

When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles. 

Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan). 

Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial. 

Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”

When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not. 

“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”

Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew. 

“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”   

During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”

When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.” 

At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”

“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.

“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today. 

Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.” 

She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”

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Out & About

‘How We Survived’ panel set for March 25

‘Living History’ discussion to be held at Spark Social

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Local activist Earline Budd will serve on a panel discussion titled, ‘Part One, Living History: How We Survived.’ (Washington Blade file photo by Michael Key)

Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.

This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.

This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.

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Calendar

Calendar: March 21-26

LGBTQ events in the days to come

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Saturday, March 21

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website

Sunday, March 22

LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite

Monday, March 23

Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website

Tuesday, March 24

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook

Wednesday, March 25

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Thursday, March 26

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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