Arts & Entertainment

Blond ambition

National ‘Evita’ touring production sturdy, serviceable

Published

11 years ago

October 9, 2014

Patrick Folliard

Caroline Bowman in ‘Evita.’ (Photo by Richard Termine; courtesy Kennedy Center)

‘Evita’

Through Oct. 19

The John F. Kennedy Center for the Performing Arts

2700 F St. NW

$39-125

202-467-4600

Kennedy-center.org

Since its London world premiere in 1978 and subsequent global success, Andrew Lloyd Weber’s “Evita” has been produced ad infinitum.

And whether it’s Broadway’s Patti LuPone or Madonna on the big screen, the woman in the title role ultimately determines each version’s success. Playing Argentina’s controversial first lady who slept her way to power and position and died young isn’t easy — the part is vocally challenging and requires more than a modicum of charisma.

In the national tour of the 2012 Broadway revival now at the Kennedy Center Opera House, Caroline Bowman takes on the part. As the young Eva Duarte, Bowman misses the grit and energy of the provincial teenage dancehall girl — she might as well be playing the naïve ingénue in a comedy of manners. But it’s her turn as the slightly older and blonder Eva in which Bowman excels, skillfully conveying the outsized ambition and complexities churning behind Eva’s calculated façade.

In fact, neither Bowman’s performance nor the entire production staged by Michael Grandage really take off until Eva bleaches her hair.

Told in flashbacks, the sung-through pop opera begins and ends with Eva’s funeral. Young Eva and the musical fable’s narrator Che (Max Quinlan) emerge from a shadowy gathering of mourners and the story unfolds. In fast moving scenes, Eva climbs from poor, illegitimately born provincial girl to radio actress to girlfriend and later wife of military officer and politico Juan Perón (Sean MacLaughlin). Yes, in pursuit of fame and fortune she changes men like underwear but all that stops with Perón. In him, Eva finds her ticket to the big time.

Despised by the bourgeoisie and the military for her low birth and undue influence her husband, Eva finds an adoring power base in the working classes. “I am you,” she sings to them. As first lady, she gains popularity by funding numerous charities.

Her ascent is tracked musically with “Buenos Aires,” “High Flying, Adored” and, most memorably “Don’t Cry for Me Argentina,” which she sings to the crowds from the presidential residence’s balcony. Diamond like in a shimmering strapless ball gown, Eva’s beatification is complete. Not one to miss an opportunity, Perón puts his wife’s charisma to use and sends her on a European goodwill tour. Her Rainbow tour is cut short by the cancer that will soon kill her at 33 in 1952.

Set and costume designer Christopher Oram envisions a gloomy Buenos Aires of soaring colonnades, tall arched windows and heavy doors. His costumes are painstakingly period (‘30s and ‘40s). Most striking are Eva’s balcony scene gown and Dior-inspired traveling suits.

Throughout the show, choreographer Rob Ashford cleverly employs tango in scenes involving mourners, lovers and friends. He even partners soldiers in a more combative variation of the dance.

Lloyd Weber’s score is gorgeously sung by the three principals and Christopher Johnstone as Magaldi, the schmaltzy tango singer who reluctantly brings teenage Eva to Buenos Aires.

Without his trademark beret, Quinlan’s Che is less politicized. He possesses the irony but lacks the fire of a revolutionary. As quietly ambitious Perón, McLaughlin (whom local audiences will remember from Signature Theatre) is terrific. He’s a seductive presence and makes a believable love match for Bowman’s Eva.

Unfortunately an otherwise strong and energetic effort is marred by some audio problems. On press night, Tim Rice’s lyrics were difficult to decipher. Those familiar with the songbook fared best.

Still, this “Evita” is a production well worth seeing.

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This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

Published

7 hours ago

January 31, 2026

Tinashe Chingarande

(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite.

Arts & Entertainment

Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71

Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’

Published

1 day ago

January 30, 2026

Matt Minton

(Photo courtesy of Pop TV)

Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.

O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.

In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.

In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”

Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.

Calendar

Calendar: January 30-February 5

LGBTQ events in the days to come

Published

2 days ago

January 30, 2026

Tinashe Chingarande

Friday, January 30

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Spark Social will host “RuPaul’s Drag Race S18 Watch Party” at 8 p.m. This event will be hosted by local drag queens TrevHER and Grey, who will provide hilarious commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. This event is free and more details are available on Eventbrite.

Saturday, January 31

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Sunday, February 1

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, February 2

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam (adamheller@t hedccenter.org).

Tuesday, February 3

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more information, email [email protected].

Wednesday, February 4

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Center Aging Women’s Social and Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, visit the DC Center’s website.

Thursday, February 5

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.