a&e features
Images from the Deep South
A photo essay documenting LGBT life in rural Miss., Ala. and La.
The True Gospel Church of God in Christ is near Jackson, Miss. (Washington Blade photo by Michael Key)
Blade reporter Michael K. Lavers and I earlier this year pitched the idea of going to Alabama, Louisiana and Mississippi to see what LGBT life is like in the South. Living in D.C., we wanted to see for ourselves just how different the experience was for our brothers and sisters who make their homes in places not known for LGBT inclusiveness. Our editor sent us out to gather stories and pictures. We had absolutely no idea what was in store for us.
The Dandelion Project
Dandelion Project founder Brandiilyne Dear met with the Washington Blade in Laurel, Miss. (Washington Blade photo by Michael Key)
Our first stop after landing at Medgar Evers International Airport in Jackson, the Mississippi state capital, was in Laurel, Miss. where we met with Dandelion Project founder Rev. Brandiilyne Dear. She told us about her life: how she had been addicted to meth, but then found a calling to the pulpit and got sober. She founded a ministry to help the many addicts who live in the Mississippi Pine Belt. Despite all that she had done through the years for her church, when it was found out that she was a lesbian, everyone — even her own family — turned against her and she “lost everything.”
Dear found her calling elsewhere with the Dandelion Project, a social support group and activist organization for LGBT people in Mississippi. She explained that dandelions are seen as weeds; something to be destroyed, yet are beautiful, ubiquitous and “a good thing.”
We spoke with members of the Dandelion Project, including several gender non-conforming youth who were eager to share their stories of social isolation and the violence and hatred they face.
Members of the Dandelion Project meet in Dear’s Mississippi home. (Washington Blade photo by Michael Key)
Members of the Dandelion Project gather to discuss issues in a home in Laurel, Miss. (Washington Blade photo by Michael Key)
Despite the daily discrimination they all said they experience, most members of the Dandelion project were proud to continue the fight for equality in their home state. One young person, however, who had just been through a harrowing run for her life from a group intent on doing her harm wished for Mississippi to “fall into the Gulf” of Mexico.
Mississippi Delta
One of the many ruined structures along Main Street in Yazoo City, Miss. stands as a monument to the tornado which passed through the city four years ago. (Washington Blade photo by Michael Key)
Our next stop was in the verdant but poverty-stricken Mississippi Delta. After passing small farming towns and long stretches of countryside, we arrived at the “Gateway to the Delta,” Yazoo City, where we had an appointment with the newly elected Mayor Diane Delaware. A cosmopolitan woman who had worked “all around the world,” Delaware told us that she had “no problem” with same-sex marriage.
Yazoo City, and indeed the entire Mississippi Delta, seemed to have much bigger things to worry about than marriage equality. Abject poverty was compounded with joblessness to make for a grim future for many residents. A tornado had passed through Yazoo City four years before, leaving vast swaths of the city in ruins. The city didn’t have money or private investment to repair its downtown.
A Ten Commandments marker stands in front of Yazoo City Boys & Girls Club. Such markers are fairly common in Mississippi. (Washington Blade photo by Michael Key)
Several homes in Yazoo City, Miss. remain shuttered. (Washington Blade photo by Michael Key)
Blocks of Main Street, Yazoo City, Miss. remain largely abandoned. (Washington Blade photo by Michael Key)
A tornado devastated Main Street, Yazoo City, Miss. four years ago. (Washington Blade photo by Michael Key)
We drove deep into the Mississippi Delta to Greenville on the the Mississippi River. There, we met with an out school teacher, Ryvell Fitzpatrick.
Ryvell Fitzpatrick is a teacher in Greenville, Miss. (Washington Blade photo by Michael Key)
The reluctant pioneer described his life to us as someone who has managed to thrive, despite the difficulties.
We Don’t Discriminate Campaign
A Mississippi law that opponents argue allows business owners to deny services to LGBT people based on their religious beliefs took effect on July 1. (Washington Blade photo by Michael Key)
Back in Laurel, Dear pointed out the “We Don’t Discriminate” signs on select local businesses. The signs had been placed in store windows following the passage of SB-2681 — the Mississippi Religious Freedom Restoration Act, or so-called “Turn Away the Gays Bill.”
We went to Jackson to track down the organizers of the We Don’t Discriminate Campaign.
Campbell’s Bakery owner Mitchell Moore is the founder of the ‘We Don’t Discriminate’ campaign. (Washington Blade photo by Michael Key)
We spoke with the founder: a self-described “straight, married, Republican, Christian” entrepreneur named Mitchell Moore who was disgusted that his bakery, the only wedding cake bakery within the Jackson city limits, would be used as a rallying cry for homophobes in the state Senate to justify the anti-gay bill. Following the interview, Moore gave us a large box of confections.
Eddie Outlaw owns a barbershop and salon in Jackson, Miss. (Washington Blade photo by Michael Key)
My reporter traveling companion got a beard trim as he interviewed salon and barbershop owner Eddie Outlaw. Outlaw and his husband Justin McPherson, the subjects of the documentary, “A Mississippi Love Story,” told us about their involvement in the campaign.
Justin McPherson Outlaw and Eddie Outlaw, owners of a hair salon and barber shop in Jackson, Miss., married in California last year. (Washington Blade photo by Michael Key)
We met with a group of LGBT rights advocates who spent their evening drinking beer, eating hors d’oeuvres and stuffing envelopes with “We Don’t Discriminate” stickers.
Activists in Jackson, Miss. fill envelopes with ‘We Don’t Discriminate’ literature. (Washington Blade photo by Michael Key)
They were all excited by the success of the campaign in generating buzz around the nation, and hopeful about change to come.
Late at night, we met with performance artist Constance Gordon in the dressing room of a club frequented by LGBT people of color. She explained to us the intersection of race, class and gender and other dynamics in play in Mississippi. Like most we spoke with, she was proud to be from Mississippi, though she acknowledged the rampant discrimination that LGBT people face in her home state.
Constance Gordon is a performance artist and promoter in Jackson, Miss. (Washington Blade photo by Michael Key)
The next day, before moving on to Louisiana, we met with HIV/AIDS service providers and advocates at Open Arms Healthcare Center in Jackson. We met the “AIDS Lady,” as she referred to herself, Charlotte “Dot” Norwood. She told us of the struggles that many clients face, including accessing healthcare, finding jobs and even getting enough to eat.
Charlotte “Dot” Norwood has spent years in the fight against HIV/AIDS. (Washington Blade photo by Michael Key)
We also had the pleasure of meeting client-turned-advocate Antwan Matthews. He related to us his story of being a great student but being kicked out of his home when his family found out that he is gay and HIV positive. Despite all of that, he managed to become a peer HIV educator and put himself through college. He is looking forward to graduating with a degree in biology soon.
Antwan Matthews is a student and peer HIV educator. (Washington Blade photo by Michael Key)
Baton Rouge
Carol Frazier, on upper right, greets fellow LGBT rights advocates at a restaurant in Baton Rouge, La., on July 12, 2014. (Washington Blade photo by Michael Key)
We left Mississippi behind and drove south to Baton Rouge. We stopped at Bistro Byronz to meet with members of PFLAG Baton Rouge, Equality Louisiana, Louisiana Trans Advocates and Baton Rouge Pride. Michael tried to start the interviews, but the ebullient Carol Frazier of PFLAG insisted that in the South, people eat together before they get down to business. We polished off our crawfish étouffée and listened to stories from the gathered activists about their lives and work.
Many of those gathered at our table struggled with poverty and employment, like transgender woman Ksaa Zair who had difficulty in finding a job because of her gender presentation and had to resort to illegally attaining hormones over the Internet because she could not afford proper medical care in the U.S., or her roommate Sergio Oramas who worked as many overtime hours as he could at a warehouse, yet struggled to pay rent.
Other advocates we spoke with dealt with loss, like Frazier: her gay son had committed suicide. She then dedicated her life to helping LGBT people as the president of PFLAG Baton Rouge until health issues forced her to take a less active role.
All of the assembled activists had come together as a close-knit community. After Hurricane Katrina, tens of thousands of people moved to Baton Rouge and the nascent LGBT community began to solidify. The city’s first Pride celebration was held in 2007, organized by Tom Merrill and other members of Baton Rouge Pride.
From left; Tom Merrill and Rick Cain are organizers of Baton Rouge Pride. (Washington Blade photo by Michael Key)
After many hugs and farewells to our friendly dining companions, Michael and I left the sweltering heat of Baton Rouge and drove through the swamps of Louisiana to New Orleans.
New Orleans
After spending an evening touring the French Quarter and sampling crawfish pie and signature “hand grenade” drinks on Bourbon Street, Michael and I got some much-needed rest.
The St. Louis Cathedral in the French Quarter of New Orleans is a spot popular with tourists. (Washington Blade photo by Michael Key)
The next day, we met with activists in Metairie, La. who told us of the ups and downs of LGBT life in the New Orleans area. PFLAG New Orleans Co-President Julie Thompson, who had lost her gay son due to a medical emergency in the middle of a hurricane, beamed proudly about the time she went to Southern Decadence with him and how nice everyone was to her at gay bars. She, and the others gathered, spoke of how different everything was after Katrina and how the once-vibrant LGBT community of New Orleans was only now getting to where it was before the levees burst.
Co-President of PFLAG New Orleans Julie Thompson recalled many happy memories with her late gay son. (Washington Blade photo by Michael Key)
Louisiana Trans Advocates President Elizabeth Anne Jenkins told us how the destruction of the city meant the wholesale dismantling of an infrastructure for support for the local trans population, from doctors to support networks.
Elizabeth Anne Jenkins is the president of Louisiana Trans Advocates. (Washington Blade photo by Michael Key)
Michael and I wanted to see the devastated Lower Ninth Ward for ourselves. There were rows and rows of foundations with no houses, empty streets with only weeds on the block. But there were bright spots. The Make It Right Foundation had rebuilt a portion of the neighborhood with gleaming, eco-friendly, hurricane resistant homes.
Several eco-friendly homes have been built in the Lower Ninth Ward. (Washington Blade photo by Michael Key)
But, it only took a trip across the bridge to the Upper Ninth Ward to see that the region is far from recovered. Many homes remain boarded shut, overgrown with creeping vines.
Several homes remain shuttered in the Upper Ninth Ward of New Orleans nine years after Katrina. (Washington Blade photo by Michael Key)
Homes in the Upper Ninth Ward of New Orleans have been reclaimed by nature and sit abandoned. (Washington Blade photo by Michael Key)
HIV in New Orleans
That evening, we met with peer educator Timothy Thompson of the New Orleans AIDS Task Force for dinner in the French Quarter. He told us of the problem of the stigma of an HIV-positive diagnosis driving many to avoid being tested. Many misconceptions about HIV/AIDS persist among people that Thompson had met with, including fears that HIV could be spread by sharing a meal.
Timothy Thompson is a peer educator with New Orleans AIDS Task Force. (Washington Blade photo by Michael Key)
In the morning, we made our last stop in New Orleans: Belle Reve. Belle Reve is a residence for people with HIV that provides medical care and helps residents to get back on their feet. Vicki Weeks, its executive director, told us of all of the programs offered at the center and proudly guided us around. She, and other staff and residents, had been through a traumatic several months living as refugees in the aftermath of Katrina. But the center is now restored and provides life-saving treatment to people who are often at the end of their rope.
Belle Reve Executive Director Vicki Weeks shows photos of the hurricane damage to the Belle Reve facility. (Washington Blade photo by Michael Key)
One such resident was Carl Green who had lost his job after it was discovered that he was HIV positive. He became homeless and without access to medical treatment, deteriorated rapidly. Belle Reve took him in and nursed him back to health.
Carl Green is a resident at Belle Reve. (Washington Blade photo by Michael Key)
We also met with Miss Eddie who had ridden out Katrina in New Orleans before becoming a resident at Belle Reve.
Miss Eddie told the Blade, ‘It’s a great blessing being here,’ in the Belle Reve facility in New Orleans. (Washington Blade photo by Michael Key)
Gulf Coast
We left New Orleans and drove to the Mississippi Gulf Coast. Where houses once stood along the shore, now only foundations remained. Many had rebuilt, but the scars of the hurricane were ever present.
Foundations are all that remain of many homes along the Gulf Coast in Gulfport, Miss., destroyed during Hurricane Katrina. (Washington Blade photo by Michael Key)
Our first stop on the coast was to meet Jeff White and John Perkins, co-founders of the Mississippi Gulf Coast Lesbian and Gay Community Center. We shared queso and a margarita with them at a Mexican restaurant in Gulfport. They told us of how it was difficult for LGBT people to be out in any capacity in the area. They were even worried that the people in the restaurant might be looking at us. White then related a horrifying story about how he had been repeatedly raped by a teacher at his private Baptist school as an openly gay teenager to make him “hate men and change.”
Jeff White and John Perkins are the co-founders of the Mississippi Gulf Coast Lesbian and Gay Community Center. (Washington Blade photo by Michael Key)
We drove along the coast to a mall in nearby Biloxi, where we met with Jennifer and Jena Pierce and a trans man who preferred to remain anonymous. The Pierces married in Connecticut last December, yet lived in Mississippi. They had considered moving to a place more accepting of their relationship, but decided to stay for the sake of their young daughter who is in school. The married couple had faced discrimination on a number of occasions. Jena Pierce told us that an employee at the DMV office loudly gathered her coworkers and told her she could not change the last name on her driver’s license because the state would not recognize her marriage. The DMV worker proceeded to publicly embarrass her, leaving her sobbing in her car.
Jennifer and Jena Pierce are a married couple in Biloxi, Miss. (Washington Blade photo by Michael Key)
Jennifer Pierce had also experienced discrimination when trying to take a family leave day to take their daughter to the doctor’s office. Her workplace wouldn’t let her go because their daughter isn’t her biological daughter — even though the people making the decision had been guests at the Pierces’ wedding reception.
A trans man on the Gulf Coast preferred to remain anonymous but spoke to the Blade about his experience as a trans man living on the Gulf Coast. (Washington Blade photo by Michael Key)
Alabama
It was in the early evening when we pulled into the parking lot of Laps on the Causeway, a sprawling restaurant along a thin stretch of land in the middle of Mobile Bay. Michael and I battled a swarm of gnats to meet with Lane Galbraith on the outdoor deck of his favorite restaurant. The trans man who had founded LGBT Wave of Hope, a Mobile LGBT advocacy organization, told us of the pervasive closet of Alabama and the struggles of the LGBT people who live there.
Lane Galbraith is the founder of LGBT Wave of Hope in Mobile, Ala. (Washington Blade photo by Michael Key)
Our final leg of the trip was something that I had been looking forward to for weeks. We drove to Montgomery, Ala. to visit the Southern Poverty Law Center (SPLC). There was as much security at the SPLC as one would expect at the White House. After passing through many checkpoints, I wasn’t even allowed to take pictures inside the massive building. The SPLC’s precautions were well-founded however, as the watchdog organization had been targeted many times by hate groups resulting in fire bombings. We visited the Civil Rights Memorial and got background on the SPLC’s LGBT-specific cases. We met with SPLC lawyers David Dinielli and Sam Wolfe who specialize in LGBT issues.
Southern Poverty Law Center Deputy Legal Director David Dinielli and lawyer Sam Wolfe met with the Washington Blade at the Civil Rights Memorial in Montgomery, Ala. (Washington Blade photo by Michael Key)
After meeting with the lawyers, we were granted a visit to the SPLC’s Civil Rights Museum. Upon seeing a display that related the horrifying death of a man in an anti-gay attack, my traveling companion started sobbing. I felt a strange confluence of emotions from the mental and emotional toll our trip had taken as well. After we left the museum, we walked in silence around Montgomery. Signs of the Confederacy were all around us, including the Confederate “White House” of Jefferson Davis.
The circular Civil Rights Memorial in Montgomery, Ala. lists martyrs to the cause of civil rights, with a blank spot left for people who came before and those who are yet to come. (Washington Blade photo by Michael Key)
On the last day of our trip, Michael and I were both mentally exhausted, but we had one more important person to talk with. Kathie Heirs of AIDS Alabama met us in her offices in Birmingham to talk about the strides made in combatting the HIV/AIDS epidemic in the state.
Kathie Hiers is the CEO of AIDS Alabama. (Washington Blade photo by Michael Key)
Michael and I dropped off the rental car at the airport in Birmingham and had a silent drink together while waiting on our flight back to D.C. The many stories I had heard were swirling around in my head and I was too close to it then to make sense of it. I did know two things: I would never take living in a place like Washington for granted again and I would never again succumb to the comforting lie that our full equality had already been won nationwide. The people we had met in the South were amazing and courageous and had built a community in difficult circumstances. Most all of the people we had spoken with had a sense of pride of place and felt a duty to make their town or city a more welcoming home for the next generation of LGBT people.
Some gifts scream practical, others whisper luxury, and a few flat-out blur the lines. From cocoa that feels ceremonial to a cologne that linger like a suggestive smirk, this year’s ultimate gift picks prove that thoughtful (and occasionally naughty) presents don’t have to be prosaic. Welcome to your holiday cheat sheet for festive tangibles that get noticed, remembered, and maybe even result in a peck of gratitude planted under the mistletoe. Consensually, of course.
Amber Glass Champagne Flutes
Pop the champs – but make it vintage. These tulip-shaped stunners in amber-tinted glass bring all the Gatsby vibes without the Jazz-age drama. Whether you’re toasting a milestone or celebrating a Tuesday, their seven-ounce capacities and hand-wash-only care make ‘em as practical as they are pretty. Pair with a thoughtful bottle of bubs and gift with a glittering wink. $18, NantucketLooms.com
Disaster Playbook by Here Comes the Apocalypse
Because the end of the world shouldn’t be a solo act, this spiral-bound guide is your step-by-step roadmap to surviving and thriving when everything else goes sideways, which might be sooner than you think. Packed with checklists, drills, and a healthy dose of humor, it’s like a survival manual written by your most prepared (and slightly snarky) friend. Whether you’re prepping for a zombie apocalypse or, more realistically, REVOLUTION!, this playbook’s got your back. $40, HereComesTheApocalypse.com
Wickless Vulva Candles
Bold, luxurious, and completely flame-free, CTOAN’s wickless candles melt from beneath on a warmer, releasing subtle, sophisticated fragrances, like sandalwood or lavender. The vulva-shaped wax adds a playful, provocative element to any space –perfect for a bedroom, living room, or anywhere you want elegance with an edge. A gift that celebrates form, intimacy and self-expression, no fire required. $39, CTOANCO.com
Villeroy & Boch Royal Classic Christmas Collection
Every meal is a mini celebration – with whimsy at every place setting – in Villeroy & Boch’s Royal Classic festive dinnerware collection that hits all the right notes. Made from premium German porcelain, it features nostalgic little toys, nutcrackers, and rocking horses in delicate relief, giving your holiday spread a playful but refined twist. Dishwasher- and microwave-safe, it’s luxe without the fuss. Gift a piece to a special someone, or start a collection they’ll use (and show off) for years to come. $22-$363, Villeroy-Boch.com
Greenworks Electric Lawnmower
You a ’hood queen who considers lawn care performance art – or just wants to rule the cul-de-sac in quiet, emission-free glory? Greenworks’ zero-turn electric mower has the muscle of a 24-horsepower gas engine but none of the fumes, drama or maintenance. Six 60V batteries and a 42-inch deck mean you can mow up to two-and-a-half acres on a single charge – then plug in, recharge, and ride again. It’s whisper-quiet, slope-ready, and smooth enough to make you wonder why you ever pushed anything besides your queer agenda. The perfect gift for the homeowner who loves sustainability, symmetry, and showing off their freshly striped yard like that fresh fade you get on Fridays. $5,000, GreenworksTools.com
Molekule Air Purifier
For the friend who treats their space like a sanctuary (or just can’t stand sneezes), the Molekule Air Pro is magic in motion. Covering up to 1,000 square feet, it doesn’t just capture allergens, VOCs, and smoke – it destroys them, leaving your air feeling luxury-clean. FDA-cleared as a Class II medical device, it’s serious science disguised as modern design. Gift it to your city-dwelling, pet-loving, candle-burning friend who likes their living room as pristine as their Instagram feed. $1,015, Molekule.com
Cipriani Prosecco Gift Set
Effervescent with stone-fruit sweetness and a touch of Italian flair, the Cipriani Bellini & Prosecco gift set brings brunch-level glamour to any day of the week. The Bellini blends rich white-peach purée with sparkling wine, while the dry ’secco keeps things crisp and celebratory. Pop a bottle, pour a flute, and suddenly winter weeknights feel like a party – even with your pants off. $36, TotalWine.com
Woo(e)d Cologne
British GQ recently crowned Woo(e)d by ALTAIA the “Best Date Night Fragrance,” and honestly, they nailed it. Confident without being cocky – smoky gaïac and Atlas cedarwood grounds the room while supple leather and spicy cardamom do all the flirting – it’s a scent that lingers like good conversation and soft candlelight. Gift it to the one who always turns heads – or keep it for yourself and let them come to (and then on) you. $255, BeautyHabit.com
Lococo Cocoa Kit
Keep the run-of-the-mill mugs in the cabinet this Christmas and pull out Lococo’s handcrafted Oaxacan versions that demand you slow down and sip like it matters. Paired with a wooden scoop, rechargeable frother, and Lococo’s signature spice hot-chocolate blend (vegan, gluten-free, with adaptogenic mushrooms), this holiday kit turns Mexi-cocoa into a mini ritual you’ll look forward to. Perfect for anyone who loves a little indulgence with a side of ¡A huevo! energy.
Manta Sleep Mask
Total blackout, zero pressure on the eyes, and Bluetooth speakers built right into the straps, this ain’t your mama’s sleep mask — but it could be. The Manta SOUND sleep mask features C-shaped eye cups that block every hint of light while ultra-thin speakers deliver your favorite white noise, meditation, or late-night playlist straight to your ears. With 24-hour battery life, breathable fabric, and easy-to-adjust sound, it turns any bed (or airplane seat) into a five-star sleep suite. Perfect for anyone who treats shut-eye like an art form (or just wants to escape their roommate’s late-night bingin’ and/or bangin’). $159, MantaSleep.com
Shacklelock Necklace
Turn the industrial-chic vibe of a shackle into a sleek statement. Mi Tesoro’s platinum-plated stainless-steel necklace sits on an 18-inch wheat chain, featuring a shackle-style latch pendant that’s waterproof, tarnish-free, and totally fuss-les. Beyond style, it nods to a classic gesture in the queer leather community: replacing a traditional Master lock with something elegant to quietly signal belonging to someone special. Wear it solo for a minimalist edge or layer it like you mean it; either way this piece locks in both your look and your intentions. $90, MiTesoroJewelry.com
Parkside Flask Mojave Edition
Wine nights get a desert glow-up with Parkside’s limited-edition 750-milliliter all-in-one flask draped in sun-washed bronze and badland hues like sage, sand, and terracotta – with magnetic stemless tumblers that snap on for effortless shareability. It keeps your vino chilled for 24 hours, pours without drips (no tears for spilled rosé, please), and even lets you laser-engrave your own mantra or inside joke. Perfect for picnics, surprise rooftop clinks, or gifting to your favorite wine (or desert) rat. $149, HighCampFlasks.com
Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has published in more than 100 outlets across the world. Connect with him on Instagram @mikeyroxtravels.
a&e features
Meet Mr. Christmas
Hallmark’s Jonathan Bennett on telling gay love stories for mainstream audiences
Jonathan Bennett believes there are two kinds of people in the world — those who love Hallmark movies and liars. And in Season 2 of Finding Mr. Christmas, which the Mean Girls star co-created with Ben Roy, Bennett is searching for Hallmark’s next leading man.
“It’s so fun for people because everyone in their life has someone they know that they think should be in Hallmark movies, right? The UPS driver, the barista at the coffee shop, the dentist,” Bennett says. “So we’re testing their acting abilities, we’re testing who they are, but we’re also looking for that star quality — the thing that makes them shine above everyone else. It’s almost something you can’t explain, but we know it when we see it.”
Season 2’s cast includes a former NFL player for the Green Bay Packers, a few actors, and a realtor. The 10 men compete in weekly festive-themed acting challenges, one of which included having to ride a horse and act out a scene with Alison Sweeney. The contestants were chosen from a crop of 360 potential men, and Bennett gives kudos to the show’s Emmy-nominated casting director, Lindsay Liles (The Bachelor, Bachelor in Paradise).
“She has a tough job because she has to find 10 guys that are going to be good reality television, but also have the talent to act, carry a scene, and lead a Hallmark movie eventually,” he says. To be the right fit for a Hallmark leading man, Bennett singles out five key characteristics: you have to be funny, charming, kind, have a sense of humor, and you have to do it all with a big heart.
Of course, Finding Mr. Christmas wouldn’t be Finding Mr. Christmas without its signature eye candy — something Bennett describes as “part of the job” for the contestants. “I can’t believe Hallmark let me get away with this. I dressed them as sexy reindeer and put them in harnesses attached to a cable 30 feet in the air, and they had to do a sexy reindeer photo shoot challenge,” he says with a laugh. “This season is just bigger and bolder than last. People are responding to not only all the craziness that we put them through, but also comparing and contrasting the guys in their acting scenes when we do them back-to-back.”
Season 1 winner Ezra Moreland’s career has been an early testament to the show’s success at finding rising talent. On seeing the show’s first winner flourish, Bennett says, “Now to watch him out in the world, just booking commercial after commercial and shining as an actor and a model, I think the show gave him the wings to do that. He learned so much about himself, and he took all that into his future auditions and casting. He just works nonstop. I’ve never seen an actor book more commercials and modeling gigs in my life.”
Bennett has been a star of plenty of Hallmark movies himself, including the GLAAD-award-winning The Groomsmen: Second Chances, which makes him a fitting host. Among those movies are 2020’s Christmas House, which featured the first same-sex kiss on the network and had a major impact on Bennett’s career as an openly gay man. “Hallmark’s been so great about supporting me in queer storytelling. But again, I don’t make gay movies for gay audiences. I make gay love stories for a broad audience, and that’s a huge difference, right? We’re not telling stories inside baseball that only the gay community will understand.”
He continues, “The backdrop of a Hallmark Christmas movie is very familiar to these people who watch. And so when you tell a gay love story, and you tell it no differently than a straight love story in that space, they’re able to understand. It’s able to change hearts and minds for people who might not have it in their lives.”
While Hallmark has become a major staple of Bennett’s career, he started off wanting to be a Broadway actor. And before the first season of Finding Mr. Christmas aired, Bennett took a break from TV to make his Broadway debut in Spamalot, replacing Michael Urie as Sir Robin and starring alongside Ethan Slater and Alex Brightman.
“That was my dream since I was five years old – then I booked a movie called Mean Girls, and everything kind of changes in your life. You no longer become a person pursuing Broadway, you become a part of pop culture,” Bennett recalls. “And to be honest, when I hit 40, I was like, ‘I’m probably never going to get to live that dream.’ And that’s okay, because I got to do other dreams and other things that were just as cool but different. So I honestly never thought it would happen.”
Bennett is still determined to make his way back on Broadway with the right role — he calls Spamalot the “best experience” of his life, after all — but he’s got another Hallmark show lined up with Murder Mystery House, which he co-created. The show was recently greenlit for development and intends to bring the Hallmark mystery movie to life. “It’s kind of like our version of The Traitors,” Bennett admits.
Looking back on both seasons, Bennett says that what makes Finding Mr. Christmas stand out in the overcrowded reality TV landscape is that everyone involved makes it with heart: “This isn’t a show where you’re going to watch people throw drinks in each other’s faces and get into big fights. The thing that has amazed me so much about this show, the more we’ve done it, is that every season, 10 guys come in as competitors, but they leave as a family and as brothers. That’s something you don’t get on any other network.”
Finding Mr. Christmas airs every Monday on Hallmark through December 20, with episodes available to stream on Hallmark+.
a&e features
Guillermo Diaz on his role as a queer, Latino actor in Hollywood
Shattering stereotypes and norms with long resume of roles
Actor Guillermo Diaz has been working hard in the entertainment industry for more than three decades. Proud of his heritage and queer identity, he has broken through many glass ceilings to have a prolific career that includes tentpole moments such as roles in the films Party Girl, Half Baked, and Bros, and in major TV shows like Weeds and Scandal, and even in a Britney Spears music video. This season, he made his feature-length directorial debut with the film Dear Luke, Love Me.
In an intimate sit-down with the Blade, Diaz shares that he attributes a lot of his success to his Cuban upbringing.
“Well, it prepared me to learn how to lie really well and be a good actor because it was a lot of acting like you were straight, back in the eighties and nineties (laugh). Another thing I learned from my Cuban immigrant parents is that they work super hard. They both had two jobs; we were latchkey kids, and I just saw them constantly working and wanting to provide for us by any means. So that was super instilled in me. That was the one thing that really stuck out that I admire and respect.”
Besides Diaz’s recurring roles on TV, his resume includes appearances in just about every genre of programming out there. If there is a major show out there, he was probably on it. Law and Order, Girls, The Closer, Chappelle’s Show, ER, Party of Five, and the list goes on. He’s accomplished more in his career thus far than most actors do in a lifetime. There is no doubt he is a hard worker.
“It’s a sign that I just loved to work, and it’s funny looking back at it now because you see all those things, but at the time it was just the next gig, the next job. I was just wanting to keep working and acting and learning and doing all that stuff. Then it sort of accumulates, and you look back and you’re like, damn! That’s a lot of stuff!”
Acting was never on Diaz’s radar until he was asked to fill in for a friend in a Beastie Boys medley for a talent show when he was a sophomore in high school.
“I did it and fell in love with it. I was teased a lot in high school. Then, when I did that performance, all those people who teased me were like, you were so great! So I looked at it initially as a thing of like, oh, this is where I’m accepted and people like me when I’m on stage. It’s kind of sad, too, because that’s what I latched onto. And then of course, I fell in love with the craft and performing and acting, but that initial rush was because all these people who were messing with me and teasing me all of a sudden liked me. And I was like, this is what I have to do.”
Little did Diaz know that he would break the mold when it came to stereotypical casting. When he first hit the industry, diversity and positive representation were not a thing in Hollywood.
“You just kind of accepted at the time. It was the early nineties. 90% of the time, it was playing a thug or a gun dealer, or a crack head – it was all bad guys, negative characters. But it was either that or not act and not be in anything. So you just kind of accept it, and then you have this sort of vision or hope that in the future it’s going to get better.
Diaz’s management was trepidatious about him playing gay roles for fear of being typecast. But Diaz did play a handful of gay roles early on, although he passed on But I’m A Cheerleader, which went on to become a gay cult classic. Diaz decided early on that he was not going to hide his sexuality. Diaz appeared in the film Stonewall. That was the defining point for him in sharing his identity.
“Being cast in that historical sort of dramatization of the 1969 Stonewall riots – I couldn’t believe I was in the midst that I was in the middle of doing this and playing the lead drag queen on the film. I just felt so honored, and I knew it was important, and I knew I needed to do a really good job. I thought, what a special moment this is. And it kicked my ass shooting that movie.
I remember after doing Stonewall, people saying, well, now you’re either going to have to make a choice if you’re going to lie, or if you’re going to just be honest, and you’re going to have to be out from now on if you’re going to be honest. And I was like, I’m not going to freaking lie. When they’d asked me, I would say I was gay. I think because I never tried to hide it, it didn’t become a thing. So people just kind of ignored it. It didn’t mess with me or my career. I don’t know. Or I just got lucky. I don’t freaking know.”
As a queer, Latin actor, Diaz is all too aware of what is happening politically and socially in the world towards minority communities. Does he think actors have a place in politics?
“For sure. I mean, we’re people first, right? Like, I hate when people sort of are like, oh, you’re an actor, shut up. I’m super political and outspoken, and I’m that guy who will say shit. I’m on the right side of history, at least. I’m not being complicit and silent. So, yeah, I think actors for sure have a place in politics. Absolutely.”
While directing was on Diaz’s radar, it wasn’t something that he was actively searching out. But as life would have it, his friend Mallie McCown sent him her script for Dear Luke, Love Me, a film she would play the lead in. Diaz was hooked.
“It was one of those scripts that I had to keep putting down every like 20 pages. I would put it down because I didn’t want it to end. It was so good. Originally, I was just going to come on as a producer of the film, and then the director dropped out, and then Mallie asked me if I was interested in directing. I was scared as shit. I had never directed a feature film. But I was like, it’s now or never.”
The film covers a decade of the friendship between Penny and Luke, covering themes of platonic love, asexuality, co-dependence, and self-identity. With most of the film focusing on just the two leads, Diaz has crafted an intimate and raw film. What is his message with the film?
“That love is complicated, but it’s beautiful and rewarding and worth all the heartache. I believe that. I don’t want to give away too much in the film either, but I think everyone can relate to it because there’s heartache and there’s pain, and there’s beauty and there’s love.”
And in looking at his past work and in looking toward his future career, what kind of legacy does Diaz want to build?
“That I broke some ground, that I knocked down some walls as an artist; I’m hoping that made a difference. It’s funny because when you’re in it, you’re not thinking about all this stuff that could possibly pave the way for other people. You’re just kind of moving along and living your life. But yeah, I would hope that I broke down some walls as a queer Latino.
I hope that people can sort of get something out of me trying to live as authentically as I can, just being my queer self. Hopefully, that helps someone along who is having some troubles being accepted or being comfortable with who they are.”
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