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Ain’t life Grand

‘All American Boy’ on funneling fame into something sustainable

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Steve Grand, gay news, Washington Blade
Steve Grand, gay news, Washington Blade

Singer Steve Grand says he is not driven by financial payoff when making music. (Photo by Christopher Free)

Steve Grand says it’s become trendy for gay celebs to come out in an “oh-by-the-way”-type manner. The 25-year-old singer/songwriter says that was never his style.

“People say this is no big deal anymore, who cares,” he says. “You know who cares? The kids who are still really struggling with this. The kids who feel like they would still rather be dead than live life as a gay person. I’m thinking about them all the time when I’m doing these things because deep down, we all just want to be loved. … We want to feel valued and understood.”

In 2013, the Chicago native took $7,000 of his own money to make a music video for his song “All-American Boy.” The now-famous clip — nearly 4 million YouTube hits logged — found him jamming roots-rock style (many called it country) and pining for a straight friend. Now having raised $325,000 from 5,000 fans through a Kickstarter campaign, Grand is releasing a 13-track album of the same name. The Aaron-Johnson-produced project is slated for a March 24 release. We caught up with Grand from his Chicago home by phone. His comments have been slightly edited for length.

WASHINGTON BLADE: Nobody sets out to be a one-hit wonder. You seem like you’re on a logical path to spinning the attention from the video into a sustainable career. How easy or hard has that been so far?

STEVE GRAND: I think I did a good job of keeping my feet on the ground. I went through the whole viral Internet star thing and that was big for a short time. I fumbled a bit in interviews and was trying to figure out if I was going to do shows right away, work on an album. There really was no plan and looking back it seems almost like a hindrance that the video and song came together so beautifully because I don’t think people realized it was really just me doing all that. People suddenly had all these really high expectations right away and I didn’t have a team, no manager, label, it was just something I did all myself with my own money made from playing bars on weekends. … It gave me a good jumpstart and exposed my music to a lot of people right off the bat and connected with a lot of people. I have to be grateful for that but it has a dark side too, for sure.

BLADE: Obviously the video wasn’t just something you did off the cuff. How calculated was it?

GRAND: I really wanted to start a grassroots kind of thing and I thought if I put it out there and people responded, that would be a good start to establishing myself as an artist so I just started asking around, finding people who did videos and eventually I met up with (director) Jason Knade. … I think I really stretched everyone and got a lot for my money. I was very passionate about it and I really cared about getting that song and video out to the world … but no, it wasn’t calculated in terms of anything after. I’ve said this a few times and it doesn’t seem to really stick, but I really did just upload it to YouTube and put it on Facebook and then the Internet did its thing. I wasn’t even sure who to reach out to. I remember thinking, “Oh, maybe I should e-mail Davy Wavey or something,” but it just did its own thing. Buzzfeed got it the next day and said I was the first openly gay country singer and I was like, “What?” I never really stood by that title but I was glad people were seeing it.

BLADE: When was it filmed and how long did it take?

GRAND: We filmed it in June of 2013 and shot it over three days. It was really hard trying to find a yard that we could bring all my friends as extras and have a place that looked like open roads and a campfire and light off fireworks and not get in trouble. I had so much trouble getting a place. No one wants to lend their place to a bunch of 23 year olds with cameras, fireworks and alcohol, but we did end up finding a place in Wisconsin through a friend of a friend. I invited like 200 people knowing maybe 30 would show up and I was right. We shot two days back to back, then a week later shot the stuff in a friend’s yard where it looks like the morning after with the fire and the garbage. Then we edited it right away.

BLADE: I guess people were skeptical because it looked so professionally done. So many essentially homemade videos end up looking so cheesy. How did you avoid that?

GRAND:  Well, I insisted on looking at all the footage we shot even though nobody wants to do that because it’s so crazy, but I insisted. I was like, “Give me the footage.” I wanted to be sure we had absolutely the best shot of everything so I spent hours and hours going through it. I also really needed it to be up by the Fourth of July, that was my plan, me being calculating I guess. I thought that was the best time to release it so we had a very limited amount of time. The editor had his first edit, then we spent eight hours going over everything making tweaks. … I really just knew exactly how I wanted it to look and I knew the feeling I wanted people to have and how to achieve that. I was very inspired and very determined and also lucky to have some very talented people to help. … I drove myself nuts, though. My parents were starting to get really worried. They were like, “It’s a little scary how you’re so intense about this.” I wasn’t sleeping or eating, which honestly is why I look so ripped in the video. It was really going over every last detail right up until the last minute.

BLADE: When hip-hop made its mark on pop, country started sounding a lot like where pop/rock was in the ‘90s. Do you think that’s why you got the country sticker?

GRAND: Yeah, live drums, acoustic guitar now, people think country. And also the storytelling style and a lot of the visuals with American flags, old cars, friends by the fire, whisky — those are very country images I guess. I just think of them as Americana. I’ve never gotten too hung up on what it’s called. … If it sounds country to you, that’s fine. … I’m just all about making the song really shine and bringing out the beautiful raw elements of the song.

BLADE: There’s a lot of industry hand wringing about whether albums are obsolete. Why was it important to you to make one?

GRAND: It was something I always wanted to do. After “All American Boy” came out people were like, “You made it, you made it.” I’m like, “I haven’t done anything yet.” Until I have an album out and have played all over the country and the world, then I’ll feel I’ve done what I’ve wanted to do since I was 12. Right after “All American Boy,” all these offers came in, all this stupid shit like reality TV and you know, people saying you have to decide today what you want your career to be like. … My thinking all along was if I’m a good songwriter and a good performer and I think there’s an audience out there for me, if that is all true, then there should still be something left when this moment fades away.

BLADE: Will you tour?

GRAND: Yeah, later in the spring. We’re doing this thing in Europe for two weeks in June and the rest is being put together now.

BLADE: How did you feel watching Sam Smith at the Grammys?

GRAND: It was amazing and a testament to where we are today, which is a beautiful thing. I thought about what it would have meant to me as a young person to have seen something like that — Sam Smith just owning the Grammys, that was amazing. He’s obviously just so, so good and the industry has really embraced him. People everywhere just seem to really like him.

BLADE: What album did you wear out when you were 12-13-14?

GRAND: Fall Out Boy, “Take This to Your Grave.” I listened to that like crazy. That’s when that whole pop-funk-emo thing was happening.

BLADE: You played a lot in clubs and churches. What did you learn?

GRAND: How to be in front of people and give them an experience even when I wasn’t feeling it. You learn to perform and be on whether you’re having a bad day, hung over, sometimes sick, whatever. I learned it was my job to still play and make people happy.

BLADE: There’s no money in having a huge YouTube hit and not that I sense you’re doing all this for the money but surely in time you want to be able to sustain yourself doing this. You put a lot of money into the video. Was it worth it?

GRAND: Anytime somebody thinks I’m doing this for the money, I just laugh forever. I actually moved out of my apartment and back into my parents’ basement because I wanted to keep investing in myself and not throwing hundreds of dollars away for an apartment I was barely at anyway because I was spending so much time traveling to L.A. and recording. People have all sorts of priorities and so far, mine has been putting out something beautiful in the world, something people will connect to and giving people an experience. … I don’t care about living a glamorous life.

Steve Grand, gay news, Washington Blade

Steve Grand says he knew his ‘All American Boy’ video would be successful. (Photo by Joem Bayawa)

BLADE: You’ve done a lot of scantily clad photo shoots. Do all the underwear shots risk undermining a serious career?

GRAND: Those were all done when I was 19, so like six years ago. I didn’t do drugs or anything. My way of rebelling was taking off my clothes. I don’t own them and don’t choose my Google search so there’s nothing I can do about it. I’m not ashamed of them and I don’t feel like they’re any big deal … but most of the time now I don’t care how I look. Sometimes I’ll do a show now and people say, “Take off your shirt.” The only time I did that was for the ALS Ice Bucket Challenge in Lake Superior. But now, I don’t really care about showing off my body.

BLADE: Whatever ingredients are needed to launch a successful pop career in 2015 — whatever combination of looks, talent, and so on, to say nothing of drive, it would seem you were dealt a pretty good hand in life. Would you concur?

GRAND: Oh yeah, I’m never one to downplay that, absolutely. We’re not all dealt the same hand. I think I’m lucky to a certain extent but also lucky to have work ethic and passion and to care about what I do. … You really have to be in this for the right reasons because if you’re not, it’s just not worth it.

BLADE: You’ve said before in interviews you were not dating but focusing on career development. Is that still the case?

GRAND: Absolutely. And even if I was, I wouldn’t say. I like to keep some things to myself. I love life and sex and all that, but that’s for me.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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In stressful times, escape to Rehoboth Beach

Here’s what’s new in D.C.’s favorite beach town for 2025

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Rehoboth Beach is ready to welcome visitors for the 2025 season. (Washington Blade photo by Daniel Truitt)

At last, after an uncharacteristically cold and snowy winter, another Rehoboth Beach season is upon us. I have been going to Rehoboth Beach since 1984, and it was the first place I went where people only knew me as a gay man. It was the year I came out. It was a summer community back then. Today it really is an exciting year-round community. But it’s still the summer season when Rehoboth shines, and when the businesses make most of their money. 

The summer brings out tens of thousands of tourists, from day-trippers, to those with second homes at the beach. Everyone comes to the beach for the sun and sand, food, and drink. Some like to relax, others to party, and you can do both in Rehoboth Beach, Del. 

Stop by CAMP Rehoboth, the LGBTQ community center on Baltimore Avenue, to get the latest updates on what is happening. CAMP sponsors Sunfestival each Labor Day weekend, and a huge block party on Baltimore Avenue in October. They train the Rehoboth Beach police on how to work with the LGBTQ community, and have all kinds of special and regularly scheduled events. Pick up a copy of their publication, Letters, which is distributed around town. 

I asked Kim Leisey, CAMP’s executive director, for her thoughts, and she said, CAMP Rehoboth looks forward to welcoming our friends and visitors to Rehoboth Beach. We are a safe space for our community and will be sponsoring social opportunities, art receptions, concerts, and art exhibits, throughout the summer. If you are planning a wedding, shower, reception, or business meeting, our beautiful atrium is available for rental. We look forward to a summer of solidarity and fun.”  While at CAMP stop in the courtyard at a favorite place of mine, Loris Oy Vey! Café, and tryher famous chicken salad.

There’s something for everyone at the beach, from walking the boardwalk and eating Thrashers fries, to visiting Funland, or playing a game of miniature golf. Or head to some of the world-class restaurants like Drift, Eden, Blue Moon, or Back Porch.  

Some random bits on the summer 2025 season. Prices are going up like everywhere else. Your parking meter will cost you $4 an hour. Meters are in effect May 15-Sept. 15. Parking permits for all the non-metered spaces in town are also expensive. Transferable permits are $365,non-transferable $295, or after Aug. 1 if you only come for the end of summer, it’s $165. Detailed information is available on the town’s website.

Rehoboth lost one of its best restaurant this off-season, JAM, but Freddie’s Beach Bar and Restaurant is open for its fourth season. Owner Freddie Lutz told the Blade, “We are looking forward to a fabulous season. Freddie’s has a dance floor and is the only music video bar in town.” There is also live entertainment, karaoke, and Freddie’s Follies drag show Friday nights. 

Magnolia Applebottom performs at Freddie’s Beach Bar in Rehoboth Beach, Del. on May 12. (Washington Blade photo by Daniel Truitt)

My favorite happy hour bar is Aqua Grill, which has reopened for the season. I recommend taking advantage of their great Tuesday Taco night, and Thursday burger night. Then there is The Pines and Top of the Pines. Bob Suppies of Second Block Hospitality told me, “Come, relax, and play. We are ready! I have been spending summers here since the mid-90’s, and Rehoboth Beach seems to age like a fine wine. Between the new, and favorite restaurants opening back up, the shops bursting with incredible finds, and all the great LGBTQ+ bars to entertain everyone, nowhere beats the Delaware beaches this summer.” 

Head down the block on Baltimore Avenue and you get to La Fable restaurant. Go all the way to the beach and you will see the new lifeguard station, which is slated to open later this month. Also, demolition of the old hotel and north boardwalk Grotto Pizza has happened. The site will become a new four-story, 60-room hotel, with ground level retail space. 

Then join me at my favorite morning place at the beach, The Coffee Mill, in the mews between Rehoboth and Baltimore Avenues, open every morning at 7 a.m. Owners Mel and Bob also have the Mill Creamery, the ice cream parlor in the mews, and Brashhh! on 1st street, where Mel sells his own clothing line, called FEARLESS! Then there is the ever-popular Purple Parrot, celebrating its 26th year, now with new owners Tyler Townsend and Drew Mitchell, who welcome you to their iconic place. It has only gotten better. If you head farther down Rehoboth Avenue you will find the Summer House with its upscale Libation Room, and a nice garden looking out on Rehoboth Avenue. Also on Rehoboth Avenue is Gidgets Gadgets owned by the fabulous Steve Fallon. With the renewed interest in vinyl records you may want to stop in at Extended Play

Then there is the always busy and fun, Diegos Bar and Nightclub. Joe Zuber of Diego’s told the Blade, “Get ready for a great gay ole time in Rehoboth Beach. Plenty of entertainment, dancing and fun as we seem to be the next Stonewall generation with this newest administration. Each election brings its concerns about how our gay community will be affected. Come to Rehoboth Beach to escape this summer season!” 

If you are in town for Sunday happy hour, make sure to stop there to hear the talented Pamala Stanley who is celebrating her 20th season entertaining in Rehoboth.And on Mondays, Stanley plays Broadway and other classics on the piano at Diego’s.

If you are looking for culture Rehoboth has some of that as well. There is the Clear Space Theatre on Baltimore Avenue. Rumors abound that Clear Space will move out of town. But I can’t believe the commissioners and mayor would be dumb enough to let that happen. This year’s shows include “Spring Awakening,” “Buyer + Cellar,” “Hairspray,” “Beautiful: The Carole King Musical,” and “RENT.”Tickets sell fast so I suggest you book early and they are available online. Then mark your calendars for Saturday, July 19 for Rehoboth Beach Pride 2025 at the Rehoboth Beach Convention Center.

I would be remiss if I didn’t mention some of the other fine restaurants and clubs in town. Just a reminder, during season you often need dinner reservations. Come to the beach often enough, and you can try them all: Café Azafran, Dos Locos, Goolee’s Grille, Rigby’s, Frank and Louie’s, Above the Dunes, Mariachi, and Henlopen City Oyster House, and Red, White & Basil. And take a short drive to Dewey for breakfast or lunch at the Starboard; popular bartender Doug Moore (winner of the Blade’s Best Rehoboth-Area Bartender 2024 award) holds court at one of the inside bars, which has become a de facto gay bar on Saturdays. 

One major development in the local dining scene last summer was the purchase of the Big Fish Restaurant Group by Baltimore-based Atlas Restaurant Group. Nearly a year later, not much has changed at the many Big Fish restaurants, although many locals are hoping for a renovation of Obie’s along with a gay night at the ocean-front bar/restaurant. 

These are only a few of the fantastic places to eat and drink at the beach. Remember, book your reservations for hotels and restaurants, early. Rehoboth is a happening place and gets very busy. 

We are living in stressful times. A visit to Rehoboth is a nice way to escape them for a while. Take the time to destress, enjoy the sun and sand. Take a stroll on the boardwalk and listen to the sound of the ocean, and people having fun. Enjoy good times, good food, good friends, and remember that life can still be good. Recharge your batteries for the rest of the year, by enjoying some summer fun in Rehoboth Beach. 

(Washington Blade photo by Daniel Truitt)
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Down to shuck! 

Oyster farmers Jordan Nally and fiancé Jimmy Kane on caring for Delaware’s waters — and sharing something special with customers

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Jordan Nally shows off one of his newly harvested oysters on the dock in Rehoboth. (Blade photo by Will Freshwater)

Although I didn’t come out to my family until my 20s, they should have seen the signs. During one of our annual trips to Indian Shores Beach in Florida, my parents splurged on a Polynesian dining adventure at the only tourist spot in town – Tiki Gardens. While waiting for our table, my sisters found a saltwater tank lined with oysters. For what felt like a fortune to an eight-year-old, a fisherman would shuck a pair and sift through the contents. Dressed in my floral Hawaiian shirt, my excitement turned to desperation when both of my sisters’ oysters revealed pearls. After much begging, my father reluctantly paid to have the small, oddly shaped gems mounted in rings. Watching my sisters flaunt their new jewelry, I seethed with envy and secretly vowed to return one day to claim my own treasure from the sea.

Nearly 50 years later, I’m a full-time resident of Rehoboth Beach, Del. It’s the Atlantic Ocean, not the Gulf of Mexico, but it’s close enough to Florida for me. As a local in a small coastal town, I’m keenly interested in how entrepreneurs are capitalizing on the growing tourism industry with innovative business ideas, so when I stumble across an Instagram page featuring two gay oyster farmers, Jordan Nally and his fiancé Jimmy Kane operating just a few miles away on Rehoboth Bay, my curiosity is piqued. After liking all the posts on the page, I slip into their DMs and ask whether we can meet for an interview. I’m delighted and a little nervous when they agree and invite me out on the boat to tour the farm and talk shellfish. Since everything I know about oysters came from a restaurant menu, I did some research.

Less than a week later, I arrive at the marina on Collins Avenue in Dewey on a picture-perfect morning in early May. Nally is waiting by his pickup truck, casually chatting up a couple of tourists. He’s a Delaware native and looks every bit like an oyster farmer in a long-sleeve, sweat-wicking shirt, PVC-coated shorts, and a branded baseball cap for sun protection. That’s all the more surprising given that Nally spent more than a decade working for JPMorgan Chase and had run for election to the Delaware House of Representatives in 2020.

As a good reporter, I’ve done my research: I know that the Inland Bays (made up of Rehoboth, Indian River, and Little Assawoman Bays) were once prolific oyster producers, with peak annual harvests reaching up to two million bushels. However, by the mid-20th century, overharvesting and a parasitic fungus drastically reduced the oyster populations. By 1960, the annual harvest had plummeted to just 49,000 bushels, marking a low point for the industry. In 2013, former Gov. Jack Markell signed legislation, and the commercial shellfish industry was reborn.

As we unload the flatbed of his EV pickup truck and transport the contents to the waiting boat, a retrofitted pontoon, “The Mullet,” Nally fills me in on his origin story. He came up with the idea to dive into aquaculture while he was quarantined in a hotel in Vermont with nothing but a TV and a local magazine with a cover story on oyster farming. He pitched the idea to his partner Jimmy Kane over the phone, and together they started planning how to make it happen. Nally jokes that what began as a fun “COVID project” quickly bloomed into a thriving business: “Some people did sourdough starter, but we decided to start an oyster farm.” 

Although Kane is always there to lend a helping hand, Nally is the one who’s usually out tending the farm. Still, Nally stresses that Kane plays a critical support role: “He’s in charge of merchandising, running sales at the market, and grounding me when I have too many wild ideas.”

In April 2023, the couple planted their first batch of “oyster babies,” provided by the hatchery at the University of Delaware. At the time, they were still living full time in Wilmington, so the first year on the farm meant long drives, managing their day jobs from the car, launching the boat, and working for hours out on the bay before heading back home. Eventually, the capital investment and 14-hour days paid off; now, just two years later, they have 50 floating bags, each holding about 2,000 oysters.  

Out on the open water, we see a half-dozen other oyster farms off in the distance. Despite the great weather, we’re the only boat on the bay. Standing confidently at the helm with his eyes fixed on the horizon, Nally gives me a quick biology tutorial on how oysters make it from the bay to the bar. Growers trigger spawning by adjusting water conditions to mimic spring, then feed the larvae specialized algae. After two to three weeks, the larvae develop an “eyespot” and are transferred to grow-out areas on the seabed or suspended bags. Oysters generally reach market size in 18 to 36 months, but the ideal conditions in Rehoboth Bay cut that time down to less than six months.

oysters, gay news, Washington Blade
Jordan Nally shows off a freshly shucked oyster from his farm in Rehoboth. (Blade photo by Will Freshwater)

Nally opens the throttle and, in less time than I expected, we reach the place where the magic happens – the acre of water designated for Nancy James Oysters. Unconventional and bordering on camp, the couple came up with the moniker to honor their late parents. When I ask Nally to explain why they’ve stuck with the venture, his answer, like the name of their business, is personal: “Every single day, we learn something new. And every single oyster reminds us why we started: to grow sustainably, care deeply for our waters, and share something truly special with our customers.”

As we arrive at the oyster farm, Nally cuts the engines and explains the innovative farming technique Nancy James uses to grow its oysters; picture a series of mesh bags, buoyed by floats, and attached to a main line stretching across a tract of water and anchored at both ends. Growing oysters at the water’s surface allows Nally and Kane to capitalize on natural currents and food availability, resulting in faster growth rates and enhanced flavor profiles. The only downside to this growing technique is that the guys never find pearls because the insides of their oysters are cleaner than those of the bottom dwellers.

The farm is directly across from Bird Island, and the cacophony of 10,000 birds is even louder than the whirring sound from the propellers. After anchoring the boat, Nally casually strips down to his bathing suit and surf shoes and jumps into the 60-degree water without a second thought. It’s the ultimate cold plunge, but if he feels the cold, he doesn’t show it; there’s too much work to do. 

“You ready to get dirty?” 

The waters of Rehoboth Bay may be pristine, but Nally’s question and smirking grin reinforce the message that oyster farming is a messy business. The first order of the day is to change out the older bags to address biofouling — the attachment of seaweed and algae that can affect the health and inhibit growth of new oysters. Nally selects three gnarly bags and hauls them over to the boat. I pull one onto the deck. Once he’s back on board, we empty the first bag onto the cleaning table, and I feel my stomach lurch. Mixed in with small crabs and tiny shrimp, the oysters are covered in muck. Suddenly, I’m glad to be wearing a pair of rubber gloves. 

Following instructions, I start sorting; chefs prefer smaller oysters with well-shaped shells. Trying not to get distracted by Nally’s stories and the ravenous flock of waiting sea birds floating above me, I count out four batches of 100 oysters for same-day delivery. Nally and Kane care about how their oysters taste and look. The boat has a portable generator, sump pump, and pressure washer to clean the shells thoroughly. Always ready to quote DNREC requirements scripture and verse, Nally explains that he has to use approved water, and the easiest way is to clean them with water from where they’re growing. 

When I ask if it’s hard to comply with the federal and state requirements, like logging the exact time oysters go in and come out of the water, Nally shrugs and offers a surprisingly pragmatic answer: “Everyone on the bay is aware of safety and works together to comply. If anyone gets sick from shellfish, they don’t care where it came from; it will affect all of us. When you are eating oysters in Delaware that came from Delaware, I feel really confident about safety.”

After harvesting and storing the oysters on ice, Nally checks the currents and wind direction before jumping back into the water; he regularly inspects the bags, floats, securing lines, and clips to ensure everything is in working order. As the oysters grow, Nally and Kane move them into bags with progressively larger mesh sizes and mark each with color-coded zip ties to indicate their growth stage. As they mature, the oysters are thinned out and spread across more bags to prevent overcrowding. It’s hard work, but at the end of the day, the two men are proud of what they’ve built together.

Nally explains that the warm temperatures, sandy bottoms, and high salinity of Rehoboth Bay are ideal. Still, not all farm sites are created equal: “The water here tastes different than the water on that side of the bay. It’s the fetch you’re getting from waves, all the swell, and the current. We have a really strong current on this side, and that side doesn’t, so they’re not as salty.”

Although Rehoboth Bay is known for its shallow depths and typically calm waters, aquafarming is still risky. Nally recalled a harrowing incident last winter when his lines got tangled in the boat’s propeller. Rough weather and a hefty chop made it hard to keep the boat steady. Determined to free the line, he put on his wetsuit and plunged into the frigid water. As a safety measure, he shared his location via iPhone with Kane and told him that if the location stopped moving, Nally was in the water and Kane should call the Coast Guard. 

On another occasion, Nally slipped on a wet deck and hit his head — an accident reminiscent of what happened to poor Jennifer Coolidge in “White Lotus.” Fortunately, he fell into the boat rather than overboard. He takes no chances now, wearing a special life vest that automatically inflates if he falls into the bay.

Nally and Kane are the only local farmers offering premium catering services, bringing the freshest oysters and top-notch shuckers to events such as weddings and birthday parties. Nancy James Oysters can also be enjoyed at local restaurants, including Drift Seafood & Raw Bar and Lewes Oyster House. You can find them in person at the Bethany Farmers Market and the Historic Lewes Farmers Market. This summer, the couple will be shucking oysters live every Sunday afternoon at Aqua Bar & Grill. Oysters are always available for purchase online at nancyjamesoysters.com

It’s another beautiful day when I make the short trip to town and park just outside Drift on Baltimore Avenue. Grabbing an empty seat at the outside bar window, I order without looking at the menu (at Drift, ask for the “Rehoboth Rose” oyster). In less time than it takes to check my phone, there are a dozen premium oysters in front of me — bedded in a tray of crushed ice, just waiting to be devoured. 

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Chef Zane Rego of Drift in Rehoboth Beach presents a dozen local oysters. (Blade photo by Will Freshwater)

Savoring the poetry of the presentation, I lift a shell to my mouth and slurp down the meat in one swallow. The taste is pure Delaware. Tom Wiswell, the former executive chef at Drift, describes it best: “It reminds me of being a kid at Rehoboth Beach and like a wave splashing you in the face. It’s fresh, briny, and salty.”  

As I enjoy a swallow of a good glass of Cava and reach for another oyster, I realize why these exotic delicacies were dubbed “white gold.” Nearly a half-century older and wiser than that kid in the Hawaiian shirt at Tiki Gardens, I’ve finally realized that the hidden treasure inside the oyster was never the pearl.

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