a&e features
Holy spandex tights! It’s Batgirl!
Nearly 50 years later, Yvonne Craig reflects on ‘Batman,’ ‘Star Trek,’ Elvis and more
Yvonne Craig was brought on to play Batgirl in the show’s third season. (Photo courtesy Craig)
Sometimes indelible pop culture impressions are made in a very short time. Yvonne Craig played Batgirl for just one season — the third and final — of the 1966-’68 TV series “Batman,” yet it’s the role she’s best known for nearly 50 years later.
And although the character appeared once on the big screen (in the oft-derided 1997 movie “Batman & Robin” in which she was portrayed by Alicia Silverstone), it is Craig, by far, who is most identified with the role.
Craig, 77, was a steadily working actress throughout the 1960s and beyond racking up appearances on “Perry Mason,” “The Barbara Stanwyck Show,” “My Three Sons,” “The Many Loves of Dobie Gillis” and — donning head-to-toe green body paint — as Marta, an Orion slave girl, in the classic “Star Trek” episode “Whom Gods Destroy.” She also played opposite Elvis Presley in two feature films — “It Happened at the World’s Fair” (1963) and “Kissin’ Cousins” (1964). She was brought on “Batman” for the 1967-’68 season to play Commissioner Gordon’s librarian daughter Barbara whose alter ego Batgirl could be counted on to ward off villains with Batman (Adam West) and Robin (Burt Ward).
After years of legal wrangling, the series was finally released on DVD and Blu-ray last November. That was our initial peg for reaching out to Craig, but several delays including gall bladder surgery for the otherwise-healthy actress, pushed things back. We spoke to her by phone from her Los Angeles home two weeks ago. Quick to laugh and always ready to launch into a funny anecdote, Craig — who’s straight and happily married — was willing to indulge any inquiry. Her comments have been edited for length.
Yvonne Craig says she enjoys meeting fans though she has rarely watched ‘Batman’ or ‘Star Trek’ since their original broadcasts. (Photo courtesy Craig)
WASHINGTON BLADE: Have you lived most of your adult life in Los Angeles?
YVONNE CRAIG: Yes. We moved up to Nevada, to south Lake Tahoe, about three years ago and we moved back last year and I’m so grateful to be back. You can only look at so many trees and eventually you say, “Where’s the classical music? Where’s the ballet company? Where’s the art museum?” Well, they’re not there.
BLADE: Let’s start with “Star Trek.” Sci-fi fans in general are often so ardent and you had such a major role on one of the most famous episodes of the iconic original series yet I’m sure for you at the time, it was just another job. What’s it like when you meet fans and they assume you’re going to be a walking encyclopedia of “Star Trek” ephemera?
CRAIG: Well, it’s been lovely for me and I loved the part. I did a convention where a young woman came up to my room to walk me down to where I was supposed to do a Q&A and I said to her, “There are so many weird people here,” and she said, “We’re all weird, we’re all misfits and the reason we like this is because we can all get together and understand one another and it’s the only place we’re really accepted by our peers.” And I thought, “Wow, that’s really insightful.” … I’ve always liked the fans and they’ve been charming to me. It’s just when they come up and say to me, “Do you remember the third rock on the left in the such and such,” and I say to them, “You know what? I’ve only seen two ‘Star Treks.’ One was mine and the other was ‘The Trouble with Tribbles,’” you know, the furry little things. (I’m told) “Whom Gods Destroy” is the second most popular episode after “Trouble with Tribbles.”
BLADE: Was it hard to relax between takes with the green body paint?
CRAIG: No, but getting it off at night was a disaster. I started with a shower at the studio, then I had to go home and take an oil bath, then take another shower. I think if I were doing it today, I would have just slept very carefully somewhere at the studio.
Yvonne Craig as Marta on ‘Star Trek.’ (Photo courtesy Craig)
BLADE: Aren’t you glad you didn’t have to play her for several seasons?
CRAIG: Oh, wouldn’t that be horrible? We also had trouble making it stick during the day. We were at our wits’ end and it’s like the fourth day and finally … we found a makeup guy who could make it stick. He wasn’t really supposed to do it because at the time male makeup artists were not allowed to put body makeup on women, but I didn’t care. We brought him in and sure enough, he did the last two days and it never moved. It was great but we never told because he could have been fired. It’s so sexist I can’t believe it.
BLADE: Have you followed the various “Batman” film adaptations over the years? Do you have much interest in that?
CRAIG: Yes, I do. I liked Michael Keaton. I just loved him but in the second one, he got stuck with the Penguin and it had, like, six endings. You think it’s over and the Penguin is gone and he would come back spitting ink again. So I just knew immediately why when Michael Keaton said he’s not doing anymore, I knew immediately why. Who wants to be second banana to a penguin? … I thought George Clooney was just going to be terrific … and I thought Chris O’Donnell … would be a good match … then you get to the movie and it’s just awful. I don’t know what was going on, if George Clooney was just doing too many things at the same time so he didn’t think this out or something. Every time they mentioned that Alfred was ill, no Alfred isn’t just sick, Alfred is going to die, he just had this smirk. I’m like, “What’s funny about that? This is the man who brought you up, what is going on?” And then Chris O’Donnell just kept whining about a car and I thought, “God, I hate this movie.” I actually thought Alicia Silverstone would just be darling as Batgirl and I wrote her a note and said, “You’ll just knock ‘em dead.” … First of all, they made her whole relationship she was Alfred’s niece or something instead of Commissioner’s daughter, which was screwy, then they put them all in these Robocop outfits so they couldn’t even move, it was horrible. I didn’t like Val Kilmer but once they got Christian Bale, I loved it. I mean I really like him. He’s an excellent actor. So yeah, I keep up with them.
BLADE: They’ve gotten so dark. Why?
CRAIG: Well, when we first started there were people who remembered the (serial) films from the 1940s or whenever they did them and that was dark. So I think they are kind of of their time. We were busy being hippies and throwing flowers and love and peace and all of that and people were offended. They said, “This isn’t what Batman should be.” Those were the diehard ones. Now they’re all dead because it was a long time ago. The one with Michael Keaton, I thought was pretty dark and a couple of times you couldn’t see who was fighting whom, so you weren’t invested. If you can’t see who the villains are and who the good guys are, you lost interest. Then they got lighter for a while but our times have changed. I think we’re going back to dark because these are darker times. We have drive-by shootings and terrorists with no conscience. So I don’t know what the next thing might look like but I bet it will be scary.
BLADE: I guess “Batman v. Superman” (slated for 2016 release) is next.
CRAIG: Oh is it? Well, I may have to see that one.
BLADE: Should Batgirl be in it too? Do you feel any investment in these things as you hear of them?
CRAIG: No. I loved doing the role. I liked the way the writers wrote her. When people come up and say she was a role model, I always think, “Wow, I wish I had one of the writers next to me to hear this” because they’re really the ones who wrote this. Everybody forgets that the actor can only do anything with what they’re given. Writers never get the esteem they should have.
BLADE: Yes, but so many of the actors on the ‘60s show really became synonymous with the parts. When we think of the Riddler, we think of Frank Gorshin, we think of Cesar Romero (the Joker), we think of you as Batgirl and of Julie Newmar and Eartha Kitt as Catwoman. Why did that series have such impact?
CRAIG: Well it was a top-rated show and nothing had ever been seen before that looked quite like that. It was really a comic book that was live action so you saw “bam” and “pop” and all of those things you saw in a comic book. The colors were brilliant and they had this crazy thing where when the villain entered the camera was tilted. So it was innovative and unique for its time. There were a lot of things only the adults would have understood, double entendres, … yet it was safe to watch with kids because it wasn’t violent. You’re not seeing body parts and blood and guts and people shoot one another. … As far as being attached, I was only in the third season and I had a body of work before and I didn’t have a problem at all doing other things. I think Adam (West) was a whole other story because he has a very distinctive speech cadence. (Imitates West) “That’s just the way he talked — (pauses) — citizens.” When he’d go read for other parts, they just thought he was doing Batman so he had a hard time getting hired. … Now he’s doing voiceovers and it’s working for him again and I like that. He’s a nice man.
BLADE: Was the costume stretchy?
CRAIG: It was. I was used to being in leotards, so it was perfect for me. … It was easy to work in, easy to get in and out of and I did stunts, so it was easy to dance in, kick in and all those things. I had no problem with it. Lee Meriwether (Catwoman briefly in 1966) and I were on a panel together once and she said that was the most uncomfortable costume she has ever worn and it was kind of the same as mine, that same stretch fabric. I think it just has to do with whether you were used to wearing leotards or not and I was.
BLADE: Did you keep anything, the costume or any props or anything?
CRAIG: No, because it didn’t belong to me.
BLADE: That was your own hair as Barbara?
CRAIG: Yes. I told them I didn’t mind being a redhead as long as it was a wig, which it was and you saw it very prominently displayed in her secret room. A friend of mine at the time wanted to set me up with this guy. I was single then. She told him, “She plays Batgirl.” And he said, “Oh, well I like the little brunette better.” And I thought, “Oh he’s too dumb to go out with.”
BLADE: Was it a fairly chummy set?
CRAIG: Oh yes, the happiest set I’d been on since “Mod Squad.” … It was terrific. The cast liked one another, the crew liked one another and we all loved having all of these people on we’d never have worked with otherwise. I never would have worked with Milton Berle or Ethel Merman (otherwise). And they all loved it too because it was so different from anything else they’d ever done. It was a happy place to go to work every day.
BLADE: Burt’s (Robin) memoir was quite interesting.
CRAIG: Yes. I think he had a very vivid fantasy life.
BLADE: His (“Boy Wonder: My Life in Tights”) was quite different from yours (“From Ballet to the Batcave and Beyond”).
CRAIG: It was. He had asked me to write the foreword for his. I said sure, send it to me. He never did. He’d call and read me funny things and finally we were getting tight on time. I was leaving the country and he said he needed it so I sent him something that said, “I have not read this book.” (“Batman” writer) Stanley Ralph Ross said, “You can’t write a foreword to a book you haven’t read,” so I read the book and it was just relentlessly sexual. Even if it were true and it wasn’t, nobody wants to think of their little Robin as this voracious satyr. … I know there are different takes on things, but I can tell you truly in the third season, nothing happened on that set, nothing. And I can almost guarantee you nothing happened the first two seasons either. Now what they did when they were out on the road, I have no idea but as far as it happening on the set — he claimed he was behind scenery — but we were there working, they had somebody building on the next set we were going to use and we had stunt people, including me, off in a corner trying to figure out the fight scene. We shot those in three days. I mean it was just gangbusters, go! So I don’t know where he found the space or the time and I never saw any of it. … Plus we had children visiting the set almost every day.
BLADE: Would you have continued on another three or four seasons had it been renewed?
CRAIG: I would have. I loved doing it.
BLADE: How far into the season were you when you heard it wasn’t being renewed?
CRAIG: We had a wrap party for the third season and we all went home thinking we would be picked up and only when it was time to start shooting again did I hear we weren’t. So we never really had an over party. We just went home for Thanksgiving or Christmas or one of those and we didn’t know. And of course, we didn’t know 50 years later people were still going to be talking about it. We just said, “OK, on to the next job. What else do you have lined up for me?” because that’s the way the business runs.
BLADE: Alan Napier (Alfred) said once that Eartha Kitt (Catwoman on the third season) was “kind of marvelous” but complained a lot on the set. Agree?
CRAIG: I don’t know. In the scenes I had with her, she wasn’t complaining at all. She was a woman, oh boy, who was I would say rather conflicted and very insecure so who knows, she might have complained and he might have heard her or he might have had more down time sitting with her than I did because usually when I wasn’t shooting, I was off with the stunt people. But no. One time we did some kind of reunion-type thing and my husband was excited to meet her and she was just so nervous about doing this, I don’t know, it was like a talk show or something. And she said, “I’m sorry, I can’t meet him, I can’t meet anyone, I have to get myself together for this.” And I thought, “How strange — this is just a talk show.” But you know, her background was not wonderful. I can see it. You’re black, you’re in America, you purportedly said something not very nice to the first lady (Lady Bird Johnson). I didn’t see anything wrong with what she said, she was just asking a question. But you know, it probably adds up.
BLADE: I know you didn’t work with Julie Newmar (Catwoman, first two seasons) on the show but you’ve made appearances with her at various events since then. Have you gotten to know her at all?
CRAIG: Not really. At the conventions she’s done, she always arrives late but she has a great work ethic. Somebody said to her one day, “OK, Julie, so when you get up, what do you do?” And she said (slipping into Newmar’s purry voice) “Well — pauses — I put on a little makeup — pauses — and then I have some coffee …” And I figured, “OK, well, that’s why she’s always late,” but I’ll tell you what, she’s wonderful with the fans and she will stay until the last person sees her. There are a lot I could mention who don’t do that, so I think she and I have the best work ethic of the group.
BLADE: It was obviously such intentional camp. You seemed to play it very earnestly. Was it hard to find the right tone with the material?
CRAIG: No. I played it completely straight and that’s the clue. I think if the material is completely over the top, you play it straight and that makes it funny for the audience. If you play it with a wink, then it isn’t funny. This tends to happen a lot with child actors.
BLADE: Were you happy to see it finally released?
CRAIG: Yes. We don’t get any residuals or anything because, of course, there was no such thing as DVDs back then. I probably won’t watch it, but I’m glad to see it out. I live in the present and I don’t look back other than to say, “Well, that was a wonderful experience,” and if it weren’t a wonderful experience, as in the case of, say, Bill Shatner (Kirk on “Star Trek”), who I don’t think ever allowed anyone to have a wonderful experience with his acting, I just feel we only have a certain amount of time and I don’t want to spend it looking back.
BLADE: I saw a photo not long ago of you with Bill Bixby (“The Incredible Hulk”) and you were in a bathing suit. What was that from?
CRAIG: We were on “Courtship of Eddie’s Father” and “My Favorite Martian” together but I was never in a bathing suit. In those days, God, I sound like such a codger, they had Photoplay and these fan magazines, so they would set up these photo shoots. One time Adam took me out on his boat and we took pictures but it was just for photos, I had never been on his boat before or after.
BLADE: But you and Bill were friendly?
CRAIG: We dated! … We remained friends, but it just wasn’t a good match.
BLADE: They kept casting you as different girlfriends of Dobie Gillis. Did that seem odd to you at the time?
CRAIG: I don’t remember thinking that. I think I just thought, “Oh, I get to play somebody new.” Dwayne Hickman (Dobie) still cracks me up. My husband doesn’t understand it. He looks at me and says, “He’s not that funny,” and I just say, “To me, he is.” It’s like George Burns or Jack Benny. All I have to do is look at Dwayne and I laugh. I did four “Dobies,” I think. It’s really weird when I tell people who all I worked with. Once I even worked with (silent screen legend) Francis X. Bushman on (“Dobie” episode) “The Flying Millicans.” He played my father. He had this long gray hair and we were trapeze artists. To think that I actually worked with somebody who was in silent films!
BLADE: Lynda Carter said once that DC Comics reached out to her when they were going to change the Wonder Woman costume. Have they ever lent you any sort of Batgirl emeritus status or consulted you on anything over the years?
CRAIG: No, not at all.
BLADE: Both “Star Trek” and “Batman” were modest hits during their original runs but went crazy in syndication and ran forever. Any theories on why?
CRAIG: I honestly couldn’t tell you. I haven’t the foggiest idea. We only went three seasons and we were a mid-season replacement so it wasn’t even like they were long seasons. Some of those Westerns went on for like 22 years or something crazy.
BLADE: Like “Gunsmoke.”
CRAIG: Yes. And I hated doing Westerns.
BLADE: Did you do many?
CRAIG: Oh yeah, a whole slew of ‘em. “Wagon Train,” “Bronco.” As long as the horse hits his mark, they don’t care what you say. They figure, “OK, the horse is in place, she’s up there, we can always loop it.” It’s all predicated on a horse.
BLADE: Do you see any homoerotic subtext in Batman and Robin, either on the show or in any other incarnation?
CRAIG: I never really felt there was. I think a lot of people who were reading into that were not gay. It’s the homophobes who would say, “You know, an older man, I bet he’s diddling that kid.” People who do not understand homosexuality at all.
BLADE: Did you have a favorite villain?
CRAIG: Oh yes, Vincent Price (Egghead). Not because of the villainy, but any time you had down time with Vince Price, he was just wonderful. He was bright, he was curious, he had a great sense of humor, he knew a lot about art, he knew a lot about ballet. He was just very well informed and you knew he kept up.
BLADE: Did you know he was gay at the time?
CRAIG: Yes.
BLADE: How did you feel when you heard Elvis had died?
CRAIG: Oh dear. Well first, he was just the sweetest man. He was so polite and he took all this unsolicited advice from me, what he should do with his hair, crazy stuff like that. … When he died, the Dallas Morning News called me up, I was seeing my future husband at the time, and this reporter said (slipping into exaggerated Southern accent), “How did you feel when Elvis died, were you just devastated?” I said, “Well, no, because I think dead is really a thing just like alive except you have less choices to make.” And there was this dead silence. Finally she said, (returning to accent), “OK, well thank you very much.” He said to me, “Nobody understands what you mean when you say that,” and I just said, “Well, that’s her problem.” I was sorry he died so young. There’s a group up in San Francisco that are just huge Elvis fans. They have his leading ladies up to talk and I’ve been there and then they have an impersonator come out. When I was there, it was Elvis Herselvis, this rather fat, gay woman. She does a wonderful job.
BLADE: Have you kept much career memorabilia?
CRAIG: No, nothing. When I did the book, all the photos were from fans who’d sent them to me at one time or another. When Capital Cities bought ABC, they sent me a whole stack of pictures they were just going to otherwise throw away and said, “Do you want them?” But that was it. I don’t keep stuff. I probably don’t have much of a sentimental bone in my body.
a&e features
Exhibit showcases trans, nonbinary joy in Maryland and Virginia
‘Becoming Ourselves’ proclaims that our lives are ‘expressions of divine creation’
Gwen Andersen was putting up posters for her photography exhibition “Becoming Ourselves” in and around Takoma Park shortly following the death of Nex Benedict. “Everybody’s heart was heavy,” the lesbian photographer said, “and I’m waltzing around town putting up these posters.” At a bookstore, she asked the person working at the front desk if she could put up one of the posters. They immediately looked at it more closely because of the trans flag, and said yes.
“When they read it and saw that it was something positive, beautiful, happy, they started to cry,” Andersen said, and she instinctively asked if she could give them a hug. With permission, she walked around the counter and embraced them — and in many ways, herself — in a world where negativity and violence takes aim at and harms the LGBTQ community. It was a powerful moment, she admitted, because “the first person didn’t even see the pictures.”
“That’s when I realized.” she said, “just how the idea of this is making an impact.”
“Becoming Ourselves” is an exhibition of 26 photos featuring happy and joyful trans and nonbinary adults and children that has been displayed at six different spaces of worship and one gallery in Maryland and Virginia. From the United Universalist Congregation of Rockville (UCCR) to its eighth spot that opened at the Sandy Springs Meeting House on Oct. 1, the exhibition originally started after Andersen’s friend Marian Bowden connected her with Sandra Davis, then president-elect for the Women’s Caucus of Art. Davis, seeing that Andersen had something critical to say during a time of intense anti-trans violence, became her mentor.
Andersen decided to host the exhibition at the UCCR based on the suggestions of her friend Rev. Jill McCrory, an affirming pastor and justice advocate, who along with Stevie Neal had previously invited Andersen to help found Montgomery County (MoCo) Pride. McCrory recommended UCCR and Davis shared that the church had their own hanging system, but for Andersen, their eager acceptance of the show sealed the deal.
“They were so happy to have been asked,” Andersen said. “They weren’t just consenting. They were wildly enthusiastic about it. I could not have had a better first place to host this.”
Rev. Dr. Rebekah Savage echoed this affirmation. Andersen approached her in October 2023 and from the very beginning, Savage acknowledged, we knew it would be a vital gift to congregants. Showcasing queer and trans people in spaces of worship, as the portraits hung in the Sanctuary during Sunday morning worship for Transgender Day of Visibility is critical, Savage explained, and it “does more than challenge exclusion,” Savage said. “It proclaims to the world that LGBTQ+ lives are sacred, beautiful, and an essential expression of the divine creation.”
“This visibility is both healing and life-saving, especially right now: for trans youth and families who need to know that there are faith communities ready to celebrate with them fully,” Savage continued. “Becoming Ourselves,” she said, visualized the leadership of our trans loved ones and held space for joy and celebration during times of intense violence. It has, Savage said, “become a beacon of hope, within our congregation and beyond, witnessing to the power of love, equality, and justice as sacred commitments.”
But there was a time crunch — the exhibition would open in March 2024, so all photos had to be taken by December 2023 and to her surprise, there was great interest in being part of the project. She had taken some photos already, but when a friend’s child asked if their friends could be part of it, they realized they would need extra enforcements to get the photos taken and processed in time for printing, so she connected with Salgu Wissmath, a nonbinary photography who recently opened their own exhibition “Divine Identity,” and other photographers from Los Angeles, London, and Baltimore.
She also reached out to Natasha Nazareth from Gaithersburg and Elias Nikitchyuk who worked locally and contributed photos to the exhibition.
She also brought a child — Emery — on as the Formal Youth Adviser, recognizing that the show’s most important audience would be trans and nonbinary children. The resulting 26 photos of joyful trans and nonbinary adults and children were chosen by LGBTQ young people from across the United States who shared their selections through a virtual survey, and the group just made the tight deadline. Sadly, Stevie (a nickname for the beloved Petra Stephanie) Neal passed before the project was put on display, but their estate covered photography printing costs.
Soon, the UCCR was filled to the brim with photos of happy and joyful trans people. While UCCR has designated a room for its display, there were too many so the photos spilled out into the hallway, entryway, and anywhere else they would fit. It was only the first of many surprises.
She anticipated just displaying the show at the church in Rockville, but at the opening, McCrory shared that she would love for the show to be on display at Bethesda United Church of Christ (UCC) where she was then and is now working as an interim pastor, so it went to Bethesda UCC next, but that wasn’t its final stop as church members attended other parishes, they shared that they wanted the photos displayed in their own spaces of worship, and soon the photos had travelled to Christ the Servant Lutheran Church in Gaithersburg, Pilgrim Church in Wheaton, Hope United Church of Christ in Alexandria, PhotoWorks at Glen Echo, and finally, Third Space in Baltimore — its most recent stop at the recommendation of one of the photographers. A friend of Octavia Bloom, a Baltimore photographer, wanted the show to come to their hometown.
The exhibition at Third Space came to an end on Aug. 8, but as before, another church —this one Sandy Springs Meeting House — stepped up to host the show. The brick Sandy Springs Meeting House was originally constructed in 1817 and has stood ever since, making the Sandy Spring Meeting of the Religious Society of Friends one of the oldest Quaker Meetings in Maryland. Sandy Spring just put up their hanging system, on loan from a local artist, this month and aims to have the show on display to the public soon.
For some, the choice to display the exhibition in churches may seem like a strange or at least surprising one, but for Andersen, it was a meaningful choice. For Andersen, it helps counter the narrative of churches being places of hostility and part of campaigns against us. While recognizing the history of harm that churches and other religious institutions have caused through conversion therapy, exclusion, hate speech, and more, Andersen’s exhibition showcases how spaces of faith can also be key centers of LGBTQ advocacy and organizing. In fact, D.C. has a rich history of LGBTQ activism based out of and supported by faith communities.
“The fact that it was held in a church made so many people so happy. It also made many people cry because the church has been a place of hostility because the resistance, the hatred, of lesbians, gays, bis and transgender people has been biblical, both in terms of its size and in terms of its purported origin, and so having churches hold this exhibit was dearly important symbolically,” Andersen said.
Andersen shared that so many friends of hers who came to the show had not visited churches in decades because they (justifiably in some cases) viewed them as completely hostile locations. When they went to the exhibitions in the churches and were treated well, she said, she believes it was a healing experience, as it was for many trans and nonbinary children and adults and their parents who are facing a world of negative representation — either hostile from conservative, Christian nationalist groups or media portraying trans and nonbinary people as victims.
Andersen wanted to create a show that offered hope to trans and nonbinary kids, as It Gets Better did many years before. sharing videos and photos of happy and joyful LGBTQ adults as a way to share positivity and hopefully prevent suicide among LGBTQ children. It was more than timely than ever following Benedict’s death in February 2024. The previous day, Benedict was assaulted by other high school students in a girls’ restroom and later died by suicide.
“The purpose of the show was to counter all of the negativity because with Republicans running and now Trump in office there was so much animosity and hostility and people trying to pass these hateful laws that I knew this had to be having a negative impact on the mental health of trans kids.”
Andersen hopes that this exhibition enriches this rich tradition and sparks new conversations — and maybe even more happy tears — at Sandy Springs Meeting House this fall.
The show will be open most days between about 10 and 4 except for Mondays and Saturdays. Viewers are advised to call Sandy Springs Meeting House at 301-774-9792 first on weekdays. The show will continue until the end of December.
In a challenging year for D.C. and the local LGBTQ community, it’s important to remember that there are people, places, and organizations that work hard each day to support us. From activists to bartenders, politicians to drag queens, the Blade’s annual review of D.C.’s best is a welcome break from the news.
We need to support our queer-owned businesses now so please review the list and then patronize as many of them as you can. Our community has a long history of pulling together and dancing our way to better days, so you know what to do.
This was a big year for our annual friendly competition with more than 5,000 nominations in 75 categories and nearly 20,000 votes. The Blade’s Stephen Rutgers coordinated the voting, while Michael Key shot most of the photos. This year’s contributing writers are: Lou Chibbaro Jr., Michael K. Lavers, Joe Reberkenny, Kevin Naff, Tinashe Chingarande, Shreya Jyotishi, Evan Caplan, and Patrick Folliard.
This year’s Local Hero Award goes to Stonewall Sports, which is celebrating its 15th anniversary this month, in recognition of all its leaders do to promote unity in our community and to give back. Congratulations to all the winners and nominees.
Local Hero: Stonewall Sports
Sports, for a lot of LGBTQ people, stir up complicated feelings — for some, they bring back memories of uncomfortable gym classes or the sense of not quite fitting in with other teammates. Stonewall Sports, a community-based nonprofit for LGBTQ people and their allies, was created to push back against the idea that sports aren’t a welcoming space for queer people — and to build a place where the community can grow, thrive, and support one another.
Founded in D.C. in 2010 by Martin Espinoza, Mark Gustafson, Melvin Thomas, Scott Moorehead, and Scott Filter, Stonewall Sports began as a small kickball team. Fifteen years later, it has exploded into a national network with 27 chapters across the U.S., offering a wide range of sports in the DMV — including billiards, bocce, climbing, dodgeball, and kickball.
“We seek to be the premier social sports organization for LGBTQIA+ individuals in the DMV and nationwide, really focusing on building community that lasts,” Stonewall President Stu Wales told the Blade. “This is an opportunity for people to feel comfortable in their own identity in organized sports… to participate fully without having to worry about who they are.”
Stonewall Sports’s mission is clear: sports for all. At a time when trans athletes are being singled out and excluded from participation, the organization continues to provide inclusive, affirming spaces for every member of the LGBTQ community. “We make sure everyone feels welcome — from how we recruit to how we build teams — so no one ever has to question if they belong here,” Wales said.
But building community isn’t the only thing Stonewall Sports has achieved. Over the past 15 years, the organization has raised hundreds of thousands of dollars for local charities.
“We’re as much a philanthropic organization as we are a social sports organization,” Wales said. “There was one year where we raised over $100,000 just in a single year, and that really demonstrated our commitment to one of our key pillars — that was part of what we were founded on and what sets us apart from other local social sports organizations in the DMV.”
From donating money to Whitman-Walker Health, DC Black Pride, The Boys and Girls Club of Greater Washington, and House with a Heart senior pet sanctuary — just to name a few — the organization continues to reinvest in the community in a wide array of ways.
Whether it’s on the National Mall on Sundays for kickball or in Logan Circle on Wednesdays for bocce, Stonewall Sports continues to bring people together — on and off the field — proving that in D.C., sports can be competitive, impactful, and community-driven.
NIGHTLIFE
Best Drag Queen: Cake Pop!
From her larger-than-life costumes to her beat-thumping DJ sets and growing “Pop” drag family, Cake Pop has quickly become a fixture in D.C.’s drag scene. The Chicago-born, D.C.-based queen is constantly on the move — whether she’s hosting a show, spinning a set, or running her “Pop-Up” bar that took over the top floor of Pitchers earlier this year. After first winning Best Drag Queen in 2022, Cake Pop is once again taking the crown — proving she’s a true D.C. favorite.
Editor’s Choice: Sasha Adams Sanchez
Best Drag King: King Molasses
For the fourth year in a row, the freshly crowned “King of Drag” has taken home another honor. King Molasses knows how to command a stage — delivering performances that get the crowd cheering for the sticky-sweet king. With more than 37,000 Instagram followers, Molasses showcases a bold mix of color, confidence, and masculine flair. Fresh off winning the first-ever drag king reality TV competition in July, this is one king D.C. is more than happy to bow down to.
Editor’s Choice: Dylan Dickherson
Best Transgender Performer: Gigi Paris Couture
Hailing from Arlington across the Potomac, Gigi Paris Couture is a celebrated name in DMV drag and beyond. With a career spanning decades, Miss Couture has dazzled audiences nationwide with her stunning performances and sexy, show-stopping costumes. Her trophy case is as impressive as her talent: most recently winning Miss Perry’s in 2023, along with Miss Freddie’s 2015, Miss Diamond International 2007, Miss Tennessee Continental 2003, Miss New York, New York Continental 2002, and Miss Luchos Continental 2001. With so many crowns, it’s a wonder she has room for them all.
Editor’s Choice: Brooke N Hymen
Best Drag Show: Daddy Issues at Kiki
915 U St., N.W.
Who says drag is only for the weekends? Not Daddy Issues! Each Wednesday at 10 p.m., some of the DMV’s best drag performers take over the second-floor stage at Kiki with incredible performances, games, and a vibe that “might help you catch a daddy!” Hosted by Evry Pleasure and featuring a rotating cast including Cake Pop, Druex Sidora, Indiana Bones, and Crimsyn, this midweek extravaganza proves that drag in D.C. never takes a day off.
Editor’s Choice: Freddie’s Follies
Best LGBTQ Party: Flower Factory
1223 Connecticut Ave., N.W.
Since its debut in 2021, this queer DJ collective dance party has become a staple of D.C.’s LGBTQ nightlife. Held once a month at Zebbie’s Garden in Dupont Circle, Flower Factory turns the neighborhood into a cross between a daytime rave, Studio 54, and your favorite gay bar. If it’s the second Sunday of the month and you spot fabulously dressed revelers radiating color, florals, and queer joy, odds are they’re heading to Flower. The collective has grown immensely over the past few years, spinning sets at Somos in Mexico City, venues across Provincetown and New York City, and even hosting a special WorldPride party in 2025 — and it shows no signs of slowing down.
Editor’s Choice: Grizzly Bear Happy Hour
Best Bartender: Stephen Sides, Little Gay Pub
1100 P St., N.W.
With his warm smile and handsome facial hair, Stephen Sides is one face you definitely want to see on the other side of the bar. Sides has an extensive history in the food service industry, and an even longer list of friends who request LGP’s signature espresso martini poured by him. Whether it’s a busy Friday night or a quiet weekday, Stephen makes every guest feel like part of the little gay family.
Editor’s Choice: Ben Oursler, Annie’s
Best DJ: DJ Honey
Honey Johnson, better known as DJ Honey, continues to break barriers as a Black lesbian DJ, spinning at venues across the country. From BET events to World AIDS Day celebrations and even the Library of Congress, her resume proves that success comes from hard work. Her unique style gives a platform to underrepresented musical talent in Thurst Lounge and beyond, making every set unforgettable.
Editor’s Choice: DJ Matt Bailer
Best Neighborhood Bar: As You Are Bar
500 8th St., S.E.
As You Are doesn’t just see itself as a café turned nightclub — it proudly brands itself as home. Owners Jo McDaniel and Rach “Coach” Pike are no strangers to LGBTQ nightlife, both having worked at A League of Her Own in Adams Morgan. This dynamic duo built their own “haven for queer expression and connection,” with a special spotlight on Sapphic events and DJs, a scene that can be hard to find elsewhere. Whether you’re coming for coffee, cocktails, or a night of dancing, As You Are makes everyone feel welcome.
Editor’s Choice: Number Nine
Best Outdoor Drinking: Trade
1410 14th St., N.W.
Edging out LGP, which won last year, Trade snagged the top spot this year likely due to its sizeable patio, newly expanded during Pride season. With echoes of erstwhile Town patio, Trade’s outdoor space brings the gay community together to enjoy its XL happy hour around the brightly lit tree that stands at attention in the center of the space.
Editor’s Choice: Little Gay Pub
Best Happy Hour Presented by ABSOLUT: Annie’s Paramount Steakhouse
1607 17th St., N.W.
Annie’s Paramount Steakhouse has been a Dupont Circle fixture for more than 75 years. George Katinas opened the restaurant in 1948 on the corner of 17th and Church streets, N.W., where JR.’s is now located. He later renamed it in honor of his sister Annie. Annie’s Paramount Steakhouse, which is now located on 17th Street between Corcoran and R streets, continues to welcome locals and visitors alike with its signature cocktails, food, and camaraderie.
Editor’s Choice: Crush
Best LGBTQ Bar: Crush
2007 14th St., N.W.
Crush Dance Bar, which opened in the busy U Street corridor in 2023, is one of the city’s most popular LGBTQ establishments.
Its walls — adorned with posters of Lady Gaga, Kylie Mingoue, Janet Jackson, and myriad other pop divas — provide the perfect backdrop for revelers who are looking to let loose. Owners Stephen Rutgers and Mark Rutstein have succeeded in making Crush the city’s “all-inclusive nightlife destination on 14th Street.”
Editor’s Choice: Trade
Best LGBTQ-Friendly Bar: Dacha Beer Garden
Multiple locations
Dacha, a longstanding popular outdoor watering hole, is not officially a gay bar. Yet, you will consistently see groups of D.C.’s LGBTQ community hanging out at Dacha Beer Garden drinking boots of beer and enjoying a selection off the German-style beer garden’s extensive menu. With its giant murals of gay icons Elizabeth Taylor at the Shaw location and Jackie Onassis in the Navy Yard spot, it’s easy to see why gay, straight, and truly everyone can find something to enjoy.
Editor’s Choice: Jane Jane
Best LGBTQ Bar Outside the District: Freddie’s Beach Bar
555 23rd St. S
Arlington, Va.
The DMV LGBTQ bar scene discussion must mention longstanding Freddie’s Beach Bar in National Landing, Arlington. Freddie’s has been a staple in the area since it opened more than 20 years ago. Serving classic cocktails and a full menu, the bar is also known for its infamous Sunday Buffet Brunch, and daily events including drag shows, bingo, and karaoke, it makes sense that Washington Blade readers have voted Freddie’s the best “LGBTQ+ but straight friendly restaurant and bar” outside of the District for several years.
Editor’s Choice: Baltimore Eagle
ARTS & ENTERTAINMENT
Best Theater Presented by Wild Side Media: Arena Stage
1101 6th St., S.W.
Famous for its in-the-round productions, the Tony Award-winning Arena Stage located just steps from the Wharf, is the country’s largest theater committed to presenting American plays and playwrights.
Arena is currently presenting the Broadway bound revival of “Damn Yankees” (through Nov. 9) directed by Sergio Trujillo and starring Rob McClure as Applegate, Ana Villafañe as Lola, and Jordan Donica as Joe. It’s a fresh take on a beloved classic.
Editor’s Choice: Studio Theatre
Best Theater Production: “Kiss of the Spider Woman,” Gala Hispanic Theatre
3333 14th St., N.W.
In September, GALA Hispanic Theatre in Columbia Heights kicked off its 50th anniversary season with an exciting revival production of out playwright Manuel Puig’s “Kiss of the Spider Woman”
First a novel published in 1976 (the same year GALA was founded), then a play, followed by a Broadway musical and films, “Kiss of the Spider Woman” is a stunningly enduring work. GALA’s production was brought to life by a triad of queer talent including director José Luis Arellano, and appealing actors Martín Ruiz and Rodrigo Pedreira
Editor’s Choice: “Summer, 1976,” Studio Theatre
Best Live Music in D.C. Presented by Wild Side Media: 9:30 Club
815 V St., N.W.
No stranger to the Blade’s “Best of,” the 9:30 club has been a favorite of DMV audiences in search of live entertainment since 1980. Over the years, the key destination venue has hosted a wide range of artists ranging from the Red Hot Chili Peppers to Alison Moyet to Tony Bennett, making it one of the most respected live music spots in America.
Editor’s Choice: The Anthem
Best Live Music Outside of D.C.: Wolf Trap
1551 Trap Rd.
Vienna, Va.
In nearby Northern Virginia, Wolf Trap National Park for the Performing Arts boasts a sprawling green campus with a major theater as well as smaller other venues all with pitch perfect acoustics.
Arvind Manocha, the out president and CEO of Northern Virginia’s Wolf Trap Foundation for the Performing Arts for more than a decade, loves his job. And for him, part of that means promoting diversity and queer inclusion.
As part of its impactful lineup, Wolf Trap presents “Out & About,” an annual two-day outdoor music festival spotlighting LGBTQ artists and vocal allies. With the new musical event, Manocha and his programming team bring together entertainment and visibility by featuring big queer names like headliner Brandi Carlisle.
Editor’s Choice: Merriweather Post Pavilion
Best Local Artist Presented by Wild Side Media: Miss Grace David
Miss Grace David is a Black, queer, and non-binary femme performance and textile artist based in the D.C. area. By using character performance, textile production, world-making, and storytelling, their work connects human emotion and personal experience with visual abstraction.
Editor’s Choice: Diane D’Costa
Best Museum: National Museum of African American History & Culture
1400 Constitution Ave., N.W.
Since opening its doors in 2016, the museum has engaged millions of people worldwide, sharing the unvarnished truth about African-American experiences, advances, and contributions. The anti-DEI crusade of the Trump administration serves as a reminder of the important role museums play in telling the full American story. The museum remains closed due to the federal government shutdown.
Editor’s Choice: National Gallery of Art
Best Professional Sports Team: Washington Spirit
For the second year in a row, Blade readers voted the Washington Spirit, D.C.’s premier professional women’s soccer team, as the best local professional sports team. The highly regarded team last year was ranked second in the National Women’s Sports League.
It has consistently supported local LGBTQ groups like SMYAL, and its many LGBTQ fans believe Washington Spirit understands the importance of playing hard and supporting LGBTQ representation in sports.
Editor’s Choice: Washington Commanders
COMMUNITY & BUSINESS
Most Committed Activist: Preston Mitchum
An acclaimed D.C. attorney and digital creator, Preston Mitchum is described online by people who know him as a Black, queer advocate and activist, with a focus on the power of Black people, young people, and queer, trans, and non-binary people
With more than a decade of legal and policy experience, he has worked for and or provided support for more organizations and causes you can shake a stick at in the areas of racial and gender justice, LGBTQ liberation, and reproductive health, rights, and justice policies.
As a respected public speaker, he has appeared on TV news programs and was quoted in news publications, including the Washington Post, on the wide range of issues on which he has worked. “A force to be reckoned with, Preston Mitchum isn’t just a name, it’s a symbol of commitment, passion, and the embodiment of change,” one of his admirers states in an online posting.
Editor’s Choice: Jordyn White
Best LGBTQ Public Official: George Garcia
D.C. Mayor’s Office on Volunteerism and Partnership
George Garcia served as Director of Operations for the Mayor’s Office of LGBTQ Affairs since September 2024, and prior to that he served as the LGBTQ Affairs office’s Grants and Partnerships Specialist since February 2023. In early October of this year, he began a new job as Deputy Director of Operations and Finance for the Mayor’s Office of Volunteerism and Partnerships, which is also known as Serve DC.
He is described in an LGBTQ Affairs Office statement as a dedicated community leader with more than 14 years of experience advocating for underserved populations, especially within the LGBTQ community. He holds a master’s degree in public administration from D.C.’s American University, where he honed his expertise in public policy, strategic planning, and leadership. While working in the LGBTQ Affairs Office, he played a lead role in the city’s support for WorldPride events this year, “coordinating 10 community coalitions and managing a $5 million budget.”
Editor’s Choice: Council member Zachary Parker
Best Community Ally: Robert White
An At-Large member of the D.C. City Council since 2016, Robert White has emerged as one of the Council’s strongest supporters and allies of the LGBTQ community. He currently chairs the Council’s Committee on Housing. And in September he announced he is a candidate for the D.C. congressional delegate seat for which he is running in the city’s June 2026 Democratic primary.
A self-described proud fifth generation Washingtonian and an attorney, he has served prior to being elected to the Council as the city’s first Director of Community Outreach for the D.C. Office of the Attorney General. He currently also serves as an adjunct professor at the Georgetown University Law Center.
Editor’s Choice: Erin Palmer
Best Medical Provider: Whitman-Walker Health
1201 Sycamore St., S.E.
Whitman-Walker Health was founded in 1973 as the Gay Men’s VD Clinic as a volunteer operation in a church basement before incorporating as the Whitman-Walker Clinic in 1978. It was named after poet Walt Whitman and Dr. Mary Edwards Walker, a physician who worked in D.C. during the Civil War before becoming a women’s rights activist.
It became a leading first responder to the HIV/AIDS epidemic in the 1980s, providing medical care and support for gay men and others impacted by the epidemic. It has since expanded into a comprehensive community health center with services that include primary care, dental, mental health, and legal aid, with a continued focus on serving the LGBTQ community in the D.C. metro area.
Editor’s Choice: AIDS Healthcare Foundation
Best Non-Profit: SMYAL
410 7th St., S.E.
Celebrating its 41st anniversary this year, SMYAL continues its role as an acclaimed service provider for LGBTQ youth in the D.C. area. Through its after-school programs, counseling services, and LGBTQ youth drop-in center, SMYAL provides LGBTQ youth with safe spaces to express themselves, find support, and build community.
Among other things, it awards $35,000 in scholarships to students each year and provides education and training for adults working with LGBTQ youth in schools, housing programs, local government agencies, and hospitals. SMYAL’s Youth Housing Program provides transitional housing for at least 55 LGBTQ youth experiencing homelessness.
Editor’s Choice: The D.C. Center
Best LGBTQ Center Outside of D.C.: Pride Center of Maryland
2418 St. Paul St.
Baltimore, Md.
The Pride Center of Maryland, which serves as an LGBTQ community center, provides a wide range of services for youth, adults, seniors, and families. It states on its website that its programs “are designed to meet the diverse needs of our community and provide a safe and welcoming space for all.”
Its programs include mental health counseling, HIV health services, support groups, education and training, a computer lab, and a game room along with space for community events and meetings. While its headquarters is based in Baltimore, its website points out it has “a presence throughout the state, including Prince George’s County, Montgomery County, Frederick, and Charles counties, and conducts outreach and education activities within those counties.”
Editor’s Choice: CAMP Rehoboth
Best Day Trip: Annapolis
downtownannapolispartnership.org
Less than an hour from D.C., Annapolis makes the perfect day trip. With its charming streets, historic waterfront, and the Naval Academy’s good-looking midshipmen, Maryland’s state capital is filled with visual pleasures. What’s more, Annapolis offers a range of attractions, including parks, galleries, and museums that cater to the LGBTQ community. For more information go to annapolispride.org.
Editor’s Choice: Baltimore
Best Adult Store: Bite the Fruit
1723 Connecticut Ave., N.W. (second floor)
Go ahead, succumb to the temptation found at Bite the Fruit. The busy queer-owned Dupont Circle retailer of adult novelties and provocative apparel specializes in promoting “healthy sexual and sensual exploration.”
Editor’s Choice: What’s Your Pleasure DC
Best Local Content Creator: Bri Battle, @queertalkdc
Bri Battle’s @queertalkdc promises to inform readers about “everything queer in the DMV and beyond.” Some of the events and organizations Battle has promoted include DMV Dyke Camp 2025, All Things Go, and the Columbia Mental Health clinics. Battle has also championed taking oneself out as a form of self-care.
Editor’s Choice: AJ Dronkers, @aj_dc
Best Local Website: Washingtonian Problems
instagram.com/washingtonianprobs
Washingtonian Problems is a website that revels in “celebrating the quirks and spirit of the District.” Some of its recent posts highlight the impact of the federal government shutdown in D.C., such as asking readers about local businesses that are “doing government shutdown specials.” Others note U.S. Rep. Marjorie Taylor Greene (R-Ga.) and other Capitol Hill personalities who try to make their mark in the nation’s capital.
Editor’s Choice: Popville
Best Local TV/Radio Personality: Tommy McFly, NBC4
Tommy McFly has been a fixture on local airwaves for more than a decade. Washingtonians can currently watch him doing “The Scene” on NBC4.
“I’m proud to be surrounded by so many incredibly talented queer media professionals in D.C.,” McFly told the Washington Blade. “Just like on the airwaves, our vibrant community is made better because so many people feel they can live their lives authentically here — at work, in public, and at home. I know that isn’t the case everywhere. It’s something we need to cherish. And we have a responsibility to keep bringing everyone along.”
McFly was in the closet when he moved to D.C. in 2006. He said the city since then “has embraced me and my husband, Chrys, in countless ways.”
“But the opportunity to be your neighbor — a friendly face on TV, at live events, in your feed and on the street — is the most incredible gift, and one I’ll never take for granted,” said McFly.
Editor’s Choice: Lorenzo Hall, WUSA 9
Best Fitness or Workout Spot: VIDA Fitness
Multiple locations
For the second year in a row, VIDA Fitness is the most popular gym among LGBTQ Washingtonians.
Vida has locations in Logan Circle, the Navy Yard, City Center, U Street, Ballston, and Reston. The exclusive Penthouse Pool at the U Street location remains the go-to summer destination for locals who don’t want to schlep to the beach.
Editor’s Choice: Barry’s Bootcamp
Best Lawyer: Erin Palmer
Erin Palmer has been the associate director of the Pro Bono Institute’s Corporate Pro Bono project since 2024. The organization’s website notes she “brings extensive experience in legal ethics, litigation, and public interest advocacy.”
She is an alum of the American University Washington College of Law and of the University of Pennsylvania. Palmer is also a former member of the D.C. Advisory Neighborhood Commission.
Runner-up: Chase Strangio
Best Dentist: Dr. Robert McKernan, Big Gay Smiles
Dr. Robert McKernan of Big Gay Smiles continues to make Washingtonians “smile with Pride.”
“Big Gay Smiles Dental is an LGBTQ2IA+ owned practice that prioritizes comfort, quality, and community,” says Big Gay Smiles on its website. “We understand the stressors related to going to the dentist and actively work to redefine what it means to provide queer- (and ally-) focused dental care.”
Big Gay Smiles also donates 10 percent of its annual revenue to HIV/AIDS service organizations.
Editor’s Choice: Dr. Gregory Martin, DDS
Best Amateur Sports League: Rogue Cornhole
Rogue Cornhole describes itself as a “fun, socially minded, LGBTQ+ non-profit that strives to better our communities through volunteer efforts and raising funds for local non-profit organizations. The group, while championing cornhole, pledges to “have fun, cherish friendships, meet new people, and to be engaged with and committed to bettering our community through educational efforts.”
Editor’s Choice: DC Front Runners
Best LGBTQ Social Group: Gay Men’s Chorus of Washington
The Gay Men’s Chorus of Washington, DC, has inspired gay men and many others since its founding more than 40 years ago. The chorus, which has performed at the White House, the Kennedy Center, and many other famed institutions, currently includes more than 250 members. It remains “the LGBTQ+ voice of equality in the nation’s capital.”
Editor’s Choice: Capital Sapphics
Best Local Businessperson: Russwin Francisco, Bite the Fruit
1723 Connecticut Ave., N.W. (second floor)
Established in 2012 in D.C., Bite the Fruit is gay-owned, straight-friendly and kink forward. It is a peerless retailer of adult novelties and provocative apparel that promotes healthy sexual and sensual exploration.
Editor’s Choice: Gregory Jones, Capital Center for Psychotherapy & Wellness
Best Clergy: Bishop Thomas Wieczorek
Thomas Wieczorek is a priest with the D.C.-based affiliate parish of St. Mary’s National Catholic Church of North America; he was elected auxiliary bishop in 2022.
Wieczroek has held many titles during his lifetime: award-winning newspaper reporter, baker, police officer, fire chief, deputy and director of public safety, city manager, and consultant. He is active in D.C. and other communities, having been the vice chairperson of Capital Pride, chairperson of Ionia-Montcalm County Domestic Violence Program, and other groups.
Editor’s Choice: Rev. Dr. Adalphie Johnson
Best Real Estate Agent: Michael Moore, Compass
1313 14th St., N.W.
Michael Moore cares about doing good work for people through each step of the buying and selling process. For him, the client experience is the heart of the business, and his commitment to investing in the longevity of those relationships defines his career. He’s also been a longtime advocate for AIDS LifeCycle bike rides, Caron Treatment Centers, and Food and Friends.
Editor’s Choice: Lamar Brathwaite, Coldwell Banker
Best Real Estate Group: Bediz Group, RLAH
Multiple locations
202-642-1616
The Bediz Group is a real estate team of seven agents and this is its fifth win in this category. In addition to real estate services, Bediz Group also offers an in-house creative team that provides high-caliber marketing collateral that ensures your property stands out. The group’s weekly emails reach more than 3,600 readers and it promotes its listings on its social media platforms.
Editor’s Choice: The Tom Buerger Team, Compass
Best LGBTQ-Owned Business: LGBT+ Counseling Collaborative
This collaborative is a dedicated team of queer and trans-identifying psychotherapists serving LGBTQ+ clients, their families, and allies. The group’s mission is to provide culturally competent, social justice oriented, queer affirming, neurodiverse-informed, and trauma informed therapeutic services to clients who want to actively engage in healing and processing around personal history, generational cycles, and systemic issues with clinicians who have similar lived experiences and values.
Editor’s Choice: Urban Adventures
Most LGBTQ-Friendly Workplace: Stratus Firm
Stratus specializes in events that are dynamic, large-scale, and production-heavy and produces high-impact experiences for a wide range of corporations, associations, and nonprofits.
Editor’s Choice: Whitman-Walker Health
Best Home Furnishings: Miss Pixie’s
1830 Columbia Rd., N.W.
Established in 1997, Miss Pixie’s opened at 1810 Adams Mill Rd. NW in Adams Morgan in a tiny 550-square-foot space with 18-foot ceilings. Miss Pixie quickly learned to “stack it deep and sell it cheap,” and most of the weekly inventory was gone by the end of each week.
Sadly, Miss Pixie’s announced the store is closing on Oct. 31 so stop by soon for 20 percent off many items.
Editor’s Choice: West Elm
Best Pet Business or Vet: City Paws Animal Hospital
1823 14th St., N.W.
City Paws has assembled a team of caring, compassionate, and highly skilled veterinary professionals who share the same dedication to delivering the highest quality veterinary care while building solid and lasting client relationships.
Editor’s Choice: Canino Dog Boutique
Best Salon/Spa: Logan 14
1314 14th St., N.W.
Logan 14 Aveda Lifestyle Salon & Spa is the winner for the ninth consecutive year. The salon places an environmentally conscious, queer-affirming focus on hair, skin and makeup services. The LGBTQ-owned salon strives to create a nurturing environment and uses entirely naturally derived Aveda products. Guests can opt for medspa treatments in addition to traditional salon services, all of which promote rejuvenation. The 14th Street salon opened in 2010 and features a 75% LGBTQ clientele.
Editor’s Choice: Bang Salon
Best Med Spa: ProMD Health
1003 K St., N.W. #835
Editor’s Choice: Javan Wellness
Best Hotel: Eaton DC
1201 K St., N.W.
Eaton DC was the 2024 Editor’s Choice in this category. A member of World Rainbow Hotels, Eaton DC is focused on diverse cultural programming, equitable community-building, and environmental sustainability. This flagship location is LGBTQ-friendly and offers an inclusive safe space for guests. The boutique hotel is also home to a Pride-themed hotel suite, featuring Marsha P. Johnson’s quotes on the wall, rainbow decor and decorations based on feedback from LGBTQ hotel staff. The hotel is nestled downtown, walking distance from the National Mall. Eaton Workshop’s original location is in Hong Kong.
Editor’s Choice: Dupont Circle Hotel
Best House of Worship: Sixth & I
600 I St., N.W.
Sixth & I is the winner for the second year in a row. The multi-denominational and non-membership institution is housed in a historic 1908 synagogue. The synagogue offers cultural and spiritual programming ranging from comedy, concerts, and live podcasts. Past live entertainment included talks from Janelle Monáe, Jonathan Van Ness and Ocean Vuong. Sixth & I also offers a range of LGBTQ-inclusive services and events, including Pride Shabbat services, gay weddings and other community events.
Editor’s Choice: Metropolitan Community Church of DC
Best Tattoo Parlor: Second Son Tattoo
1712 14th St., N.W. (third floor)
This tattoo and piercing shop located just north of Logan Circle prioritizes safe and enjoyable experiences for its clients. While the shop isn’t LGBTQ owned, Second Son Tattoo strives to create custom tattoos best fit to customers’ wishes. The shop’s eight artists specialize in a variety of artistic specialties, including black and grey realism, florals, anime, and line work.
Editor’s Choice: Tattoo Paradise
Best LGBTQ Event: Capital Pride
Capital Pride, an annual LGBTQ parade and festival held in June, is Washington’s premier Pride celebration. A parade featuring community organizations, corporate sponsors and local businesses, a street festival, a gala and a block party are just some of Capital Pride’s many featured events, all organized by the Capital Pride Alliance. The event originated as Gay Pride Day, a one-day block party, in 1975; the event is now a multi-day celebration that lights up a variety of neighborhoods. Capital Pride is set to be held from June 8-14 in 2026.
Editor’s Choice: Miss Adams Morgan Pageant
Best WorldPride Event: WorldPride Music Festival
worldpridedc.org/events/music-festival-global-dance-party/
The WorldPride Music Festival served as the District’s dance party on June 6 and 7 for the 50th year of Capital Pride. The two-day music festival was held on RFK Festival Grounds on the banks of the Anacostia River. Featured artists included Jennifer Lopez, Troye Sivan and Reneé Rapp. The WorldPride Music Festival is set to be held in Amsterdam in 2026.
Editor’s Choice: MIXTAPE Pride Party
Best Diversity of Pride: DC Black Pride
1001 16th St., N.W.
DC Black Pride, held on Memorial Day weekend, raises awareness and funding for HIV/AIDS while celebrating Black Pride and community. The event began with a Black Gay and Lesbian Pride event in 1991 and has since blossomed into an event of 500,000 Black LGBTQ attendees and allies. As the catalyst for Black Pride events, more than 50 cities globally center their celebrations around Washington’s model. The Center for Black Equity produces DC Black Pride annually.
Editor’s Choice: Trans Pride
Best Pride Outside of DC: Baltimore Pride
Baltimore Pride is the best non-D.C. winner for the second consecutive year. The Pride Center of Maryland hosts Baltimore Pride annually in celebration of LGBTQ contributions and diversity. The event began in 1975 with a peaceful activist demonstration and has since evolved into a range of events spread throughout the downtown area. The celebration takes place in and near Mount Vernon, Baltimore’s “gayborhood.” Typical events include the Pride Parade and Block Party, the Twilight on the Terrace Gala, Youth Pride and Pride in the Park.
Editor’s Choice: Virginia Pride, Richmond
Best Car Dealership: BMW of Fairfax
8427 Lee Hwy
Fairfax, Va.
Editor’s Choice: DARCARS
Best Private School: Edmund Burke
4101 Connecticut Ave., N.W.
Editor’s Choice: Maret School
FOOD & DRINK
Best Coffee Shop: Spark Social House
2009 14th St., N.W.
Spark Social House, which opened in March 2025, is Washington’s first LGBTQ alcohol-free bar, but is also so much more than that. A community gathering place in the heart of D.C.’s LGTBQ nightlife center at 14th and U Streets, N.W., the two-story space serves coffee and tea during the day, bringing in friends, colleagues, and dates in an inclusive, welcoming space. And in the evening, it becomes a sober party, with DJs, performances, and events.
Editor’s Choice: Three Fifty Bakery & Coffee Bar
Best Outdoor Dining: Hank’s Oyster Bar
Multiple locations
With locations in Dupont, the Wharf, and Alexandria, this 20-year-old institution has collected numerous Blade awards, like Best Chef (owner Jamie Leeds) and Best Craft Cocktails. In Dupont, the outdoor patio is a classic scene, located right off 17th Street, for everything from first dates to catch-ups to events. As a community-oriented space, Hank’s has placed a sincere focus on being inclusive for its two decades, meaning that everyone is welcome on its breezy patio with both great food and great people watching. On the Wharf, The sweeping vistas pair especially well with oysters and lobster rolls.
Editor’s Choice: Barcelona
Best Restaurant: Tabard Inn
1739 N St., N.W.
One of the oldest hotels in Washington, D.C., the Tabard Inn opened in 1922 in the style of an English manor and has been oozing charm ever since. While not gay-owned, it’s become a welcoming gathering space for LGBTQ locals and visitors, owing to its geography in Dupont Circle, eccentric nature, somewhat hidden locale, and diverse staff and clientele. The restaurant, started as a tea room, is full of art and warmth, and places a focus on mid-Atlantic cuisine.
Editor’s Choice: Red Hen
Best Brunch: Shaw’s Tavern
520 Florida Ave., N.W.
Shaw’s Tavern has been a mainstay of the LGBTQ community for many years, with LGBTQ management and a prime location by nightlife and culture. Boasting a large outdoor patio, this New American restaurant is primed for big brunch business (running an impressive seven hours, from 10 a.m.-5 p.m.), especially wrapped around its bottomless mimosas and brunch cocktails and shots. Brunch brings sandwiches, flatbreads, waffles, lots of eggs, and a healthy dose of socializing.
Editor’s Choice: HER Diner
Best Brewery: Red Bear Brewing Company
209 M St., N.E.
Having taken home Best Brunch, Best Neighborhood Bar, and Best Local Brewery awards in the past, this year, it’s back to win the Best Brewery award yet again. This gay-owned venue in the District hosts drag shows (including brunch), trivia, and stand-up performances, among other events, along with a big space for board games and casual conversation. It has poured brews with suggestive titles like “Hefe Don’t Preach,” “OktoBEARfest,” and “Tall, Dark and Nutty,” to name a few.
Editor’s Choice: DC Brau
Best Distillery: Republic Restoratives Distillery
1369 New York Ave., N.E.
Winning this honor multiple times, Republic Restoratives is women-owned, community-led, made in the District, and as activist-oriented as they come. Republic’s vodka, Civic Pride, was created out of frustration with popular brands co-opting the rainbow flag while also supporting organizations or efforts that directly harm LGBTQ people. It created and then quickly sold out bottles of “Madam” a bourbon-rye whiskey on whose label Kamala Harris’s smiling visage is featured.
Editor’s Choice: Cotton & Reed
Best Burger: Duke’s Grocery
Multiple locations
The 2021, 2023, and 2024 winner, Duke’s Grocery serves burgers with a British accent. With locations in Dupont Circle (recently refreshed), Woodley Park, Navy Yard, and Foggy Bottom, this restaurant serves guests hearty portions of bar food. The burger has landed it on a whole bunch of lists, from Zagat to the Washington Post. Besides its famed Proper Burger, it also has salmon, Impossible, and Wagyu burgers. The Dupont location was closed for a year, undergoing a renovation, and recently reopened to royal fanfare.
Editor’s Choice: Lucky Buns
Best Pizza: Andy’s Pizza
Multiple locations
Andy’s Pizza serves up pizza straight from the long and storied New York tradition. Featuring stone deck ovens, long-fermented dough, Wisconsin mozzarella, California tomatoes, and a skilled pizzaiolo named Andy, this neighborhood pizzeria brings New York to D.C. while serving classic combinations. Andy’s has seven spots across the area, including one spot in Shaw across from 9:30 club and near popular gay bars. Options include flavors like pepperoni and white sauce, but the whole pies come in a range of options, including a Buffalo crispy chicken and a vegan pie with plant-based cheese.
Editor’s Choice: We the Pizza
Best Ice Cream/Gelato: Yala Greek Ice Cream
3143 N St., N.W.
The newest scoop on the block, Yala Greek Ice Cream, started by Chrys Kefalas and Salah Czapary, blends flavors from their heritage with sugar and cream to create D.C.’s latest frozen treat obsession. From classics like chocolate and vanilla to adventurous flavors like “Mornings with Thea,” a Greek yogurt ice cream with orange preserves, Yala uses mix-ins like pistachios sourced from the EU and milk from Maryland “A2” cows, known for being easier to digest. With lines often stretching around the block, it’s easy to see why Yala has quickly become a favorite for locals craving something sweet and unique.
Editor’s Choice: Jeni’s Splendid Ice Cream
Best Winery: Chester Gap Cellars
4615 Remount Rd.
Front Royal, Va.
chestergapcellers.com
Located in Front Royal, Virginia, just a little over an hour from Washington, gay-owned and gay-friendly Chester Gap Cellars offers the best in valley vistas and delightful vintages. The small estate winery’s owners also have an Airbnb where guests can eat, sleep, enjoy the outdoor fire pit, and indulge in more vino.
Editor’s Choice: District Winery
REHOBOTH BEACH
Best Rehoboth Drag Queen: Magnolia Applebottom
She’s done it again. Magnolia Applebottom (aka Jeremy Bernstein) is your pick for Best Rehoboth Drag Queen for the fourth consecutive year. At a time of anti-DEI crackdowns and legislative attacks on everything from drag to trans healthcare, the queens will show us the way as they have bravely done for decades. Magnolia remains a constant fierce and fearless presence not just in Rehoboth but throughout the Eastern Shore, from Salisbury to Milton, Del. Catch her at Diego’s in Rehoboth and during the month of October at the Milton Theater where Bernstein stars as Frank N Furter in “The Rocky Horror Picture Show.”
Editor’s Choice: Regina Cox
Best Rehoboth Drag Show: Splash Party with Magnolia at Diego’s
37298 Rehoboth Ave.
Rehoboth Beach, Del.
A second win for Magnolia this year and a repeat winner in this category from last year. The Splash Party at Diego’s remains one of the hottest events in town, Saturdays at 5 p.m. on the outdoor patio.
Editor’s Choice: Follies at the Beach, Freddie’s
Best Rehoboth-Area Live Show: Pamala Stanley at Diego’s
37298 Rehoboth Ave.
Rehoboth Beach, Del.
diegosbarnightclub.com
The beloved Pamala Stanley celebrated her 20th year of performing in Rehoboth Beach this summer with her Sunday night dance party and Monday night piano show. The Monday event is on pause now that the summer season is over, but you can still catch Pamala on Sundays starting at 5 p.m. through New Year’s. After 20 years, Pamala’s show remains the place to be seen on Sundays as locals and tourists alike come together to party. It’s two hours of upbeat, infectiously joyful pop and disco peppered with Pamala’s inimitable humor and wit.
Editor’s Choice: Naughty Bingo with Magnolia Applebottom at Diego’s
Best Rehoboth Outdoor Dining: The Back Porch Café
59 Rehoboth Ave.
Rehoboth Beach, Del.
Many locals know about the important role that the Back Porch Café played in elevating Rehoboth’s culinary scene but not many realize how pivotal the 51-year-old restaurant was in bringing together the quiet town’s gay, straight, and trans communities. The Back Porch was an important gathering place for the town’s creative residents and a place not just for excellent food but for art exhibitions. Today, the Back Porch continues to serve up top-notch French fare in an unpretentious, welcoming setting. The outdoor patio is one of the few places in Rehoboth where you can dine al fresco in a private, convivial courtyard. After dinner, take time to stroll the restaurant and take in the art that adorns the walls. There’s a lot of fascinating history to be found in this irreplaceable icon of Rehoboth Beach.
Editor’s Choice: The Purple Parrot
Best Rehoboth Coffee Shop: Rise Up
502 Rehoboth Ave.
Rehoboth Beach, Del.
Rehoboth’s coffee scene is in flux after the recent closure of the town’s Starbucks. Rise Up is part of a small regional chain of coffeehouses that offers a small menu and a cocktail bar. But most visitors grab a coffee or latté and relax in the spacious lounge or outdoor patio complete with complimentary Wifi enabling you to work or just quietly doom scroll.
Editor’s Choice: The Coffee Mill
Best Rehoboth Restaurant: Blue Moon
35 Baltimore Ave.
Rehoboth Beach, Del.
Perennial favorite Blue Moon remains on top after winning this category last year. With so much competition from regional and out-of-town chains like Atlas Restaurant Group, it’s nice to see a local, gay-owned restaurant continue to serve up the best food in town. Go early for the Moon’s excellent happy hour specials or to hear John Flynn on the piano then indulge in the luxurious lobster risotto or perhaps a comforting bowl of short rib stroganoff.
Editor’s Choice: Henlopen City Oyster House
Best Rehoboth Real Estate Agent: Andy Staton
18949 Coastal Highway, Suite 304
Rehoboth Beach, Del.
After seven consecutive wins in this category by local legend Lee Ann Wilkinson, there’s a new agent atop the list. Longtime local Realtor Andy Staton is your pick for Best Rehoboth Realtor. The Andy Staton Group at Monument Sotheby’s “combines concierge style attention to customer detail to meet seller and buyer needs in a modern service-oriented approach,” according to its website. You may have seen Andy in his role as a TV host for the American Dream Network or in one of his videos promoting his love of pickleball.
Editor’s Choice: Chris Beagle
Best Rehoboth Business: Diego’s
37298 Rehoboth Ave.
Rehoboth Beach, Del.
Diego’s dominated this year’s awards with multiple wins, showcasing the hard work of owners Darryl and Joe Ciarlante-Zuber to create an unabashedly queer space with year-round entertainment, friendly bartenders, and multiple indoor/outdoor spaces to gather with friends. Whether you come for an intimate happy hour with friends, a Sunday T-dance with Pamala Stanley, or late-night dancing with internationally renowned DJs, Diego’s never disappoints.
Editor’s Choice: Freddie’s Beach Bar
Best Rehoboth Bartender: Katie Lyell, Aqua Bar& Grill
57 Baltimore Ave.
Rehoboth Beach, Del.
Katie Lyell is a first-time winner in this competitive category but she’s no stranger to the regulars at Aqua. Fighting the crowds to the bar in summer, you will be greeted by Katie’s always-smiling face.
Lyell, 39, is straight and has been married for two years. She grew up in Newark, Del., and attended Frostburg State University.
She’s in her eighth year bartending at Aqua and says the bar has become much more of a year-round destination since she started.
“We’ve been able to extend our season because of it,” she said, noting Aqua will hold its annual closing party on Jan. 1 and likely reopen for St. Patrick’s Day in March.
She plans to “hibernate” during the break and travel with her husband.
The best part of working at Aqua? “Getting to meet so many different people, even if it’s just for a 60-second interaction. I enjoy chatting with everyone. I really love my community.”
What’s her most dreaded drink order? “Three martinis at one time because I can only make two in a shaker.”
Lyell says the highlight of her summer was Memorial Day Weekend because customers count down to the unofficial summer kickoff weekend.
“I also really love Bear Weekend, it’s always a great time.”
Editor’s Choice: Eddie Adam, Diego’s
a&e features
Jennifer Lopez talks ‘Kiss of the Spider Woman,’ queer representation
Latest version of iconic story ‘a love letter to humanity’
With its riveting storyline and gorgeous dance scenes, it’s no wonder that one of the standout films this awards season is “Kiss of the Spider Woman.” Originally a bold novel published by Argentine writer Manuel Puig in 1976, it was adapted into a play and then a screenplay. In 1985, the film earned four Academy Award nominations, with William Hurt winning Best Actor — the first ever awarded for a portrayal of an openly queer character.
Ten years later, in 1993, the story was turned into a Broadway musical starring the iconic Chita Rivera, and won several Tony Awards. Fast forward to 2025: for this new version, Jennifer Lopez and Diego Luna both play dual roles in the film, which also stars newcomer, Tonatiuh.
The film takes place in 1983, during Argentina’s troubled times; two prisoners are forced to share a confined cell in Buenos Aires. Valentín (Luna), a Marxist revolutionary, is committed to his political idealology, despite being tortured and deprived by the guards. Molina (Tonatiuh), a gay window dresser who is in jail because of his sexual orientation, survives the insanity by fantasizing about his favorite movie, telling Valentin all the details. While their connection begins as a way for them to emotionally escape, it grows deeper, in the most profound way.
Through stories, confessions, and sacrifice, the duo discover unexpected tenderness and the possibility of love in a place designed to annihilate the human spirit.
“These two men who could not be different in every single way, everything is stripped away from them in their lives, the politics, class, education, all this stuff goes away, and they start to see themselves as individuals,” said Bill Condon, the Academy Award-winning writer-director known for such films as “Gods and Monsters,” “Chicago,” “Dreamgirls” and “Beauty and the Beast,” who was deeply moved as he wrote the script.
Producing the updated version of the film was vital to Lopez, who is also an executive producer. “I think it’s more relevant than ever,” she said at a recent Golden Globes press event.
“The idea of a trans or gay character in this movie…the kind of divisiveness that we’ve experienced in the world in the past few years. A story about two people who are thrown together, who are so opposite, who are so different from each other. And find the humanity and fall in love with each other. Who would never probably even find themselves in the same circles. That’s really important to have queer representation in movies. In my own family, I know how important that is for people to see that.”
Tonatiuh, who steals every scene he is in, lost 45 pounds for the role.
“I think there’s a certain moment that’s happening right now that we need to remind ourselves that dignity and humanity and love transcend gender,” he said. “They transcend sexual orientation. They transcend all of those things. And so, yes, we deal with queer themes in our film, but I do think that it is a love letter to diversity. It is a love letter to humanity as a whole.”
Condon loved every version of “Kiss of the Spider Woman,” each of them was “revolutionary” for its time.
“But when you read that novel, it’s taken us this long to really catch up to what it was saying. And specifically, this was well before the election season and well before we knew what was going to happen. But it was clear that trans people were going to be demonized, that they were going to be a part of the conversation…it did feel that this was something that was bubbling up and happening. So that’s what made it feel very urgent.”
Lopez added: “The revolution that you’re saying that we need right now is exactly the reason why I think the movie is so important right now for people to see. Because it reminds you that it’s really, at the end of the day, about two people getting along and falling in love, when you really forget about all of the other things, that we’re all just human. And it is about humanity.”
Tonatiuh hopes that the film inspires people to step up.
“We constantly see the news, we see everything that’s going around and we wonder, ‘What is it that I can do? I’m just one person.’ But this isolationist mentality is the thing that gets us here. Every one of us has little actions to take and little moments to do. And especially in a moment where Latinos in general in this country are experiencing massive negative public relations, just attack after attack after attack, it’s really wonderful to showcase what Latino dignity is and reminding people of, like the talent, the joy that our culture adds to the United States and the world.”
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