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Holy spandex tights! It’s Batgirl!

Nearly 50 years later, Yvonne Craig reflects on ‘Batman,’ ‘Star Trek,’ Elvis and more

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Batgirl Craig, gay news, Washington Blade

Yvonne Craig was brought on to play Batgirl in the show’s third season. (Photo courtesy Craig)

Sometimes indelible pop culture impressions are made in a very short time. Yvonne Craig played Batgirl for just one season — the third and final — of the 1966-’68 TV series “Batman,” yet it’s the role she’s best known for nearly 50 years later.

And although the character appeared once on the big screen (in the oft-derided 1997 movie “Batman & Robin” in which she was portrayed by Alicia Silverstone), it is Craig, by far, who is most identified with the role.

Craig, 77, was a steadily working actress throughout the 1960s and beyond racking up appearances on “Perry Mason,” “The Barbara Stanwyck Show,” “My Three Sons,” “The Many Loves of Dobie Gillis” and — donning head-to-toe green body paint — as Marta, an Orion slave girl, in the classic “Star Trek” episode “Whom Gods Destroy.”  She also played opposite Elvis Presley in two feature films — “It Happened at the World’s Fair” (1963) and “Kissin’ Cousins” (1964). She was brought on “Batman” for the 1967-’68 season to play Commissioner Gordon’s librarian daughter Barbara whose alter ego Batgirl could be counted on to ward off villains with Batman (Adam West) and Robin (Burt Ward).

After years of legal wrangling, the series was finally released on DVD and Blu-ray last November. That was our initial peg for reaching out to Craig, but several delays including gall bladder surgery for the otherwise-healthy actress, pushed things back. We spoke to her by phone from her Los Angeles home two weeks ago. Quick to laugh and always ready to launch into a funny anecdote, Craig — who’s straight and happily married — was willing to indulge any inquiry. Her comments have been edited for length.

Batgirl, gay news, Washington Blade

Yvonne Craig says she enjoys meeting fans though she has rarely watched ‘Batman’ or ‘Star Trek’ since their original broadcasts. (Photo courtesy Craig)

WASHINGTON BLADE: Have you lived most of your adult life in Los Angeles?

YVONNE CRAIG: Yes. We moved up to Nevada, to south Lake Tahoe, about three years ago and we moved back last year and I’m so grateful to be back. You can only look at so many trees and eventually you say, “Where’s the classical music? Where’s the ballet company? Where’s the art museum?” Well, they’re not there.

BLADE: Let’s start with “Star Trek.” Sci-fi fans in general are often so ardent and you had such a major role on one of the most famous episodes of the iconic original series yet I’m sure for you at the time, it was just another job. What’s it like when you meet fans and they assume you’re going to be a walking encyclopedia of “Star Trek” ephemera?

CRAIG: Well, it’s been lovely for me and I loved the part. I did a convention where a young woman came up to my room to walk me down to where I was supposed to do a Q&A and I said to her, “There are so many weird people here,” and she said, “We’re all weird, we’re all misfits and the reason we like this is because we can all get together and understand one another and it’s the only place we’re really accepted by our peers.” And I thought, “Wow, that’s really insightful.” … I’ve always liked the fans and they’ve been charming to me. It’s just when they come up and say to me, “Do you remember the third rock on the left in the such and such,” and I say to them, “You know what? I’ve only seen two ‘Star Treks.’ One was mine and the other was ‘The Trouble with Tribbles,’” you know, the furry little things. (I’m told) “Whom Gods Destroy” is the second most popular episode after “Trouble with Tribbles.”

BLADE: Was it hard to relax between takes with the green body paint?

CRAIG: No, but getting it off at night was a disaster. I started with a shower at the studio, then I had to go home and take an oil bath, then take another shower. I think if I were doing it today, I would have just slept very carefully somewhere at the studio.

Yvonne Craig as Marta on 'Star Trek.' (Photo courtesy Craig)

Yvonne Craig as Marta on ‘Star Trek.’ (Photo courtesy Craig)

BLADE: Aren’t you glad you didn’t have to play her for several seasons?

CRAIG: Oh, wouldn’t that be horrible? We also had trouble making it stick during the day. We were at our wits’ end and it’s like the fourth day and finally … we found a makeup guy who could make it stick. He wasn’t really supposed to do it because at the time male makeup artists were not allowed to put body makeup on women, but I didn’t care. We brought him in and sure enough, he did the last two days and it never moved. It was great but we never told because he could have been fired. It’s so sexist I can’t believe it.

BLADE: Have you followed the various “Batman” film adaptations over the years? Do you have much interest in that?

CRAIG: Yes, I do. I liked Michael Keaton. I just loved him but in the second one, he got stuck with the Penguin and it had, like, six endings. You think it’s over and the Penguin is gone and he would come back spitting ink again. So I just knew immediately why when Michael Keaton said he’s not doing anymore, I knew immediately why. Who wants to be second banana to a penguin? … I thought George Clooney was just going to be terrific … and I thought Chris O’Donnell … would be a good match … then you get to the movie and it’s just awful. I don’t know what was going on, if George Clooney was just doing too many things at the same time so he didn’t think this out or something. Every time they mentioned that Alfred was ill, no Alfred isn’t just sick, Alfred is going to die, he just had this smirk. I’m like, “What’s funny about that? This is the man who brought you up, what is going on?” And then Chris O’Donnell just kept whining about a car and I thought, “God, I hate this movie.” I actually thought Alicia Silverstone would just be darling as Batgirl and I wrote her a note and said, “You’ll just knock ‘em dead.” … First of all, they made her whole relationship she was Alfred’s niece or something instead of Commissioner’s daughter, which was screwy, then they put them all in these Robocop outfits so they couldn’t even move, it was horrible. I didn’t like Val Kilmer but once they got Christian Bale, I loved it. I mean I really like him. He’s an excellent actor. So yeah, I keep up with them.

BLADE: They’ve gotten so dark. Why?

CRAIG: Well, when we first started there were people who remembered the (serial) films from the 1940s or whenever they did them and that was dark. So I think they are kind of of their time. We were busy being hippies and throwing flowers and love and peace and all of that and people were offended. They said, “This isn’t what Batman should be.” Those were the diehard ones. Now they’re all dead because it was a long time ago. The one with Michael Keaton, I thought was pretty dark and a couple of times you couldn’t see who was fighting whom, so you weren’t invested. If you can’t see who the villains are and who the good guys are, you lost interest. Then they got lighter for a while but our times have changed. I think we’re going back to dark because these are darker times. We have drive-by shootings and terrorists with no conscience. So I don’t know what the next thing might look like but I bet it will be scary.

BLADE: I guess “Batman v. Superman” (slated for 2016 release) is next.

CRAIG: Oh is it? Well, I may have to see that one.

BLADE: Should Batgirl be in it too? Do you feel any investment in these things as you hear of them?

CRAIG: No. I loved doing the role. I liked the way the writers wrote her. When people come up and say she was a role model, I always think, “Wow, I wish I had one of the writers next to me to hear this” because they’re really the ones who wrote this. Everybody forgets that the actor can only do anything with what they’re given. Writers never get the esteem they should have.

BLADE: Yes, but so many of the actors on the ‘60s show really became synonymous with the parts. When we think of the Riddler, we think of Frank Gorshin, we think of Cesar Romero (the Joker), we think of you as Batgirl and of Julie Newmar and Eartha Kitt as Catwoman. Why did that series have such impact?

CRAIG: Well it was a top-rated show and nothing had ever been seen before that looked quite like that. It was really a comic book that was live action so you saw “bam” and “pop” and all of those things you saw in a comic book. The colors were brilliant and they had this crazy thing where when the villain entered the camera was tilted. So it was innovative and unique for its time. There were a lot of things only the adults would have understood, double entendres, … yet it was safe to watch with kids because it wasn’t violent. You’re not seeing body parts and blood and guts and people shoot one another. … As far as being attached, I was only in the third season and I had a body of work before and I didn’t have a problem at all doing other things. I think Adam (West) was a whole other story because he has a very distinctive speech cadence. (Imitates West) “That’s just the way he talked — (pauses) — citizens.” When he’d go read for other parts, they just thought he was doing Batman so he had a hard time getting hired. … Now he’s doing voiceovers and it’s working for him again and I like that. He’s a nice man.

BLADE: Was the costume stretchy?

CRAIG: It was. I was used to being in leotards, so it was perfect for me. … It was easy to work in, easy to get in and out of and I did stunts, so it was easy to dance in, kick in and all those things. I had no problem with it. Lee Meriwether (Catwoman briefly in 1966) and I were on a panel together once and she said that was the most uncomfortable costume she has ever worn and it was kind of the same as mine, that same stretch fabric. I think it just has to do with whether you were used to wearing leotards or not and I was.

BLADE: Did you keep anything, the costume or any props or anything?

CRAIG: No, because it didn’t belong to me.

BLADE: That was your own hair as Barbara?

CRAIG: Yes. I told them I didn’t mind being a redhead as long as it was a wig, which it was and you saw it very prominently displayed in her secret room. A friend of mine at the time wanted to set me up with this guy. I was single then. She told him, “She plays Batgirl.” And he said, “Oh, well I like the little brunette better.” And I thought, “Oh he’s too dumb to go out with.”

BLADE: Was it a fairly chummy set?

CRAIG: Oh yes, the happiest set I’d been on since “Mod Squad.” … It was terrific. The cast liked one another, the crew liked one another and we all loved having all of these people on we’d never have worked with otherwise. I never would have worked with Milton Berle or Ethel Merman (otherwise). And they all loved it too because it was so different from anything else they’d ever done. It was a happy place to go to work every day.

BLADE: Burt’s (Robin) memoir was quite interesting.

CRAIG: Yes. I think he had a very vivid fantasy life.

BLADE: His (“Boy Wonder: My Life in Tights”) was quite different from yours (“From Ballet to the Batcave and Beyond”).

CRAIG: It was. He had asked me to write the foreword for his. I said sure, send it to me. He never did. He’d call and read me funny things and finally we were getting tight on time. I was leaving the country and he said he needed it so I sent him something that said, “I have not read this book.” (“Batman” writer) Stanley Ralph Ross said, “You can’t write a foreword to a book you haven’t read,” so I read the book and it was just relentlessly sexual. Even if it were true and it wasn’t, nobody wants to think of their little Robin as this voracious satyr. … I know there are different takes on things, but I can tell you truly in the third season, nothing happened on that set, nothing. And I can almost guarantee you nothing happened the first two seasons either. Now what they did when they were out on the road, I have no idea but as far as it happening on the set — he claimed he was behind scenery — but we were there working, they had somebody building on the next set we were going to use and we had stunt people, including me, off in a corner trying to figure out the fight scene. We shot those in three days. I mean it was just gangbusters, go! So I don’t know where he found the space or the time and I never saw any of it. … Plus we had children visiting the set almost every day.

BLADE: Would you have continued on another three or four seasons had it been renewed?

CRAIG: I would have. I loved doing it.

BLADE: How far into the season were you when you heard it wasn’t being renewed?

CRAIG: We had a wrap party for the third season and we all went home thinking we would be picked up and only when it was time to start shooting again did I hear we weren’t. So we never really had an over party. We just went home for Thanksgiving or Christmas or one of those and we didn’t know. And of course, we didn’t know 50 years later people were still going to be talking about it. We just said, “OK, on to the next job. What else do you have lined up for me?” because that’s the way the business runs.

BLADE: Alan Napier (Alfred) said once that Eartha Kitt (Catwoman on the third season) was “kind of marvelous” but complained a lot on the set. Agree?

CRAIG: I don’t know. In the scenes I had with her, she wasn’t complaining at all. She was a woman, oh boy, who was I would say rather conflicted and very insecure so who knows, she might have complained and he might have heard her or he might have had more down time sitting with her than I did because usually when I wasn’t shooting, I was off with the stunt people. But no. One time we did some kind of reunion-type thing and my husband was excited to meet her and she was just so nervous about doing this, I don’t know, it was like a talk show or something. And she said, “I’m sorry, I can’t meet him, I can’t meet anyone, I have to get myself together for this.” And I thought, “How strange — this is just a talk show.” But you know, her background was not wonderful. I can see it. You’re black, you’re in America, you purportedly said something not very nice to the first lady (Lady Bird Johnson). I didn’t see anything wrong with what she said, she was just asking a question. But you know, it probably adds up.

BLADE: I know you didn’t work with Julie Newmar (Catwoman, first two seasons) on the show but you’ve made appearances with her at various events since then. Have you gotten to know her at all?

CRAIG: Not really. At the conventions she’s done, she always arrives late but she has a great work ethic. Somebody said to her one day, “OK, Julie, so when you get up, what do you do?” And she said (slipping into Newmar’s purry voice) “Well — pauses — I put on a little makeup — pauses — and then I have some coffee …” And I figured, “OK, well, that’s why she’s always late,” but I’ll tell you what, she’s wonderful with the fans and she will stay until the last person sees her. There are a lot I could mention who don’t do that, so I think she and I have the best work ethic of the group.

BLADE: It was obviously such intentional camp. You seemed to play it very earnestly. Was it hard to find the right tone with the material?

CRAIG: No. I played it completely straight and that’s the clue. I think if the material is completely over the top, you play it straight and that makes it funny for the audience. If you play it with a wink, then it isn’t funny. This tends to happen a lot with child actors.

BLADE: Were you happy to see it finally released?

CRAIG: Yes. We don’t get any residuals or anything because, of course, there was no such thing as DVDs back then. I probably won’t watch it, but I’m glad to see it out. I live in the present and I don’t look back other than to say, “Well, that was a wonderful experience,” and if it weren’t a wonderful experience, as in the case of, say, Bill Shatner (Kirk on “Star Trek”), who I don’t think ever allowed anyone to have a wonderful experience with his acting, I just feel we only have a certain amount of time and I don’t want to spend it looking back.

BLADE: I saw a photo not long ago of you with Bill Bixby (“The Incredible Hulk”) and you were in a bathing suit. What was that from?

CRAIG: We were on “Courtship of Eddie’s Father” and “My Favorite Martian” together but I was never in a bathing suit. In those days, God, I sound like such a codger, they had Photoplay and these fan magazines, so they would set up these photo shoots. One time Adam took me out on his boat and we took pictures but it was just for photos, I had never been on his boat before or after.

BLADE: But you and Bill were friendly?

CRAIG: We dated! … We remained friends, but it just wasn’t a good match.

BLADE: They kept casting you as different girlfriends of Dobie Gillis. Did that seem odd to you at the time?

CRAIG: I don’t remember thinking that. I think I just thought, “Oh, I get to play somebody new.” Dwayne Hickman (Dobie) still cracks me up. My husband doesn’t understand it. He looks at me and says, “He’s not that funny,” and I just say, “To me, he is.” It’s like George Burns or Jack Benny. All I have to do is look at Dwayne and I laugh. I did four “Dobies,” I think. It’s really weird when I tell people who all I worked with. Once I even worked with (silent screen legend) Francis X. Bushman on (“Dobie” episode) “The Flying Millicans.” He played my father. He had this long gray hair and we were trapeze artists. To think that I actually worked with somebody who was in silent films!

BLADE: Lynda Carter said once that DC Comics reached out to her when they were going to change the Wonder Woman costume. Have they ever lent you any sort of Batgirl emeritus status or consulted you on anything over the years?

CRAIG: No, not at all.

BLADE: Both “Star Trek” and “Batman” were modest hits during their original runs but went crazy in syndication and ran forever. Any theories on why?

CRAIG: I honestly couldn’t tell you. I haven’t the foggiest idea. We only went three seasons and we were a mid-season replacement so it wasn’t even like they were long seasons. Some of those Westerns went on for like 22 years or something crazy.

BLADE: Like “Gunsmoke.”

CRAIG: Yes. And I hated doing Westerns.

BLADE: Did you do many?

CRAIG: Oh yeah, a whole slew of ‘em. “Wagon Train,” “Bronco.” As long as the horse hits his mark, they don’t care what you say. They figure, “OK, the horse is in place, she’s up there, we can always loop it.” It’s all predicated on a horse.

BLADE: Do you see any homoerotic subtext in Batman and Robin, either on the show or in any other incarnation?

CRAIG: I never really felt there was. I think a lot of people who were reading into that were not gay. It’s the homophobes who would say, “You know, an older man, I bet he’s diddling that kid.” People who do not understand homosexuality at all.

BLADE: Did you have a favorite villain?

CRAIG: Oh yes, Vincent Price (Egghead). Not because of the villainy, but any time you had down time with Vince Price, he was just wonderful. He was bright, he was curious, he had a great sense of humor, he knew a lot about art, he knew a lot about ballet. He was just very well informed and you knew he kept up.

BLADE: Did you know he was gay at the time?

CRAIG: Yes.

BLADE: How did you feel when you heard Elvis had died?

CRAIG: Oh dear. Well first, he was just the sweetest man. He was so polite and he took all this unsolicited advice from me, what he should do with his hair, crazy stuff like that. … When he died, the Dallas Morning News called me up, I was seeing my future husband at the time, and this reporter said (slipping into exaggerated Southern accent), “How did you feel when Elvis died, were you just devastated?” I said, “Well, no, because I think dead is really a thing just like alive except you have less choices to make.” And there was this dead silence. Finally she said, (returning to accent), “OK, well thank you very much.” He said to me, “Nobody understands what you mean when you say that,” and I just said, “Well, that’s her problem.” I was sorry he died so young. There’s a group up in San Francisco that are just huge Elvis fans. They have his leading ladies up to talk and I’ve been there and then they have an impersonator come out. When I was there, it was Elvis Herselvis, this rather fat, gay woman. She does a wonderful job.

BLADE: Have you kept much career memorabilia?

CRAIG: No, nothing. When I did the book, all the photos were from fans who’d sent them to me at one time or another. When Capital Cities bought ABC, they sent me a whole stack of pictures they were just going to otherwise throw away and said, “Do you want them?” But that was it. I don’t keep stuff. I probably don’t have much of a sentimental bone in my body.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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In stressful times, escape to Rehoboth Beach

Here’s what’s new in D.C.’s favorite beach town for 2025

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Rehoboth Beach is ready to welcome visitors for the 2025 season. (Washington Blade photo by Daniel Truitt)

At last, after an uncharacteristically cold and snowy winter, another Rehoboth Beach season is upon us. I have been going to Rehoboth Beach since 1984, and it was the first place I went where people only knew me as a gay man. It was the year I came out. It was a summer community back then. Today it really is an exciting year-round community. But it’s still the summer season when Rehoboth shines, and when the businesses make most of their money. 

The summer brings out tens of thousands of tourists, from day-trippers, to those with second homes at the beach. Everyone comes to the beach for the sun and sand, food, and drink. Some like to relax, others to party, and you can do both in Rehoboth Beach, Del. 

Stop by CAMP Rehoboth, the LGBTQ community center on Baltimore Avenue, to get the latest updates on what is happening. CAMP sponsors Sunfestival each Labor Day weekend, and a huge block party on Baltimore Avenue in October. They train the Rehoboth Beach police on how to work with the LGBTQ community, and have all kinds of special and regularly scheduled events. Pick up a copy of their publication, Letters, which is distributed around town. 

I asked Kim Leisey, CAMP’s executive director, for her thoughts, and she said, CAMP Rehoboth looks forward to welcoming our friends and visitors to Rehoboth Beach. We are a safe space for our community and will be sponsoring social opportunities, art receptions, concerts, and art exhibits, throughout the summer. If you are planning a wedding, shower, reception, or business meeting, our beautiful atrium is available for rental. We look forward to a summer of solidarity and fun.”  While at CAMP stop in the courtyard at a favorite place of mine, Loris Oy Vey! Café, and tryher famous chicken salad.

There’s something for everyone at the beach, from walking the boardwalk and eating Thrashers fries, to visiting Funland, or playing a game of miniature golf. Or head to some of the world-class restaurants like Drift, Eden, Blue Moon, or Back Porch.  

Some random bits on the summer 2025 season. Prices are going up like everywhere else. Your parking meter will cost you $4 an hour. Meters are in effect May 15-Sept. 15. Parking permits for all the non-metered spaces in town are also expensive. Transferable permits are $365,non-transferable $295, or after Aug. 1 if you only come for the end of summer, it’s $165. Detailed information is available on the town’s website.

Rehoboth lost one of its best restaurant this off-season, JAM, but Freddie’s Beach Bar and Restaurant is open for its fourth season. Owner Freddie Lutz told the Blade, “We are looking forward to a fabulous season. Freddie’s has a dance floor and is the only music video bar in town.” There is also live entertainment, karaoke, and Freddie’s Follies drag show Friday nights. 

Magnolia Applebottom performs at Freddie’s Beach Bar in Rehoboth Beach, Del. on May 12. (Washington Blade photo by Daniel Truitt)

My favorite happy hour bar is Aqua Grill, which has reopened for the season. I recommend taking advantage of their great Tuesday Taco night, and Thursday burger night. Then there is The Pines and Top of the Pines. Bob Suppies of Second Block Hospitality told me, “Come, relax, and play. We are ready! I have been spending summers here since the mid-90’s, and Rehoboth Beach seems to age like a fine wine. Between the new, and favorite restaurants opening back up, the shops bursting with incredible finds, and all the great LGBTQ+ bars to entertain everyone, nowhere beats the Delaware beaches this summer.” 

Head down the block on Baltimore Avenue and you get to La Fable restaurant. Go all the way to the beach and you will see the new lifeguard station, which is slated to open later this month. Also, demolition of the old hotel and north boardwalk Grotto Pizza has happened. The site will become a new four-story, 60-room hotel, with ground level retail space. 

Then join me at my favorite morning place at the beach, The Coffee Mill, in the mews between Rehoboth and Baltimore Avenues, open every morning at 7 a.m. Owners Mel and Bob also have the Mill Creamery, the ice cream parlor in the mews, and Brashhh! on 1st street, where Mel sells his own clothing line, called FEARLESS! Then there is the ever-popular Purple Parrot, celebrating its 26th year, now with new owners Tyler Townsend and Drew Mitchell, who welcome you to their iconic place. It has only gotten better. If you head farther down Rehoboth Avenue you will find the Summer House with its upscale Libation Room, and a nice garden looking out on Rehoboth Avenue. Also on Rehoboth Avenue is Gidgets Gadgets owned by the fabulous Steve Fallon. With the renewed interest in vinyl records you may want to stop in at Extended Play

Then there is the always busy and fun, Diegos Bar and Nightclub. Joe Zuber of Diego’s told the Blade, “Get ready for a great gay ole time in Rehoboth Beach. Plenty of entertainment, dancing and fun as we seem to be the next Stonewall generation with this newest administration. Each election brings its concerns about how our gay community will be affected. Come to Rehoboth Beach to escape this summer season!” 

If you are in town for Sunday happy hour, make sure to stop there to hear the talented Pamala Stanley who is celebrating her 20th season entertaining in Rehoboth.And on Mondays, Stanley plays Broadway and other classics on the piano at Diego’s.

If you are looking for culture Rehoboth has some of that as well. There is the Clear Space Theatre on Baltimore Avenue. Rumors abound that Clear Space will move out of town. But I can’t believe the commissioners and mayor would be dumb enough to let that happen. This year’s shows include “Spring Awakening,” “Buyer + Cellar,” “Hairspray,” “Beautiful: The Carole King Musical,” and “RENT.”Tickets sell fast so I suggest you book early and they are available online. Then mark your calendars for Saturday, July 19 for Rehoboth Beach Pride 2025 at the Rehoboth Beach Convention Center.

I would be remiss if I didn’t mention some of the other fine restaurants and clubs in town. Just a reminder, during season you often need dinner reservations. Come to the beach often enough, and you can try them all: Café Azafran, Dos Locos, Goolee’s Grille, Rigby’s, Frank and Louie’s, Above the Dunes, Mariachi, and Henlopen City Oyster House, and Red, White & Basil. And take a short drive to Dewey for breakfast or lunch at the Starboard; popular bartender Doug Moore (winner of the Blade’s Best Rehoboth-Area Bartender 2024 award) holds court at one of the inside bars, which has become a de facto gay bar on Saturdays. 

One major development in the local dining scene last summer was the purchase of the Big Fish Restaurant Group by Baltimore-based Atlas Restaurant Group. Nearly a year later, not much has changed at the many Big Fish restaurants, although many locals are hoping for a renovation of Obie’s along with a gay night at the ocean-front bar/restaurant. 

These are only a few of the fantastic places to eat and drink at the beach. Remember, book your reservations for hotels and restaurants, early. Rehoboth is a happening place and gets very busy. 

We are living in stressful times. A visit to Rehoboth is a nice way to escape them for a while. Take the time to destress, enjoy the sun and sand. Take a stroll on the boardwalk and listen to the sound of the ocean, and people having fun. Enjoy good times, good food, good friends, and remember that life can still be good. Recharge your batteries for the rest of the year, by enjoying some summer fun in Rehoboth Beach. 

(Washington Blade photo by Daniel Truitt)
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Down to shuck! 

Oyster farmers Jordan Nally and fiancé Jimmy Kane on caring for Delaware’s waters — and sharing something special with customers

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Jordan Nally shows off one of his newly harvested oysters on the dock in Rehoboth. (Blade photo by Will Freshwater)

Although I didn’t come out to my family until my 20s, they should have seen the signs. During one of our annual trips to Indian Shores Beach in Florida, my parents splurged on a Polynesian dining adventure at the only tourist spot in town – Tiki Gardens. While waiting for our table, my sisters found a saltwater tank lined with oysters. For what felt like a fortune to an eight-year-old, a fisherman would shuck a pair and sift through the contents. Dressed in my floral Hawaiian shirt, my excitement turned to desperation when both of my sisters’ oysters revealed pearls. After much begging, my father reluctantly paid to have the small, oddly shaped gems mounted in rings. Watching my sisters flaunt their new jewelry, I seethed with envy and secretly vowed to return one day to claim my own treasure from the sea.

Nearly 50 years later, I’m a full-time resident of Rehoboth Beach, Del. It’s the Atlantic Ocean, not the Gulf of Mexico, but it’s close enough to Florida for me. As a local in a small coastal town, I’m keenly interested in how entrepreneurs are capitalizing on the growing tourism industry with innovative business ideas, so when I stumble across an Instagram page featuring two gay oyster farmers, Jordan Nally and his fiancé Jimmy Kane operating just a few miles away on Rehoboth Bay, my curiosity is piqued. After liking all the posts on the page, I slip into their DMs and ask whether we can meet for an interview. I’m delighted and a little nervous when they agree and invite me out on the boat to tour the farm and talk shellfish. Since everything I know about oysters came from a restaurant menu, I did some research.

Less than a week later, I arrive at the marina on Collins Avenue in Dewey on a picture-perfect morning in early May. Nally is waiting by his pickup truck, casually chatting up a couple of tourists. He’s a Delaware native and looks every bit like an oyster farmer in a long-sleeve, sweat-wicking shirt, PVC-coated shorts, and a branded baseball cap for sun protection. That’s all the more surprising given that Nally spent more than a decade working for JPMorgan Chase and had run for election to the Delaware House of Representatives in 2020.

As a good reporter, I’ve done my research: I know that the Inland Bays (made up of Rehoboth, Indian River, and Little Assawoman Bays) were once prolific oyster producers, with peak annual harvests reaching up to two million bushels. However, by the mid-20th century, overharvesting and a parasitic fungus drastically reduced the oyster populations. By 1960, the annual harvest had plummeted to just 49,000 bushels, marking a low point for the industry. In 2013, former Gov. Jack Markell signed legislation, and the commercial shellfish industry was reborn.

As we unload the flatbed of his EV pickup truck and transport the contents to the waiting boat, a retrofitted pontoon, “The Mullet,” Nally fills me in on his origin story. He came up with the idea to dive into aquaculture while he was quarantined in a hotel in Vermont with nothing but a TV and a local magazine with a cover story on oyster farming. He pitched the idea to his partner Jimmy Kane over the phone, and together they started planning how to make it happen. Nally jokes that what began as a fun “COVID project” quickly bloomed into a thriving business: “Some people did sourdough starter, but we decided to start an oyster farm.” 

Although Kane is always there to lend a helping hand, Nally is the one who’s usually out tending the farm. Still, Nally stresses that Kane plays a critical support role: “He’s in charge of merchandising, running sales at the market, and grounding me when I have too many wild ideas.”

In April 2023, the couple planted their first batch of “oyster babies,” provided by the hatchery at the University of Delaware. At the time, they were still living full time in Wilmington, so the first year on the farm meant long drives, managing their day jobs from the car, launching the boat, and working for hours out on the bay before heading back home. Eventually, the capital investment and 14-hour days paid off; now, just two years later, they have 50 floating bags, each holding about 2,000 oysters.  

Out on the open water, we see a half-dozen other oyster farms off in the distance. Despite the great weather, we’re the only boat on the bay. Standing confidently at the helm with his eyes fixed on the horizon, Nally gives me a quick biology tutorial on how oysters make it from the bay to the bar. Growers trigger spawning by adjusting water conditions to mimic spring, then feed the larvae specialized algae. After two to three weeks, the larvae develop an “eyespot” and are transferred to grow-out areas on the seabed or suspended bags. Oysters generally reach market size in 18 to 36 months, but the ideal conditions in Rehoboth Bay cut that time down to less than six months.

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Jordan Nally shows off a freshly shucked oyster from his farm in Rehoboth. (Blade photo by Will Freshwater)

Nally opens the throttle and, in less time than I expected, we reach the place where the magic happens – the acre of water designated for Nancy James Oysters. Unconventional and bordering on camp, the couple came up with the moniker to honor their late parents. When I ask Nally to explain why they’ve stuck with the venture, his answer, like the name of their business, is personal: “Every single day, we learn something new. And every single oyster reminds us why we started: to grow sustainably, care deeply for our waters, and share something truly special with our customers.”

As we arrive at the oyster farm, Nally cuts the engines and explains the innovative farming technique Nancy James uses to grow its oysters; picture a series of mesh bags, buoyed by floats, and attached to a main line stretching across a tract of water and anchored at both ends. Growing oysters at the water’s surface allows Nally and Kane to capitalize on natural currents and food availability, resulting in faster growth rates and enhanced flavor profiles. The only downside to this growing technique is that the guys never find pearls because the insides of their oysters are cleaner than those of the bottom dwellers.

The farm is directly across from Bird Island, and the cacophony of 10,000 birds is even louder than the whirring sound from the propellers. After anchoring the boat, Nally casually strips down to his bathing suit and surf shoes and jumps into the 60-degree water without a second thought. It’s the ultimate cold plunge, but if he feels the cold, he doesn’t show it; there’s too much work to do. 

“You ready to get dirty?” 

The waters of Rehoboth Bay may be pristine, but Nally’s question and smirking grin reinforce the message that oyster farming is a messy business. The first order of the day is to change out the older bags to address biofouling — the attachment of seaweed and algae that can affect the health and inhibit growth of new oysters. Nally selects three gnarly bags and hauls them over to the boat. I pull one onto the deck. Once he’s back on board, we empty the first bag onto the cleaning table, and I feel my stomach lurch. Mixed in with small crabs and tiny shrimp, the oysters are covered in muck. Suddenly, I’m glad to be wearing a pair of rubber gloves. 

Following instructions, I start sorting; chefs prefer smaller oysters with well-shaped shells. Trying not to get distracted by Nally’s stories and the ravenous flock of waiting sea birds floating above me, I count out four batches of 100 oysters for same-day delivery. Nally and Kane care about how their oysters taste and look. The boat has a portable generator, sump pump, and pressure washer to clean the shells thoroughly. Always ready to quote DNREC requirements scripture and verse, Nally explains that he has to use approved water, and the easiest way is to clean them with water from where they’re growing. 

When I ask if it’s hard to comply with the federal and state requirements, like logging the exact time oysters go in and come out of the water, Nally shrugs and offers a surprisingly pragmatic answer: “Everyone on the bay is aware of safety and works together to comply. If anyone gets sick from shellfish, they don’t care where it came from; it will affect all of us. When you are eating oysters in Delaware that came from Delaware, I feel really confident about safety.”

After harvesting and storing the oysters on ice, Nally checks the currents and wind direction before jumping back into the water; he regularly inspects the bags, floats, securing lines, and clips to ensure everything is in working order. As the oysters grow, Nally and Kane move them into bags with progressively larger mesh sizes and mark each with color-coded zip ties to indicate their growth stage. As they mature, the oysters are thinned out and spread across more bags to prevent overcrowding. It’s hard work, but at the end of the day, the two men are proud of what they’ve built together.

Nally explains that the warm temperatures, sandy bottoms, and high salinity of Rehoboth Bay are ideal. Still, not all farm sites are created equal: “The water here tastes different than the water on that side of the bay. It’s the fetch you’re getting from waves, all the swell, and the current. We have a really strong current on this side, and that side doesn’t, so they’re not as salty.”

Although Rehoboth Bay is known for its shallow depths and typically calm waters, aquafarming is still risky. Nally recalled a harrowing incident last winter when his lines got tangled in the boat’s propeller. Rough weather and a hefty chop made it hard to keep the boat steady. Determined to free the line, he put on his wetsuit and plunged into the frigid water. As a safety measure, he shared his location via iPhone with Kane and told him that if the location stopped moving, Nally was in the water and Kane should call the Coast Guard. 

On another occasion, Nally slipped on a wet deck and hit his head — an accident reminiscent of what happened to poor Jennifer Coolidge in “White Lotus.” Fortunately, he fell into the boat rather than overboard. He takes no chances now, wearing a special life vest that automatically inflates if he falls into the bay.

Nally and Kane are the only local farmers offering premium catering services, bringing the freshest oysters and top-notch shuckers to events such as weddings and birthday parties. Nancy James Oysters can also be enjoyed at local restaurants, including Drift Seafood & Raw Bar and Lewes Oyster House. You can find them in person at the Bethany Farmers Market and the Historic Lewes Farmers Market. This summer, the couple will be shucking oysters live every Sunday afternoon at Aqua Bar & Grill. Oysters are always available for purchase online at nancyjamesoysters.com

It’s another beautiful day when I make the short trip to town and park just outside Drift on Baltimore Avenue. Grabbing an empty seat at the outside bar window, I order without looking at the menu (at Drift, ask for the “Rehoboth Rose” oyster). In less time than it takes to check my phone, there are a dozen premium oysters in front of me — bedded in a tray of crushed ice, just waiting to be devoured. 

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Chef Zane Rego of Drift in Rehoboth Beach presents a dozen local oysters. (Blade photo by Will Freshwater)

Savoring the poetry of the presentation, I lift a shell to my mouth and slurp down the meat in one swallow. The taste is pure Delaware. Tom Wiswell, the former executive chef at Drift, describes it best: “It reminds me of being a kid at Rehoboth Beach and like a wave splashing you in the face. It’s fresh, briny, and salty.”  

As I enjoy a swallow of a good glass of Cava and reach for another oyster, I realize why these exotic delicacies were dubbed “white gold.” Nearly a half-century older and wiser than that kid in the Hawaiian shirt at Tiki Gardens, I’ve finally realized that the hidden treasure inside the oyster was never the pearl.

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