Arts & Entertainment
Night life newbies
Trade, Woof Den and Uproar target gay clientele
Trade (Washington Blade photo by Damien Salas)
The start of the new year has brought an unusual flurry of activity with three new gay bars — and a fourth slated to open soon — on the scene to spice up District nightlife.
Trade (1410 14th St., N.W) is one of the fresher faces on the block having opened in December. The bar holds typical nightlife hours open Monday through Friday at 5 p.m. and Saturday and Sunday at 2 p.m. Owned by business trio Ed Bailey, John Guggenmos and Jim Boyle, the same owners as Town and Number Nine, their concept for the bar was something different. Its website bills it as a “dive bar.”
“We just tried to make something that’s a little bit different from what exists currently so that it can be appreciated in a new way hopefully,” Bailey says. “We tried to program it a little differently with not the same stuff that you can just hear at any old bar, not predictable music.”
Predicability is something Bailey thinks has become a problem on the gay bar scene and he hopes Trade will change that.
“We wanted to do something that we thought would resonate for those maybe who have found the current bars to not be as intriguing as they might want and try to give them something that seems different,” Bailey says.
Standing out is also something Steven Champagne, co-operating manager of Woof Den Sports Bar (1723 Connecticut Ave., N.W.), also aims for.
Champagne, who is gay, says he has noticed the gay bar scene can have unfriendly vibes. He says Woof Den will be more accepting.
“It’s that non-attitude, non-pretentious, non-clique feeling,” he says. “When you go to my place, everyone is welcome. Nobody should feel like they’re not welcome. I feel like what that’s what gay bars have lost these days.”
Woof Den, located downstairs from the Salty Dog Tavern, has only been open for two weeks but Champagne, who manages the bar with co-operator Hicham Moutawakil, says they have big plans for the spot. Bear happy hours on Sundays, a cop/military night on Wednesdays and a pool league night are all in the works. Its hours of operation are seven days a week, open at 4 p.m. every day.
Other bars settling in amongst the gay bar scene are Uproar Lounge & Restaurant (639 Florida Ave., N.W.) and the soon-to-open Dirty Goose (913 U St., N.W.). Uproar, a bear bar, boasts a full food menu along with frequent happy hours including with local bear group Bear Nonsense. The bar has been tapped to host events for Human Rights Campaign such as Her HRC events. The bar also includes an open rooftop deck with seating available.
The Dirty Goose, which is marketing itself as a more upscale gay bar, will be located next to Nellies’s Sports Bar. The new bar’s website says its grand opening will be in spring of this year.
The D.C. Front Runners held the 14th annual 5K Pride Run at Congressional Cemetery on Saturday, June 6.
(Washington Blade photos by Michael Key)
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Books
‘Mighty Real’ explores history of LGBTQ music
From Judas Priest to Whitney, something for every taste
‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages
Step, step, tap, back step.
Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.
Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.
Walters offers “just a few” examples.
Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.
John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.
David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.
Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.
Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.
In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.
Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”
Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.
This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.
The Blade may receive commissions from qualifying purchases made via this post.
The Gay Men’s Chorus of Washington performed “Soul Divas” at the Lincoln Theatre over the weekend. The show featured songs popularized by Tina Turner, Aretha Franklin, Diana Ross, Gladys Knight, Whitney Houston and more.
(Washington Blade photos by Michael Key)
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