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Moments with Michelle

‘Drag Race’ judge to host Blade singles party this weekend

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Michelle Visage, gay news, Washington Blade
Michelle Visage, gay news, Washington Blade

Michelle Visage says D.C. feels like home. (Photo by Jose Guzman Colon; courtesy Logo)

Washington Blade 2016 Most Eligible Singles

 

With Michelle Visage from ‘RuPaul’s Drag Race’

 

Town Danceboutique

 

Pre-show meet-and-greet tickets $20

 

Doors at 10 p.m.

 

Cover $12

 

Drag show at 10:30

 

DJ: Mad Science

 

Michelle Visage, the no-holds-barred judge on “RuPaul’s Drag Race,” says she loves Town, D.C. in general, (Town owner) Ed Bailey and gay life here. She’ll be here this weekend for the Blade’s Most Eligible Singles contest and says she’s “up for whatever they want me to do.” We caught up with her by phone this week from her Los Angeles home. Her comments have been edited for length.

WASHINGTON BLADE: So you like coming to our fair city?

MICHELLE VISAGE: I’m from New Jersey so D.C. feels kind of familiar to me. It’s that coast, it’s my peeps. It’s an inner-city vibe, which I love. Everybody walks and the gays are so loving and funny and open and see no color. That’s kind of beautiful about D.C.

BLADE: And Town?

VISAGE: It’s like visiting family. Most of the time I end up just hanging out and dancing because the DJs are so good. I don’t do that at many nightclubs but I do at Town. It was like this weird connection the first time I was there and I stayed til like 4 in the morning dancing.

BLADE: We have such a rich drag community here yet our girls never seem to make it on the show. Why?

VISAGE: Well, there was Tatianna (season two) but overall there’s no anti-D.C. sentiment or anti- San Francisco or anywhere else. It’s all what you do with your audition tape. If you just phone it in, you’re not gonna get on the show. If you overproduce the hell out of it, I don’t know that you’ll get on either. It’s about showing your true colors because Ru looks at all those tapes and Ru can see through bullshit plain and simple. But I love Ba’Naka, I love Tatianna. It’s got nothing to do with D.C.

BLADE: What’s your advice for our Washington Blade Most Eligible Singles?

VISAGE: It’s OK to  be picky. People say, ‘You’re never gonna find somebody because you’re too picky.” But it’s OK to be picky because nobody wants to settle in life. When you settle you have regrets and resentment. But there is such as thing as being too picky. … My big pet peeve with my single girlfriends or single gay friends is when they say things like, “Uh-uh, he’s not my type.” I don’t want to hear that. I married the complete opposite of what my type was … but if I hadn’t had an open mind, I would never have met my husband. I’d always dated African-American and Latino men and my husband is white. … Be open to anything and everything that comes your way. … Also, personality trumps looks any day. Open your mind.

BLADE: Would your “Drag Race” critiques be different, do you think, if you saw what goes on in the work room?

VISAGE: They know me very well and they know to keep me out for a reason. I’m there to judge a challenge. If I saw the work room and got to know them, I’d start pulling for certain people. I can separate, like obviously on “All Stars,” I know the girls by then, but I think they’re really smart to keep me out. I would look at them differently if I knew them.

BLADE: Was there any guest celebrity judge who was markedly different from their public persona then the cameras weren’t rolling?

VISAGE: I was so excited to meet Rose McGowan because I’ve been obsessed with her my whole life so when I met her I wanted us to be initially like, “Oh my God, you’re my soul mate,” and she had no time for me at all. So my ego was wounded by the fact that she didn’t want to be my best friend. That’s not negative, it was my issue. She was just very stoic and to herself and her people but maybe she has to be. She grew up in this business and it’s not easy. But most of the time the celebrity judges are obsessed with the show and are more excited to do our show than any other show they’ve been on. I hear that all the time.

BLADE: Cross-country road trip — Ross Matthews, Carson Kressley or Santino Rice?

VISAGE: Oh my God, that’s like “Sophie’s Choice”! Ross will kill me if I say Carson and Carson will kill me if I say Ross. Santino’s out of the picture. Can I go halfway and pick one of them up?

BLADE: Sure

VISAGE: That’s what we’d have to do or else get a station wagon so we could all fit and all our clothes. I spend more time with Carson but I love them both so much, I really couldn’t pick.

BLADE: Adore, Ginger — why do people go on this show if they can’t sew? Um, hello?

VISAGE: I know, it’s like every fucking season, you know there’s going to be a Snatch Game, you know there’s going to be a sewing challenge. … Either take a class or at least mentally prepare yourself like look at BenDeLaCreme. She’s a wiz with a glue gun and won the sewing challenge with a glue gun. … If you go on a reality show unprepared, you have no one to blame but yourself.

BLADE: The show so often strikes me as a microcosm of real life. Agree?

VISAGE: In real life, we compete every day with ourselves, our bank accounts, whatever the situation. You could say there’s no $100,000 prize at the end but there is because if you succeed and do really well, there is a prize waiting for you at the end. Obviously in real life you don’t have to make puppets that look like me and Santino, but there is competition at every turn. Sometimes it’s just, “How am I going to pay my rent?”

BLADE: In your Seduction days you opened for Milli Vanilli. Did you know it was a sham?

VISAGE: No! I was dating Fabrice, the French one. We had an affair when I was on the road with them. He had the thickest French accent yet when he rapped he sounded like he was from the Bronx. I wondered how he did that but I just thought it was like when you hear someone British sing and you don’t realize they’re British until they speak. I thought it was something like that. And back in 1989, 1990, we all sang to tracks, those of us with these highly choreographed shows. Madonna, Janet Jackson, New Kids — everybody did it. Our mics were live but we had backing tracks to support it. I did wonder how they were able to completely lose their accents in the studio, but the backing tracks, no, that didn’t seem unusual to me for the time.

BLADE: I understand the show is huge in Australia where you’re heading soon. Why does it explode in certain markets?

VISAGE: It’s obvious — it’s places where there’s a huge gay market and places like England, Australia, New York City … where there’s a rich drag history. Any of those places we go, it’s gonna be huge.

BLADE: But isn’t the bulk of “RuPaul’s Drag Race’s” fan base actually straight women? I’ve heard that.

VISAGE: I do not think that’s true. I go to these places and the crowd is 100 percent more gay men than straight women. They’re there too because every gay has a best friend but no, no, no — the majority are gay men.

BLADE: So the show basically shoots over five weeks in the summer then the fall is post-production?

VISAGE: I don’t know if I should really discuss the shooting schedule but it’s longer than five weeks.

BLADE: Obviously there are all different kinds of drag but is it really anything goes? Like when Milk did RuPaul in the workroom, is that still drag?

VISAGE: It is. It’s a different kind of drag. I just didn’t think he did it really well. There are all types but on that runway, I don’t want to see you dressed as a boy, but that’s just me. … There’s a place for all of it, I just don’t want to see boy drag on “RuPaul’s Drag Race.”

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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