Arts & Entertainment
Third Eye Blind trolls Republicans with pro-LGBT taunts
crowd boos band’s performance

(Screenshot via Twitter)
Third Eye Blind angered Republican attendees at a benefit concert in Cleveland on Tuesday night by taunting the crowd with pro-LGBT comments.
The ’90s alternative rock band, best known for its hits “Semi-Charmed Life” and “Jumper,” performed at a benefit concert for Musicians on Call, an organization that provides music to patients in healthcare facilities.
The audience was largely Republican due to the Republican National Convention nearby. Lead singer Stephan Jenkins trolled the audience by shouting statements such as “Raise your hand if you believe in science!” Third Eye Blind also refused to play fan favorite song “Semi-Charmed Life.”
However, the band did play “Jumper,” a soft-rock ballad about a gay man committing suicide. The antics caused the crowd to boo and many to tweet their disappointment with the show.
Speaking with Rolling Stone, Jenkins says the band played “Jumper” to highlight how it conflicts with Republican ideology.
“To engage with that song means that you are participating in the belief system that all people are equal and deserving of dignity and protection, which is not what the Republican platform is,” Jenkins told Rolling Stone. “They think my gay cousin should be in conversion therapy.”
Jenkins continued that he doesn’t understand the Republican viewpoint on LGBT issues.
“The fact that I’m onstage 19 years after I wrote [“Jumper”] and we’re still talking about equal dignity for the LGBTQ community is absurd,” Jenkins says. “But we are. And to yell ‘Who believes in science?’ and have half the room boo is… their ideology is crumbling.”
Third Eye Blind also played its 2009 politically-charged song “Non-Dairy Creamer,” which includes the lyric “young gay Republicans” echoed three times.
The band released a statement on Twitter explaining that even though the show was in Cleveland at the same time as the RNC, they disagree with the Republican platform and wanted it to be known they were only there to support the charity.
“Given that the benefit was held in Cleveland, we suspect that convention types might show up and we let it be known we were there to support Musicians on Call and that we in fact repudiate every last stitch of the RNC platform and the grotesque that is their nominee,” the band wrote. “Science is science. Coal is not clean. Black Lives Matter. LGBTQ = equal. Separation of church and state (still a good idea).”
Third Eye Blind tonite at #RNCinCLE event: We believe in tolerance, acceptance ?? (Followed by boos) pic.twitter.com/WPRIEMZmEp
— Tina (@tinpant) July 20, 2016
Celebrity News
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Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
