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GOP Montana congressman implies challenger a lesbian by choice

Rep. Zinke says he doesn’t mind ‘if you want to be a lesbian’

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Ryan Zinke, gay news, Washington Blade

Rep. Ryan Zinke (R-Mont.) (Photo by Gage Skidmore; courtesy Flickr)

A Republican who represents Montana in the U.S. House told the lesbian Democrat challenging him for his seat he doesn’t mind “if you want to be a lesbian,” implying he believes being gay is a choice.

Rep. Ryan Zinke (R-Mont.) made the remarks Wednesday night during a debate in response to a question from an audience member about what the candidates would do to protect LGBT rights.

Denise Juneau, who’s gay, quipped the question was an “awesome” one for her. The way she would accomplish that goal: “Number one, get elected.”

Juneau, who’s currently Montana’s state superintendent of public instruction, also invoked the history of Montana, a state that elected a woman to Congress before women were guaranteed the right to vote in the United States, and her Native American heritage.

“We elected a woman before women had the right to vote,” Juneau said. “A century later it’s time for another woman to serve in congress. We also have never had an American Indian woman serve in Congress from anywhere in the country. That’s what can happen this election cycle when you elect me. We also have not ever had an openly gay federal candidate. Those are all bonuses when Montanans elect me, and representation matters.”

Based on her experience observing the state legislature, Juneau said “representation matters” because when different kinds of people are elected new policy is discussed and stereotypes are broken down.

“That’s what I’ve done as state superintendent – is made sure every student who steps through the doors of a public school, and this is the work of our local school boards across the state too, are safe, protected and have safe learning spaces,” Juneau said. “I’m an advocate for that and I’ll continue to be an advocate for all Montanans when I get elected.”

Zinke invoked the Constitution in his response and suggested he supports freedom of expression and religion.

“And so I do support you – if you want to be lesbian, you want to be Muslim, you want to be whatever,” Zinke said. “It doesn’t matter to me. It doesn’t matter. It doesn’t matter to me. And it doesn’t matter in Montana and it doesn’t really matter in this election because Montanans generally aren’t that way.”

The audience can be heard booing Zinke, although based on the audio it’s not clear if that’s for saying he supports the candidate or for erroneously implying being gay is choice.

“As a military officer it didn’t matter to me the religious or political affiliation of the person next to me,” Zinke continued. “What matters was the quality of the person – whether or not you were dedicated to the mission and whether you loved your country. That’s what matters in America and that’s what makes America so strong. Our diversity in message, our diversity in thought. But our unity as an American, because we are American first.”

Also on stage was libertarian candidate Rick Breckenridge, who said Juneau’s words means she would be welcome in his party, although “specialized rights” aren’t necessary.

“The freedom of expression that we’ve had in this country has been remarkable, and the way that we’ve accepted ideas foreign to maybe our upbringing has helped make us who we are today,” Breckenridge said. “So do we need a special law? No. The Constitution protects everybody’s rights equally, not specialized rights.”

Zinke’s views are reflected in his abysmal record on LGBT rights in Congress. In the Human Rights Campaign’s most recent congressional scorecard, which was issued Friday, Zinke scored “0.” Among other things, he didn’t vote in favor of amendments to protect President Obama’s executive order against anti-LGBT workplace discrimination and isn’t a co-sponsor of the Equality Act.

The U.S. House seat may be in play on Election Day. The Juneau campaign made public an internal Harstad Strategic Research poll this week finding her just three points behind Zinke. However, an internal survey from Moore Information made public by Zinke gave him a much wider 11-point lead in the race.

Brandon Lorenz, spokesperson for HRC, lambasted Zinke for his response.

“Ryan Zinke couldn’t be more disconnected from reality to make the offensive suggestion that being LGBTQ is a choice,” Lorenz said. “His comments are as out of touch as his voting record, given that he has repeatedly voted against protecting LGBTQ people from discrimination while in Congress.”

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Obituary

Longtime DC resident Thomas Walsh dies at 87

Pa. native’s husband was by his side when he passed away

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Thomas Walsh (Photo courtesy of Anthony Carcaldi)

Long-time D.C. resident Thomas Walsh died on May 16. He was 87.

Walsh was born on Sept. 17, 1937, in Scranton, Pa. His family later moved to Levittown, Pa.

Walsh met his husband, Anthony Carcaldi, at the Blue Note, a gay bar in Asbury Park, N.J., in 1964. 

“I walked in the bar with friends from New York City,” recalled Carcaldi. “I looked at the piano and this person was singing … and all I noticed were his blue eyes.”

Walsh was singing “Because of You.”

“I walked up to the piano while Tom was singing and stared at him, which caused him to forget the words,” said Carcaldi. “He composed himself and started from the beginning.”

Carcaldi and Walsh became a couple in 1965, a year after they met, when they moved to Philadelphia.

“We moved in together and have been together ever since,” said Carcaldi.

Walsh was a freelance graphic designer until he accepted a job in Temple University’s audiovisual department. Walsh and Carcaldi moved to D.C. in 1980.

Walsh began a graphic design business and counted Booz Allen as among his clients. Carcaldi said one of his husband’s “main loves was painting,” and became a fine artist in 2005.

Walsh showed his art at the Nevin Kelly Gallery on U Street, the Martha Spak Studio near the Wharf, and at the Wexler Gallery in Philadelphia.  Walsh also sang with the Gay Men’s Chorus of Washington.

Walsh and Carcaldi married at D.C. City Hall in 2014.

“Tom and I have been together since 1964 until his death,” said Carcaldi. “Tom died peacefully with me at his side in bed on May 16, 2025, holding Tom in my arms as he made the transition out of life.”

A celebration of life will take place in September.

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Congress

Ritchie Torres says he is unlikely to run for NY governor

One poll showed gay Democratic congressman nearly tied with Kathy Hochul

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U.S. Rep. Ritchie Torres (D-N.Y.) (Washington Blade photo by Michael Key)

Gay Democratic Congressman Ritchie Torres of New York is unlikely to challenge New York Gov. Kathy Hochul (D) in the state’s next gubernatorial race, he said during an appearance Wednesday on MSNBC’s “Morning Joe.”

“I’m unlikely to run for governor,” he said. ““I feel like the assault that we’ve seen on the social safety net in the Bronx is so unprecedented. It’s so overwhelming that I’m going to keep my focus on Washington, D.C.”

Torres and Hochul were nearly tied in a poll this spring of likely Democratic voters in New York City, fueling speculation that the congressman might run. A Siena College poll, however, found Hochul leading with a wider margin.

Back in D.C., the congressman and his colleagues are unified in their opposition to President Donald Trump’s signature legislation, the “Big Beautiful Bill,” which heads back to the House after passing the Senate by one vote this week.

To pay for tax cuts that disproportionately advantage the ultra-wealthy and large corporations, the president and Congressional Republicans have proposed massive cuts to Medicaid and other social programs.

A provision in the Senate version of the bill that would have blocked the use of federal funds to reimburse medical care for transgender youth was blocked by the Senate Parliamentarian and ultimately struck from the legislation, reportedly after pressure from transgender U.S. Rep. Sarah McBride (D-Del.) and lesbian U.S. Sen. Tammy Baldwin (D-Wis.).

Torres on “Morning Joe” said, “The so-called Big Beautiful Bill represents a betrayal of the working people of America and nowhere more so than in the Bronx,” adding, “It’s going to destabilize every health care provider, every hospital.”

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District of Columbia

GenOUT Chorus offers solace, strength to LGBTQ teens

Summer camp held from June 23-27

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Clockwise from upper left: members of GenOUT Chorus tour WAMU 88.5 with morning host Esther Ciammachilli; members of the Chorus tour NBC4; members of the chorus at Clarendon United Methodist Church for an end-of-camp concert on on June 27; producer Rick Yarborough with members of the Chorus at NBC4. (Photos courtesy the Chorus)

As Pride month draws to a close and Washington begins to take down its rainbow flags and WorldPride decorations, it can be easy to confine the ideas of LGBTQ liberation to June. One historic organization in Washington has been speaking out — or singing out if you will — to ensure that LGBTQ youth are allowed to explore and be themselves every month of the year. 

The Gay Men’s Chorus of Washington is one of the oldest and largest LGBTQ choruses in the world. With more than 300 members and more than 40 years in the D.C. LGBTQ community, to say it is an institution would be an understatement.

Beginning in 1981, following an inspiring performance by the San Francisco Gay Men’s Chorus at the Kennedy Center, a group of 18 gay men — led by a “straight” woman and friend of Washington’s gay community, Marsha Pearson — created the GMCW. Since its establishment the organization has only grown in number and relevance within the city. From hosting multiple concerts a year, international equality trips, and creating a dedicated space to “inspire equality and inclusion with musical performances and education,” the GMCW is one of the cornerstone organizations in the Washington LGBTQ community.

One of the most remarkable parts of the GMCW is its youth outreach program and choir: GenOUT. The outreach ensemble specializes in providing a space for Washington’s LGBTQ and allied youth, ages 13-18, to find their voice through song and connect that voice to community. The GenOUT program has been around since 2001, and since 2015 has provided a platform for their voices to be heard — literally — making it the first LGBTQ youth chorus in the Washington area.

The Washington Blade sat down with GenOUT Director C. Paul Heins and member Ailsa Ostovitz to discuss why GenOUT, and more specifically the GenOUT summer camp, which was held from June 23-27, has become an essential space for LGBTQ youth in the D.C. area to find their voice amid less-than-supportive administration and rising anti-LGBTQ rhetoric in the nation. 

“This is my 11th season with GenOUT, and also the 11th season with Gay Men’s Chorus of Washington,” Heins said when explaining how he ended up in the director role for the self-selected, no audition required youth outreach ensemble. “I was hired in August of 2014 to start GenOUT. I spent that first fall researching other choruses, figuring out the infrastructure, promoting the chorus, and building relationships with schools, organizations, and faith communities. And then we started in January of 2015 with nine brave singers and since then, we’ve had 150+ singers from 80 or more schools in the DMV participate.”

Ailsa Ostovitz, on the other hand, being in high school had not had as much experience with choirs — yet her commitment and unwavering passion for the work she — and the other performers within GenOUT provide to each other was unmistakable.  

“I’ve been a part of the course since April of 2022, and that was like seventh grade— which is wild to think about,” Ostovitz said when reflecting on how long she had been a part of GenOUT. She explained how she had begun to develop a drive for filling leadership roles within GenOUT after gaining valuable experiences and education from the organization. 

“This is my first year in leadership,” she added. “The rest of the years, I kind of hung back. I really wanted to — especially last season — kind of put myself in the position of a peer and think ‘What would I want from people that are supposed to represent me to the adults? What would I want out of that?’”

And with those questions in mind, Ostovitz explained she buckled down and worked hard to get to where she is now as a member of the leadership team within the GenOUT choir. 

“I spent a lot of time working with my section leader, and, looking up at him and being like, ‘What are you doing now that I can do in the future?’ And so this year, I ran for leadership,” Ostovitz said. “I got section leader, and that was cool. I’ve just spent a lot of time — most of my time in this course — learning leadership skills to kind of help me in all sorts of things in life, because I like to take control of things, and I like doing stuff.”

These leadership skills are just a handful of the things that students like Ostovitz learn while participating in the program. This year’s theme was “Make Them Hear Us!: Empowering LGBTQ+ and Allied Youth Through Music, Media, and Community,” and provided multiple opportunities for GenOUT’s members to engage with new concepts, ideas, and experiences. 

From field trips to mentoring opportunities to an end-of-camp performance, it becomes clear when speaking to those familiar with the GenOUT experience: it is not your traditional summer day camp. 

“The title of the camp references the anthem that GMCW has sung for many years,” Heins said. “‘Make Them Hear You’ from the musical ‘Ragtime’ encourages us to share important stories — stories that honor the fights that we’ve been fighting, the rights that we have won, affirmations that we seek for every human being, and the focus on media — specifically developing young people’s understandings of the kinds of media that they can access and use to share their voice.” 

The camp offers singing and dancing lessons, creative writing exercises, LGBTQ+ history lessons, and open discussions about identity — providing an outlet for students to figure out who they want to be and find their voice.

“What this camp does, I believe, is it helps foster young people’s voices and not only encourages them to speak, but to give them the skills to speak in a way that will be heard meaningfully,” Heins added. “I have noted that youth in queer choruses like GenOUT have said that singing in a chorus allows young people to express themselves more honestly and with greater passion than other forms of expression. They’ve also said that singing with others that understand you on a very deep, profound level, makes the expression much easier and more beautiful. I think that experience is what really makes this a special opportunity for young, LGBTQ and allied people.” 

Ostovitz echoed Heins’s sentiment, emphasizing that the space GenOUT provides allows her to feel empowered in ways more than by creating leadership skills that will help her later in life. GenOUT has allowed for her to see the humanity and similarities LGBTQ youth all face in a straight world. 

“Joining the chorus and being in this camp, it really gives people a chance to see that every person is going through the same experience you are, on a level of finding your own identity and being confident in that,” Ostovitz said. “It really, really serves a purpose by showing there are still queer people. They’re not fizzling out — young people are queer. We want to use our voices to express what we feel and how things are affecting us, and I think that using music to do that is probably one of the most powerful ways to do that.” 

In addition to allowing for internal growth and honing their singing abilities, both Ostovitz and Heins pointed out the other valuable skills students learn while in the GenOUT program. Ostovitz explicitly highlighted the mentorship program GenOUT has with GMCW, and how it has helped students like her figure out their future. 

“Because we are so connected with GMCW, we run a mentorship program where, if you want to explore career, identity, whatever, we can connect you with somebody from GMCW,” Ostovitz said. “You get to spend a whole semester with a person working on your voice or your career or your what you want to do in higher education. It’s not only for things related to your queer identity, but it’s also just for life. It’s really cool.”

GenOUT Chorus performs in ‘Passports’ at Lincoln Theatre in March. (Washington Blade photo by Michael Key)

This year’s theme, centering around media and the many ways people can share their voice, was highlighted through the camp’s field trips to two legacy media organizations — WAMU and NBC Washington — and a discussion with staff from the Washington Blade, including Publisher Lynne Brown and International News Editor Michael K. Lavers.

“GenOUT provides a chance to get to know people from all around this area, but it also connects you to older folks, It connects you to people from the past, as well as we learn about LGBTQ history,” Heins said. “I think a camp specific thing is we want young people to understand how they can share their stories beyond just talking to their friends. There are these forms of media that are out there to share your stories, to have your voices heard, and to have a sense that these media are there for everyone. It’s not just a thing for people aged 21 and over. That was something that Lynne and Michael from the Blade were sharing with; that anyone can write in a letter to the editor. It doesn’t mean it’s going to be published, but that anyone has that opportunity. And I think that’s a great way for them to say the Blade is open to you to share your voice.” 

The concept that there are people who want to, or may need to hear queer voices represented is one that is not lost on Ostovitz.

“There is something Thea says that has kind of integrated into our chorus — that someone out there needed to hear you, needed to hear your voice, needed to hear your story,” Ostovitz said. “That’s something that I kind of live by in this chorus, where I’m like, ‘I believe that there is someone out there that needed to hear this song for whatever reason, whatever it did for them. And I’m hoping to learn how much more can this chorus do for not just our little community, but how much more can it do around the world or the country — especially now.”

Living in the political center of the U.S., Ostovitz explained, has impacted how she approaches her identity, her education, and the urgency of using her voice — both as a student and as a young queer person navigating an increasingly hostile national climate. 

“Being so close to the political center of the country and also a student at the same time has not been the easiest thing in the world as of late,” she said. “You’re thinking a lot about ‘Oh, I wonder if this program in my school will still exist next year,’ because a lot of the funding for physics and science programs in general has been cut. So I’m fortunate enough that Maryland has been pretty good about going against this administration. And so being in this chorus gives me a second to step back from my academics and just go somewhere for the two hours of rehearsal.” 

For Ostovitz, just having those two short hours a week to focus on music — without thinking about the political climate that paints her and her choir peers as nefarious for being LGBTQ — provides solace.

“Everybody else is going through the same thing as I am, but we’re all also working towards the same goal, which is acceptance and uplifting of everybody and everyone — no matter who they are,” she said. “It kind of settles you down and grounds you. And then you just make music with people, and it’s really like a stress reducer for me.”

“Is it too trite to say that that would make people feel less alone, knowing that it’s not just a DMV thing, but that there are queer people all over?” Heins asked Ostovitz.

“No, it’s not — for sure,” Ostovitz responded. “It was a bit eye-opening.”

“A lot of us are fortunate enough to have families that support us enough to trust us and help us be passionate and mean what we do with the work that we do in this chorus — because it is optional,” Ostovitz added. “It is optional to have the courage that we have to practice and commit as much as we do, and the fact that we have a whole organization backing us on that is pretty cool.” 

“We often say that we sing for those who can’t sing in a chorus like ours,” Heins said. “We sing for people who don’t have the freedom or the option to live their authentic lives. I think that’s very powerful.” 

“It’s a very unique experience to be surrounded by so many people that get it,” Ostovitz said. “It’s a very joyful experience when we perform our big shows at the Lincoln Theater, being part of that production is also a very unique experience. So I think everything about this chorus is very joyfully unique.” 

“I feel very proud, and I feel very inspired,” Heins said. “I feel inspired by the young voices. I feel a sense of inspiration in my own music-making, when I am able to take a piece from its very beginning all the way to the stage in a polished form. And I feel that sense of pride in knowing that I’ve helped this group of young people develop their confidence to do really amazing things.” 

“GenOUT sang 22 times last year, which for any chorus is a big deal, but for a youth chorus coming from thither and yon, it is really a big deal,” Heins added. “I’m just really inspired and proud, and know that when I am in a nursing home somewhere and these folks are still out working and I know the country will be in good hands.”

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