a&e features
Todrick Hall on his ‘Oz’ show, RuPaul, ‘Kinky Boots’ and more
Busy performer returns to D.C. for two-night Howard Theatre engagement
Todrick Hall
‘Straight Outta Oz’
Tuesday, April 18
Wednesday, April 19
8 p.m.
Howard Theatre
620 T St., N.W.
$35-100
Dancer, singer and YouTuber Todrick Hall has become a dance staple with his more than two million subscribers and videos earning millions of views.
The Beyoncé stan became known as an internet sensation for his medley mashups of her songs (as well as Rihanna, Arianna Grande and Taylor Swift). His “End of Time” Target dance flash mob video, where Hall and a group of dancers bust out a choreographed dance routine on unsuspecting shoppers, even grabbed the attention of the Queen B herself. Beyoncé posted a thank you to Hall on her own YouTube page.
His credentials reach beyond YouTube with Hall competing on “American Idol” and being a guest judge on “RuPaul’s Drag Race.” Hall eventually took his talent to Broadway starring as Lola in “Kinky Boots” from November until March of this year.
The 32-year-old choreographer released “Straight Outta Oz,” a semi-autobiographical visual album in a similar vein as his idol Beyoncé’s “Lemonade,” in June with a rerelease of a deluxe edition in March. This time, the celebrities were singing Hall’s original work with appearances from RuPaul, Bob the Drag Queen, Amber Riley, Jordin Sparks, Raven Symoné, Tamar Braxton and more. “Straight Outta Oz” has now been adapted from the computer screen to stage with a live tour.
Hall took a break from rehearsing to speak with the Washington Blade on being out in the public eye, RuPaul’s life advice and just what happened to Lola’s boots.
WASHINGTON BLADE: What about “Wizard of Oz” did you feel such a personal connection to that you wanted to do your own version?
TODRICK HALL: I think subconsciously I’ve always felt that my life was parallel to Dorothy. I just didn’t realize that until last year. I grew up in a small town in Texas. I always knew there was something out there that was greater for me that I wanted to get out there and see. And that’s what Dorothy does. She knew that Oz was there. Even though she realizes in the end that there’s no place like home and that the grass isn’t always greener on the other side, without those experiences she would have never realized those things. I feel like I have realized so many things and put my faith, trust and my career in other people’s hands when really I had the power all along to be able to control my destiny. I realized that and said this is a story that I have to write and tell. If I feel this way and so passionate about it, a lot of other people will feel this way and identify with this as well.
BLADE: The visual album was released in June but in March you released a deluxe edition. Did you think of the additions you made after the initial release?
HALL: No. The initial release was supposed to be much smaller, but I am a perfectionist and I always want to tell the story in full. For me, I said, “Well if you tell the story of Dorothy you have to have the Scarecrow, Tin Man and Lion. If you have those four characters you have to have the Wizard and the Witch.” Eventually the visual album, which was supposed to be eight songs, turned into 16 songs. When we went on tour, my fans really loved the numbers that they were getting to watch that they knew and recognized. But they weren’t able to follow along to the songs that I wrote for the musical that were not a part of the tour. It got to a place where I was like, “I really want them to be able to hear the songs and the lyrics from the songs that we performed at the live concert last year that weren’t on the visual album.” So this year I rereleased it so that the songs that they didn’t know they could learn and be familiar with.
BLADE: The deluxe album has some big names like RuPaul and Raven-Symoné. Did you reach out to them to collaborate?
HALL: I reached out to them and I reached out very last minute. I was so thankful that they all were able to jump on board with sometimes 24-hours notice before they had to shoot the video.
BLADE: You’ve worked with RuPaul on your album and also you were a judge on “RuPaul’s Drag Race” for the last couple seasons. What’s the best piece of advice Ru gave you?
HALL: I don’t know if this is a piece of advice but the entire way that he looks at life. There was a moment of time when my MTV show was on television. It was airing and I was very nervous whether it would be successful. He said, “You need to live in the moment. You need to appreciate that the stars have aligned for you to have this moment and you can’t sit at home every day wondering whether or not it will be successful. It’s successful because it happened. If it doesn’t happen again, you’ll go on and have another opportunity.” My whole life I’ve always put so much pressure on each opportunity I’ve been given. We, as humans, do that often. We think that if this relationship doesn’t work, if this job isn’t the one that gets me to the top, if I don’t ace this test, then my life is over. It’s not the case. It’s a life experience. You will move on and you will be able to experience other things. That’s kind of what he taught me. So now when I’m doing a project, I give it 100 percent of my energy and then I leave that energy in that project and I say, “I hope that this does really well. But if it doesn’t, there’s a reason God gave me these gifts. So I can keep using them.” They’re not over, they’re not done, they’re not running out. I’ll go do something else. His whole insight about everything has really helped me be able to approach everything that I do with a much different lens.
BLADE: Your song “Water Guns” was a tribute to those who were lost to gun violence from the Pulse nightclub victims, to YouTuber Christina Grimmie and Trayvon Martin. All these people are parts of your identity: gay, YouTuber, black. How emotional was it for you to record?
HALL: It was very emotional for me to record. The inspiration for that song was a huge coincidence because I wrote it because I had a friend who got murdered. She was a police officer. Some people perceive that song to be a pro-Black Lives Matter song or an anti-police song. It’s not. My friend was actually an African-American police officer. She was shot and killed. I wrote the song because I’m very anti-guns and anti-violence in general. The night that I wrote the song Christina Grimmie got shot. The next night after we filmed the video the Pulse situation happened. So I went back and shot the scenes of me spray painting the names of these people because it couldn’t have been more relevant at the time that I wrote the song for my friend. That was a crazy coincidence and they both hit me really hard.
Pulse was one of my old stomping grounds. My first job out of high school was dancing at Walt Disney World. I knew a lot of people who worked at that club, I knew a lot of people who were there that night and some of the people who unfortunately didn’t make it out had pictures of me and them on their Instagram. These were people I didn’t know personally but I had met that were fans of mine and came to my concerts. It was just a very weird thing to think this was so close to home and that I could have been there that night. Every time I go to Orlando for my tours I go to Pulse afterward. It was a very scary thing for me and a really eye-opening thing to remind you how fragile life is and we should really live each day to the fullest.
BLADE: You were also on season nine of “American Idol.” You’ve mentioned before that you were concerned about being out while on the show. What made you decide to be out in your career?
HALL: When I was on the show I felt this pressure. They kept saying, “Appeal to middle America,” and what I translated that as was, “Don’t be so openly gay because that could offend people.” I don’t think they were saying it in a mean way. They just wanted me to be successful. After I was eliminated I realized that I got eliminated being someone I wasn’t. I would rather have been eliminated from the show for really showing people who I was. There was nothing I could have thought that was a worse feeling than getting eliminated when I didn’t even recognize the person that I was being on television. I vowed to myself after that, “I will be 100 percent myself and I will be out waving my flag and letting people know who I am.”
I felt it wasn’t important because it wasn’t any of their business. But it’s so important because it gives people that are coming out the confidence to say, “Well if Todrick did it, I can do it. If RuPaul did it, I can do it. If Joey Graceffa, Tyler Oakley, Kingsley and all these people who are such huge influencers online can do it than I can do it as well. There is a place for me in the entertainment industry and I don’t have to hide.” Like Colton Haynes has come out and is being celebrated and I hope and pray it doesn’t do anything negative for his career. He should not only be considered for gay roles, he should be able to play any role that he wants because that’s what actors do. It was very important for me to come and say who I truly am and I would rather maybe not reach the level of success I could have pretended to be straight. I’d rather reach the level of success that I can as the real me and be happy and free to be who I am.
BLADE: You just mentioned quite a few gay YouTubers. As a gay YouTuber yourself, what are your thoughts on the recent controversy of YouTube censoring LGBT content on its restricted mode?
HALL: I don’t know all the details. I don’t like to comment when I’m not educated on something. I was releasing my album during the time that this happened and flying from coast to coast. So I didn’t really get all the information about this. But I am positive that the gay community is so strong that if anything like that were to ever happen we would be able to get it banned and YouTube wouldn’t stand for it. YouTube has an entire department that is dedicated to the LGBTQ community. They do so much research and so much to help our community that I don’t believe this will stand.
BLADE: You have been busy. You just finished your run as Lola on Broadway in, “Kinky Boots.” Did they let you keep the boots?
HALL: Yes they did. My boots might be making a quick appearance in my upcoming tour as well.
BLADE: How do you go about translating the visual album to the stage?
HALL: It’s not a difficult transition for me because I love theater. As I was writing all the songs and shooting the videos I was already thinking of ways to bring it to life on stage. It’s not very complicated. The story kind of tells itself and the staging and a lot of the choreography is the same. We just have transitions that are not on the album still. There are three or four songs that you can only hear on the tour. I think it’s really fun to bring all those things to life on stage in front of everyone.
BLADE: How does it feel to bring “Straight Outta Oz” to D.C.?
HALL: D.C. is just one of my favorite cities to perform in. I love how much D.C. supports its fine arts. I love how much effort and energy they spend to make sure there are theaters there for people to perform in. I love specifically how the Howard Theatre is such a historical venue. It’s such a landmark for people who are African-American performers. I’m so honored to join the roster of legends of people who have performed there before me. There’s something about the energy in that building that just feels really epic. I’m so grateful to be able to get on that stage and share the story of a proud, gay black man. I think it’s very progressive and beautiful and I appreciate D.C. for supporting me the way they do.
a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
a&e features
D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
a&e features
‘Queer Eye’ star Dorriene Diggs on life before and after appearing on hit show
Emotional January episode highlighted 40-year love affair with partner
Dorriene Diggs, 70, whose 40-year relationship with her domestic partner, Diane until Diane’s passing in 2020, the couple’s tense relationship with their respective parents, and Dorriene’s current living arrangement with her straight sister Jo, were the focus of a final season episode of the popular TV series “Queer Eye.”
In a recent interview with the Washington Blade, Diggs told of how her appearance on the show has impacted her life. She elaborated on the many aspects of her life experiences that she told to the five “Queer Eye” co-hosts who interviewed her and her sister in their D.C. home.
Although her parents and her partner’s parents, who have since passed away, were not accepting of their relationship, Diggs has said most of her family members at this time reacted positively to her appearance on the show.
“They loved it,” she told the Blade. “Yes, everybody that saw the show called me and said they loved the show, they really enjoyed themselves watching it.”
Through an arrangement with D.C.’s Rainbow History Project, the “Queer Eye” show featuring Diggs and her sister was presented in a special screening on a large video screen at the D.C. History Center in January.
“Dorriene, a 70-year-old Black lesbian living in Washington, D.C., had spent decades building a life with her partner while navigating silence within her own family,” a “Queer Eye” statement announcing the episode on Diggs states.
“The Fab Five did not arrive to introduce Dorriene to herself, but to help ensure her story was finally heard in full,” the statement says.
Blade: Can you tell us how your appearance on the “Queer Eye” program came about? How did they find out about you?
Diggs: You know, I still don’t have all the details. I think it was my niece, Missy. And she knows somebody there from “Queer Eye.”
Blade: So, did you first learn about it when someone from “Queer Eye” contacted you?
Diggs: No, the “Queer Eye” guy knocked on my bedroom door and started talking. I was in my bedroom watching television and the next thing I know my door opened up and there was Karamo [Karamo Brown, one of the “Queer Eye” co-hosts] with his big black cowboy hat on, opening the door grinning. … They contacted Jo first. And when they came here, they realized there was a gay woman in the house, too. Because my name was not mentioned at first. After they came here, they learned about me, because when Missy reached out to them, she reached out to them about Jo. But that doesn’t bother me. This was all about Jo in the beginning, and not me. … They started talking to me and Jo. And he said, Dorriene, ‘you’ve done so much for so many people, it’s time for someone to do something for you.’ That’s what they said. He said, ‘this is the day we’re doing it for you.’
And so, they put me and my sister up in a hotel for a week. They gave us a personal driver to take us anywhere we wanted to go. And then they took us to a bunch of places. We didn’t know why they were doing all of this. We had no idea that they were renovating the house and renovating our bedrooms. We had no idea.
Blade: What was your reaction when you saw the home renovation?
Diggs: It was amazing. And they bought us all new complete wardrobes – clothes, shoes. But most of the stuff they got me I gave away to a women’s shelter. But it was so nice. Actually, to meet the guys. I’ve been watching the show for 10 years. I have watched it from the beginning. And actually, it brought me and my sister closer – really. We’re closer now than we’ve ever been. She’s my baby sister – not the baby, but next to the baby. She’s the younger one.
Blade: What has been the reaction to your appearance on the show? Do more people now recognize you?
Diggs: Yes, yes. I’m getting phone calls and it’s almost like I’m a celebrity. And I don’t want people to make a fuss over me. All the things I did I did from the heart. I really did. And I don’t want people to think I’m more than I am. I’m just a good Christian woman that believes in giving back.
And I do. God gives me help giving. That’s what I do. And I don’t want anything in return from anyone. You know, because I know what it means to not to have. I know what it means to go to bed hungry, with no food. Going to school with holes in your shoes. I know that. I know that feeling. I’ve been there. And I promised myself as a kid I would never live like this again. And when I got bold enough to leave home, I left home at 14, and I moved in with a drag queen. Damen was his name.
Blade: Did your appearance on the show change your life and your relationship with your sister?
Diggs: Yeah, yeah, it actually did. We are actually closer now than we’ve ever been. Because, like I said, I moved away from home early and I never went back. My parents had a problem with my lifestyle. They really did. My mom looked at me with such hatred. When I was old enough to say goodbye, I never looked back. And to come back around now in the last few years after Diane died, that’s when I came back here.
And at one point I stayed with my nephew Todd and his wife – but he got killed in a car accident. I couldn’t stay at his house anymore. So, then I called Jo and told her I need to get out of here. And without hesitating she came and picked me up and brought me to her home. And I’ve been here ever since.
Blade: Can you tell a little about when it came about and how you met your partner?
Diggs: We lived on 18th Avenue in condos. I just bought one. Hers was above mine. I bought the bottom one. When my brother came over, she was getting out of her car. She was driving a Vega. And I turned to my brother and I said – this is the God’s honest truth – I said Keith, that’s the woman I’m going to spend the rest of my life with. Just like that. And he started laughing. He said, girl you’re crazy. I said I know I’m crazy, Keith, but I’m telling you that woman right there is who I’m going to spend the rest of my life with.
Blade: And when was that?
Diggs: It was 1980 actually. And then I started going to the laundry room to do my laundry. So I started talking to her. She said, ‘I’m not speaking to you.’ Isaid ‘why not?’ She said ‘because you’re nothing but a female gigolo.’ And I said I’m not dating anymore. I’m waiting for you. ‘No, you’re too fast for me.’ I said, ‘well, I’m not giving up.’
And I didn’t give up. So, I was playing an album one day and she knocked on the door and asked what I was playing, I think. I said you liked that. She said yeah. I said OK, I’ll bring it upstairs and we can listen to it together. So, when I went up there to her apartment that day and whenever I went up there, I never left.
Blade: So, your partner’s name was Diane?
Diggs: Yes, Ruth Diane Robinson. But she hated the name Ruth. So, the only people who called her Ruth were at work, the people she worked with. Everybody else called her Diane.
Blade: And how many years were you together?
Diggs: Forty. Forty years together
Blade: And where were you living with her most of the time?
Diggs: We lived in Hagerstown the longest, Hagerstown, Md. And so, if Diane hadn’t died I probably still would have been in our house in Hagerstown.
Blade: Can you tell me a little about what you were doing career wise during those years?
Diggs: I do computers. I used to do computers. And before that I cooked. I love to cook like my mom. And then I wanted to do something else. So, I taught myself computers. I taught myself how to build computers and stuff. So, then I got my own computer business called Ida One Computer Consulting. And so, we helped build computers for people.
Blade: Around when was this, in the 1980a or 1990s?
Diggs: Yes, in the 1980s. I think I stopped I would say around ’96, when I stopped. Because we both said we were going to retire at 55. And we did. We both retired at 55. And then she started diabetes. Every day I had to give her an injection because she was afraid of needles. She couldn’t give it to herself. So, I had to give her an injection every day One time, I don’t remember when, she had a mild stroke. And I had to take care of her. I’ve always taken care of her. And I don’t regret it. I never regretted it. It’s taking care of the one you love.
Blade: When was it that she passed away?
Diggs: In 2020. I found her on the kitchen floor.
Blade: How did your family and your extended family react to your relationship with Diane?
Diggs: Well, her family, oh my God, they hated me – her mother the worst. Because I put a stop to them treating her really bad. I told her mother – I said never in my life – my mother raised me well. Never disrespect someone’s mother. I said but this time I’m going to disrespect you because you are going to start treating Diane like you ought to. This is a wonderful woman and you and your son and you it’s always about your son. You never, ever say anything good about your daughter.
I said it isn’t going to happen again. You’re never going to disrespect her again. I said you take a damn good look at her because you’ll never see her again. I meant that. I grabbed Diane. I said it’s time to go. They don’t care about you.
Blade: Can you tell a little about your family?
Diggs: Yeah, I’m a triplet sister. So, it’s Dorriene, Chorine, and Chrissy — we are the triplets. So, my mom had a set of twins and a set of triplets within nine months. One of the twins died at birth. So, the other twin is Margaret.
Blade: So then how did your family react to you and Jo being on “Queer Eye”?
Diggs: Most of my family really had no problem with it.
Blade: Were you out to them?
Diggs: Oh yeah. I was never in the closet. I didn’t give a damn what people felt about me, sweetheart. I really didn’t. I didn’t care. Because I was going to be me. And for people who didn’t like it, I wasn’t living for them, I was living for me. I’ve always been out. I had a brother who was also gay, Marvin. God rest his soul, too. But he stayed in the closet. He was in the closet until he was about 55 years old.
But everything I said on the show was the truth – my account. The things that I went through with family … You can’t tell me how I felt. If they try to make mom and dad out as perfect, they weren’t perfect. They were the worst parents. That’s my account of it.
So yes, everything I said on that interview was the truth. That’s one thing people who know me know – I do not lie.
Blade: What are some of the things you like to do these days?
Diggs: I’m a sports lover. I love sports. So, my baseball season is getting ready to get started. Baseball is my favorite sport. Yes, I love baseball. I like the statistics of it. And watching the guys. I wish they had a women’s professional baseball team, honestly. … I’m a D.C. sports fan. The Wizards, the Nationals, the Mystics, the Caps. … And see, I’m a diehard Redskins fan and I refuse to call them the Commanders. They’re the Redskins. They will always be the Redskins to me. I love my sports teams.
Blade: Can you tell a little about the history of the house where you and Jo now live and where they did the filming of the “Queer Eye” show?
Diggs: Jo had a house on 17th Street, I think it was Northeast because it was over there by H Street, N.E. And I think somebody wanted to buy her house. I don’t know why she moved. So, she found this house. Because she wanted to buy something where she could buy a house straight out. She didn’t want a mortgage on another house.
Blade: What are your thoughts on being on the last season of “Queer Eye?”
Diggs: Yeah, we were the last ones. We took it out with a bang, me and Jo. That was it.
Blade: Can you say how you and Jo appearing on the show impacted your life?
Diggs: I don’t know. I’m the same person. I’ve been getting calls from people saying I saw you on the show. And friends who I haven’t seen in years have been calling. … So yeah, the show, people I haven’t seen and talked to in years have been calling. I think that’s a good thing.
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