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‘The Handmaid’s Tale,’ Lena Waithe win big at politically charged Emmys

the Hulu series won a total of eight awards for the night

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(Aziz Ansari and Lena Waithe accept the award for Outstanding Writing for a Comedy Series. Screenshot via Twitter.)

The 69th Primetime Emmy Awards was filled with historic wins, political humor and some LGBT representation on Sunday night.

Hosted by late night talk show host Stephen Colbert, the awards ceremony wasn’t short on digs at the Trump administration. Colbert’s opening monologue was riddled with Trump references. In one of the most surprising moments of the night, Sean Spicer made an appearance wheeling out a podium as a nod to Melissa McCarthy’s portrayal of him on “Saturday Night Live.”

“This will be the largest audience to witness the Emmys, period,” Spicer told the shocked crowd.

Dolly Parton, Jane Fonda and Lily Tomlin joined together for a “Nine to Five” reunion on stage and took their own aim at Trump.

“Back in 1980, in that movie we refused to be controlled by a sexist, egotistical, lying, hypocritical bigot,” Fonda began.

“And in 2017, we still refuse to be controlled by a sexist, egotistical, lying, hypocritical bigot,” Tomlin finished to the cheers of the crowd.

RuPaul also made an appearance as a living Emmy statue being quizzed by Colbert on her dating life with other award statues.

Dave Chappelle presented the award for Outstanding Director in a Comedy Series and brought attention to D.C. Public Schools with a random shoutout.

“All right, now I’m going to read this teleprompter. Shout out to D.C. Public Schools, here we go,” Chappelle, who is an alumni of Duke Ellington School of the Arts, joked.

Later in the night while accepting his award for Outstanding Writing for a Variety Series, comedian John Oliver asked to get D.C. Public Schools trending on Twitter. His plea was heard and the hashtag was trending nationally.

The awards of the night marked firsts for many who held the statue on stage.

Lena Waithe made history for winning an Emmy for Outstanding Writing for a Comedy Series for co-writing the episode “Thanksgiving” on “Master of None” with the show’s co-creator, Aziz Ansari. She is the first black woman to receive the honor.

“Thanksgiving,” tells the story of how Waithe’s character Denise comes to terms with her sexuality and coming out in a black family over a series of family Thanksgivings. Waithe thanked her girlfriend while accepting the award and gave a special shoutout to her “LGBTQIA family.”

“I see each and every one of you,” Waithe says. “The things that make us different – those are our superpowers. Every day when you walk out the door and put on your imaginary cape and go out there and conquer the world, because the world would not be as beautiful as it is if we weren’t in it. And for everybody out there that showed us so much love for this episode, thank you for embracing a little Indian boy from South Carolina and a queer black girl from the South Side of Chicago.”

Donald Glover became the first black person to win both Outstanding Lead Actor in a Comedy Series and for comedy directing for his work on “Atlanta.” Julia Louis-Dreyfus won for Outstanding Lead Actress in a Comedy Series for her role on “Veep,” making her the record-holder for most Emmys won for the same role in the same series.

Sterling K. Brown was the first black man to win Outstanding Lead Actor in a Drama Series for “This is Us” since Andre Braugher won in 1998. Riz Ahmed took home Outstanding Lead Actor in a Limited Series for “The Night Of,” making him the first South Asian man to receive the honor.

Kate McKinnon won Outstanding Supporting Actress in a Comedy Series and thanked Hillary Clinton, who she frequently portrayed on “Saturday Night Live.”

“San Junipero,” from the sci-fi Netflix series “Black Mirror,” also received awards for Outstanding Television Movie and Outstanding Writing in a Limited Series or Movie. “San Junipero” follows an interracial, lesbian couple who fall in love in a simulated, alternate reality. It’s often been praised for its positive portrayal of an LGBT relationship and for having a happy ending.

“The Handmaid’s Tale” swept the Emmys, winning a total of eight awards including Outstanding Drama Series and Outstanding Lead Actress in a Drama Series for Elisabeth Moss.

List of winners below.

Outstanding Lead Actor in a Drama Series

Sterling K. Brown- “This Is Us” 
Anthony Hopkins, “Westworld”
Bob Odenkirk, “Better Call Saul”
Matthew Rhys, “The Americans”
Liev Schreiber, “Ray Donovan”
Kevin Spacey”House of Cards”
Milo Ventimiglia, “This Is Us”

Outstanding Lead Actress in a Drama Series

Viola Davis, “How to Get Away With Murder”
Claire Foy, “The Crown”
Elisabeth Moss, “The Handmaid’s Tale” 
Keri Russell, “The Americans”
Evan Rachel Wood, “Westworld”
Robin Wright, “House of Cards”

Outstanding Supporting Actor in a Drama Series

Jonathan Banks, “Better Call Saul”
Ron Cephas Jonas, “This Is Us”
David Harbour, “Stranger Things”
Michael Kelly, “House of Cards”
John Lithgow, “The Crown” 
Mandy Patinkin, “Homeland”
Jeffrey Wright , “Westworld”

Outstanding Supporting Actress in a Drama Series

Ann Dowd, “The Handmaid’s Tale” 
Samira Wiley, “The Handmaid’s Tale”
Uzo Aduba, “Orange Is the New Black”
Millie Bobby Brown, “Stranger Things”
Chrissy Metz, “This Is Us”
Thandie Newton, “Westworld”

Outstanding Lead Actor in a Comedy Series

Anthony Anderson, “Black-ish”
Aziz Ansari, “Master of None”
Zach Galifianakis, “Baskets”
Donald Glover, “Atlanta”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Outstanding Lead Actress in a Comedy Series

Pamela Adlon, “Better Things”
Jane Fonda, “Grace and Frankie”
Allison Janney, “Mom”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
Julia Louis-Dreyfus, “Veep” 
Tracee Ellis Ross, “Black-ish”
Lily Tomlin, “Grace and Frankie”

Outstanding Supporting Actor in a Comedy Series

Louie Anderson, “Baskets”
Alec Baldwin, “Saturday Night Live” 
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
Tony Hale, “Veep”
Matt Walsh, “Veep”

Outstanding Supporting Actress in a Comedy Series

Vanessa Bayer, “Saturday Night Live”
Leslie Jones, “Saturday Night Live”
Kate McKinnon, “Saturday Night Live” 
Kathryn Hahn, “Transparent”
Judith Light, “Transparent”
Anna Chlumsky, “Veep”

Outstanding Lead Actor in a Limited Series or Movie

Riz Ahmed, “The Night Of”
Benedict Cumberbatch,” Sherlock”
Robert De Niro, “Wizard of Lies”
Ewan McGregor, Fargo
Geoffrey Rush, Genius
John Turturro, The Night Of

Outstanding Limited Series

“Big Little Lies” 
“Fargo”
“Feud: Bette and Joan”
“The Night Of”
“Genius”

Best TV Movie

“Black Mirror: San Junipero”
“Dolly Parton’s Christmas of Many Colors”
“The Immortal Life of Henrietta Lacks”
“Sherlock: The Lying Detective”
“The Wizard of Lies”

Outstanding Lead Actor in a Limited Series

Riz Ahmed, “The Night Of” 
Benedict Cumberbatch, “Sherlock: The Lying Detective”
Robert De Niro, “The Wizard of Lies”
Ewan McGregor, “Fargo”
Geoffrey Rush, “Genius”
John Turturro, “The Night Of”

Outstanding Lead Actress in a Limited Series

Carrie Coon, “Fargo”
Felicity Huffman, “American Crime”
Nicole Kidman, “Big Little Lies”
Jessica Lange, “Feud: Bette and Joan”
Susan Sarandon, “Feud: Bette and Joan”
Reese Witherspoon, “Big Little Lies”

Outstanding Supporting Actress in a Limited Series or Movie

Judy Davis, “Feud: Bette and Joan
Laura Dern, “Big Little Lies” 
Jackie Hoffman,”Feud: Bette and Joan”
Michelle Pfeiffer, “The Wizard of Lies”
Shailene Woodley, “Big Little Lies”

Outstanding Supporting Actor in a Limited Series or Movie

Bill Camp, “The Night Of”
Alfred Molina, “Feud: Bette and Joan”
Alexander Skarsgard, “Big Little Lies” 
David Thewlis, “Fargo”
Stanley Tucci, “Feud: Bette and Joan”
Michael Kenneth Williams, “The Night Of”

Outstanding Variety Talk Series

“Full Frontal With Samantha Bee”
“Jimmy Kimmel Live!”
“Last Week Tonight With John Oliver” 
“The Late Late Show With James Corden”
“The Late Show With Stephen Colbert”
“Real Time With Bill Maher”

Outstanding Reality-Competition Program

“The Amazing Race”
“American Ninja Warrior”
“Project Runway”
“RuPaul’s Drag Race”
“Top Chef”
“The Voice” 

Outstanding Directing for a Comedy Series

Jamie Babbit, “Silicon Valley”
Donald Glover, “Atlanta”
Mike Judge, “Silicon Valley”
David Mandel, “Veep”
Morgan Sackett, “Veep”
Dale Stern, “Veep”

Outstanding Writing for a Drama Series

The Duffer Brothers, “Stranger Things”
Lisa Joy and Jonathan Nolan, “Westworld”
Peter Morgan, “The Crown”
Bruce Miller, “The Handmaid’s Tale” 
Gordon Smith, “Better Call Saul”
Joe Weisberg and Joel Fields, “The Americans”

Outstanding Writing for a Comedy Series

Aziz Ansari and Lena Waithe, “Master of None”
Alec Berg, “Silicon Valley”
Donald Glover, “Atlanta”
Stephen Glover, “Atlanta”
Billy Kimball, “Veep”
David Mandel, “Veep”

Best Writing for a Limited Series, Movie or Dramatic Special

Charlie Brooker, “Black Mirror: San Junipero”
David E. Kelley, “Big Little Lies”
Noah Hawley, “Fargo”
Ryan Murphy, “Feud: Bette and Joan”
Jaffe Cohen, Michael Zam & Ryan Murphy, “Feud: Bette and Joan”
Richard Price & Steven Zaillian, “The Night Of”

Outstanding Directing for a Drama Series

Stephen Daldry, “The Crown”
Kate Dennis, “The Handmaid’s Tale”
The Duffer Brothers, “Stranger Things”
Vince Gilligan, “Better Call Saul”
Lesli Linka Glatter, “Homeland”
Reed Morano, “The Handmaid’s Tale”
Jonathan Nolan, “Westworld”

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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