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A room with Pride: D.C.’s LGBTQ history finds a new home at the Eaton

New suites highlight city’s queer community

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(Washington Blade photo by Joe Reberkenny)

Blocks away from where Frank Kameny once organized the first pickets for gay rights in Washington, a new hotel suite invites guests to relax, recharge, and revel in the LGBTQ history of the city with the capital’s first-ever Pride-themed room at the Eaton Hotel.

From the walls covered in Washington Blade archival photos from the past 50 years, to a vinyl library that spans decades and genres of music celebrated by LGBTQ fans, and little affirmations written on the mirrors, it becomes clear as soon as you open the door that this room is one of a kind.

The Blade sat down with Nina Ligon, the director of culture for the Eaton, in the suite to discuss why the boutique hotel has chosen to debut a Pride-themed room and how their unique mission-driven hospitality is at the center of it all.

Starting with how the relationship between the Blade and Eaton came to be, Ligon explained that the collaboration with D.C.’s principal LGBTQ newspaper has been around longer than she has been with the hotel.

“The Blade has always been present,” Ligon said. “It’s one of the entities here in the city that’s just always been around. When I came into my position here at Eaton, Sheldon Scott — our original director of culture who helped open the hotel — already had a relationship with Stephen [Rutgers] and other members of the Washington Blade. Through that we have been able to establish a really strong relationship in the city.”

That relationship flourished after the boutique hotel, which sees itself as more than a hotel — but a cultural hub for those wishing to explore Washington — was nominated for the Best of LGBTQ DC Awards, given out and published by the Blade.

(Washington Blade photo by Joe Reberkenny)

“Beginning in 2022 we were first voted for best LGBTQ hotel in the city by the Best of LGBTQ DC Awards,” she said. “In 2023 we fell off, but that’s all right. We did get Editor’s Choice in 2024, and we’re gonna make a comeback.”

That comeback, Ligon hopes, is aided by the addition of the new Capital Pride-themed hotel suite, which used feedback from LGBTQ hotel staff to determine what went in the room.

“It’s community. We have a really great team here at Eaton, so we were able to put together a committee with anyone who wanted to be involved and have some say. And that’s not just the pride suite specifically, but World Pride in general — in our pride efforts, 365, right throughout the year. A lot of these,” she said, pointing to the walls covered in framed photos taken from the Blade archive, “are ideas that came up during those early meetings just a few months ago. There were discussions of inflatable chairs and disco balls, and I was for it. I’m here to support their creative vision. And you know, we have to involve the corporate folks, and they’re a little more traditional than some of us. But the team really came together with some of the pieces and the timeline wall art that we’re working on.”

Ligon continued, explaining that special attention was given to ensure diverse LGBTQ experiences are represented in the room. From the pictures of LGBTQ icons like Marsha P. Johnson and RuPaul, to the music on their sound system (including Chappell Roan’s “The Rise and Fall of a Midwest Princess” and Troye Sivan’s “Bloom”), and the quotes on the walls, their goal was to uplift the whole LGBTQ community rather than one particular identity.

“My colleague, Eduardo [Romero], who’s been just a beam of light in my life, brought this to my attention. As a Black woman, I was reading through the Blade’s archive links and was sifting through some of those and he was like, ‘Okay, yeah, these look good, but there’s some people who are missing.’ Capital Pride has been traditionally cis, white male led. He helped me, as a Black woman, to step back and say. ‘Say, oh, wait, there’s more that we can be representing here. There are more people we could be representing.’ And so I reached out to DC Black Pride to see what image imagery they may have had and what input they had. And we were able to come up with a little something.”

As the tour of the room came to a close, Ligon told the Blade what she hopes people get from staying in this suite.

“When it comes to Pride, Pride is resistance,” she said. “Pride is more than just a party. Pride is an opportunity. It started with people who were fighting for their rights and their mere existence. And so I really want people, whether they come here to party or to take a load off, I really want them to take some time to reflect and see Pride for what it is, and that first being a form of resistance as we chart the course forward into a brighter future for the LGBTQ community and for all. None of us are free until we are all free. And I hope that this will be a reflection of that.”

The Eaton Hotel is at 1201 K St., N.W.

The first issue of the Washington Blade (upper left) as well as two archival Blade images (center) are on display at the Eaton. (Photo courtesy of the Eaton)
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District of Columbia

Over 2,000 turn out for Hands Around the Kennedy Center protest

Drag performer Tara Hoot serves as MC, Gay Men’s Chorus of DC performs, attendees shout for Trump to keep ‘hands off’ Kennedy Center

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The Gay Men's Chorus of Washington performs at a rally in front of the Kennedy Center on Friday, Sept. 18. (Washington Blade photo by Michael Key)

More than 2,000 supporters of the John F. Kennedy Center for the Performing Arts turned out on Sept. 18, for a rally in support of the performing arts center and a vocal protest against President Donald Trump’s threats to permanently close the center and possibly demolish it.

The event was organized by a group called Hands Off the Arts, which initially called for participants to form a “human chain” around the Kennedy Center’s main building following a rally on the plaza in front of the building.

However, due to a decision by the Trump-controlled Kennedy Center’s board of trustees to close the center earlier in the week and install fencing around part of the building, participants could only form the chain around part of the building, according to organizers.

Drag performer Tara Hoot, who co-organized the event and served as master of ceremonies for the rally preceding the “human chain,” said the large turnout could have fully surrounded the building at least twice had the fencing not prevented a full encirclement.

Drag artist Tara Hoot serves as the emcee at the Hands Around the Kennedy Center protest on Friday, Sept. 18. (Washington Blade photo by Michael Key)

Among the musicians and singing groups that performed at the rally was the Gay Men’s Chorus of Washington, which, like other rally performers, had performed at the Kennedy Center in past years. They drew loud applause after singing one of their favorite songs from the Broadway musical show Ragtime, which includes the lyrics, “Will justice be demanded by 10 million men? Make them hear you. When they hear you, I’ll be near you again.”

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Prior to their performance, Gay Men’s Chorus of Washington’s artistic director, Thea Kano, spoke at the rally, reminding participants that shortly after the Trump takeover of the center last year, Kennedy Center officials cancelled a concert the chorus was scheduled to perform there for World Pride 2025.

A Kennedy Center spokesperson said the cancellation was due to a scheduling conflict, but chorus members and LGBTQ activists believe it resulted from policies put in place by Trump and his leadership team at the Kennedy Center following Trump’s statements that he would end controversial “woke” performances that he claimed the majority of Americans disapprove of.

“Now this building sits empty in silence,” Kano told the crowd at the rally. “Let us raise our voices together and bring back the Kennedy Center as it was intended, a place where American culture could be celebrated and elevated, embracing the vibrancy with the spectrum of identify without censure and without politics,” she said.

Among the others who spoke at the rally were U.S. Rep. Don Beyer (D-Va.), U.S. Rep. Jonathan Jackson (D-Ill.), and D.C. Councilmember Robert White (D-At-Large).

Most speakers, along with LGBTQ participants in the hands-around-the-building event expressed strong opposition to Trump’s demand that the Kennedy Center name be changed from the John F. Kennedy Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.

At Trump’s request, his appointed board initially made that name change and placed Trump’s name on the front wall of the building along with the Kennedy name. But following legal action taken by opponents who pointed out that Congress must approve such a name change, a judge ordered the removal of Trump’s name from the building. Trump has said he will take steps to reverse that order and has said he will stop plans to renovate the Kennedy Center building and possibly demolish it if his name is not restored in the Kennedy’s Center’s official name.

Throughout the Sept. 18 rally, LGBTQ participants repeatedly responded to the Trump threats by shouting, “Hands Off!”

Chris Raleigh, one of the founders of Hands Off the Arts and a lead organizer of the Sept. 18 event at the Kennedy Center who spoke at the event told the Washington Blade that more similar events are being planned and he welcomes the support the event has received from the LGBTQ community.

“The LGBTQ community was here first, and we’re following them,” he said. “They’ve been the spearhead; they’ve been the vanguard. And I’m so thankful for heroes like Tara Hoot,” he said, adding, “It’s because they know what it means and how this is a safe place – the theater – for many LGBTQ people.”

Actress Lynda Carter speaks at the ‘Hands Off the Kennedy Center’ rally. (Washington Blade photo by Michael Key)
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District of Columbia

Furries take over the Metro

Shutterpaws held Fur Ride on Sept. 12

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Shutterpaws, a local furries group, held their annual Fur Ride on the D.C. Metro on Sept. 12. (Photo by Rory)

The DMV’s own furry group was on full display on the Metro on Sept. 12.

Shutterpaws is a volunteer-led 501(c)(3) non-profit organization located in Maryland.

The furry group has been doing the FurRide event since 2024 and has blown up in popularity for furries around DMV. They showcased themselves on the Silver and Blue Lines near the Smithsonian on Sept. 12. 

“A lot of careful planning goes into running these events, with the goal being a seamless and enjoyable experience for everyone who attends,” says Zayre, a Shutterpaws staff member. “There’s a lot that you learn just by trial and error, and as Shutterpaws hosts more and more events, our team of event organizers continues to learn and refine our approach to keep things running smoothly and finding new ways to engage with our community.” 

With a larger growth of participation in the community comes many challenges with the group, especially when it comes to the Metro rides and organizing. 

“The biggest challenge that we face as organizers is keeping things fresh and finding new and engaging venues to host events,” says Zayre. “Recently we saw a lot of success hosting a meet at On Target Battlezone, an indoor NERF gun battle arena where our crew was welcome to show up and play both with and without a fur suit.” 

Nevertheless, Shutterpaws receive overwhelming support from the community and partners. 

“Across the DMV there are so many amazing places to host a Shutterpaws event so we can pursue our mission of helping connect fur suiters and photographers, and we’re blown away with the amount of support we’ve received from our community partners,” says Zayre. 

Shutterpaws plans to do more events for anyone in the DMV who is interested.

Their next event in collaboration with DC Fur Meet will take place at Pitchers (2317 18th St., N.W.) on Saturday. Visit Shutterpaws’ website for more information.

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District of Columbia

Hands Off the Arts to form ‘human chain’ around Kennedy Center

Drag performer Tara Hoot among event organizers

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The Kennedy Center (Washington Blade photo by Michael Key)

An organization called Hands Off the Arts has announced it is holding a protest on Friday, Sept. 18, in which between 400 and 800 participants are expected to create a “human chain” around the Kennedy Center to voice their strong objection to President Donald Trump’s call for possibly demolishing the Kennedy Center.

“Hands Off the Arts is organizing a rally Sept. 18 against the president’s defacing of JFK’s memorial, his removal and censorship of art, and the threat to demolish the center if he can’t remake the site in his image,” a statement released by the group says.

The statement says the event will start with a rally at 6:30 p.m. on the Kennedy Center steps and culminate with a “human chain” around the building. “There will be musical performances, testimonials from current and former employees, along with other special guest speakers,” it says  

A separate announcement by the group says longtime D.C. drag performer Tara Hoot, who has performed at the Kennedy Center in past years, was among the organizers of the Sept. 18 protest.

The planned protest follows Trump’s decision last year to use his authority to replace the existing members of the Kennedy Center’s board of directors with new members loyal to him. Over the objection of longtime Kennedy Center supporters, the Trump-appointed board changed the name of the center, at Trump’s request, from the John F. Kennedy Memorial Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.

But following the threat of legal action by opponents who pointed out that the name change could not be legally made unless approved by Congress, the name change was cancelled, with Trump saying he would take steps to restore it later.

The Washington Post, meanwhile, reports in a Sept. 13 news story that because of negative publicity related to Trump’s actions, the Kennedy Center was facing “fiscal collapse” and possible bankruptcy and could be forced to shut down as early as this week.

According to the Post report, a 57-page document presented to the Kennedy Center’s board of trustees says the center was facing a financial and structural building crisis, with the recent collapse of part of the building’s inside ceiling, indicating the building was unsafe for employees and the public. Among other things, the document says the Kennedy Center may not be able to make payroll or pay for routine maintenance “within a matter of weeks,” the Post reports.

Some LGBTQ advocates were among those who joined others in boycotting the Kennedy Center to express their objections to Trump’s actions, including a statement by Trump that he objected to the Kennedy Center’s practice of hosting drag performances.

The Gay Men’s Chorus of Washington has been among the LGBTQ performing arts groups and artists that have performed at the Kennedy Center.

“With the future still very much uncertain, now more than ever, the Center needs you to stand up for freedom of expression and against authoritarian overreach into arts and culture institutions,” the Hands Off the Arts group says in its announcement of the Hands Around the Kennedy Center protest.

“You have the opportunity to make a difference — show up with Hands Off the Arts and show your power as part of Hands Around the Kennedy Center,” it says.

A spokesperson for the Kennedy Center couldn’t immediately be reached for comment.      

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