a&e features
‘Will & Grace’ take two
A homo, a hag, a revolution: groundbreaking gay ’90s sitcom returns

Did somebody say encore? A decade after their unforgettable eight-season run, comedy’s most fabulous foursome is back. Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally reprise their infamous roles as Will, Grace, Jack and Karen in a 16-episode season. (Photo courtesy NBC)
You can’t go home again, cautioned writer Thomas Wolfe. But the melancholy Southerner, who died in 1938, didn’t live to witness the birth of television, much less TV reboots.
And so, 11 years after “Will and Grace” ended its eight-season, 16-Emmy run, America is back home again — specifically, at 155 Riverside Drive, New York City, the stylish, rent-controlled apartment of lawyer Will Truman and interior designer Grace Adler.
If you hadn’t been turned off by the massive pre-show publicity — and admittedly, it was relentless and cheesy — then you tuned in last night for the ninth season premiere. Was Thomas Wolfe right after all? Maybe, but who cares? Like a steaming tureen of comfort food, more tasty than nutritious, “Will and Grace” is back. And it mostly satisfies.
The sitcom about a homo and his hag premiered in 1998 during the Clinton administration, reached a creative crescendo by its fourth season and arguably lost steam during the Bush 43 administration. (The less said about the Leo Markus doctor-husband story arc, the better.) While accusations of queer minstrelsy continue to dog “Will and Grace,” detractors should remember that the series opened a mainstream discussion about gay male life; well, at least Caucasian, upper-middle-class, urban gay male life. Between the brazen quips about “lube and Liza,” startling truths were told. Even former vice-president Joe Biden gave props to the show for advancing the cause of marriage equality.
Admittedly, there was a Cliffs Notes feel to the opening of last night’s premiere; the script clumsily recounts plot points of the eight-year run, while presenting the main characters as caricatures. Will, charming but uptight. Check. Grace, neurotic and selfish. Check. Jack, an immature, promiscuous id. Check. And Karen, a boozy, pill-popping conservative. Check, check, check.
But the show was equally intent on establishing its place in the culture wars of Trump’s America. Within the first two minutes, the cast deftly filets conservatives Steven Tyler, Jon Voight, Newt Gingrich and Caitlyn Jenner. Kudos to Megan Mullally’s Karen Walker, called upon to do most of the heavy lifting where it comes to GOP-bashing. Like Alec Baldwin’s brilliant right-winger Jack Donaghy on NBC’s “30 Rock,” real-life liberal Mullally must humanize a woman who pals around with Melania. Sure, it’s called acting, folks, but good acting still deserves bouquets.
The first season of “Will and Grace” in 1998 offered far more nuance than the following seven; characters were played less glibly and the lingering (and unrequited) love for Will exhibited by Grace and Jack would bubble up occasionally, to poignant effect. That formula, which resulted in affecting moments, was quickly scuttled, resulting in the manic, crowd-pleasing formula that dominates the ninth season premiere. (Do we really need reaction shots of characters laughing at each other’s lines, a directorial tic that still annoys.) While name-checking the Ryans (Gosling and Reynolds), Shonda Rimes, QUEERTY, fidget spinners, Grindr and Anderson Cooper, the group lands, improbably, in 45’s White House. As the old TV Guide summary goes, hilarious hijinks ensue. (A visual joke featuring a certain cheese-flavored snack was undeniably cheap, but still satisfying.)
Filmmaker John Waters shocked the world with taboo-busting depictions of sexy trailer-park trash, pansexuality and bizarre fetishes. He soon found it difficult to top himself; later films like “A Dirty Shame” struggle to offend. In a way, “Will and Grace” show creators Max Mutchnick and David Kohan are in a similar bind, pushing against the high bar they erected in sharing the cultural secrets of the LGBT community to unsuspecting but intrigued Americans.
One could argue that the premiere was more slapstick-y than plausible — but worth seeing when cuddly hunk Kyle Bornheimer, playing a Secret Service agent, plants a smooch on Sean Hayes. And detractors shouldn’t underestimate the importance of a prime-time half-hour comic satire railing against our current Commander-in-Chief that may be seen by scores of his followers. If One Million Moms don’t immediately call for a “Will and Grace” boycott in light of this treasonous episode — watch your backs, premiere advertisers Google, Marvel, Chipotle, Toyota and iPhone — then we should lose our faith in the muscle of the alt-right.
Sure, the ninth season premiere was more flatfooted than adroit, more well-intentioned than well-executed, and overly eager to be liked. But it was just as eager to offend conservatives, enlighten fence-sitters and boost morale among those enraged by the current administration. For that reason alone, it’s worth sticking with “Will and Grace,” even as a patriotic duty. If I can’t laugh, I don’t want to be part of your revolution.
And if you need more time to warm up to the show, you have it; “Will and Grace” producers have committed to 16 episodes this year and 13 episodes for its 10th season. There’s ample opportunity for the writers to strengthen story arcs and topple even more sacred cows.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
-
National4 days agoDOJ seeks to dismiss some claims in gay FBI employee’s bias lawsuit
-
Virginia4 days agoLGBTQ community center opens in Leesburg, Va.
-
Arts & Entertainment4 days agoSci-fi has long been at vanguard of LGBTQ representation
-
Baltimore4 days agoThe government pressured USA Rugby to ban transgender women. A Baltimore team refused to comply.
