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Rose McGowan cancels tour after public verbal altercation with trans woman

the actress had been promoting her memoir ‘Brave’

Published

6 years ago

on

(Screenshot via YouTube.)

Actress Rose McGowan has canceled upcoming dates for her book tour following a verbal altercation with a transgender woman during one of her appearances.

On Wednesday, McGowan, 44, was at the Barnes & Noble in Union Square in New York City to promote her new book “Brave,” a memoir about her experience with sexual assault in Hollywood.

While McGowan read passages from the book and answered audience questions, transgender activist Andi Dier stood up and asked her to address comments she made on RuPaul’s podcast “What’s the Tee?”

“I have a suggestion. Talk about what you said on RuPaul. Trans women are dying and you said that we, as trans women, are not like regular women. We get raped more often. We go through domestic violence more often. There was a trans woman killed here a few blocks [away]. I have been followed home,” Dier says.

McGowan interrupts saying, “Hold on. So am I. We are the same. My point was, we are the same. There’s an entire show called ID channel, a network, dedicated to women getting abused, murdered, sexualized, violated, and you’re a part of that, too, sister. It’s the same.”

“You do nothing for them. Trans women are in men’s prisons. And what have you done for them?” Dier asks.

“What have you done for women?” McGowan responds.

As Dier is being escorted out of the room by security she yells “white cis feminism” causing McGowan  to launch into a rant.

“Don’t label me, sister. Don’t put your labels on me. Don’t you f—ing do that. Do not put your labels on me. I don’t come from your planet. Leave me alone. I do not subscribe to your rules. I do not subscribe to your language. You will not put labels on me or anybody. Step the f— back. What I do for the f—ing world and you should be f—ing grateful. Shut the f— up. Get off my back. What have you done? I know what I’ve done, God dammit,” McGowan says.

Later, she compares the mistreatment of transgender woman and cis-gender women.

“Trans women are women and what I’ve been trying to say is that it’s the same. The stats are not that dissimilar. When you break it down, it is a much smaller population. There’s not a network here devoted to your f—ing death. There’s not advertisers advertising tampons with a camera lovingly going up a girl’s body as she’s being lovingly raped and strangled. Piss off. And until you can collect that f—ing check, back up. My name is Rose McGowan and I am obviously f—ing brave,” McGowan says.

In an interview with publication them, Dier explained why McGowan’s comments on the podcast bothered her.

“The fact that not only did she suggest that we don’t live life as a woman, experiencing what women go through. But there was hint that we deal with less shit. The only difference between Rose and I getting harassed on the street is that where her experience can end in sexual assault, mine has a likely chance to end in sexual assault followed by murder. This is especially true for trans women of color. I mean — fuck, I was almost shot in the Bronx for what started as a catcall,” Dier says. “She doesn’t have to worry about getting followed home [any]more with her security detail and privilege, while my trip to Barnes & Noble could have been my last one.”

Some people agreed with Dier that McGowan’s behavior was textbook white cis feminism.

McGowan tweeted to announce she is canceling the remainder of her tour and accused Dier of being a paid actor hired to call her out. She also blames everyone from the audience to assistants and managers for their “complicity” during the altercation.

Watch below.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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2 days ago

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April 21, 2024

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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2 days ago

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April 21, 2024

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

Published

3 days ago

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April 20, 2024

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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