Arts & Entertainment
SPRING ARTS 2018 TV: Small screen delights
‘Rise,’ ‘Roseanne’ reboot, ‘Handmaids’ return pepper TV season

The cast of the ‘Roseanne’ reboot. (Photo courtesy ABC)
The spring 2018 television season may lack some of the sparkle of last year’s schedule, but there are still some new offerings and returning favorites that LGBT TV fans may want to watch.
On March 27, the outspoken Roseanne Barr returns to network television in a continuation (season 10) of the ground-breaking show that bears her name. Most of the original cast will be back. John Goodman returns as Dan Connor (one of the show’s early promos made fun of his return from the dead). Lecy Goranson, Sara Gilbert and Michael Fishman return as the Conner children. In an interesting twist, Sarah Chalke, who briefly replaced Goranson as Becky, will return to the series as a middle-class woman who hires Becky to be her surrogate.
Many of the guest stars will also return, including Roseanne’s lesbian friend Nancy Bartlett (Sandra Bernhard), Roseanne’s African-American neighbors, Natalie West as Crystal and Johnny Galecki as David Healy. The new cast will also be rounded out by several grandchildren. It is not clear if Martin Mull and Fred Willard, whose characters were married on the show, will return.
Early reports from the set say that the series will address the support of both Roseanne Barr and Roseanne Conner for Donald Trump; the death of Becky’s husband Mark Healy — actor Glenn Quinn died in 2002; and that Roseanne’s youngest son Jerry Garcia Conner will not appear because he is “out on a fishing boat.”
“Rise” on NBC has caused controversy even before its premiere on March 13. The series is loosely based on the nonfiction book “Drama High” by Michael Sokolove which tells the true story of high school drama teacher Lou Volpe, who came as gay later in life. Some media outlets have accused producer Jeff Katims with “straight-washing” Sokolove’s book, but the Writers Guild of America has ruled that Katims should be listed as the creator of the television series, instead of saying he “developed” the show from Sokolove’s book.
The show does focus on the drama teacher, played by Jordan Roth, as a straight family man, but Katims adds several LGBT characters, including Michael (played by trans actor Ellie Desautels), a transgender student at the high school; Simon (Ted Sutherland), who is exploring his own sexuality after being cast as a gay character in the school’s production of “Spring Awakening;” and, Volpe’s married lesbian sister-in-law. The cast also includes Rosie Perez as a fellow teacher Volpe and Auli’I Cravalho (the voice of Moana) as a student.
Meanwhile on Paramount, “Heathers” will premiere on March 7. Based on the iconic 1988 movie starring Wynona Ryder, the “pitch-perfect black comedy anthology series” is set in the present day. The story still focuses on “good girl” Veronica Sawyer, along with her boyfriend JD and “the Heathers,” a vicious clique who ruthlessly control life at Westerburg High. This time, however, one of the Heathers is played by a man. Shannon Doherty, one of the cinematic Heathers, will make a guest appearance.

Veronica Sawyer (Grace Victoria Cox) and Heather Chandler (Melanie Field) in the small-screen version of ‘Heathers.’ (Photo courtesy Paramount)
On April 25, a year after the first episode of season one aired, season two of “The Handmaid’s Tale” will premiere on Hulu. The entire main cast will return, including Elisabeth Moss as June/Offred, Ann Dowd as the terrifying Aunt Lydia, openly lesbian actress Samira Wiley as June’s best friend Moira and Alexis Bledsel as the lesbian Handmaid Ofglen, who was formerly known as Emily. New cast members include Clea DuVall as Emily’s wife, openly lesbian actress Cherry Jones as June’s mother, Bradley Whitford as Commander Joseph Lawrence and Marisa Tomei.

Samira Wiley returns as Moira in season two of ‘The Handmaids Tale.’ (Photo courtesy Hulu)
Working closely with novelist Margaret Atwood, writer Bruce Miller has continued to expand the world of Gilead, a dystopian vision of the United States after a theocratic regime has taken power. Fertile women, known as Handmaidens, are forced to be surrogates for the Commanders and their infertile wives; women who resist are forced to clean up toxic waste dumps known as “the Colonies.” Details about season two are sparse, but it is known that there is a large state funeral and that some scenes are set in the horrific Colonies.
And, on April 13, Netflix will reboot a classic sci-fi series, but without an iconic character generally assumed to be gay. In the original “Lost In Space,” Dr. Zachary Smith was played by Jonathan Harris with a delicious campy flair. In a fascinating gender swap, Parker Posey take over the role of the nefarious stowaway. In another interesting casting move, Ignacio Serricchio will claim the role of Major Don West created by Mark Goddard.
In addition, several returning or continuing shows continue to include LGBT characters, although generally in supporting roles.
Season two of “Jessica Jones” returns to Netflix on March 8 (International Women’s Day). Part of the Marvel Comic Universe, the series is grounded in a feminist sensibility with strong women on both sides of the camera. The series stars Krysten Ritter, who was nominated for a Dorian Award from the LGBT critic’s group GALECA, and Carrie Anne Moss as Jones’ lesbian boss Jeri Hogarth.

‘Jessica Jones’ returns to Netflix. (Photo courtesy Netflix)
“Black Lightning,” which premiered on the CW in January, is based on the DC comic about a family of African-American superheroes. Cress Williams plays the title character and Nafessa Williams plays his daughter Anissa Pierce, a crime-fighter who is developing her superpowers under the name of Thunder.
Fox’s airline comedy “LA to Vegas” debuted in January to weak reviews and strong ratings, but it has made a star of Nathan Lee Graham who plays gay flight attendant Bernard. The openly gay actor played Miss Understanding in the original Broadway cast of “Priscilla, Queen of the Desert” and was recently presented with the Jose Esteban Munoz Award from CLAGS: the Center for LGBTQ Studies at the Graduate Center, CUNY. The award is given to an LGBT activist who promotes queer studies outside of academia.
Some of the other shows that continue to feature members of the LGBT community include “Dynasty” with Nicollette Sheridan joining the cast as Alexis; Tig Nataro on Amazon’s “One Mississippi”; the rebooted “Queer Eye for the Straight Guy”; “The Bold and The Beautiful” where Kayla Mosley heats up the set as transgender woman Maya Avant; “Supergirl”; Lena Waithe’s “Chi”; the popular ABC comedy “Modern Family” which was recently renewed for a 10th and final season (although there are talks of a spinoff); and “Grown-ish,” a spin-off of ABC’s “Black-ish.”
There’s also “Call the Midwife” (PBS), “Valor” (the CW), “Madam Secretary” (CBS), “The Fosters” (Freeform), “Riverdale” (the CW), “Portlandia” (IFC), “Grey’s Anatomy” (ABC), “How To Get Away With Murder” (ABC), “Arrow” (the CW) “One Day At A Time” (Netflix) and “Jane the Virgin” (the CW).
Photos
PHOTOS: Capital Stonewall Democrats 50th anniversary
D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
























Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
