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SPRING ARTS 2018 TV: Small screen delights

‘Rise,’ ‘Roseanne’ reboot, ‘Handmaids’ return pepper TV season

Published

8 years ago

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spring television, gay news, Washington Blade

The cast of the ‘Roseanne’ reboot. (Photo courtesy ABC)

The spring 2018 television season may lack some of the sparkle of last year’s schedule, but there are still some new offerings and returning favorites that LGBT TV fans may want to watch.

On March 27, the outspoken Roseanne Barr returns to network television in a continuation (season 10) of the ground-breaking show that bears her name. Most of the original cast will be back. John Goodman returns as Dan Connor (one of the show’s early promos made fun of his return from the dead). Lecy Goranson, Sara Gilbert and Michael Fishman return as the Conner children. In an interesting twist, Sarah Chalke, who briefly replaced Goranson as Becky, will return to the series as a middle-class woman who hires Becky to be her surrogate.

Many of the guest stars will also return, including Roseanne’s lesbian friend Nancy Bartlett (Sandra Bernhard), Roseanne’s African-American neighbors, Natalie West as Crystal and Johnny Galecki as David Healy. The new cast will also be rounded out by several grandchildren. It is not clear if Martin Mull and Fred Willard, whose characters were married on the show, will return.

Early reports from the set say that the series will address the support of both Roseanne Barr and Roseanne Conner for Donald Trump; the death of Becky’s husband Mark Healy — actor Glenn Quinn died in 2002; and that Roseanne’s youngest son Jerry Garcia Conner will not appear because he is “out on a fishing boat.”

“Rise” on NBC has caused controversy even before its premiere on March 13. The series is loosely based on the nonfiction book “Drama High” by Michael Sokolove which tells the true story of high school drama teacher Lou Volpe, who came as gay later in life. Some media outlets have accused producer Jeff Katims with “straight-washing” Sokolove’s book, but the Writers Guild of America has ruled that Katims should be listed as the creator of the television series, instead of saying he “developed” the show from Sokolove’s book.

The show does focus on the drama teacher, played by Jordan Roth, as a straight family man, but Katims adds several LGBT characters, including Michael (played by trans actor Ellie Desautels), a transgender student at the high school; Simon (Ted Sutherland), who is exploring his own sexuality after being cast as a gay character in the school’s production of “Spring Awakening;” and, Volpe’s married lesbian sister-in-law. The cast also includes Rosie Perez as a fellow teacher Volpe and Auli’I Cravalho (the voice of Moana) as a student.

Meanwhile on Paramount, “Heathers” will premiere on March 7. Based on the iconic 1988 movie starring Wynona Ryder, the “pitch-perfect black comedy anthology series” is set in the present day. The story still focuses on “good girl” Veronica Sawyer, along with her boyfriend JD and “the Heathers,” a vicious clique who ruthlessly control life at Westerburg High. This time, however, one of the Heathers is played by a man. Shannon Doherty, one of the cinematic Heathers, will make a guest appearance.

Veronica Sawyer (Grace Victoria Cox) and Heather Chandler (Melanie Field) in the small-screen version of ‘Heathers.’ (Photo courtesy Paramount)

On April 25, a year after the first episode of season one aired, season two of “The Handmaid’s Tale” will premiere on Hulu. The entire main cast will return, including Elisabeth Moss as June/Offred, Ann Dowd as the terrifying Aunt Lydia, openly lesbian actress Samira Wiley as June’s best friend Moira and Alexis Bledsel as the lesbian Handmaid Ofglen, who was formerly known as Emily. New cast members include Clea DuVall as Emily’s wife, openly lesbian actress Cherry Jones as June’s mother, Bradley Whitford as Commander Joseph Lawrence and Marisa Tomei.

Samira Wiley returns as Moira in season two of ‘The Handmaids Tale.’ (Photo courtesy Hulu)

Working closely with novelist Margaret Atwood, writer Bruce Miller has continued to expand the world of Gilead, a dystopian vision of the United States after a theocratic regime has taken power. Fertile women, known as Handmaidens, are forced to be surrogates for the Commanders and their infertile wives; women who resist are forced to clean up toxic waste dumps known as “the Colonies.” Details about season two are sparse, but it is known that there is a large state funeral and that some scenes are set in the horrific Colonies.

And, on April 13, Netflix will reboot a classic sci-fi series, but without an iconic character generally assumed to be gay. In the original “Lost In Space,” Dr. Zachary Smith was played by Jonathan Harris with a delicious campy flair. In a fascinating gender swap, Parker Posey take over the role of the nefarious stowaway. In another interesting casting move, Ignacio Serricchio will claim the role of Major Don West created by Mark Goddard.

In addition, several returning or continuing shows continue to include LGBT characters, although generally in supporting roles.

Season two of “Jessica Jones” returns to Netflix on March 8 (International Women’s Day). Part of the Marvel Comic Universe, the series is grounded in a feminist sensibility with strong women on both sides of the camera. The series stars Krysten Ritter, who was nominated for a Dorian Award from the LGBT critic’s group GALECA, and Carrie Anne Moss as Jones’ lesbian boss Jeri Hogarth.

‘Jessica Jones’ returns to Netflix. (Photo courtesy Netflix)

“Black Lightning,” which premiered on the CW in January, is based on the DC comic about a family of African-American superheroes. Cress Williams plays the title character and Nafessa Williams plays his daughter Anissa Pierce, a crime-fighter who is developing her superpowers under the name of Thunder.

Fox’s airline comedy “LA to Vegas” debuted in January to weak reviews and strong ratings, but it has made a star of Nathan Lee Graham who plays gay flight attendant Bernard. The openly gay actor played Miss Understanding in the original Broadway cast of “Priscilla, Queen of the Desert” and was recently presented with the Jose Esteban Munoz Award from CLAGS: the Center for LGBTQ Studies at the Graduate Center, CUNY. The award is given to an LGBT activist who promotes queer studies outside of academia.

Some of the other shows that continue to feature members of the LGBT community include “Dynasty” with Nicollette Sheridan joining the cast as Alexis; Tig Nataro on Amazon’s “One Mississippi”; the rebooted “Queer Eye for the Straight Guy”; “The Bold and The Beautiful” where Kayla Mosley heats up the set as transgender woman Maya Avant; “Supergirl”; Lena Waithe’s “Chi”; the popular ABC comedy “Modern Family” which was recently renewed for a 10th and final season (although there are talks of a spinoff); and “Grown-ish,” a spin-off of ABC’s “Black-ish.”

There’s also “Call the Midwife” (PBS), “Valor” (the CW), “Madam Secretary” (CBS), “The Fosters” (Freeform), “Riverdale” (the CW), “Portlandia” (IFC), “Grey’s Anatomy” (ABC), “How To Get Away With Murder” (ABC), “Arrow” (the CW) “One Day At A Time” (Netflix) and “Jane the Virgin” (the CW).

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Movies

The queer appeal of ‘The Devil Wears Prada’

Tying the feminist and LGBTQ rights movements together on screen

Published

21 hours ago

on

May 2, 2026

By

Meryl Streep, Anne Hathaway, and Stanley Tucci in The Devil Wears Prada 2.’
(Photo courtesy of 20th Century Studios)

“Would we have fashion without gay people? Forgive me, would we have anything?”

Those words, spoken by Miranda Priestley herself (actually by Meryl Streep, the 76-year-old acting icon who played her), may well sum up why “The Devil Wears Prada” has been a touchstone for queer audiences for two decades now.

Streep, who returns to big screens this weekend in the sequel to director David Frankel’s beloved 2006 classic (succinctly titled “The Devil Wears Prada 2”), expressed this nugget of allyship in a recent interview with Out magazine, promoting the new film’s upcoming release. It would be hard, as a member of the queer community, to disagree with her assessment. The world of fashion has always been inextricably linked with queer culture, and the whims of taste that drive it are so frequently shaped by queer men – and women, too – who have adopted it as a means of expressing their sense of identity from the very first time they thumbed through a copy of Vogue.

At the same time, the notion that “Prada” has been claimed by the community as “canon” simply because of the stereotypical idea that “gay people love fashion” feels like a lazy generalization. After all, fashion is about discernment – about knowing, if you will, whether a sweater is simply blue or if it is cerulean, and, importantly, understanding why it matters – and just because something ticks off a few basic boxes, that doesn’t mean it qualifies as “haute couture.”

So yes, the setting of the “Devil Wears Prada” universe in what might be called “ground zero” of the fashion industry plays a part in piquing queer interest, but to assume our obsession with it is explained as simply as that is, frankly, insulting. The fashion angle catches our interest, but it’s the story – and, more to the point, the central characters (all of which return in the sequel) – that reels us in.

First, there’s the ostensible heroine, Anne Hathaway’s Andrea (or rather, Andy) Sachs, who falls into the world of fashion almost by accident. She’s a recent college grad who wants to be a journalist, to write for a publication that operates on a less-superficial level than Runway magazine, but fate (for lack of a better word) places her in the job that “a million girls” would kill to have – assistant to Streep’s Miranda Priestly (based on Vogue editor Anna Wintour), who can determine an entire season’s fashion trends merely by pursing her lips. She’s idealistic, and dismissive of fashion in the overall scheme of human existence; she’s also stuck with a truly terrible boyfriend (Nate, played by Adrian Grenier) and trying to live up to the self-imposed expectations and ideals that have been foisted upon her since birth.

It’s clear from the start that none of this “fits” her particularly well. More significantly, the natural grace with which she blossoms, from “sad girl” fashion-victim to the epitome of effortless style, tells us that she was meant to be exactly where she is, all along.

Then, of course, there is Nigel (Stanley Tucci), the ever-loyal art director and “Gay Best Friend” that’s always there to provide just the right saving touch for both Miranda and Andy, helping to boost the former while gifting the latter with his own insight, “tough love,” and impeccable taste. Never mind that he’s a queer character played by a straight actor – Tucci avoids stereotype and performative flamboyance by simply playing it with pure, universally relatable authenticity – or that he ends up, at the end of the original film, betrayed by his goddess yet deferring his own dream to double down on his commitment to hers. Anyone who has ever been a gay man in the orbit of a remarkable woman knows exactly how he feels. Of course, they also probably know the precarious life of being a queer person in the workplace – something that carries its own set of compromises, disappointments, and determinations to go above-and-beyond just to make oneself invaluable to the powers that be.

Which brings us to Emily (Emily Blunt), the cutthroat “first assistant” who does her level best to keep Andy in her place, who goes to extremes (“I’m just one stomach flu away from my goal weight”) to be the “favorite” no matter how much cruelty she has to unleash on those who threaten her status. Some see her as merely an obstacle in the way of Andy’s rise to success, an antagonist whose efforts to embody the “no mercy” persona of an ascendent girl boss only expose her own mediocrity. But for many, she’s just another victim doomed to fail and fall while watching others rise to the top. Queer, straight, or in-between, who among us hasn’t been there?

Finally, of course, there is Streep’s Miranda Priestley, the presumed “devil” of the title and the epitome of mercilessly autocratic authority, who has earned her status and her power by embracing the toxic modus operandiof a misogynistic hierarchy in order to conquer it. Yes, she’s more than just a little horrible, a strict gatekeeper who hones in on perceived weaknesses with all the vicious premeditation of a hawk with its eyes on a luckless rabbit, and it would be easy to despise her if she weren’t so damn fabulous. But thanks to the incomparable Oscar-nominated performance from Streep – along with the glimpses we are afforded into her “real” life along the way – she is not just aspirational, but iconic. Stoic, imperturbable, always three steps ahead and never affording an inch of slack for any perceived shortcoming, there’s an undeniable excellence about her that inspires us to see beyond the obvious dysfunction of the “work ethic” she represents; and sure, there’s enough emotionally detached enthusiasm in her torment/training of Andy to fuel countless volumes of erotic lesbian fan-fiction (Google “MirAndy,” if you dare), but when we eventually recognize that she might just be the ultimate “fashion victim” of them all, it doesn’t just cut us to the core – it strikes a chord that should be universally recognizable to anyone who has had to make their own “deal with the devil” in order to claim agency in their own lives. In this way, “The Devil Wears Prada” comes closer than probably any mainstream film to tying the feminist and queer rights movements together in common cause.

In any case, each character, in their way, can easily be tied to a facet of queer identity – and indeed, to the identity of anyone who must work twice (or more) as hard as a straight white Christian male to succeed. We can see ourselves reflected in all of them – and whether we aspire to be Miranda (I mean, who wouldn’t?), identify with Andy, recognize our worst traits in Emily, or empathize with Nigel and his deferential suffering, there’s something in “The Devil Wears Prada” that resonates with everyone.

Now let’s see if the sequel can say the same.

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Out & About

Lesbifriends Travel to host queer night out

DC Power FC game to be held at Audi Field

Published

21 hours ago

on

May 2, 2026

By

(Photo by Inked Pixels/Bigstock)

Lesbifriends Travel will host “Queer Night Out: DC Power FC Game” on Wednesday May 6 at 7 p.m. at Audi Field. 

This will be a fun night out as DC Power FC takes the field at Audi Field, kicking off with a happy hour meetup in Navy Yard before the group walks to the stadium together. Lesbifriends and Travel group will be seated together in the stands, making it easy to connect, cheer, and enjoy the game with people who just feel like your people.

More details are available on Eventbrite. 

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Calendar

Calendar: May 1-7

LGBTQ events in the days to come

Published

2 days ago

on

May 1, 2026

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Friday, May 1

Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite. 

“Illusions The Drag Queen Show Washington, D.C.” will be at 7 p.m. at 2323 18th St., N.W. Come see this amazing D.C. drag show and laugh all night long while being amazed by the stellar performances in tribute to some of your old-time favorite classics as well as the latest pop favorites. Come see the likes of Madonna, Cher, Tina Turner, Whitney Houston, Joan Rivers, Phyllis Diller, Beyoncé, Pink, and many more. Tickets are $12.97 and are available on Eventbrite. 

Saturday, May 2

Go Gay DC will host “LGBTQ+ Community Brunch” at 11:00a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Drag Queen Sip and Paint Washington DC will be at 4 p.m. at Town Tavern DC. This event combines the joy of painting with the lively energy of a drag queen, offering an hour and a half of fun, creativity, and entertainment. Participants paint a canvas while enjoying cocktails, all under the guidance of a glamorous drag queen host. Tickets are $47.19 and are available on Eventbrite. 

Monday, May 4

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, May 5

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].   

Wednesday, May 6

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected]. 

Thursday, May 7

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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