Arts & Entertainment
Pence criticized for excluding media from breakfast with gay Irish PM
U.S.-Irish leaders meet for St. Patrick’s Day events
Vice President Mike Pence is taking heat for excluding the media from his breakfast meeting with Irish Prime Minister Leo Varadkar, who is gay.
The breakfast at the Naval Observatory is a tradition for St. Patrick’s Day, which is a time when the Irish leader makes his annual visit to Washington to meet with U.S. leaders. This year, Varadkar was representing Ireland during his first year as prime minister.
But this year was different than previous years: The breakfast was now between an openly gay leader of Ireland and a vice president with a draconian anti-gay record. What’s also different is that in the past reporters were able to attend the breakfast, but this time the exchange was closed to the media.
Prior to the breakfast, Varadkar was quoted in the Ireland publication TheJournal.ie as saying he’d like to raise LGBT issues with the vice president during the breakfast.
“I am going to be meeting him over breakfast on Friday morning, so if I have the opportunity I will certainly be mentioning the wider issue of equal rights and freedoms for LGBT citizens,” Varadkar said.
The nation’s largest LGBT group, the Human Rights Campaign, pounced on the closed-press nature of the breakfast as evidence Pence didn’t want to be seen with a gay person or be held accountable for his anti-LGBT record.
Ahead of his meeting with anti-#LGBTQ Mike Pence, Ireland’s openly gay Prime Minister Leo Varadkar said he wanted to bring up LGBTQ rights at the meeting.
Today, @mike_pence banned the media from covering the event.
Coincidence? ?
We don’t think so. https://t.co/ouJirE7dSL
— Human Rights Campaign (@HRC) March 15, 2018
Pence has an extensive anti-LGBT history. As a U.S. House member, Pence backed a U.S. constitutional amendment that would have banned same-sex marriage; he also opposed hate crimes protections legislation, “Don’t Ask, Don’t Tell” repeal and a version of the Employment Non-Discrimination Act.
Most prominently, Pence in 2015 as Indiana governor signed a “religious freedom” bill allowing businesses and individuals to refuse services and discriminate against LGBT people. After pressure from LGBT advocates and the business community, Pence was forced to sign a “fix” to the law significantly limiting its scope.
Pence has been dogged by comments from his 2000 campaign for the U.S. House stipulating he would support HIV/AIDS funding on the condition that resources are directed to institutions that “provide assistance to those seeking to change their sexual behavior.” That has been interpreted as support for “ex-gay” conversion therapy, although Pence through a spokesperson has denied he ever supported the practice.
The perception Pence backed conversion therapy came to the fore during the Winter Olympics when gay skater Adam Rippon said he wouldn’t meet with Pence because he “funded gay conversion therapy.” A Pence spokesperson asserted the claim was false. Tension grew when USA Today reported Pence sought a meeting with Rippon, but the skater declined it. Pence tweeted out the article was fake and pledged support for Rippon, but the public didn’t buy it based on the vice president’s anti-LGBT history.
Although the breakfast itself within the Naval Observatory was closed to media, reporters were granted access outside for Pence’s invite of Varadkar to the event. According to the U.K.-based Independent, Pence ignored questions shouted at him by reporters and Varadkar didn’t respond to a question about whether he’d bring up same-sex marriage with Pence.
Alyssa Farrah, a Pence spokesperson, affirmed the breakfast itself was closed to the press and said the two leaders already appeared together at events in the White House that were open to the media.
“The vice president and the prime minister met and spoke together at multiple events yesterday,” Farrah said. “Today’s informal breakfast is set up like every breakfast the vice president has had with a foreign leader following their meetings at the White House.”
According to the Irish media, the decision to close the event to press was made by the Pence camp. Farrah denied the breakfast was made closed press at behest of the vice president, but didn’t respond to a follow-up email on who made the decision.
Sources within the vice president’s office said there’s no precedent for open or closed press for this breakfast, even though last year’s breakfast was open press, because it’s only the second time the vice president has participated. (In 2015 and 2016, the breakfasts between then-Vice President Joseph Biden and then-Irish Prime Minister Enda Kenny were open press.)
The vice president’s office made public transcripts of remarks from Pence and Varadkar during the breakfast. Not once during those remarks, according to the transcripts, did either of the leaders articulate views on LGBT rights, despite Varadkar’s pledge to bring it up.
Also made public via the vice president’s Twitter account were photos of Pence and Varadkar together during the breakfast, which were captioned with words from Pence praising the U.S.-Ireland relationship.
Karen & I were honored to welcome Taoiseach Varadkar to our home at the Naval Observatory for an Irish breakfast. #StPatricksDay is the perfect time to celebrate our friendship & to marvel at Ireland’s lasting mark on America and the American people. pic.twitter.com/S9yroBwnf7
— Vice President Mike Pence (@VP) March 16, 2018
Honored to have joined @POTUS as we welcomed Irish Prime Minister Leo Varadkar to the @WhiteHouse today. Productive meetings with him & enjoyed celebrating the strong partnership between the U.S & Ireland at the #FriendsOfIreland Lunch & the annual Shamrock Exchange. pic.twitter.com/kz8MSGsxLd
— Vice President Mike Pence (@VP) March 16, 2018
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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