Arts & Entertainment
Should gays boot the ‘Roseanne’ reboot?
Transient urban gays should give back to home communities

The original cast of ‘Roseanne’ includes lesbian actress Sara Gilbert (first from left in back row). She both reprises her role as Darlene and is executive producing the eight-episode arc. (Photo courtesy ABC)
The twang of a harmonica, the blare of a saxophone, that grating laugh.
Last week, ABC continued the pop culture wave of ‘90s nostalgia by airing the premiere of its much buzzed-about “Roseanne” revival. The original was never afraid to take an unflinching and unapologetic look at working-class life in America or serve as a showcase for its brash and controversial star, Roseanne Barr. True to form, “Roseanne’s” reboot debut proved the show would be just as bracing and willing to tackle controversial issues head-on through its distinct blend of biting humor and tough love.
It’s off to a gangbusters start with its first new episode in 20 years on March 27 drawing 25 million viewers and a massive 73 rating among adults 18-49. With 6.6 million viewers watching it later, it set a time-shifting record, the Hollywood Reporter notes. Another 4.3 million watched an encore broadcast Sunday night. Hulu and ABC streaming will only add to those numbers. It has the best numbers of a any “new” show since the 2014 premiere of “how to Get Away with Murder.” It’s already been renewed for a second season.
Reassuringly, the revival begins with Roseanne and husband Dan waking up in their old bed. Roseanne says she thought he’d died (cue Dan’s deadpan reply, “Why does everyone always think I’m dead?”), expediently erasing the divisive last season, which revealed the show was a story written by Roseanne, Dan had died and the family never won the lottery (don’t ask).
The rest of the Connor family is reintroduced, including Aunt Jackie, whose conflict with big sister Roseanne anchors the premiere. The two have barely spoken since the 2016 election. Roseanne is pro-Trump (mirroring the actor’s real-life support of the president), and Jackie, sporting a Nasty Woman shirt that would have looked appropriate on her 20 years ago, is ardently not.
Much has been made of Roseanne incorporating its star’s pro-Trump views and I was admittedly hesitant about watching the show and possibly liking it. Would my viewership (and potential enjoyment) tacitly endorse Roseanne’s views and those of her pro-Trump fans? Roseanne has rightfully been praised as a realistic depiction of working-class life in America, and although I may disagree with its star and vast numbers of the show’s viewers, there is no escaping the fact that Trump struck a chord with them for a reason that should not be ignored.
Roseanne saying she voted for Trump because “he talked about jobs” may have been played for a laugh, but she was speaking for a lot of people like the Connors. Although a sitcom isn’t going to resolve the political rift in the country, it can promote real discourse. The tension between Roseanne and Jackie was effective because not only was it true to the characters, it was also real. You could see families like this having these kinds of conversations and therein lies the strength of this show for much of its audience: relatability.
“Roseanne” also focused on middle daughter Darlene’s 9-year-old son, Mark, a happy boy who enjoys doing things like wearing skirts and painting his nails. Darlene supports his self-expression and doesn’t want the family to make him feel self-conscious because of it. Although they don’t understand why a boy would “dress like a girl,” the family embraces Mark. When Dan affirms that Mark shouldn’t go school like that, it isn’t because he’s ashamed, but because he fears Mark will be bullied.
I didn’t expect the show to deal with gender identity and expression so matter-of-factly. That Mark was portrayed as a fully formed person rather than a stereotype, and that the family rallied around him, was an explicit argument that we can all get behind: we should be proud of who we are and able to express that fully without fear of judgment or reprisal.
Mark puts an exclamation point on this idea (and shows that he truly is a Connor) by asserting that he’s going to keep dressing like he wants because he’s not ashamed of who he is. When Dan says, “That’s one tough kid,” how could you not stand up and cheer? I doubt the average Trump supporter is ready to acknowledge (let alone accept) gender non-conformance, but I’m grateful that a show aimed at them is saying it should be celebrated instead of feared.
I understand the concerns over normalizing Trump and certain segments of his base, because a show like “Roseanne” could potentially justify their views. Indeed, this has been a sticking point for many potential fans, especially gays. I’ve heard valid arguments that say the dichotomy of the show’s central character supporting Trump (who curries favor with hate groups) while sticking up for her gender non-conforming grandson is offensive at best, dangerous at worst, because this kind of line straddling could allow and encourage such attitudes to persist.
Nuances like these should not be compartmentalized and “Roseanne” would do well to address this potentially negative duality in future episodes. Although there are no easy answers to these questions, the “resist,” anti-Trump, left-leaning crowd ignores the Roseannes of the world at its own peril. If this show can bridge some divides, provide a glimpse into what “middle America” thinks while also demonstrating that the rest of us aren’t the demons we’re made out to be by many on team Trump, then maybe there’s room for an actual conversation. The jury won’t be in anytime soon, but maybe a show like “Roseanne” can counter or even diffuse the hornet nests of social media and angry op-eds cannot which, let’s face it, mostly just preach to their respective choirs.
At its core, “Roseanne” is a show about family, and while there’s certainly room for improvement (more Jackie!), this is a family worth spending some more time with.
Theater
Don’t miss summer productions at Clear Space in Rehoboth Beach
‘Cher Show,’ ‘Pretty Woman’ among season’s standouts
“The Cher Show” at Clear Space Theatre is wonderful. I am always amazed at the talent they attract for their summer series. Kudos to Wes Drummond, the artistic director of the theater. “The Cher Show” is written by Rick Elice. Compliments to the talented director, James FitzSimmons, who brought to life this production. His immensely talented cast includes Shannen Hofheimer as Star, Breanna Lemerise as Lady, Abby Lynne as Babe, and Anya Kay, as young Cher. Each is a pleasure to both watch and listen to. They command the stage. Then more kudos to the entire cast and ensemble. Also, the creative team, which includes among so many who make this show a hit, choreographer Shondelle Graulich; scenic designer, David Chappell; lighting designer Brendan Smith; costume designer Valerie Beardsley; and the entire orchestra led by conductor, Jerry Birl.
But the actor who I was looking forward to seeing in the production, was a young actor I had written about, and reviewed, when I saw him at Clear Space two years ago. In this production he is Sonny Bono, and he definitely didn’t disappoint.
Let me introduce Caetano de Sá. I have written about him before, but his resume is worth repeating. It says; Height: 5’7 ½, Eyes: Brown, Voice part: Tenor G2 – C5, Build: Athletic. All true. Then you add to this he speaks Brazilian Portuguese, is certified in stage combat by the Society of American Fight Directors, and is a 2nd Degree Black Belt in Taekwondo. Then as his resume of roles confirms, he can act, sing, and dance with the best. He does a great job as Sonny and is fun to watch on stage. Here he displays his talents as a singer and actor, and they are as good as I remembered them when I first met Caetano while he was still in school in 2024, and was starring as Frankie Valli in “Jersey Boys,” at Clear Space. At the time he was a rising senior at the Boston Conservatory at Berklee BFA Musical Theater program. I interviewed him, and Harry Sperduto, who played Tommy Devotee, after seeing them in the show, and being amazed by their talent. Since that time, I have followed their careers. When I heard Caetano was coming back to Clear Space for the summer, I reached out, and he agreed to sit down and chat, which we did. I knew Clear Space Theatre was planning a busy summer season. Their lineup of shows included “The Cher Show,” “Mean Girls,” and “Pretty Woman.” They always have talented casts, including the many college students who are getting their first chance to shine, which was the case for Caetano in 2024. Now he is back as a graduate, with more experience under his belt, a little more established. This season he was going to play Sonny in their production of “The Cher Show,” Martin/Coach Carr, in “Mean Girls,” and Mr. Hollister in “Pretty Woman,” and being a part of the ensemble. He told me he really enjoys being at Clear Space, and that his castmates are all talented. He is a lot more experienced than when he was here before, having performed in productions at the Prairie Repertory Theatre, the Emerald Coast Theatre Company, Firehouse Center for the Arts, and the Sullivan Rep, among others. In productions as diverse as “Oklahoma!,” “Mystic Pizza,” “Hairspray,” and “Rock of Ages.” He now lives in New York City and clearly New York is the perfect place for an aspiring actor. He has an agent at Bramante Artists, who is getting him gigs, like the one he had at 54 Below and even a TV commercial for AFLAC.
“The Cher Show” is the second show I have seen at Clear Space this summer. After our chat I got one of the last tickets available that evening for “Pretty Woman.” In that production he has a smaller role, and is part of the incredibly talented ensemble. It is also an entertaining show and its very talented stars, Abby McDonough as Vivian, and Jaiden Leo Riley as Edward, are a pleasure to watch. Kudos to the talented director, Ashley Williams, and the entire creative team.
For anyone living at the beach, or coming for a visit, I urge you to plan a night at Clear Space. You won’t regret it. But know tickets for all the shows, and Sunday evening cabaret nights, sell out fast. So, I suggest you see what’s available online and buy yours today.
The 2026 World Pride March was held on Saturday, Aug. 8 in Amsterdam. Tens of thousands of participants marched from Martin Luther Kingpark to the grounds of the Pride Village at Museumplein.
(Washington Blade photos by Michael Key)








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The weekly drag show “Daddy Issues” was held at Kiki on Wednesday, Aug. 5. Performers included Evry Pleasure, Indiana Bones and Tiara Missou-Sidora.
(Washington Blade photos by Landon Shackelford)









