Arts & Entertainment
National Cannabis Festival returns for 4/20 weekend
Annual concert/summit offers LGBT-inclusive education, music and more
National Cannabis Festival
Saturday, April 21
Noon-8 p.m.
RFK Stadium
2400 E Capitol St., S.E.
$42-90
The National Cannabis Festival plans to bring music, education and good vibes to RFK Stadium with plenty of LGBT support.
The festival was the brainchild of Caroline Phillips who envisioned a cannabis event that was more affordable than the typical cannabis trade show. Phillips also wanted a space for people to learn about advocacy groups that have worked toward the legalization of cannabis nationwide for decades. In 2015, the inaugural National Cannabis Festival, founded and executive produced by Phillips, welcomed an estimated 5,000 attendees for its all-day event that included a concert from De La Soul.
This year marks the festival’s third annual event, which is expected to bring in an estimated 10,000 attendees for music, games, contests, food and education sessions.
Legendary hip hop group Cypress Hill will headline the all-day concert, which will include performances from reggae artist See-I and newcomer Beau Young Prince. Local artists will also take the stage including go-go band Backyard Band, DJ Ayes Cold, indie-soul band Oh He Dead, Names and Marlee. Samy K and Reesa Renee will host the concert.
For attendees more interested in policy, the festival also hosts the National Cannabis Policy Summit on Friday, April 20 at the Newseum (555 Pennsylvania Ave., N.W.). There will be speakers and panels such as “All the Buzz: How Does Media Portrayal Impact the Future of Cannabis?,” “The Exit Drug: Can Medical Cannabis End the Narcotics Epidemic?” and more. Registration is free.
Laila Makled was running the D.C. chapter of Women Grow, a women’s business cannabis networking organization, when she was introduced to Phillips. Interested in further pursuing a career in cannabis advocacy, Makled came on board as co-chair of the National Cannabis Festival Advocacy Committee. Makled says that throughout the festival there will be speeches from activists and leaders including Congresswoman Eleanor Holmes Norton (D-District of Columbia), D.C. Council member At-Large Robert C. White Jr., Maryland Del. David Moon and Congresswoman Tulsi Gabbard (D-Hawaii).
For Makled, mixing education throughout the concert is an ideal way to let attendees have fun but still learn cannabis policy.
“We want those people who are just coming to chill, smoke and listen to music to come in and see that we have an education pavilion where we’re having policy talks all day. We have an advocacy pavilion where they can go talk to the advocacy groups, sign up for email lists and get involved on a local level,” Makled says. “With all of those things they really have no choice but to walk out with a little extra knowledge than they had before. It’s ingrained into the festival.”
The Weedmaps Educational Pavilion will give some of that knowledge with lessons on cannabis legalization and the cannabis industry. Guests can also peruse the Bulb Wellness Pavilion where they can speak with medical professionals, holistic medicine practitioners, yoga instructors, dispensary owners and more.
When attendees aren’t learning about cannabis health, policy or listening to music, they can wander through the Exhibitor Fair, which features more than 70 exhibitors from around the United states. The D.C. Glass Gallery General Admission Lounge will have high-end pipes, accessories and activities throughout the day.
Guests can stop by the Hempworx Munchine Zone for snacks, beverages and free water. Other on-site activities will include lawn games, a photo booth and game zone.
The LGBT community will be well represented at the festival with LGBT-identifying speakers and LGBT-friendly vendors.
Statistically, the LGBT community has been more accepting of cannabis usage than heterosexuals. According to a 2014 study conducted by the Colorado Department of Public Health and Environment, 30 percent of LGBT Coloradans had consumed cannabis in the past month compared to 12.9 percent of heterosexuals. And 64.4 percent of LGBT respondents surveyed also said that they had consumed cannabis in their lifetime compared to 48.7 percent of straight respondents.
A study conducted by the General Social Survey also reports that in 2016, 80 percent of LGBT Americans supported the legalization of cannabis compared to 58 percent of heterosexuals.
Makled, who identifies as queer, says that for her the LGBT community and the cannabis community share a common stigma by society.
“I think there’s a natural connection between the cannabis movement and the LGBTQ movement. I had come out at a very young age,” Makled says. “I was 16. I realized I wanted to pursue a career in advocacy and business within cannabis. It was a whole other coming-out process. Because both the cultures have been living on the fringe of society and have been forced to celebrate behind closed doors. Not only are you having to come out saying, ‘I’m gay’ but also coming out saying, ‘I support consuming and legalizing cannabis and criminal justice reform.’”
LGBT participants this year include D.C. Vote’s Barbara Hemlick; Get Hemp Butter’s Kyla Hill; Marijuana Policy Project’s Kate Bell; Hemp Kettle Tea Company, a queer-owned indy tea company; Jenn Michelle Pedini from Virginia NORML; and Drug Policy Alliance’s Queen Adesuyi.
Makled hopes that more widespread cannabis legalization and criminal reform will lead to people becoming more open about cannabis usage.
“I think like any group of people or culture there’s a need and desire to celebrate that culture. That’s exactly what the National Cannabis Festival is. It’s the perfect intersection of culture, advocacy, arts and music. More people would come out of the green closet, which people compare coming out of the LGBTQ closest, to coming out of the cannabis closest. The more people are comfortable, the more people realize the medicinal and social benefits of cannabis, the more people will start to come out,” Makled says.
Theater
Two queer artists ready to debut new operas at Kennedy Center
Works by JL Marlor, Omar Namji part of American Opera Initiative
American Opera Initiative
Kennedy Center Terrace Theater
Jan. 18, 7 p.m. and 9 p.m.
$25.00 – $39.00
Kennedy-center.org
For those who find traditional opera off-putting or mired in the past, there’s the American Opera Initiative (AOI). Now in its 12th season, the Washington National Opera’s well-known program pairs composers and librettists who under mentorship spend months collaborating on new work, culminating with the premiere of three 20-minute operas.
Included in this year’s exciting group are queer artists JL Marlor and Omar Namji. While these multi-taskers lend their composition talents to AOI, they are also performers and arts administrators. Marlor’s bio includes electric guitarist, and performer (she fronts the celebrated indie rock band Tenderheart Bitches), and Namji divides most of his time writing music and performing as an operatic tenor.
Marlor and librettist Claire Fuyuko Bierman’s “Cry, Wolf” is a short yet probing opera about three males (a late teen and two college age) who are navigating some dark internet ideologies. The work explores how the red-pilled manosphere pipeline serves as spaces of community for some people.
“To me it’s a very timely piece inspired by an outlook that has consequences in the real world.” She adds, “We’ve heard a lot about how angry incels [involuntary celibates] think about women. I want to hear what incels think about themselves.”
While Marlor tends to gravitate toward more serious opera pieces, Fuyuko Bierman, whose background includes standup, tends toward humor.
“I think this work brought out the best in both of us. The libretto feels like a comedy until suddenly it doesn’t.”
Marlor was introduced to opera through osmosis. At her gay uncles’ house there was always music – usually Maria Callas or Beverly Sills. She appreciated grand opera but not with the same ardor of true buffs. But her relationship with opera changed dramatically while attending Smith College.
“I was lucky enough to have Kate Soper as my first composition teacher and saw her opera ‘Here Be Sirens’ as my first piece of modern opera. I was totally hooked.”
Originally from picturesque Beverly, Mass., Marlor now lives in Brooklyn with her partner and their very senior dog. For Marlor, coming out at 25 in 2017 wasn’t entirely smooth, but finding support among the many queer women in the world of classical music helped. And more recently, AOI has bolstered her confidence in continuing a career in the arts, she says.
Namji and librettist Christine Evans’ opera is titled “Mud Girl.” Set against a post-apocalyptic, climate-affected world, it’s the story of a mother, daughter, and the daughter’s child Poly, created from toxic detritus, trying to navigate relationships.
“Most people go into opera without having had a ton of exposure. Often through musical theater or choir,” says Najmi, 37. In his case, he was pursuing a BFA in musical theater at Ithica College. After an unanticipated internal transfer to the School of Music, where he transitioned from baritone to young gifted tenor, his interest veered toward opera.
While enjoying a performance career, he wrote his first opera on a whim. “And now,” he says “composition is my creative passion. Singing is more like a trade or sport. I love the action of doing it and practicing.”
In one of his recent operas, “Jo Dooba So Paar,” Namji, who is half Pakistani American, draws specifically from personal experience, exploring how queer and Muslim don’t necessarily need to be conflicting identities. And while he grew up in liberal Boston in a secular environment, he still had insights into what it means to exist in two worlds. It’s a story he wanted to tell.
On a broader level, he says coming of age in the 1990s and aughts, on the cusp of homosexuality becoming normalized and accepted, created certain angsts. Today, his artist’s voice is drawn to the sentimentality that comes with unrequited longing.
What’s more, Namji collaborates with his husband Brendon Shapiro. In 2022, the Boston-based couple co-founded Catalyst New Music, an organization dedicated to fostering, developing, and producing new works.
AOI’s three 20-minute operas will be led by conductor George Manahan and performed by Cafritz Young Artists on Jan. 18, at 7 p.m. and 9 p.m. in the Kennedy Center Terrace Theater.
Following their world premiere at the Kennedy Center, the three operas will travel to New York City in a co-presentation with the Kaufman Music Center. The Jan. 23 performance will mark AOI’s first appearance in New York City.
Music & Concerts
Gay Men’s Chorus starting the year with a cabaret
‘Postcards’ to be performed at CAMP Rehoboth
The Gay Men’s Chorus of Washington will perform “Postcards,” a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.
In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures they’ve had and hope to have. Songs include “Midnight Train to Georgia,” “Streets of Dublin,” “Magic To Do,” “Home,” and “I Left My Heart in San Francisco.” Tickets cost $35 and can be purchased on Camp Rehoboth’s website.
Friday, January 10
“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Women in their Twenties and Thirties will be at 7 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, join their closed Facebook Group.
Go Gay DC will host “First Friday LGBTQ+ Community Happy Hour” at 7 p.m. at Puro Gusto. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, January 11
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Ms. Capital Pride will host “MAL Weekend Drag Brunch” at 12 p.m. at Baby Shank. Guests will enjoy a lively gathering full of joy, laughter, and connection. They will also indulge in food and drinks while enjoying dazzling performances and entertainment. Tickets are $27 and can be purchased on Eventbrite.
LGBTQ People of Color Support Group will be at 1 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.
Sunday, January 12
Go Gay DC will host “LGBTQ+ Community Dinner” at 6:30 p.m. at Federico Ristorante Italiano. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.
DC9 Nightclub will host “Dance Club” at 8 p.m. at 1940 9th St., N.W. At this event, Jacq Jill and Flotussin will join Dance Club for the Sunday night closing party of MAL Weekend at DC9. The Baltimore staples will be joined by Dance Club resident DJs Baronhawk Poitier, Joyce Lim & Tommy C, plus Artemis on lights, to close out a jam-packed MAL 2025. Tickets start at $10 and can be purchased on Eventbrite.
Monday, January 13
Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, January 14
Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook page.
Wednesday, January 15
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, January 16
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
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