Connect with us

a&e features

‘Rocky Horror’ musical gets new production at Rehoboth’s Clear Space

Creative team aims to give audiences something unexpected with classic camp material

Published

on

Rocky Horror, gay news, Washington Blade

The cast of ‘The Rocky Horror Show’ in Rehoboth Beach. (Photo courtesy Clear Space)

‘The Rocky Horror Show’

 

Clear Space Theatre Company

 

20 Baltimore Ave.

 

Rehoboth Beach, Del.

 

June 26-Sept. 1

 

7:30 p.m.

 

$17-32

 

clearspacetheatre.org

Traditional theater draws a clear line between the actors and the audience, discouraging engagement between the two; however, this is just one of many conventions the beloved cult classic “The Rocky Horror Show” breaks.

This summer at Rehoboth Beach in Delaware, Clear Space Theatre Company presents the 1970s science-fiction musical that has captivated audiences of all ages over the past four decades. The show runs until Sept. 1. A special Aug. 11 midnight performance is slated to include props for the audience provided by the theater.

Founded in 2004 and based in Rehoboth Beach, Del., Clear Space Theatre Company is a non-profit cultural organization dedicated to providing not only professional theater productions but also arts education to Southern Delaware. The theater stages approximately 150 shows each year, attracting around 15,000 guests.

David Button has worked with Clear Space for the last 13 years and is currently in his fifth year as artistic director. Though he had always “admired ‘Rocky’ from afar,” Button truly fell in love with the show after performing in a rendition of it after college. He chose the musical for Clear Space this summer with the hope that it would challenge both audience members and tradition.

“I was looking for … something that I thought the community would really enjoy,” Button says. “Something that was slightly off kilter, something that was 100 percent different than everything else we were doing in the season, something that would push some boundaries.”

Although Button began casting for the summer season in January, the cast did not start formal rehearsals until June 4 — just three shorts weeks before opening night on June 26. During those three weeks, the cast worked six days a week and 12 hours a day on not only “Rocky Horror” but also the company’s two other summer productions, “Mary Poppins” and “Footloose.”

This summer’s cast consists of 13 professional actors alongside additional community performers, with Andrew Cuccaro playing the lead role of mad scientist, Dr. Frank N. Furter (“Frank”). The 23-year-old Syracuse native previously performed “Rocky Horror” senior year in college in a supporting role, so when Button offered him the role of Frank, he was eager to explore the show through the eyes of another character.

“Seeing the show from the perspective of this character, the mad scientist, who’s leading this group of people definitely gave me a boost of confidence I hadn’t seen before,” Cuccaro says. “It was fun to see what I could do on stage.”

In addition to being a mad scientist, Frank is also a self-proclaimed “sweet transvestite.” As a gay actor, Cuccaro says there is “so much power” for him in playing such an “iconic” queer role.

“I’ve watched the movie quite a few times in preparation for this,” Cuccaro says. “I knew there were certain things that Tim Curry (original film actor for Frank) does in his genius that people want, and there are certain things that I can bring to it artistically that are different because I don’t think people go to the theater to just go through the motions that someone else created.”

As director, Button has also been walking this line between tradition and nuance, calling Clear Space’s production “‘Rocky with bling.”

“Everyone knows what they’re coming to see, so why not challenge them and push the boundaries just a little more?” Button says. “‘Rocky’s’ already a very sexually driven show, and we made it 100 times what it normally is … we asked, ‘How can we surprise the audience a little more than they thought we would?’”

The original “Rocky Horror” film gained international fame not only for its cult following but also its audience participation, with movie goers dressing up as characters and interacting with the actors on screen. To this day, attendees throw toast, toilet paper, confetti and more at appropriate moments throughout the film. Although the live musical rendition at Clear Space does not feature flying toast or toilet paper, audience members are encouraged to yell and interact with actors in “call outs,” breaking tradition with conventional theater.

“This show feels so immersive with the audience calling out at you,” Cuccaro says. “(There are) so many opportunities to get involved in the show that other shows don’t really give you…(and) with call outs, it’s a new relationship with the audience every night.”

Button echoes the importance of the relationship between the actors and the audience.

“It gives us this amazing opportunity to break the fourth wall and engage with the audience in many ways,” Button says. “(And) it offers more freedom to the cast.”

Beyond simply the presence of audience interaction, Button has also been excited by the diversity of the audience members themselves, saying, “It has been such a different audience for us, so many more young folks. … It’s been wonderful to see a diverse group of ages coming to the theater.”

Button sees “Rocky” as an embodiment of Clear Space Theatre’s goals, and he hopes audience members see the show as the intersection between its two artistic endeavors: “integrity and risk.”

“The show says everything about our mission,” Button says. “It says we’re going to give you a solid, great production with amazing actors and scenic and costume design, but we’re also going to challenge you, we’re going to take you out on a limb and we’re going to show you how risky we can actually be and how far we can take you with us.”

Andrew Cuccaro as Dr. Frank N. Furter in ‘The Rocky Horror Show.’ (Photo courtesy Clear Space)

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

on

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
Continue Reading

a&e features

Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

Published

on

Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

Continue Reading

a&e features

The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

Published

on

Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

Continue Reading

Popular