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LGBT themes abound in this year’s D.C. Shorts Film Festival

‘The Pick Up,’ ‘Sparrow,’ ‘Life After’ among queer-themed movies scheduled

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DC Shorts, gay news, Washington Blade

A scene from ‘Life After.’ (Photo courtesy of DC Shorts)

D.C. Shorts Film Festival

 

Continues through Sept. 16

 

Landmark E Street Cinema

 

555 11th St., N.W.

 

Miracle Theater

 

535 8th St., S.E.

 

festival.dcshorts.com

There’s a reason why short films are becoming increasingly popular.

The best ones are exhilarating distillations of the filmmaker’s experiences and viewpoints. They linger with you. They leave you with a great punchline, an indelible image or maybe even a tear or two. They definitely give you something to talk about on the way home.

As for the worst ones, they’re over quickly.

Luckily for D.C. movie audiences, the acclaimed D.C. Shorts Film Festival and Screenplay Competition, which is running through Sept. 16, is offering the best short films from around the corner and around the globe. Festival Executive Director Kimberly Bush says she and her dedicated staff and volunteers reviewed about 1,200 films and 70 screenplays for this year’s event.

From those submissions, the team selected 125 short films and seven screenplays. Directed by filmmakers from 30 different countries, the films range from two-40 minutes in length and cover an amazing array of stories and genres.

Bush is especially proud of the number of female filmmakers who will be participating in this year’s festival.

“The movement within the industry toward expanding the presence of women behind the camera in the director’s role is reflected in a notable milestone in the festival’s history,” Bush says. “With a total of 40 women directors, we offer more films directed by women than any prior year in the festival’s history.”

The films are divided into over 25 general and thematic showcases that will be screened at the Landmark E Street Cinema. The logistics can be a little daunting, but the festival website (festival.dcshorts.com) offers a handy guide to the films and information on getting festival passes or tickets for individual films. With D.C. Shorts Online, it’s also possible to watch films from home or on your favorite mobile device.

The website also offers information of the festival’s impressive schedules of both parties and filmmaker workshops.

For LGBT audiences, one of the highlights of the festival, now in its 15th year, will be Cinema 10%, a collection of exciting queer shorts that will screen on Wednesday Sept. 12 at 7:15 p.m.

After the success of his movie “Pool” in last year’s festival, director Leandro Goddinho returns to with a fascinating two-part drama called “The World Is Round So That Nobody Can Hide in the Corners.” Part One (13 minutes) is subtitled “Refuge” and is about the journey of a gay African refugee seeking asylum in Germany. Part Two (five minutes) is subtitled “The Kiss” and is about the visit of an African refuge to the Gay Holocaust Memorial in Berlin.

“Short film festivals are necessary and extremely important for young filmmakers,” Goddinho says. “Festivals like D.C. Shorts have become a crucial stage for revealing new talents. Cinema history started with short films. For many years, feature-length films have been the standard, but we are now seeing a new short film era. We are living in a digital era where people watch movies on a variety of devices so short narratives are becoming the best way to communicate with audiences.”

World War II is also the subject of “The Red Tree,” a documentary by Paul Rowley. The film uncovers the little-known history of Italian gay men who were arrested and exiled to a remote island during Mussolini’s fascist regime.

“I wanted to give the film a contemporary resonance, so I came up with the idea of focusing on an older man returning to the island where he was a prisoner many years before,” Rowley says. “This allowed me to see the history from the present day and draw parallels to what is happening still to our community.”

The impact of war on the LGBT community is also the subject of “Sparrow” by Welby Ings. He notes that the movie is based on “a true story about a gay soldier who deserted in Egypt in the second world war when his lover was shot. He was shamed and died alone in a psychiatric hospital. I wanted to place the story into the world because the role and experiences of gay soldiers are almost invisible.”

A scene from ‘Sparrow.’ (Photo courtesy of DC Shorts)

Family history and family secrets are the subject of “Life After” by Ria Tobaccowala who was inspired by Indian American movies like “The Namesake” by Mira Nair as well as the recent release “Captain Fantastic.”

This short film follows Nisha, a single mother and Indian immigrant, who travels to New York City to clear out her recently deceased daughter Zara’s apartment. Out of her element in her daughter’s environment, Nisha discovers surprising new details about Zara. In the midst of her grief, Nisha must decide whether to embrace or ignore the truth about her daughter’s short life.

Mothers and daughters are also at the core of “The Pick Up” by local filmmaker Giovanna Chesler. Loosely based on an incident from her own childhood, Chesler says, “’The Pick Up’ is a sweet, and surprisingly steamy, ride home from swim practice with sullen teenager Melanie, her mother and a mysterious passenger.”

The film, which Chesler describes as “a love letter to my own mother,” was produced as part of the Mason Film Lab at George Mason University, a program which brings together students, professors and industry professionals together on a movie set.

A scene from ‘The Pick Up.’ (Photo courtesy of DC Shorts)

The Cinema 10% showcase also includes “Let Me Dance,” a French drama directed by Valérie Leroy. The film centers on Myléne, a trans woman working as a maid on a ferry boat who gets an unpleasant reminder of her past during a surprise party for her 45th birthday.

Joe Bilancio, the festival’s director of programming, points that one special showcase could not contain all of the great LGBT films that are part of this year’s D.C. Shorts Film Festival. He recommends that interested audiences also keep an eye out for “Empire on Main Street,” “Marguerite,” “Casey” and “We Know Where You Live.” The films featured in Cinema 10% can also be seen in other showcases during the festival.

A scene from ‘We Know Where You Live.’ (Photo courtesy of DC Shorts)

The festival also includes a screenplay competition on Friday Sept. 14 at the Miracle Theatre in Eastern Market. At 10 a.m., the public can watch local actors audition for a role in one of the screenplays. At 7 p.m., audiences can watch table readings of the selected screenplays and vote for their favorite. The winner will walk away with a $2,000 prize to help produce their movie. The evening will also include a screening of last year’s winner, “The Pharaohs.”

Bush says the festival has helped change the way people think of short films.

“The filmmakers represented feature the best in modern-day cinematic creativity and offer insight as to how to cultivate the future we want to see — one that is full of hope, equality, imagination, uplifted voices, determination, humor and vulnerability,” Bush says.

DC Shorts, gay news, Washington Blade

A scene from ‘Empire on Main Street.’ (Photo courtesy of DC Shorts)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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Looking back at the 10 biggest A&E stories of 2025

‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more

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Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.

With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:

10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes 

A scene from ‘The Mysterious Gaze of the Flamingo.’ (Image courtesy AFI Fest)

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.

Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”

9. ‘The Last of Us’ returns for an even gayer season 2

While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.

8. ‘Emilia Pérez’ sparks controversy 

Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.

7. ‘Sorry, Baby’ establishes Eva Victor as major talent  

Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.

Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.

6. Paul Reubens comes out in posthumous doc

Paul Reubens came out posthumously in 2025. (Image courtesy of HBO)

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.

The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.

5. Lady Gaga releases ‘Mayhem’ 

Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”

4. Cynthia Erivo, Ariana Grande perform at the Oscars 

Cynthia Erivo performs in the 97th Academy Awards. (Screen capture via ABC)

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.

3. Indya Moore speaks out against Ryan Murphy 

Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.

2. Cole Escola wins Tony for Best Leading Actor 

Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.

The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!

1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’ 

Jonathan Bailey made some sexy history in 2025.

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.

“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.

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Your guide to D.C.’s queer New Year’s Eve parties

Ring in 2026 with drag, leather, Champagne, and more

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Trade leans into a shark motif with its NYE plans. (Washington Blade photo by Michael Key)

With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.

Pitchers

This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.”  There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.

Trade

D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.

Number Nine

While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.

Crush

Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.

Bunker

This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.

District Eagle

This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.

Kiki, Shakiki

Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.

Spark

This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks). 

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