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LGBT themes abound in this year’s D.C. Shorts Film Festival
‘The Pick Up,’ ‘Sparrow,’ ‘Life After’ among queer-themed movies scheduled
D.C. Shorts Film Festival
Continues through Sept. 16
Landmark E Street Cinema
555 11th St., N.W.
Miracle Theater
535 8th St., S.E.
There’s a reason why short films are becoming increasingly popular.
The best ones are exhilarating distillations of the filmmaker’s experiences and viewpoints. They linger with you. They leave you with a great punchline, an indelible image or maybe even a tear or two. They definitely give you something to talk about on the way home.
As for the worst ones, they’re over quickly.
Luckily for D.C. movie audiences, the acclaimed D.C. Shorts Film Festival and Screenplay Competition, which is running through Sept. 16, is offering the best short films from around the corner and around the globe. Festival Executive Director Kimberly Bush says she and her dedicated staff and volunteers reviewed about 1,200 films and 70 screenplays for this year’s event.
From those submissions, the team selected 125 short films and seven screenplays. Directed by filmmakers from 30 different countries, the films range from two-40 minutes in length and cover an amazing array of stories and genres.
Bush is especially proud of the number of female filmmakers who will be participating in this year’s festival.
“The movement within the industry toward expanding the presence of women behind the camera in the director’s role is reflected in a notable milestone in the festival’s history,” Bush says. “With a total of 40 women directors, we offer more films directed by women than any prior year in the festival’s history.”
The films are divided into over 25 general and thematic showcases that will be screened at the Landmark E Street Cinema. The logistics can be a little daunting, but the festival website (festival.dcshorts.com) offers a handy guide to the films and information on getting festival passes or tickets for individual films. With D.C. Shorts Online, it’s also possible to watch films from home or on your favorite mobile device.
The website also offers information of the festival’s impressive schedules of both parties and filmmaker workshops.
For LGBT audiences, one of the highlights of the festival, now in its 15th year, will be Cinema 10%, a collection of exciting queer shorts that will screen on Wednesday Sept. 12 at 7:15 p.m.
After the success of his movie “Pool” in last year’s festival, director Leandro Goddinho returns to with a fascinating two-part drama called “The World Is Round So That Nobody Can Hide in the Corners.” Part One (13 minutes) is subtitled “Refuge” and is about the journey of a gay African refugee seeking asylum in Germany. Part Two (five minutes) is subtitled “The Kiss” and is about the visit of an African refuge to the Gay Holocaust Memorial in Berlin.
“Short film festivals are necessary and extremely important for young filmmakers,” Goddinho says. “Festivals like D.C. Shorts have become a crucial stage for revealing new talents. Cinema history started with short films. For many years, feature-length films have been the standard, but we are now seeing a new short film era. We are living in a digital era where people watch movies on a variety of devices so short narratives are becoming the best way to communicate with audiences.”
World War II is also the subject of “The Red Tree,” a documentary by Paul Rowley. The film uncovers the little-known history of Italian gay men who were arrested and exiled to a remote island during Mussolini’s fascist regime.
“I wanted to give the film a contemporary resonance, so I came up with the idea of focusing on an older man returning to the island where he was a prisoner many years before,” Rowley says. “This allowed me to see the history from the present day and draw parallels to what is happening still to our community.”
The impact of war on the LGBT community is also the subject of “Sparrow” by Welby Ings. He notes that the movie is based on “a true story about a gay soldier who deserted in Egypt in the second world war when his lover was shot. He was shamed and died alone in a psychiatric hospital. I wanted to place the story into the world because the role and experiences of gay soldiers are almost invisible.”
Family history and family secrets are the subject of “Life After” by Ria Tobaccowala who was inspired by Indian American movies like “The Namesake” by Mira Nair as well as the recent release “Captain Fantastic.”
This short film follows Nisha, a single mother and Indian immigrant, who travels to New York City to clear out her recently deceased daughter Zara’s apartment. Out of her element in her daughter’s environment, Nisha discovers surprising new details about Zara. In the midst of her grief, Nisha must decide whether to embrace or ignore the truth about her daughter’s short life.
Mothers and daughters are also at the core of “The Pick Up” by local filmmaker Giovanna Chesler. Loosely based on an incident from her own childhood, Chesler says, “’The Pick Up’ is a sweet, and surprisingly steamy, ride home from swim practice with sullen teenager Melanie, her mother and a mysterious passenger.”
The film, which Chesler describes as “a love letter to my own mother,” was produced as part of the Mason Film Lab at George Mason University, a program which brings together students, professors and industry professionals together on a movie set.
The Cinema 10% showcase also includes “Let Me Dance,” a French drama directed by Valérie Leroy. The film centers on Myléne, a trans woman working as a maid on a ferry boat who gets an unpleasant reminder of her past during a surprise party for her 45th birthday.
Joe Bilancio, the festival’s director of programming, points that one special showcase could not contain all of the great LGBT films that are part of this year’s D.C. Shorts Film Festival. He recommends that interested audiences also keep an eye out for “Empire on Main Street,” “Marguerite,” “Casey” and “We Know Where You Live.” The films featured in Cinema 10% can also be seen in other showcases during the festival.
The festival also includes a screenplay competition on Friday Sept. 14 at the Miracle Theatre in Eastern Market. At 10 a.m., the public can watch local actors audition for a role in one of the screenplays. At 7 p.m., audiences can watch table readings of the selected screenplays and vote for their favorite. The winner will walk away with a $2,000 prize to help produce their movie. The evening will also include a screening of last year’s winner, “The Pharaohs.”
Bush says the festival has helped change the way people think of short films.
“The filmmakers represented feature the best in modern-day cinematic creativity and offer insight as to how to cultivate the future we want to see — one that is full of hope, equality, imagination, uplifted voices, determination, humor and vulnerability,” Bush says.
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Jussie Smollett asserts innocence while promoting new film
‘I know what happened and soon you all will too’
Jussie Smollett, the actor and musician who was convicted of lying to the police about being the victim of a homophobic and racist hate crime that he staged in 2019, attended a screening of his latest film “The Lost Holliday” in a packed auditorium of the Martin Luther King Jr. Memorial Library on Aug. 28.
In an interview with the Washington Blade that took place before the screening, he continued to assert his innocence and responded to concerns within the LGBTQ community that his case has discouraged real victims from reporting hate crimes.
The former “Empire” star wrote, produced, and directed “The Lost Holliday,” his second feature film to direct following 2021’s “B-Boy Blues.” Produced through Smollett’s company, SuperMassive Movies, he stars in the film alongside Vivica A. Fox, who also served as a producer and attended the library screening with other cast members.
In the film, Smollett plays Jason Holliday, a man grappling with the sudden death of his husband Damien (Jabari Redd). Things are complicated when Damien’s estranged mother, Cassandra Marshall (Fox), arrives in Los Angeles from Detroit for the funeral, unaware of Damien’s marriage to Jason or of their adopted daughter. Initially, Jason and Cassandra clash — Cassandra’s subtle homophobia and Jason’s lingering resentment over her treatment of Damien fuel their tension –– but they begin to bond as they navigate their grief together.
Smollett, Fox, Redd, and Brittany S. Hall, who plays Jason’s sister Cheyenne, discussed the film in an interview with the Washington Blade. Highlighting the wide representation of queer identities in the film and among the cast, they stressed that the story is fundamentally about family and love.
“What we really want people to get from this movie is love,” Smollett said. “It’s beneficial for people to see other people that are not like themselves, living the life that they can identify with. Because somehow, what it does is that it opens up the world a little bit.”
Smollett drew from personal experiences with familial estrangement and grief during the making of the film, which delves into themes of parenthood, reconciliation, and the complexities of family relationships.
“I grew up with a father who was not necessarily the most accepting of gay people, and I grew up with a mother who was rather the opposite. I had a safe space in my home to go to, but I also had a not-so-safe space in my home, which was my father,” he said.
“The moment that he actually heard the words that his son was gay, as disconnected and estranged as we were, he instantly changed. He called me, after not speaking to him for years, and apologized for how difficult it must have been all of those years of me growing up. And then a couple years later, he passed away.”
Smollett began working on “The Lost Holliday” eight years ago, with Fox in mind for the role of Cassandra from the outset. He said that he had started collaborating on the project with one of the biggest producers in Hollywood when “‘2019’ happened.”
In January 2019, Smollett told Chicago police that he had been physically attacked in a homophobic and racist hate crime. He initially received an outpouring of support, in particular from the LGBTQ and Black communities. However, police soon charged him with filing a false police report, alleging that he had staged the attack.
After prosecutors controversially dismissed the initial charges in exchange for community service and the forfeiture of his $10,000 bond, Smollett was recharged with the same offenses in 2020. Meanwhile, his character in “Empire” was written out of the show.
In 2021, a Cook County jury found him guilty on five of the six charges of disorderly conduct for lying to police, and he was sentenced to 150 days in jail and 30 months of probation, along with a $120,000 restitution payment to the city of Chicago for the overtime costs incurred by police investigating his initial hate crime claim.
LGBTQ people are nine times more likely than non-LGBTQ people to be victims of violent hate crimes, according to a study by the Williams Institute at UCLA School of Law. Upon Smollett’s conviction, some in the LGBTQ community felt that the case would discredit victims of hate crimes and make it more difficult to report future such crimes.
Smollett seemed to acknowledge these concerns, but denied that he staged the attack.
“I know what happened and soon you all will too,” he told the Blade. “If someone reported a crime and it wasn’t the truth, that would actually make it more difficult [to report future crimes], but I didn’t. Any belief that they have about the person that I’ve been played out to be, sure, but that person is not me, never has been,” he said. “So I stand with my community. I love my community and I protect and defend my community until I’m bloody in my fist.”
“And for all the people who, in fact, have been assaulted or attacked and then have been lied upon and made it to seem like they made it up, I’m sorry that you have to constantly prove your trauma, and I wish that it wasn’t that way, and I completely identify with you,” he added.
An Illinois Appellate Court upheld his guilty verdict last year, but Smollett has since appealed to the Illinois Supreme Court, which in March agreed to hear the case. He has served six days in jail so far, as his sentence has been put on hold pending the results of his appeals.
The screening at the MLK Jr. Library concluded with a conversation between Smollett, Fox, and David J. Johns, CEO and executive director of the National Black Justice Coalition. Smollett discussed his current mindset and his plans for the future, revealing he is working on a third movie and will be releasing new music soon.
“I’m in a space where life is being kind,” he said.
“The Lost Holliday” recently secured a distribution deal for a limited release with AMC Theatres and will be out in theaters on Sept. 27.
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DIK Bar cements its status as LGBTQ institution, prepares to expand
Dupont Cantina coming soon to the former Malbec space
Two immigrant brothers who could not return home, Michael and Tony Askarinam, turned instead to making a community space of their own. Nearly 40 years after debuting their casual, gay-friendly restaurant, the (straight) owners of Dupont Italian Kitchen are expanding, reinforcing their status as a center of gay life on 17th Street. By early fall, they plan to debut a casual Mexican restaurant, complete with a spacious patio, tons of tacos, and big margarita energy that will please outdoor diners and karaoke singers upstairs alike.
DIK Bar, as it is affectionately known, still serves fan-favorite lasagna and eggplant parmesan, though no longer for a cool $4.25 from its opening menu. Michael, who moved to the U.S. from Iran to study in 1974, graduated in 1980 – less than a year after the Iranian revolution. Part of a Jewish family, he felt unsafe going back to his homeland with the new regime, and has never returned. Instead, he and his brother, who also fled, opened a restaurant that still sits on the same corner as the day it opened. Though he is not Italian, Michael had plenty of relevant experience: He had worked in Italian restaurants during summers while studying, and another brother owned the now-closed restaurant Spaghetti Garden (where Pitchers stands today). The menu, he admits, pulled heavily from his family influence.
Opening on 17th Street in the mid-‘80s, the brothers knew the community vibe. Annie’s, just a block away, was already well known as an LGBTQ-friendly institution. At the time, he says, the street was a bit grittier — not the well-manicured lane it is today. Still, they decided to open a restaurant and Italian Kitchen was born. His brother at Spaghetti Garden suggested adding “Dupont” in front to help ground the location, and DIK came into being. “At the beginning I admit I was a little uncomfortable with the name, having young kids. But it grew on me,” he says. Leaning in, he’s embraced the name.
A few years later, the restaurant expanded vertically: taking over the apartments upstairs to turn it into a bar; a new chef came in who introduced DIK Bar’s popular brunch. But he and his brother never really relinquished the cozy space that he had envisioned. Each pushing 80 years old, they come in nearly daily: cooking, bartending, even washing dishes.
DIK has evolved, but only slightly. Eggplant and chicken parm, lasagna, pizza, pasta, and a $1 garden salad: the opening menu from the ‘80s reads like a genuine old-school Italian joint. Today, you will still find classic gems, though now they are nestled alongside Brussels sprouts and arugula salads.
As longtime patrons know, the restaurant is more than the sum of its pasta parts. “It’s an atmosphere where everybody is welcome. I got that from my mother,” he added, noting that she had experienced discrimination as part of the Jewish minority in Iran. Given this background, it was logical for them to build a space where “you have a place to be who you are and feel comfortable.”
In 2020, as the restaurant’s lease was expiring, he had the opportunity to buy the building, which included adjacent Argentine restaurant Malbec. “The landlord let us know that they felt we deserve to own the building after being here for so long,” says Michael.
It was a blessing; to him, it meant the sustainability of Dupont Italian Kitchen. Earlier this year, when Malbec’s lease expired, they decided against finding another tenant and instead they would make it their own. The two eateries already shared one storage basement, where the Malbec kitchen was located. Saving costs by sharing procurement, staff, and utilities (as well as liquor), they took the leap. “Plus, we can be our own great tenant,” he said with a smile.
The refurbishment thus far has included a new HVAC system and a new bar. The new restaurant allows them access to a more spacious kitchen that can cook up sizzling Mexican favorites with speed and in volume. Customers at upstairs DIK Bar have always requested more bar-style finger food, he says, and tacos are better suited to a drinking atmosphere than fettuccine alfredo or creamy Cajun sausage pasta. Mexican food is also well suited to the patio. He also has a family tie to Mexico: relatives own Johnny Pistolas in Adams Morgan. The rest of the menu is being developed, including shareable small plates and “Mexican pizza.” Drinks will feature tequila, mezcal, and margaritas; and there is a happy hour in the works. “I’m hoping this expansion can help cement our future,” he says.
The opening timeline is early fall.
Looking back on almost 40 years and looking forward with the expansion, he mused that the restaurant still maintains its authenticity and its central role in LGBTQ life in D.C. “I’m really proud of the fact that it caters to this community. We are an institution, we want to continue to be part of this place.”
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Corcoran Street Group: LGBTQ lobbyists fighting for our rights
‘The most pro-LGBTQ+ thing you can do this election is to vote Democrat’
We often hear the term lobbyist associated with negative connotations. Think oil and gas initiatives that often seek to curtail environmental protections to further their industries. Consider “big pharma,” which is often vilified for keeping healthcare costs high. However, there are lobbyists fighting for our rights – not just LGBTQ rights, but human rights as well. Brad Howard, founder and president of the Corcoran Street Group (CSG) is one such out, gay lobbyist advocating for equality and equity.
To start, Howard shares his definition of a lobbyist, which transcends the stereotype that the term originates with politicos literally waiting in D.C. hotel lobbies hoping to hobnob with politicians to foster their interests, often with cash in hand.
“Understanding how government works can be incredibly difficult, even to those on the inside,” he shared. “Lobbying is a constitutionally protected right explicitly guaranteed in the First Amendment – the right to petition our government. At its most basic level, lobbying is essentially contacting a public official to express your opinion or ask them to take a certain action. So, if you have ever emailed or called your city council rep or Member of Congress – or even tagged them on social media – you lobbied.”
Howard, who came to Washington from a conservative background in Arkansas, had a journey from working with Republican leaders and causes to being more libertarian before eventually joining with the Blue Dog Democrats. This is quite a change for a young man who founded a teenage GOP group in high school, chaired the college Republicans group at Hendrix University, and became vice chair of Arkansas College Republicans.
So, how did a nice conservative Christian Republican whose parents voted for Ross Perot instead of Bill Clinton from the Bible Belt end up as a gay lobbyist?
“I was subconsciously rejecting any attempt to live my life the way someone told me to … a Libertarian streak if you will,” Howard said. “I was always pro-choice and pro-marriage equality as I didn’t want the government anywhere near me. Throughout all of this, I was starting to understand that I was gay and what that meant for my future in politics, it was bleak. Then the Bush-Cheney campaign in 2004 started pushing constitutional amendments banning gay marriage in states across the country to drive evangelical turnout. That ran counter to my politics – to the basic principle of promoting individual liberty. So I left the party then and graduated college as an independent in 2006 with the goal of moving to Washington as quickly as possible.”
By 2007 he was living in Washington, D.C., interning for Simon Rosenberg’s New Democrat Network, and pursuing a master’s from American University. Coming out for Howard happened on the first day he entered college, quite a “daunting and scary” task summed up by him as: “I have blue eyes. I love playing cards. I’m a terrible, but very confident karaoke singer. Oh, by the way, I’m gay.”
The “it’s part of me, but not my whole identity,” is often expressed by those on the – shall we say – cusp of coming out. He cites a Foundry United Methodist pastor’s message as impetus for coming out as a defining part of his identity.
“That seed of shame you feel for being gay – that was not planted there by God; it was planted there by the church, and I’m sorry,” here he’s referring to a sermon by Pastor Ginger Gaines-Cerelli. “I can’t describe what it [felt] like to be 33 years old and have your world completely upended like that. It wasn’t just the statement, which answered a question that had long haunted me; it was also the apology. I didn’t even know that I needed an apology, but I did, and it worked.”
Before starting CSG, he worked at a bipartisan lobbyist group and was mentored by former Chief of Senate Staff Bob Van Heuvelen. Howard describes his mentor’s approach to lobbying as guided by a strong moral compass, and seeing people as people, not transactions.
The way it should be: Since corporations are not people.
Howard also sits on the board of directors for Q Street, as treasurer. Q Street is an LGBTQ lobbyist organization. Yesenia Henninger, the out queer president of Q Street since January of this year – and board member for five years – explains in further detail what her group does to foster queer rights.
“Q Street is the nonprofit, nonpartisan, professional association of LGBTQ lobbyists and public policy advocates. Q Street was formed to be the bridge between LGBTQ advocacy organizations, LGBTQ+ lobbyists on K Street,” District lingo for queer lobbyists, “and our colleagues and allies on Capitol Hill. Q Street has more than 3,000 recipients of our monthly newsletter, hundreds of attendees at our receptions, and our monthly luncheons have featured speakers such as Members of Congress, campaign managers, activists, plaintiffs in the most important LGBTQ+ Supreme Court cases of our time, and the Secretary of the Army. Q Street hosts nearly 25 receptions, lunches, and professional development events every year. Our goal is to provide the best networking opportunities and professional development trainings so our members continue to grow within the ranks of their field.”
According to Henninger there has been a growing population of queer lobbyists since the Obama years. Marriage equality, an impetus for Howard to perhaps “come out politically” equally spurred their growth. After Obama, this presence fought to maintain rights gained. This is amazing growth considering at one time people working for our equity did so in an almost secretive fashion.
An aside here, Sean Strub the founder of POZ Magazine, wrote a powerful book in 2014 called “Body Counts: A Memoir of Politics, Sex, AIDS and Survival,” which chronicles advocacy in D.C. in the years after Stonewall.
The majority of these K Street lobbyists are in their 30s and 40s. Although Henninger shares there are more junior and more senior-ranking lobbyists in terms of age or career.
What do they do? Is it office-to-event, sleep, repeat? Henninger explained that a queer lobbyist’s lifestyle varies depending on the issue area they focus on. Her organization has lobbyists working in policy as well as members who focus on energy and transportation issues, and topics all across the spectrum.
“The lobbyists and advocates whose roles require them to engage in political activity may also have different lifestyles than those that do not. They likely have fundraisers (sometimes one, sometimes multiple) that they attend after work with Members of Congress or other politicians. However, we also have many public policy advocate members who spend their day talking to Members of Congress, or administration officials, trying to achieve their policy goals that do not have any fundraiser-related obligations. Q Street hopes to provide a great space for our members to network with one another and unite their social and professional experiences in the district.”
We are all aware what is at stake in the upcoming presidential election in what can only sadly be described as a deeply divided nation. What role will LGBTQ lobbyists play, I asked Brad Howard.
“If you vote third party, if you leave the race blank, or if you stay home, you are helping to elect Donald Trump,” he said. “You are not punishing Joe Biden, you are punishing the millions of Americans, the millions of aspiring Americans who face deportation, millions of women who depend on access to reproductive health, and so many transgender young people who need protection – all of these people will be punished in a Trump presidency. And, Joe Biden is going to need a Democratic Congress – or we’ll need a Democratic Congress to stop Donald Trump. So to me, the most pro-LGBTQ+ thing you can do this election is to vote Democrat…because the choices have never been clearer.”
Visit Corcoran Street Group and Q Street to learn more about their work.