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Troye Sivan conjures up minimalist magic at the Anthem

Out singer does wonders bringing spare, mellow ‘Bloom’ to near arena-size life

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Troye Sivan, gay news, Washington Blade

Troye Sivan performs at the Anthem Oct. 4 in Washington. (Washington Blade photo by Joey DiGuglielmo)

A Troye Sivan concert leaves one with two major impressions: One, it’s amazing the magic he can weave using so little and two, the juxtaposition of his sonic/video/TV show performances — where he comes off as an androgynous, gay sex-starved coquette gyrating lasciviously — dovetails quite nicely with his stage/interview persona where he’s self deprecating, down to earth, sweet seeming, even anodyne. 

That’s not a twofer you’d necessarily think would work. His Aussie accent helps. With his bleached blonde hair, blue eyes, lanky, 115-pound (it appears) frame, the 23-year-old seems positively angelic but you’re never quite sure if he stayed with the good angels like Gabriel and Raphael or is working undercover in Lucifer’s throng. 

Last week’s D.C. concert at the Anthem where he played the eighth show of his current 26-date “Bloom Tour,” (his album dropped Aug. 31) felt in some ways rather minimalist. A couch and a few lamps during the ballad set were the only props. The rest of the time the only visuals were — an impressive backscreen light show notwithstanding — Sivan’s four-piece (two guys/two girls) band and Sivan himself. There was an outfit change or two but the clothes were so non-glam and unmemorable he might have just as likely been out for a stroll on the D.C. Wharf. 

There were no video projections, no appearances from any of the fabulous, gender/bending clothes from the eye-popping “Bloom” video and nary a peeking nipple — kind of a Sivan trademark — was seen all night. No choreography either. Sivan just sort of bops around — he jumps, he spins, he twirls, he gyrates, he almost-but-never-quite-rubs himself — as the spirit moves. No backup singers (though the players did add some vocals), no dancers, no pyrotechnics. It was spare, but spare in a refreshing way. You never felt he didn’t have those things because he couldn’t yet afford them. This is only his second record, so maybe he can’t, but the minimalism felt chosen not resorted to. 

Last time he played Washington (not counting his ebullient June appearance at Capital Pride) — at the 9:30 Club in early 2016 — it felt like teenybopper girls’ night out with some gay men mixed in. This show felt like the inverse. It was almost all 20s and 30s gay men, like a gay high holy day young professionals night, with about 15 percent straight gal pals along for the ride. 

When you’ve been (as I have) to way too many shows by veteran acts in their golden years with 30-plus-year careers behind them, it’s fun to see an act only on his or her sophomore album. Whatever the new album is, it gets played almost in its entirety, there’s true energy in the room, people sing along en masse to every song whether it was a single or not and the performer feels genuinely thrilled to be there. These are still new experiences and unchartered terrain. They’re still giddy they can fill the next size venues up from their last tour. 

In Sivan’s case, that meant we got to hear all 10 cuts from the “Bloom” record in mostly faithful arrangements. The only unexpected twist was “My My My!” went into dance club remix mode (double-time beats) for its last couple choruses. It worked — the crowd (fairly packed on Anthem floor but not sold out) ate it up.

It was impossible to tell how much of the actual music was live. At times Sivan would take a line here and there a fifth or an octave above where he sings it on the album. The album vocal would keep going but you could never quite tell if that was recorded or live BGVs from the band. It didn’t matter — the vocals were stellar all night. If some beds were recorded, you never sensed for a second it was to save him any taxation. 

Seven cuts (four from the new record) made a killer opening set. “Plum” and “Lucky Strike,” neither singles interestingly, were arguably the most beguiling. Sivan sold them with abandon. Only on “Wild” did the relative simplicity of his choruses feel a little threadbare; in other spots it just seemed to buoy the sing-alongability of his tunes. 

A four-song ballad set provided a nice mid-show contrast with room for acoustic piano and guitar accompaniment. “Bite,” a bonus cut from his first album “Blue Neighborhood,” was the only semi-dud bouncing back and forth between a finger-snapping, sing-songy sort of thing to thundering drum solos that felt a little whiplashy. You could see why it was a bonus cut but I guess you gotta get a little creative to fill out a set when you’re only on your second record.

“Dance to This” and “Animal” closed out the main set. “Animal,” a fine song, wasn’t quite the best choice for that slot, but it wasn’t a catastrophe. “Youth,” fist-pumpingly ecstatic, and “My My My!” (of course) were the encores. 

The banter was just the right amount. Sivan talked about walking his dog around D.C. that day, went on and on about how great it was to see everyone, expressed concern for the mashed-together crowd (there are no seats on the Anthem main floor), told the crowd he wanted to “see you guys go fucking crazy” during key musical climaxes (we happily obliged). It was all just fun. You didn’t have to overthink it, you just soaked in the joy of having such an out-and-proud headliner who could fill the place among us. We might argue how much of a groundbreaker Sivan is. Yeah, we’ve had Rufus and Jake Shears (he’ll be here Oct. 31, by the way) before him but those singers were always — in much different ways — a bit left of center. Most of us admire Rufus Wainwright but he’s somebody you might put on at 4 a.m. during a nightcap, not somebody you want to blast on a summer road trip. 

Sivan is the middle ground. His album doesn’t beat you over the head. You’re not immediately sucked in by its hooks the way you are by, say, Charlie Puth or Shawn Mendes. But let it soak in and you see how much understated beauty and warmth is there. Sivan hit all the right notes realizing “Bloom” in a live setting. It’s sort of a mellow, hot tub-and-sex album; it wouldn’t have automatically worked in a large room yet Sivan and the crowd together made it pop live. 

His pal Leland opened but I missed his set. Trans pop princess Kim Petras gave a super-fun, eight-song set from about 8-8:35 full of Cyndi Lauper-esque pop hooks and big, rafter-raising vocals she pulled off beautifully with unwaveringly good pitch. 

The merch was underwhelming. Sivan looked more like a washed-out ghoul on his own shirts which were — as we have come to expect at such events — obscenely overpriced (Ts went for $40 and except for ball caps and pop sockets, it went up from there). 

SET LIST:

KIM PETRAS (8-8:34 p.m.):

1. All the Time

2. I Don’t Want it All

3. Hillside Boys

4. Hills

5. Unlock It

6. Close Your Eyes

7. Heart to Break

8. Can’t Do Better

TROYE SIVAN (9:07-10:30)

1. Seventeen

2. Bloom

3. Plum

4. Heaven

5. Fools

6. Lucky Strike

7. Wild

8. Postcard

9. The Good Side

10. What a Heavenly Way to Die

11. Better Now (cover) 

12. Bite 

13. Dance to This

14. Animal

ENCORE

15. Youth

16. My My My! 

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Music & Concerts

Kylie brings ‘Tension’ tour to D.C.

Performance on Tuesday at Capital One Arena

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Kylie Minogue visits D.C. on Tuesday.

Aussie pop icon Kylie Minogue brings her acclaimed “Tension” world tour to D.C. next Tuesday at 7:30 p.m. at the Capital One Arena. Tickets are still available at Ticketmaster.

The show features songs spanning her long career, from 1987 debut single, “The Loco-Motion,” to “Padam, Padam” from her album, “Tension.”

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Music & Concerts

Busy season for live music in D.C.

Erivo, Kylie, Sivan, and more headed our way this spring

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Cynthia Erivo plays WorldPride in D.C. on June 7. (Photo courtesy of World Pride)

One sure sign of spring’s arrival is the fresh wave of live music coming to Washington. With more than 10 venues and a diverse lineup of artists, the city offers no shortage of live performances for the new season.

In addition to this impressive list, don’t forget the many artists coming to town for WorldPride, May 17-June 8. In addition to headliner Cynthia Erivo performing on Saturday, June 7 at the two-day street festival and concert, many other performers will be in town. Jennifer Lopez, Troye Sivan, and RuPaul are among the featured performers at the WorldPride Music Festival at the RFK Festival Grounds, June 6-7. Visit WorldPrideDC.org for a list of other performers.

MARCH

Grammy and Emmy Award-winning Mary J. Blige will take the stage at Capital One Arena on March 26 for her For My Fans tour. Two days later, on March 28, J Balvin will also perform at Capital One Arena for his Back to the Rayo tour.

The Lincoln Theatre will host the Gay Men’s Chorus of Washington for three performances—one on March 15 and two on March 16.

If dance parties are more your vibe, you’re in luck. DC9 is hosting a series of themed dance parties this month, starting with Poker Face: 2000s + Dance Party on March 14, the ever-popular Peach Pit ’90s dance party on March 15, H.O.T.S.: A Sapphic Dance Party on March 22, and RageRiot!—a burlesque and drag revue featuring a lineup of local drag kings, queens, and everything in between on March 29.

APRIL

Kylie Minogue brings her ‘Tension Tour’ to D.C. in April.

Australian queen of pop Kylie Minogue will bring her Tension tour to Capital One Arena on April 8, with British dance artist Romy as her special guest.

Indie singer-songwriter mxmtoon will stop in D.C. for their Liminal Space tour on April 4 at the 9:30 club, followed by indie rock band Gossip on April 5. The 9:30 club will also host two dance parties in April: Gimme Gimme Disco – a dance party inspired by ABBA on April 11 and Broadway Rave on April 18.

The Atlantis will feature Brooklyn-based indie rock band Pom Pom Squad on April 2.

Comedy duo Two Dykes and a Mic will bring their Going Hog Wild tour to the Howard Theatre on April 19.

DC9 has two dance parties lined up this month: Bimbo Night on April 4, hosted by Baltimore’s “premier red-tattooed Filipina diva” Beth Amphetamine, and Aqua Girls: A QTBIPOC Dance Party on April 5, celebrating “queer transcendence through music, movement, and community.”

The Anthem will welcome a lineup of big names in April, starting with Alessia Cara on April 8. Lucy Dacus will take the stage on April 18 and 19 for her Forever Is a Feeling tour, while funky pop artist Remi Wolf will headline on April 27, joined by special guests Dana and Alden.

MAY

Indie-pop artist Miya Folick will bring her Erotica Veronica tour to The Atlantis on May 1, followed by multi-genre musician SASAMI on May 2. Pop artist Snow Wife will close out the month at The Atlantis on May 31 as part of an official WorldPride 2025 event.

Queer rock band Lambrini Girls will perform at the Howard Theatre on May 4, while rock trio L.A. Witch will take the stage at DC9 on May 12.

Union Stage will feature Rachel Platten on May 3 for her Set Me Free tour, followed by Femme Fatale: A Queer Dance Party later that night.

The popular DJ festival Project Glow will return to RFK Stadium grounds on May 31 and June 1.

JUNE

Pride month kicks off with “RuPaul’s Drag Race” star Trixie Mattel, who will perform at Echostage on June 3 as part of a series of official WorldPride 2025 events.

Queer icons Grace Jones & Janelle Monáe will take over The Anthem on June 5 for a WorldPride 2025 event performance.

Perfume Genius will bring his signature sound to the 9:30 club on June 7 as part of WorldPride 2025 festivities. Later in the month, Blondshell will hit the 9:30 club for her If You Asked for a Tour on June 24.

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Music & Concerts

Pride concert to take place at Strathmore after Kennedy Center rescinds invitation

International Pride Orchestra ‘heartbroken’ event ‘would no longer be welcome’ at DC venue

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The Kennedy Center (Washington Blade photo by Michael Key)

The International Pride Orchestra has announced its Pride concert will take place at the Strathmore Music Center on June 5 after the John F. Kennedy Center for the Performing Arts disinvited the group.

Since President Donald Trump took over the Kennedy Center during his first month in office, LGBTQ events and performances have been banned with community allies withdrawing in solidarity. 

The Kennedy Center has cancelled “A Peacock Among Pigeons: Celebrating 50 Years of Pride,” a May 21 concert that was to feature the Gay Men’s Chorus of Washington, D.C. The International Pride Orchestra on Monday said its concert will now take place at the Strathmore.

“We were heartbroken when we learned that our concert would no longer be welcome at the Kennedy Center,” said International Pride Orchestra Founding Artistic Director Michael Roest in a statement released by the orchestra’s media page. “The Kennedy Center has long been a symbol of artistic excellence, inclusivity, and freedom of expression. However, we are profoundly grateful to the Strathmore Music Center for opening their doors to us. Their willingness to host our Pride Celebration Concert ensures that our message of love, pride, and resilience will be heard on the doorstep of the nation’s capital.”

The Pride concert is among the events that have faced uncertainty since the Trump-Vance administration took office on Jan. 20. Many, however, are fighting back and looking for ways to push back against the bans and cancellations.

“We aim to create a powerful and positive representation of the queer community through music,” said Roest. “We want to show the world who we are, celebrate our queer identities, and amplify the work of organizations that support the LGBTQ+ community.”

WorldPride is scheduled to take place in D.C. from May 17-June 8.

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