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Headliner Shea Diamond getting ‘diva’ed up’ for Capital Pride slot

Trans singer on her Mayor Pete fixation, idols, inspirations and more

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Shea Diamond, gay news, Washington Blade
Shea Diamond says somebody would have to seriously get her attention before she’d consider dating. (Photo by Ira Chernova)

The 2019 Capital Pride Concert has a diverse slate of performers this year to include R&B singer and transgender activist Shea Diamond. 

Diamond’s music is a blend of blues, rock, hip-hop and folk music, and her signature song “I Am Her,” penned during a period of incarceration, has become an anthem used in protest marches. Democratic presidential hopeful Pete Buttigieg has also endorsed her song “American Pie.”

Diamond spoke to the Blade by phone Tuesday. She’s slated to perform on the Capital Pride Concert Stage Sunday, June 9 at 1 p.m. Look for her video “Don’t Shoot,” slated to drop today, online. 

BLADE: Where are you? 

DIAMOND: I’m at home and I’m getting ready for a photoshoot, I’m getting my nails done — for Pride as well. This is one of those times to get diva’ed up. 

BLADE: Who are your biggest musical influences?

DIAMOND: To date or just now? Because we lost some of the greats I’ve been citing since I’ve been out. Like Whitney, who I’ve been talking about since I’ve been out now. Whitney inspired so much. She’s a long time influence. Tina Turner. 

BLADE: Are you familiar with Jackie Shane?

DIAMOND: I’ve been talking about Jackie in an interview. That I wanted to perform with her. I found about her late … this was like a couple of years ago. I had to listen to her music. We’ve lost so much of our history … we should have honored her more. And so this is like the sad reality. I would like to see a biopic about her, but why did we have to wait (until she died)? Is this what we do to our black trans women? And it looks disgusting now. 

BLADE: Do you feel a sense of connection with LGBT predecessors in this field?

DIAMOND: I do feel a connection. Because when you look around in your struggle or whatever you’re going through, you are looking for people who are maybe going through the same thing you’re going through, who can understand. I look up to them because I know they understand the things that I’m going through, if not worse.

BLADE: I understand Mayor Pete is a fan. How did you feel about his endorsement of the song “American Pie”?

DIAMOND: Oh my god! I was so freakin’ elated! You have to understand, I love me some Mayor Pete, and I’m not really impartial. I am intrigued that we might have a president who could speak almost any language. … He can actually connect with people. His approach, he reminds me of Obama. Meeting him … the attention was real, it was genuine, it didn’t feel forced. I’m a big person on energy and his was open, honest and genuine. These are things I can’t feel from everyone. I’m very picky about endorsing anything. So if I endorse anything, music or anything, it has to be something that is true. With Mayor Pete I needed to know the man …(but) do you see anyone else spreading the miracle of black trans women? And so I am willing to give Pete a chance but we need to start working now. We don’t have time to play around like we did when Trump got into office. So, I would love to see a black trans woman in the oval office, but right now we have Mayor Pete. 

BLADE: Can you tell us a few songs that we will definitely hear at Capital Pride? What can we look forward to at your performance?

DIAMOND: Definitely “American Pie,” also a song called “Don’t Shoot,” we’ll be performing that song for you, and for the first time before an audience. 

BLADE: What does it feel like to sing on stage for a live audience?

DIAMOND: Oh my God! Anxiety! For a black trans woman, it takes a lot to get up on stage and with confidence still. And anything can happen to me in that space. So I feel both the anxiety and the excitement because I love the stage. I love being on the stage, but still there’s still that anxiety. We don’t work under the same conditions that others work under. When I get up on stage, I can’t just be a regular artist. I gotta worry about who’s trying to kill me. So, a bit of anxiety comes with it. And being a woman of color there is a difference in treatment, there’s notably a difference. And so my main thing is mainly getting my message out. I look at all of these people and they don’t know what it takes for a black trans woman to leave out her house and to make it onto the stage, and then to leave the stage and there’s nobody there.  So, I think they should stand up on their feet, but they’re not standing up on their feet like they would stand up for anybody white, and that’s noticeable. 

BLADE: What experiences went into the song “I Am Her”?

DIAMOND: “I Am Her” is you. “I Am Her” is everyone who understands the plight I experienced. Because if you allow one woman to suffer, that suffering is your suffering … because I believe we’re all connected. How can you allow someone to suffer and you not feel anything? So, she’s been damaged, she’s been broken, but she’s still here. She’s been demonized, but she’s still vulnerable. Someone who’s been an outcast, someone who is different in everybody’s life. Just because you see someone who is “out” and who is trans, who is demonized  —  what about the people who are closeted? Who are stealth? What are about people who are afraid to take it to the next level because they see the other people who are being demonized? So these are important elements of “Her” and it is about how we demonize all of these intersections. I put them in the same thing because what is so unique, why are women being attacked? Why are trans women being attacked? Why are black people being attacked? What is the problem that we have with race? What is the problem that we have with feminine energy? Some people have said that feminine energy is a weakness, but women every day, trans and others, prove that to be wrong. And so when I was writing “I Am Her,” I was writing it under the worst conditions. I had already gotten incarcerated, but before then I had already been rejected by my family for my experience. And so I was demonized by the church for my femininity. And I just wanted to express all of my feelings because I was quiet spoken, I wasn’t as outspoken as now. I have a voice …  It took me being locked up to become this vocal. So I met a lot of people who hurt me, but I loved hard. But the love that I received wasn’t unconditional, not even from family and friends. I’ve learned that love is conditional. And so I just wanted to say my piece. But being quiet spoken, I never told anyone exactly how I felt. I never told the church that they were wrong in doing that. They were judging my body and it was all about my spirit. 

BLADE: Is there something hopeful you can share with the young people attending Pride this year? 

DIAMOND: That’s what “Don’t Shoot” tells; that what the album “Seen It All” tells. I never thought I’d see myself here, I thought I had seen it all. I’m not what entertainment considers popular. So for me, I thought I thought I had seen it all. The world is still changing. We’ve had our first black president; we’ve had things that I never thought I would see in my lifetime. So “Seen it All” is really saying that I haven’t seen it all. All the songs in the collection tell the story of my journey and overcoming. Because it’s a true underdog story. If I can do it, anybody can do it. Never give up. There have been plenty of times that I wanted to give up, that I wanted to give up on life … the conditions, they were too hard. But looking back now, things that are worth it, you have to fight for, and I’ve been fighting my ass off. It feels amazing now and I want people to understand that and be hopeful. I’ve been fighting my whole life and we have keep fighting for our way of life, for our love, we have to continue to fight for this. It’s exhausting but it’s worth it. We’ve seen some of the fruits of our labor. Continue living our dreams. We need to continue to challenge these narratives and these young minds need to continue to change old ways and old minds. They have new and fresh ideas. Nobody is disposable. That is the message. Believe in yourself. Believe there is something special about you that you can believe in yourself. Hiding yourself will never get the truth about you. You’ll never be comfortable playing the piano, you’ll never be comfortable singing your true song. 

BLADE: What do you do in your off-time to relax?

DIAMOND: I catch movies. I watched Will Smith in “Aladdin,” and recently I added Dave and Busters to my roster.

BLADE: Is there anyone special that you spend time with? Are you currently in a relationship?

DIAMOND: I’m not currently. There’s nobody who I’m willing to be with right now, honestly. Obviously, I’m a very vocal and very public trans figure. My experience becomes different when I become an “out” trans (woman) in a relationship. The people I date don’t usually go the extra mile like with cis people. So, going to a movie turns into Netflix and chill. A night out on the town will (become) chilling in an apartment-type of situation. You have to either step up to the plate and be a strong person who is willing to be with a strong woman like me, or I have to be willing to be strong by myself. So, I have been abstinent for a while now. 

BLADE: But if love comes along, are you open to the right person?

DIAMOND: Of course! For me, I’m so passionate about everything. I put so much love into everything that I do. It would have to be reciprocated in that. I’m not going to be the one loving you 100 percent while you’re loving me fifteen. I don’t want you to show me all the limitations you have, I want you to show me how you can go beyond those limitations. Because you have to get my attention; it’s hard to get my attention. (I want) those beautiful things, you know, that glow in the sky. I mean a proposal to me would be fireworks in the sky, “Will you marry me?”-type of thing. Get my attention. When you say that you love me you have to say it with your chest. I need to know that you mean it. If you love someone, then you’re willing to go that extra mile. You’re willing to protect them. That’s what I need as a black trans woman. I need someone who is willing to protect me as a man. I need someone who is not only willing to lay with me but stand beside me as well.

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Music & Concerts

Musical icons and newer stars to rock D.C. this spring

Brandi Carlile, Bad Bunny, Nicki Minaj, and more headed our way

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Brandi Carlile plays the Anthem this month.

Bands and solo artists of all different genres are visiting D.C. this spring. Patti LaBelle and Gladys Knight will team up to perform at the Wolf Trap in June, and girl in red will play at the Anthem in April. Some artists and bands aren’t paying a visit until the summer, like Janet Jackson and Usher, but there are still plenty of acts to see as the weather warms up. 

MARCH 

Brandi Carlile plays at the Anthem on March 21; Arlo Parks will perform at 9:30 Club on March 23; Girlschool will take the stage at Blackcat on March 28.

APRIL 

Nicki Minaj stops in D.C. at Capital One Arena as part of her North American tour on April 1; Bad Bunny plays at Capital One Arena on April 9 as part of his Most Wanted tour; girl in red performs at the Anthem on April 20 and 21; Brandy Clark plays at the Birchmere on April 25; Laufey comes to town to play at the Anthem on April 25 and 26. 

MAY 

Belle and Sebastian play at the Anthem on May 2; Chastity Belt performs at Blackcat on May 4; Madeleine Peyroux stops at the Birchmere on May 5; The Decemberists play at the Anthem on May 10; the rock band Mannequin Pussy performs at the Atlantis on May 17 and 18; Hozier plays at Merriweather Post Pavilion on May 17 as part of the Unreal Unearth tour. 

JUNE 

Patti LaBelle and Gladys Knight will sing soulful melodies at Wolf Trap on June 8; Joe Jackson performs at the Lincoln Theatre on June 10; the Pixies and Modest Mouse are teaming up to play at Merriweather Post Pavilion on June 14; Maggie Rogers plays at Merriweather Post Pavilion on June 16 as part of The Don’t Forget Me tour; Brittany Howard headlines the Out & About Festival at Wolf Trap on June 22; Sarah McLachlan plays at Merriweather Post Pavilion on June 27; Alanis Morissette performs at Merriweather Post Pavilion on June 29 and 30

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Music & Concerts

Grammys: Queer women and their sisters took down the house

Taylor Swift won Album of the Year

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When the late, great Ruth Bader Ginsburg was asked when there will be enough women on the Supreme Court, her answer was simple: Nine. She stated: “I say when there are nine, people are shocked. But there’d been nine men, and nobody’s ever raised a question about that.” RBG did not attend the Grammy’s last night, but her spirit sure did. Women, at long last, dominated, ruled and killed the night.

Cher, in song a decade ago, declared that “this is a woman’s world,” but there was little evidence that was true, Grammy, and entertainment awards, speaking. In 2018, the Grammys were heavily criticized for lack of female representation across all categories and organizers’ response was for women to “step up.”

Be careful what you wish for boys.

The biggest star of the 2024 Grammys was the collective power of women. They made history, they claimed legacy and they danced and lip sang to each other’s work. Standing victorious was Miley Cyrus, Billie Eilish, SZA (the most nominated person of the year), Lainey Wilson, Karol G, boygenius, Kylie Minogue and Victoria Monét. Oh, yes, and powerhouse Taylor Swift, the superstar from whom Fox News cowers in fear, made history to become the first performer of any gender to win four Best Album of the Year trophies.

In the throng of these powerful women stand a number of both LGBTQ advocates and queer identifying artists. Cyrus has identified as pansexual, SZA has said lesbian rumors “ain’t wrong,” Phoebe Bridgers (winner of four trophies during the night, most of any artist) is lesbian, Monét is bi and Eilish likes women but doesn’t want to talk about it. Plus, ask any queer person about Swift or Minogue and you are likely to get a love-gush.

Women power was not just owned by the lady award winners. There were the ladies and then there were the Legends. The first Legend to appear was a surprise. Country singer Luke Combs has a cross-generational hit this year with a cover of Tracy Chapman’s “Fast Car.” When originally released, the song was embraced as a lesbian anthem. When performing “Fast Car,” surprise, there was Chapman herself, singing the duet with Combs. The rendition was stunning, sentimental and historic.

Chapman, like many of the night’s female dignitaries, has not been public with her sexuality. Author Alice Walker has spoken of the two of them being lovers, however.

The legend among legends of the night, however, was the one and only Joni Mitchell. Not gay herself, she embodies the concept of an LGBTQ icon, and was accompanied by the very out Brandi Carlile on stage. On her website, Mitchell’s statement to the LGBTQ community reads, “The trick is if you listen to that music and you see me, you’re not getting anything out of it. If you listen to that music and you see yourself, it will probably make you cry and you’ll learn something about yourself and now you’re getting something out of it.”

Mitchell performed her longtime classic “Both Sides Now.” The emotion, insight and delivery from the now 80-year old artist, survivor of an aneurism, was nothing short of profound. (To fully appreciate the nuance time can bring, check out the YouTube video of a Swift lookalike Mitchell singing the same song to Mama Cass and Mary Travers in 1969.) In this latest rendition, Mitchell clearly had an impact on Meryl Streep who was sitting in the audience. Talk about the arc of female talent and power.

That arc extended from a today’s lady, Cyrus, to legend Celine Dion as well. Cyrus declared Dion as one of her icons and inspirations early in the evening. Dion appeared, graceful and looking healthy, to present the final, and historic, award of the night at the end of the show.

Legends did not even need to be living to have had an effect on the night. Tributes to Tina Turner and Sinead O’Conner by Oprah, Fantasia Barrino-Taylor and Annie Lennox respectively, proved that not even death could stop these women. As Lennox has musically and famously put it, “Sisters are doing it for themselves.”

Even the content of performances by today’s legends-in-the-making spoke to feminine power. Eilish was honored for, and performed “What Was I Made For?,” a haunting and searching song that speaks to the soul of womanhood and redefinition in today’s fight for gender rights and expression, while Dua Lipa laid down the gauntlet for mind blowing performance with her rendition of “Houdini” at the top of the show, Cyrus asserted the power of her anthem “Flowers” and pretty much stole the show.

Cyrus had not performed the song on television before, and only three times publicly. She declared in her intro that she was thrilled over the business numbers the song garnered, but she refused to let them define her. As she sang the hit, she scolded the audience, “you guys act like you don’t know the words to this song.” Soon the woman power of the room was singing along with her, from Swift to Oprah.

They can buy themselves flowers from now on. They don’t need anyone else. Cyrus made that point with the mic drop to cap all mic drops, “And I just won my first Grammy!” she declared as she danced off stage.

Even the squirmiest moment of the night still did not diminish the light of women power, and in fact, underscored it. During his acceptance of the Dr. Dre Global Impact Award, Jay-Z had a bone to pick with the Grammy voters. He called out the irony that his wife Beyoncé had won more Grammys than any other human, but had never won the Best Album of the Year. Yeah, what’s with that?

But then, it brought additional context ultimately to the fact that the winner of the most Grammys individually … is a woman. And to the fact that the winner of the most Best Album of the Year awards … is a woman.

Hopefully this was the night that the Grammys “got it.” Women are the epicenter of The Creative Force.

Will the other entertainment awards get it soon as well? We can hope.

Most importantly, in a political world where women’s healthcare is under siege. Will the American voters get it?

A little known band named Little Mix put it this way in their 2019 song “A Woman’s World.”

“If you can’t see that it’s gotta change
Only want the body but not the brains
If you really think that’s the way it works
You ain’t lived in a woman’s world

Just look at how far that we’ve got
And don’t think that we’ll ever stop…”

From Grammy’s mouth to the world’s ear.

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Music & Concerts

Janet Jackson returning to D.C, Baltimore

‘Together Again Tour’ comes to Capital One Arena, CFG Bank Arena

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Janet Jackson is coming back to D.C. this summer.

Pop icon Janet Jackson announced this week an extension of her 2023 “Together Again Tour.” A new leg of the tour will bring Jackson back to the area for two shows, one at D.C.’s Capital One Arena on Friday, July 12 and another at Baltimore’s CFG Bank Arena on Saturday, July 13.  

Tickets are on sale now via TicketMaster. LiveNation announced the 2023 leg of the tour consisted of 36 shows, each of which was sold out. The 2024 leg has 35 stops planned so far; R&B star Nelly will open for Jackson on the new leg. 

Jackson made the tour announcement Tuesday on social media: “Hey u guys! By popular demand, we’re bringing the Together Again Tour back to North America this summer with special guest Nelly! It’ll be so much fun!”

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