Arts & Entertainment
Former ‘As the World Turns’ actor reflects on career, historic gay kiss
Van Hansis — ex-Luke Snyder on ‘ATWT’ — joins other soap pals for Daytime Pride event June 29


Daytime Pride
Saturday, June 29
Morning event: 10 a.m.-4 p.m..
VIP dinner: 6:30-9 p.m.
Human Rights Campaign Equality Center
1640 Rhode Island Ave., N.W.
Washington
$125-375
Van Hansis was just barely a year out of graduating from Carnegie Mellon University when he landed the role of Luke Snyder on “As the World Turns.”
From 2005-2010, Hansis stepped into a role that made TV history and gave the Massachusetts native a sold training ground for his career.
Today, with credits in film, off-Broadway and the long-running web series “EastSiders,” Hansis will revisit his character Luke for Daytime Pride on Saturday, June 29, at the Human Rights Campaign Equality Center.
Hansis will join fellow daytime drama stars Ryan Carnes, Lucas from “General Hospital”; Camryn Grimes, Mariah from “The Young & The Restless”; Greg Rikart, ex-Leo from “Days of Our Lives”; Jake Silbermann, ex-Noah from “As the World Turns” and Freddie Smith, Sonny from “Days.”
The morning event, which is from 10 a.m.-4 p.m., includes autographs, photo ops, panel as well as a meet and greet. A VIP dinner will be from 6:30-9 p.m. at the Mayflower Hotel. Proceeds from the event will be donated to True Colors United, which assists homeless LGBTQ youth.
When Luke was recast in what’s called “rapid aging” in soaps during which the character magically becomes an adult overnight, Hansis says writers had already decided his character would be gay. Luke would be one of the first male gay soap opera characters. Whether he was uncomfortable or not to play a gay character so early in his career, Hansis knew he had to take it.
“When you’re an acting , to get an recurring role a soap opera — that was kind of my first on-camera professional job — I was not in any place to turn anything down,” he says during an interview from his homebase of New York City. “Luke was such a rich character and such a wonderful experience I ended up having for five years. It was a blessing.”
The role would earn Hansis three Daytime Emmy nominations.
“He was kind of a brat, but I really liked him,” he says of his character. “His heart was totally in the right place. I played the character for five years, and he grew up into a shipping heir. He was a good kid with a sweet heart who I think was also a little bit self-righteous and self-obsessed, but in spite of some of his negative qualities, he was still a human being. He was just a nice mix. He felt real to me. He felt like a real person.”
And to gay fans across the nation, Luke became one step closer to acceptance. On Aug 17, 2007, the first-ever gay male kiss on American television was aired, which was Luke and Noah Mayer (played by Silbermann, who will also be at the event) on “ATWT.” Luke and Noah shared the first-ever on-screen gay male kiss on an American daytime drama on Aug. 17, 2007.
One of Hansis’ favorite storylines was when Luke and Noah met. Another was when Luke was an alcoholic for a while, also when he got kicked out of college.
“I liked playing him when he was being bad,” he says.
Although Luke came out in 2007, Hansis waited until 2014 to officially come out to his fans during an interview about “EastSiders.” Openly gay in his personal life, Hansis says he was apprehensive about outing himself so early in the career, afraid that he might be stereotyped.
“Back when I started with Luke, and it being my first thing, a lot of people who were telling me, ‘Don’t come out publicly,’” he says. “Even back then, it was a different world, sort of. It was not like it is today, especially for an actor. If you come out gay, you’re only going to play gay for the rest of your life.”
Although it’s well-known that he has been in a relationship with Broadway star Tyler Haines since 2007, Hansis said he likes to keep his private life as private as he can.
“In retrospective, I wish I had come out earlier publicly, but I was out in my private life,” Hansis says. “Even to this day I keep my private life pretty private. I do social media, but I don’t do it a lot. I really try to choose what I put out there about my life because even though I have a public career, I am a private person. I want to stay that way.”
When he came out, he felt like things had changed and “I gave less of a fuck.”
This Daytime Pride event is the second one Hansis has been since “ATWT” ended eight years again.
“It’ll be interesting to try to relive all that stuff. I probably should try to watch it to help remember what I did,” he says, noting it will be nice to see Stilbermann who has remained a good friend. “It’ll be nice to get together a lot of gay characters. What I like is that it’s specific, it’s not just on a soap opera, but a gay character on a soap opera.”
Since leaving “ASWT,” Hansis has had a varied career. He was cast in 2012 on the dark comedy web series “EastSiders,” which he was also nominated for a Daytime Emmy. The show will enter its fourth and final season this year.
Hansis is proud that he was able to be a part of what has become an iconic LGBTQ role.
“It was a big deal back then. I think almost soap from then on has gay characters now,” he says.
In addition to acting, he has directed a web series called “Ms. Guidance” that has been submitted to several festivals. He also teaches at MN Acting Studio in New York City.
Although a regular at New York Pride, this will be his first time doing anything Pride-related in Washington.
“I plan to do (this event) on Saturday, then Pride in New York on Sunday,” he says. “Then Monday, I’m taking a vacation.”

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.