Arts & Entertainment
Stonewall Inn’s owners look back while moving forward
LGBTQ landmark continues to evolve 50 years later
Open the front door to the Stonewall Inn today and you’ll find LGBTQ people from every walk of life. Locals and tourists alike gather for reasons as diverse as they are. Some patrons want to see the world-famous Stonewall Inn; others pop in for a cocktail and the rest simply want to hang out in a gay bar.
Among the crowd, you may even spot a famous face. Taylor Swift recently performed at Stonewall Inn; Joe Biden and his wife Jill Biden came by to celebrate the 50th anniversary of the Stonewall riots; and Madonna surprised fans with a New Year’s Eve performance at the historic bar in 2019.
Co-owners Kurt Kelly and Stacy Lentz gave birth to this modern-day Stonewall Inn when they purchased it in 2006.
Kelly, who is gay, felt that the Stonewall Inn had lost its connection with the LGBTQ community. He and a group of investors decided to purchase the property and brought investor Lentz, a lesbian community activist, on board as co-owner.
It was the first bar Kelly and Lentz had ever owned but they were ready to return the Stonewall Inn to its LGBTQ roots.
The original Stonewall Inn was a Mafia-owned bar located on 51–53 Christopher Street in the Greenwich Village neighborhood of New York City.
“The Mafia bought up a lot of the gay bars because they saw money involved in there. They saw money in those spaces because gay people would go there and spend a lot of money,” Kelly says.
Police raids were common for gay bars during that time and one such routine raid would make history on June 28, 1969 when bar patrons resisted arrest. The Stonewall Riots sparked a movement one year later when the first-ever Pride march was organized to commemorate the event. The march route stretched from the Stonewall Inn to Central Park.
Shortly after the riots, the Stonewall Inn shut down. Over the years, it was converted into a bagel shop, a deli and a shoe store before reopening as a bar at 51 Christopher Street from 1987 before shuttering in 1989. The 53 Christopher Street location reopened as a bar in 1990 as New Jimmy’s but the name was changed to Stonewall a year later.
Kelly, Lentz and their group of investors purchased the space at 53 Christopher Street making the new Stonewall Inn half the size of the original bar.
Today, the Stonewall Inn is recognized as the catalyst for the modern LGBTQ rights movement. In 2016, President Barack Obama designated the Stonewall National Monument, which includes Stonewall Inn and Christopher Street Park, located across the street from the bar. The Stonewall National Monument became the first national monument marking an LGBTQ designated site.
“I think it was incredible for the entire community, not just the owners of the bar, to have that recognized as telling us the fabric of American LGBTQ history is really important. The Parks Department and the national monument really can do that. We were super, super excited and it was an incredible moment for our entire community,” Lentz says. “It’s just extremely important for the LGBTQ community to have Stonewall, the birthplace, recognized as a national monument. Now it’s as famous as the Statue of Liberty or the Grand Canyon.”
The Stonewall Inn has also become known for its LGBTQ advocacy in recent years.
In 2013, Lentz helped organize 80 non-profits for a rally outside of the Stonewall Inn in support of marriage rights.
After the 2016 Pulse nightclub massacre, the outside of the Stonewall Inn became a memorial for the victims. The outside of the bar has also been the site of protests against the Trump administration.
Lentz decided to make Stonewall’s advocacy work more official in 2017.
She spearheaded the Stonewall Inn Gives Back Initiative, a non-profit organization working toward LGBTQ equality in the United States.
“We wanted to focus on places all over the country where equality has been slow to arrive. So a lot of that emphasis is on the 28 states where you can still be fired for being LGBTQ. They like to say you can get married on Friday and fired on a Monday. Legally, they don’t have the same options that we have and those places also have that daily stigma because of the prejudice of the communities around them,” Lentz says.
As World Pride draws near, Kelly and Lentz say they’re prepping for the momentous occasion.
“We’re planning to keep the doors open. We’re the epicenter. We’re at ground zero. We just have to make sure all the beer is there and the liquor is there for everyone to enjoy,” Kelly says.
The 50th anniversary of the Stonewall Riots has drawn more attention to the iconic bar and Kelly and Lentz hope that people will remember just how instrumental the Stonewall Inn was to the LGBTQ rights movement.
“That’s where Pride began and that’s where Pride lives,” Kelly says.
For Lentz, it’s also a conversation that needs to keep going.
“What happened there in 1969, the brave men and women that started that fight, is not over. We have to honor that and all continue to vow to work and keep going until we have full equality and that’s what we all have to do together,” Lentz says.
For more information on the Stonewall Inn Gives Back Initiative, visit stonewallinitiative.org.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
Unconventional homes becoming more popular
Out dancer on Alvin Ailey’s stint at Warner Theatre
This queer comedy show will warm you up
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
AIDS Healthcare Foundation sues Fla. over ‘illegal’ HIV drug program cuts
Two gay men face deportation to Iran
Defunding LGBTQ groups is a warning sign for democracy
Blade welcomes spring intern
Van Sant returns with gripping ‘Dead Man’s Wire’
