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Stonewall Inn’s owners look back while moving forward

LGBTQ landmark continues to evolve 50 years later

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Stonewall Inn, gay news, Washington Blade
The modern Stonewall Inn is about half the size of the original bar and was last sold in 2006. (Photo by Travis Wise via Flickr)

Open the front door to the Stonewall Inn today and you’ll find LGBTQ people from every walk of life. Locals and tourists alike gather for reasons as diverse as they are. Some patrons want to see the world-famous Stonewall Inn; others pop in for a cocktail and the rest simply want to hang out in a gay bar. 

Among the crowd, you may even spot a famous face. Taylor Swift recently performed at Stonewall Inn; Joe Biden and his wife Jill Biden came by to celebrate the 50th anniversary of the Stonewall riots; and Madonna surprised fans with a New Year’s Eve performance at the historic bar in 2019.

Co-owners Kurt Kelly and Stacy Lentz gave birth to this modern-day Stonewall Inn when they purchased it in 2006. 

Kelly, who is gay, felt that the Stonewall Inn had lost its connection with the LGBTQ community. He and a group of investors decided to purchase the property and brought investor Lentz, a lesbian community activist, on board as co-owner. 

It was the first bar Kelly and Lentz had ever owned but they were ready to return the Stonewall Inn to its LGBTQ roots. 

The original Stonewall Inn was a Mafia-owned bar located on 51–53 Christopher Street in the Greenwich Village neighborhood of New York City. 

“The Mafia bought up a lot of the gay bars because they saw money involved in there. They saw money in those spaces because gay people would go there and spend a lot of money,” Kelly says. 

Police raids were common for gay bars during that time and one such routine raid would make history on June 28, 1969 when bar patrons resisted arrest. The Stonewall Riots sparked a movement one year later when the first-ever Pride march was organized to commemorate the event. The march route stretched from the Stonewall Inn to Central Park.

Shortly after the riots, the Stonewall Inn shut down. Over the years, it was converted into a bagel shop, a deli and a shoe store before reopening as a bar at 51 Christopher Street from 1987 before shuttering in 1989. The 53 Christopher Street location reopened as a bar in 1990 as New Jimmy’s but the name was changed to Stonewall a year later. 

Kelly, Lentz and their group of investors purchased the space at 53 Christopher Street making the new Stonewall Inn half the size of the original bar. 

Today, the Stonewall Inn is recognized as the catalyst for the modern LGBTQ rights movement. In 2016, President Barack Obama designated the Stonewall National Monument, which includes Stonewall Inn and Christopher Street Park, located across the street from the bar. The Stonewall National Monument became the first national monument marking an LGBTQ designated site. 

“I think it was incredible for the entire community, not just the owners of the bar, to have that recognized as telling us the fabric of American LGBTQ history is really important. The Parks Department and the national monument really can do that. We were super, super excited and it was an incredible moment for our entire community,” Lentz says. “It’s just extremely important for the LGBTQ community to have Stonewall, the birthplace, recognized as a national monument. Now it’s as famous as the Statue of Liberty or the Grand Canyon.”

The Stonewall Inn has also become known for its LGBTQ advocacy in recent years.

In 2013, Lentz helped organize 80 non-profits for a rally outside of the Stonewall Inn in support of marriage rights. 

After the 2016 Pulse nightclub massacre, the outside of the Stonewall Inn became a memorial for the victims. The outside of the bar has also been the site of protests against the Trump administration. 

Lentz decided to make Stonewall’s advocacy work more official in 2017.

She spearheaded the Stonewall Inn Gives Back Initiative, a non-profit organization working toward LGBTQ equality in the United States.

“We wanted to focus on places all over the country where equality has been slow to arrive. So a lot of that emphasis is on the 28 states where you can still be fired for being LGBTQ. They like to say you can get married on Friday and fired on a Monday. Legally, they don’t have the same options that we have and those places also have that daily stigma because of the prejudice of the communities around them,” Lentz says. 

As World Pride draws near, Kelly and Lentz say they’re prepping for the momentous occasion. 

“We’re planning to keep the doors open. We’re the epicenter. We’re at ground zero. We just have to make sure all the beer is there and the liquor is there for everyone to enjoy,” Kelly says. 

Stonewall Inn interior (Washington Blade file photo by Michael Key)

The 50th anniversary of the Stonewall Riots has drawn more attention to the iconic bar and Kelly and Lentz hope that people will remember just how instrumental the Stonewall Inn was to the LGBTQ rights movement. 

“That’s where Pride began and that’s where Pride lives,” Kelly says. 

For Lentz, it’s also a conversation that needs to keep going. 

“What happened there in 1969, the brave men and women that started that fight, is not over. We have to honor that and all continue to vow to work and keep going until we have full equality and that’s what we all have to do together,” Lentz says. 

For more information on the Stonewall Inn Gives Back Initiative, visit  stonewallinitiative.org.

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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PHOTOS: WorldPride Boat Parade

Blade’s inaugural event held at The Wharf

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The WorldPride 2025 Boat Parade (Washington Blade photo by Michael Key)

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.

(Washington Blade photos by Michael Key)

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PHOTOS: Capital Pride Honors

Annual awards ceremony held at National Building Museum

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From left, Raven-Symoné presents Kriston Pumphrey with the Capital Pride Breaking Barriers Award at the 2025 Capital Pride Honors on Thursday, June 5. (Washington Blade photo by Michael Key)

The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.

(Washington Blade photos by Michael Key)

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