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Todrick Hall calls Scooter Braun ‘homophobic’ amid Taylor Swift drama

Demi Lovato stands up for the talent manager

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Capital Pride Festival, gay news, Washington Blade
Todrick Hall was one of the headliners at the 2019 Capital Pride Festival. (Washington Blade photo by Drew Brown)

Dancer and singer Todrick Hall defended his friend Taylor Swift after she expressed she feels “grossed out” that talent manager Scooter Braun acquired the rights to her old music.

On Sunday, it was announced that Braun has purchased Swift’s old label Big Machine Records and therefore owns the masters of her early albums.

Swift, who claims she found out about the deal when the news broke, took to Tumblr to slam Braun.

“For years I asked, pleaded for a chance to own my work,” Swift wrote. “Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, [Big Machine president] Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.”

She continued: “Scooter has stripped me of my life’s work, that I wasn’t given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it,” she wrote. “This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it.”

Hall, who appeared in Swift’s pro-LGBTQ anthem “You Need to Calm Down,” came to Swift’s defense and accused Braun of being homophobic. He also explained that he is no longer represented by Braun.

“For those asking, I left Scooter Braun a long time ago…I am saddened by this news, but not shocked. He is an evil person who’s (sic) only concern is his wealth and feeding his disgusting ego. I believe he is homophobic & I know from his own mouth that he is not a Swift fan,” Hall posted on Twitter. “I truly hope justice is served and that my friend’s music will fall into the hands of a better human,” he tweeted. “I would normally not say anything because I’m sure scooter will threaten me like he has before to keep me quiet, but guess what Scooter, nothing you can do to me would be worst (sic) than the 6 years of my life I can’t get back from when & I was ignored as your ‘artist.”

An employee of Braun’s called Hall’s tweet “disgusting and defamatory” and accused Hall of stealing from fans on his Christmas tour. The employee also claims that Hall was dropped and didn’t leave on his own accord.

Then Hall posted a screenshot of an email he sent to Braun informing him that he would be looking for other representation.

Demi Lovato, who hired Braun as her manager in May, defended Braun against Hall’s homophobic claims on her Instagram story.

“Hey boo, idk you or anything and this isn’t hate, but making claims that someone is homophobic is really serious,” Lovato wrote. “Please don’t spread information that isn’t true because I can guarantee you Scooter isn’t. As a member of the LGBTQ+ community myself, he wouldn’t have signed me if he was. No hate just trying to clear that up.”

Hall responded tweeting, “Just because you have a black friend doesn’t mean you can’t still be racist. And just because you’re not picketing against gay marriage doesn’t mean you’re not homophobic. I said what I said and I believe what I believe. Also, stop using your one client who identifies as queer to stand up for you. There’s no way Demi saw my tweet, that means someone from your team is reaching out to them, using them to defend you. Fight your own battles.”

Braun is also the manager for Justin Bieber and Ariana Grande.

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Photos

PHOTOS: ‘ICE Out For Good’ Sunday protests

Northern Virginia demonstrations among nationwide protest

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A demonstrator holds a sign with the photo of Renee Nicole Good. (Washington Blade photo by Michael Key)

“ICE Out For Good” demonstrations were held in the Northern Virginia municipalities of Haymarket, Annandale and Arlington, among others, on Sunday, Jan. 12.

Nearly 1,200 similar actions were scheduled nationwide over the weekend, according to a statement from organizers.

Demonstrations in D.C. against ICE included a protest march on Friday and a march around the White House on Saturday.

(Washington Blade photos by Michael Key)

Picketers stand along James Madison Highway near Heathcode Blvd. just outside of Haymarket, Va. on Sunday, Jan. 11.
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Demonstrators in the ‘ICE Out For Good’ protests hold signs on an overpass over the Capital Beltway in Annandale, Va. on Jan. 11.
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Demonstrators participating in the ICE Out For Good protests stand along Mount Vernon Ave. in Alexandria, Va. on Jan. 11.
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Theater

Ford’s ‘First Look’ festival showcases three new productions

A chance to enjoy historical dramas for free before they’re completed

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José Carrasquillo, director of Artistic Programming at Ford's Theatre (Photo by Paolo Andres Montenegro)

The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org

When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings. 

“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”

This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.

The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp. 

“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo. 

Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping. 

“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves. 

Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026. 

“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.” 

At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored. 

For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”

One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season. 

Increasingly, the readings at Ford’s have become popular with both artists and audiences. 

At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone. 

Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work. 

Is this year’s festival queer influenced? Yes, both by those involved and the topics explored. 

Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us. 

“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”

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Bars & Parties

Mid-Atlantic Leather kicks off this week

Parties, contests, vendor expo and more planned for annual gathering

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.

This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.

There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle. 

For more details, visit MAL’s website

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