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SUMMER IN THE CITY 2019: Page turners for the beach or pool

‘Love Falls on Us,’ A Wanderer’s Love Letter’ among summer book highlights

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2019 summer books, gay news, Washington Blade
‘Love Falls on Us,’ A Wanderer’s Love Letter’ among summer book highlights. (Book covers courtesy of the respective publishers)

Looking for some refreshing page turners for the summer? Dive into these new LGBTQ novels that are light on the mind. 

Award-winning journalist Robbie Corey-Boulet takes on the LGBTQ movement in Africa and how it differs from those in the United States and Europe in his novel “Love Falls on Us: A Story of American Ideas and African LGBT Lives” (Aug. 15). 

He argues that the international LGBT activists and allies have created winners and losers within the movement. If someone from an African country identifies with the those of the global movement, then they find support. If their identity doesn’t happen to align so neatly, funding and care can be unavailable.

Especially in a world where LGBT rights are being reversed even in “developed” countries, Corey-Boulet investigates the right way to address LGBT issues in Africa. This novel is for those who care to know the difference in approach. 

Upcoming pop artist, Boy Untitled (Mark Tennyson), is releasing his first self-titled EP and accompanying illustrated book of poetry “A Wanderer’s Love Letter to the Universe” (out this month). Both the EP and book reflect a tumultuous time in Tennyson’s life over the course of two years. There are five parts representing stagnation, recognition, action, vision and evolution. Tennyson is a Los Angeles-based artist who began their career in the art scene and slowly transitioned to the sultry, electronica side of pop music.

“Diary of a Drag Queen” (out now) is exactly what the title suggests. Crystal Rasmussen takes readers through her crazy life on a daily basis over the course of a year. She spills the details about her experiences dating men three times her age, sleeping with a VIP for her journalism career, being fired by a well-known magazine and much more. If you’re looking for a new perspective on life, this is the book for you. 

Tehlor Kay Mejia tells the tale of Daniel Vargas, the top student at the Medio School for Girls in “We Set the Dark on Fire” (out now). Daniel has two options after graduation: maintain her husband’s household or raise his children. 

The only problem is that her paperwork was forged by her parents to give her a better opportunity. Although there’s a few hiccups at her graduation, she gets through the day without anyone discovering her secret. Her new challenge is to spy for a resistance group causing a shift in her newest options: hold onto the privilege her parents sacrificed for her or pursue freeing Medio and a forbidden love. 

If you enjoy the tale of King Arthur, “Once & Future” (out now) by Cori McCarthey and Amy Rose Capetta is the novel for you. The main character, Ari Helix, crash lands on Old Earth and pulls the legendary sword from its place making her the newest reincarnation of King Arthur. Merlin, who has aged backwards and is now a teenager, informs Ari that together they must break the curse that keeps bringing back Arthur. They must save humankind, defeat the oppressive government and bring peace to all. No big deal. 

“Like a Love Story” (out now) follows three teenagers impacted by AIDS. Abdi Nazimian uses the stories of Reza, Judy and Art to address the complexities of being gay during the 1980s. Reza is an Iranian boy who knows he’s gay but won’t admit it because he worries about the disease affecting him. Judy is a fashion designer who has a strong relationship with her uncle who has AIDS and is active with ACT UP. Art is Judy’s best friend who rebels against his conservative parents by photographing the epidemic and is the only out gay student at school. Somehow Reza and Judy end up dating leaving room for heartbreak and disappointment.

“Red, White & Royal Blue” (out now) is a romantic comedy by Casey McQuiston where the First Son, Alex Claremont-Diaz, and his nemesis, Prince Henry, are forced into a fake friendship to help with his mother’s re-election campaign. After a confrontation between the two was leaked to the tabloids, they were forced to truly get to know one another and their once fake friendship turns into a secret relationship. With President Claremont’s campaign picking up, Alex must make a decision on which matters to him more: his political image or the potential love of his life. 

In their first published work, Mason Deaver delivers “I Wish You All the Best” (out now). It’s a story following a non-binary (like the author) character, Ben De Backer, who has recently come out to his family. Disowned and thrown out on the street, Ben has no other choice but to go live with his sister and her fiance who, along with their therapist, are the only other ones to know their identity. Ben tries their best to get through the rest of their senior year by keeping a low profile however, Nathan Allan has other plans for them. 

In poet Ocean Vuong’s debut novel “On Earth We’re Briefly Gorgeous” (out now), he explores topics such as race, class and masculinity. The novel is a written letter from a son to his mother who cannot read. It unearths the family history of Little Dog whose roots stem from Vietnam. Written when the speaker is in his late 20s, Vuong takes readers through Little Dog’s life that includes information that even his mother has no clue about including an unforgettable revelation. 

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Books

New book examines Trump cuts to LGBTQ healthcare

‘Aftershocks’ details impact of policy shifts on HIV response, broader public health

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(Book cover via Amazon)

As LGBTQ and HIV advocates continue to grapple with the Trump administration’s attacks on healthcare, a new book offers a timely look at what happens when public health systems — and the democratic institutions that sustain them — are pushed to their limits.

The book, “Aftershocks: Trump 2.0, Public Health, and Our Better Angels,” was written by Dr. José M. Zuniga, president/CEO of Fast-Track Health. Zuniga is a globally recognized public health leader with more than three decades of experience advancing responses to HIV, communicable and non-communicable diseases, and the health impacts of climate change. He is also editor-in-chief of the Journal of Fast-Track Health.

The book covers the first year of the second Trump administration. It chronicles the impact of federal policy shifts and budget cuts on the HIV response and public health more broadly, including for LGBTQ communities. Drawing from policy analysis, frontline insight, and lived experience, the author reveal how decades of hard-won progress became vulnerable through Project 2025 and DOGE, but also a paralysis in the HIV and public health communities following the outcome of the 2024 elections. 

“In other words, we were caught flat-footed when our opposition had a detailed plan to create chaos and disruption,” Zuniga says. “Thus, the book also offers Horizons 2028 as an antidote to Project 2025 as a starting point for a wide-ranging conversation about how we will build back better given the baseline pre-Trump 2.0 was already imperfect.”

Below is an excerpt from the book.

What Could Not Be Left Unsaid

Let me begin with a simple truth: I did not set out to write this book. Like many in the public health community, I set out daily to do the work of scaling prevention, expanding access to care, strengthening health systems, and ensuring that dignity, equity, and justice are operational realities. Writing, for me, has always been in service of action: policy briefs to shape decisions, editorials to provoke accountability, reports to document progress or failure, and books to synthesize experience into insight that can guide public health action. But Aftershocks is something different; it is not merely an analysis. Instead, it is a record of rupture, of response, and of what it means to continue when the ground beneath your work begins to shift.

This book was written because something changed, and that change came into sharp relief during the beginning days of the second Trump administration, including the erosion of norms, the weaponization of rhetoric, and the recalibration of governance itself. The change was not limited to policy reversals or budget cuts, though there were many. Moreover, it was not confined to rhetoric, though language played a central role. The change was structural and moral: a redefinition of how power understood its obligations to people, to evidence, and to truth itself. And for those of us working in public health, the effects were immediate and personal. We experienced a purposeful disruption of the public health ecosystem and a direct repudiation of the “health for all” principle that guides our work….

Writing this book was, unexpectedly, an act of catharsis. Not because it resolved anything, but because it created space to process what would otherwise have been overwhelming… Amid what many in the public health community experienced as both individual and collective trauma, documenting itself was stabilizing, allowing reflection without detachment and critique without disengagement. But catharsis alone is insufficient. This book is not an exercise in lament; it is also a response. If the period it chronicles is defined by disruption, then its purpose is to offer direction. Where Project 2025 represented a blueprint for ideological capture of institutions, language, and governance, this book offers a counterpoint: Horizons 2028… 

Horizons 2028 is grounded in a simple premise: that the future of public health – and of democratic governance more broadly – depends on rebuilding systems that are resilient to political volatility. That means strengthening not only federal capacity, but subnational leadership. It means embedding community-led accountability into data systems. It means aligning health outcomes with social determinants and recognizing that equity is not an endpoint but a continuous process of adjustment and correction. It means treating global engagement not as optional, but as essential to national well-being. In other words, it is a roadmap not for returning to what was, but for building what is required…

I write as an Independent. Not in the sense of detachment, but in the sense of accountability to evidence, to outcomes, and to the people whose lives depend on both… Independence does not mean neutrality in the face of harm; it means refusing to filter reality through partisan allegiance. Importantly, it also means being guided by a consistent commitment to equity, dignity, and justice. These are not abstract values… They are tested in moments of crisis, when the gap between principle and practice becomes most apparent. They demand accountability not only for what is said, but for what is done – and for what is allowed to persist unchallenged. And they require the courage to name harm clearly, even when doing so is inconvenient or politically unwelcome.

That commitment shapes the analysis that follows, but it is also what makes the writing difficult. Because to document harm is to confront it. To trace its origins is to name decisions and their consequences. And to do so honestly is to risk being read as partisan in a landscape where truth itself has become politicized. But the alternative – silence, or false equivalence – is not acceptable. Not when the stakes are as high as they are. There is, however, a thread that runs through this book that resists cynicism, is not optimism, at least not in the conventional sense, but is something quieter and more durable: a belief that even in moments of rupture, there remains a capacity – within institutions, within communities, within individuals – to reorient toward something better. 

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Exploring Renée Richards’s life through lens of a trans author

Surprises await in new book about pioneering tennis star

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(Book cover image courtesy of HarperOne)

‘Finding Renée Richards’
By Julie Kliegman
c.2026, HarperOne
$28.99/272 pages

Come on in, the water’s fine.

Wade into it up to your ankles, your calves, your waist, you’ll be OK. You’ll adjust to the waves that swirl around you so come on, dive in, it’s all good. As in the new book “Finding Renée Richards” by Julie Kliegman, that goes for swimming, and for controversy.

Assigned to do a story on books written by trans tennis great Renée Richards, Julie Kleigman read the books and became “transfixed by a woman who had fought so hard to simply live as who she had long known she was….”. Their editor had figured that, as a nonbinary and trans individual, Kleigman would have “something incisive to say…” in an article. Instead, once they met and began interviewing Richards, Kliegman was left frustrated.

Born in the late summer of 1934, Richard Henry Raskind seemed to have arrived with a tennis racket in his hand. His mother was a psychiatrist; his father was an orthopedic surgeon who hoped “Dick” would follow his footsteps but Raskind was drawn instead to ophthalmology and tennis. He was also irresistibly drawn to wearing women’s clothing.

His sister knew of this pull and Raskind eventually came out to both parents, but few others on the tennis circuit were aware. When Raskind visited his hometown of New York City, however, he enjoyed furtively going out in women’s clothing but he also tried to squash the desire; in the meantime, he fell in love, married, fathered a son, and eventually learned that it was possible to become the woman he knew he really was.

To continue playing tennis professionally was a bonus.

And right there were the disagreements Kleigman had with Richards.

Richards, “To this day… [makes] a point of describing herself as a woman, period,” says Kleigman, but she firmly acknowledged Richard, almost as a separate individual, insisting that Kleigman use “him/his” pronouns when describing her earlier life.

And as for tennis and trans women’s participation in the sport, Richards had something even more frustrating to say.

Take that as a fair warning: you might be equally surprised at what author Julie Kliegman uncovered in “Finding Renée Richards,” and you may be truly gobsmacked by reading opinions from other women about the topic of trans women in sports.

That’s the main, huge point of interest in this fascinating book; the other is Richards’s life as seen through the lens of a trans individual. Kleigman’s wrestling with the 90-year-old Richards’ firmly dug-in heels is, in itself, worth your time as a study of highly varying viewpoints. That Kleigman and Richards have both lived at least a part of trans history is somewhat of a key to understanding how this book unfolds, as Kleigman offers up Richards’s tale. Readers who are able to read between the lines will be riveted.

If you’re a sports fan and you have opinions, you must read this book – and that goes double if it’s tennis you love. Also check out “Finding Renée Richards” if you just want a raucously good and very fine read.

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Bros + romance + fantasy = ‘Bromantasy.’

New book a romp full of humor, dragons, kings, and adventure

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(Book cover image courtesy of G.P. Putnam's Sons)

‘Bromantasy’
By Maire Roche
c.2026, G.P. Putnam’s Sons
$20/339 pages

“Danger” just happens to be your middle name.

Any fray, any tussle, anytime anybody needs help, they count on you to step in and save the day. You’re brave, smart and strategic, kind to old people, children, and small animals and, as in the new book “Bromantasy” by Maire Roche, dragons.

Of all the things there were to do – preserving food, keeping house for himself and his best friend Morningthall “Mo” Elmthorn, advanced skincare, and drinking at the local tavern down the road – the one thing Juniper O’Reilly couldn’t resist was a good brawl. It happened so often that Juniper honestly looked forward to it, though Mo wasn’t a fan.

Mo was more grown-up, calm, thoughtful, able, and Juniper loved him for it. He loved Mo, in fact, since they were little boys. He loved Mo in ways that they didn’t talk about, so they kept a wall between their bedrooms in their cottage.

Except for that one time.

They didn’t talk about that, either.

Instead, as they did often, on a warm fall night, Juniper and Mo went to the tavern, where mead was served and they could learn about the king’s weekly quests. There, Juniper could also find a good brawl, which is how he and Mo accidentally got into trouble: Juniper trounced one of the king’s men and was forced into a quest.

He didn’t want to fight dragons and he felt bad that Mo had been dragged along. He felt even worse leaving their farm, sleeping on the ground, wearing the same clothes every day, and not having enough skincare product along. A campfire added to the problem. A roving, lying prince, also in search of dragons, didn’t help. And though a quest was no place for a child, Juniper and Mo found a frightened little girl they had no choice but to protect.

A child with strange eyes, sharp teeth, and fire on her breath.

“And just like that, Juniper and Mo had a dragon.”

Bros + romance + fantasy = “Bromantasy.” It also could equal one of two other things: a romp full of humor, dragons, kings, princes, and adventure.

Or it could equal a whole lot of eye-rolling.

It’s a fact that this book is funny, in the way that a 1980s high school comedy movie is funny – meaning that it’s dippy, giddy, and very caricaturish but you’ll laugh quite often. The story contains everything you want in a fantasy romance (a “romantasy”), including human-like alternate species, a life-changing journey, and plenty of nudge-nudge-wink skirting around the attraction the two main characters have for one another. It’s a decent story, convoluted in just the right way. Purely, it’s an escape.

So why wouldn’t you want to read it? See above, and depending on your favorite reading genre. High-brow literature, this ain’t.

For the right reader, “Bromantasy” is a decent-enough vacation read, something not too taxing or hard on the brain. It’s for novel lovers, dragon hunters, king’s questers, princes, and romantics. For everyone else, this tale is just middling.

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