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Goulding controversy sparks renewed accusations of homophobia against Salvation Army

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Ellie Goulding (Photo credit: Chris Jackson/Getty Images)

A long-standing controversy around the Salvation Army and its stance on homosexuality has been reignited by singer/songwriter Ellie Goulding.

The situation arose when the NFL announced that the English recording artist would give the halftime performance for the Dallas Cowboys football game on Thanksgiving Day – a game which also serves as the kickoff for the Red Kettle Campaign for Salvation Army. Goulding praised the Christian organization on her Instagram Tuesday for “providing food for the hungry, emergency relief for disaster survivors, rehabilitation for those suffering from drug and alcohol abuse, and clothing and shelter for people in need.”

Goulding’s followers, however, were quick in expressing their disapproval, citing the Salvation Army’s long history of implementing “homophobic and transphobic” policies and of spreading “anti lgbtq+ rhetoric.”

One commenter pointed out, “They only help *certain* people. Very homophobic, transphobic, anti-LGBTQIA+ organization. Please do your research before endorsing a company that continues to hurt our community.”

Goulding then replied (in a since-deleted comment), “Upon researching this, I have reached out to the Salvation Army and said that I would have no choice but to pull out unless they very quickly make a solid, committed pledge or donation to the LGBTQ community.” She added, “…supporting an anti-LGBTQ charity is clearly not something I would ever intentionally do. Thank you for drawing my attention to this x.”

With Goulding seemingly poised to pull out of the performance, Salvation Army National Commander David Hudson made a statement via email declining to respond to questions about whether the show would go on as planned, instead saying, “With an organization of our size and history, myths can perpetuate. An individual’s sexual or gender identity, religion, or lifestyle has no bearing on our willingness to provide service. We stand firmly behind our mission to meet human needs in His name without discrimination.”

On Thursday, the Salvation Army confirmed Goulding would performing after all.

Hudson again issued a statement. “We’d like to thank Ellie Goulding and her fans for shedding light on misconceptions and encouraging others to learn the truth about The Salvation Army’s mission to serve all, without discrimination,” the statement read. “We applaud her for taking the time to learn about the services we provide to the LGBTQ community. Regardless of race, ethnicity, sexual orientation or gender identity, we’re committed to serving anyone in need.”

He went on to add, “Every day, we provide services such as shelter for the transgender community and resources for homeless youth – 40 percent of whom identify as gay or transgender.”

The Salvation Army was founded in England in 1852 with the stated mission “to preach the gospel of Jesus Christ and to meet human needs in His name without discrimination.” Nevertheless, the organization has a history of anti-LGBT policy, such as refusing to comply with legislation and ordinances requiring the extension of benefits to same-sex spouses of employees, refusing shelter and services to people based on their sexuality and gender identity, and offering links to gay conversion therapy organizations on their website. In 2012, a Salvation Army spokesperson told an interviewer that gay people deserve death, according to scripture. Despite attempts in recent years to downplay its anti-LGBT history, incidents have continued to occur which undermine the organization’s PR stance of anti-discrimination, such as the 2014 revelation that it was advocating against marriage equality legislation in New Zealand, and charges by the NYC Commission on Human Rights in 2017 that it was refusing transgender clients at a New York substance abuse center and was implementing discriminatory policies against trans clients in its New York housing facilities.

The NFL Thanksgiving Day Game will match the Dallas Cowboys against the Buffalo Bills, and it marks the official launch of the Red Kettle Campaign for the 22nd year in a row.

No word on whether the organization has agreed to Goulding’s stipulation of providing a “solid pledge or donation to the LGBT community.”

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Books

‘Jackie & Me’ puts a refreshing spin on Camelot

Jack’s gay pal narrates fictional take on iconic love affair

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(Book cover image courtesy of Algonquin)

‘Jackie & Me: A Novel’
By Louis Bayard
c.2022, Algonquin
$28/352 pages

It is a truth that is universally acknowledged: A love story will be not only entertaining, but a moving, thought-provoking page-turner, if it has a gay best friend.

“Jackie & Me” by Louis Bayard, the acclaimed gay novelist, isn’t a Jane Austen tale. But Austen would have appreciated Bayard’s witty, poignant, new novel.

Unless you’ve lived under a rock, whether you’re Gen Z or a Boomer, you know about Jack and Jackie Kennedy and Camelot.

Yet, Bayard, in his tenth novel “Jackie & Me,” puts a refreshing spin on this story.

The novel is narrated by Kirk LeMoyne (a.k.a. “Lem”) Billings, Jack’s best friend. Lem has been JFK’s pal since they were students at Choate. Though Lem never says “I’m out and I’m proud,” it’s clear that he’s gay.

Lem is JFK’s fixer and court jester. He pays for Jack’s lunch. If Jack’s in the mood, Lem drinks with him. When Jack needs advice on love affairs, Lem’s on it.  

“Jackie & Me” brings us JFK and Jackie before they were iconic.

The novel takes place in 1952. Jackie, 22, then Jacqueline Lee Bouvier, is the “inquiring photographer” for the Washington Times Herald. Jack, 35, is a Massachusetts congressman. They don’t know each other until they meet up at a party in D.C.

What makes “Jackie & Me” so enjoyable is that Lem is our fly on the wall. He takes us along as the couple date, meet the parents, and wed.

Jack is from a wealthy, Irish, Catholic political family. The Kennedys know everyone from Harry and Bess Truman to Henry and Clare Luce to Joe McCarthy.

Jackie’s father, known as “Black Jack,” was a Wall Street stockbroker. Her mother Janet Auchincloss was a socialite. Her stepfather Hugh Auchincloss was a Standard Oil heir. Unlike many women at the time, Jackie is well educated (with a degree in French literature from Washington University and classes at the Sorbonne in Paris). 

Jack loves sleeping with women, but has no love for marriage. Yet he must marry because “my father says I can’t get elected [president] if I’m not married,” he tells Lem.

Knowing that matrimony is in his future whether he likes it or not, Jack thinks Jackie might be the right woman to marry. But he wants to be sure she’s not involved with other men and that, if they wed, she’ll tolerate his extramarital liaisons. He turns to his dependable buddy Lem and asks him to pal around with Jackie – to spy on her.

Lem isn’t thrilled by this. “Who would I be working for,” he says to Jack, “you? Your father ‘the bossman’?”

While Jack’s been busy in Congress and womanizing, he’s been escorting Jackie about town. They’ve gone to the Smithsonian, laughed at bad Loretta Young movies and gone to an amusement park. They’ve become close friends.

If something happens and Jack doesn’t work out, “would you be my back-up husband,” Jackie, who’s caught on to Jack’s foibles, jokes to Lem.

Billings, who lived from 1916 to 1981, maintained ties with the Kennedy family after Jack’s death.

But “Jackie & Me” is, without apology, a fictional work and “an exercise in alternative history,” Bayard writes in the acknowledgments.

Though a work of fiction, “Jackie & Me” feels true. In the novel, Jackie and Lem are outsiders. Jackie isn’t of the Kennedy family and doesn’t, as many women did then, aspire to be a homemaker. Lem was a closeted gay man when homophobia was socially acceptable.

Lem recalls how at Choate, boys who wanted sex or tenderness from other boys, would write notes on toilet paper. “I’m not that kind of boy,” responds Jack on receiving a note on toilet tissue from Lem.

“Jackie & Me” is intriguing because it’s not, at heart, about the romance of a glittering young couple. It’s an Austenesque triangle: the tale of the twists, turns, love and friendship of three compadres.

It’s a charming, elegant summer read.

The Blade may receive commissions from qualifying purchases made via this post.

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Movies

Dorian Awards cast a queer eye on television

Netflix favorite ‘Heartstopper’ nabs three nominations

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Kit Conner and Joe Locke in ‘Heartstopper.’ (Photo courtesy Netflix)

As Hollywood gears up for the year’s second “Awards Season” ahead of July 12’s scheduled announcement of the 2022 Emmy nominations, it seems only fitting for us to bring some attention to another awards organization that has already dropped its picks for the year’s best in TV content. We’re referring, of course, to the Dorian Awards, which have been bestowed by the Society of LGBTQ Entertainment Critics since 2009. 

If you’ve never heard of the Dorians, that’s not surprising. In keeping with the entertainment industry’s frustratingly persistent skittishness when it comes to All Things Queer, the Dorians haven’t gotten much attention in the mainstream press – though with a 385-member voting body and a scandal-free history, they are arguably more reputable than the Golden Globes. Named in honor of iconic queer writer Oscar Wilde (as a reference to his novel “The Picture of Dorian Gray”), they are admittedly low profile when it comes to glitz and glamour, handing out their prizes at an annual “Winner’s Toast” day party instead of a formal evening affair. Nevertheless, they’ve gained traction as Hollywood’s attitudes toward LGBTQ inclusion and representation have shifted, and each of their two annual ceremonies – one for TV, one for film, held about six months apart – draw an increasing number of A-listers to participate, both as nominees and presenters; and while the Dorians may not hold the level of prestige enjoyed by some of the industry’s other awards, at least we can be sure their voting membership won’t overlook queer shows and talent as often as their counterparts at the Motion Picture and Television Academies.

That doesn’t mean the Dorians are exclusively focused on LGBTQ content. The Society of LGBTQ Entertainment Critics – formerly known as the Gay and Lesbian Entertainment Critics Association, or GALECA – explicitly states that its awards are to honor “the best in film and TV, mainstream to queer+”, while calling attention to the importance of queer contribution and sensibility within the wider culture and reminding “bullies, bigots, and our own at-risk youth that the world loves the sly Q eye on entertainment.” With some state governments and the SCOTUS itself dedicating themselves an all-out assault on the LGBTQ community and its hard-won rights, that last point seems particularly resonant; with so much homo- and transphobic hate pouring its efforts into erasing us, our visibility is more crucial than ever.

Fortunately, as the slate of Dorian nominees announced by GALECA on June 22 reveals, the queer presence on television is strong. No longer segregated to a “niche” genre, the LGBTQ community has finally begun to appear on our screens as it does in life – blended, alongside everyone else, into a world that has room for us all. That’s what ideal inclusion looks like, and it’s heartening – especially now – to see that it has become the norm in so much of the industry’s best offerings.

This year, HBO leads the pack in terms of nods. Two of its heavily queer-inclusive shows, “Hacks” and “Somebody Somewhere,” received five nominations each, while “Euphoria” and “The White Lotus” snagged 4 and 3, respectively. In total, the cable-and-streaming giant got 24, with an additional 13 for programming exclusively on HBO Max, bringing the total to 37.

Coming in second with less than half that number is Netflix. Among its 15 nominations are three nods for “Heartstopper,” the runaway queer fan favorite based on a sweet UK webcomic about two schoolboys in love, and two each for Natasha Lyonne’s brain-twisting time travel dramedy “Russian Doll” and the already-award-winning Korean thriller “Squid Game.”

New series scored high among Dorian voters this year. Besides “Heartstopper” and “Somebody Somewhere,” ABC’s “Abbott Elementary,” Showtime’s “Yellow Jackets,” and Apple TV+’s “Severance” each received multiple nominations, with many other freshman titles picking up individual nods.

As for the awards themselves, the Dorians feature fewer overall categories – instead of being split into “gendered” divisions, actors of all genders compete for a single award in each category – and set themselves apart by striking a mildly tongue-in-cheek pose in the presentation of its “special” accolades. In presenting awards like Campiest TV Show or the brand new “You Deserve an Award” award, the Dorians give a tip of the lavender hat to the tradition of Wildean wit at their back – but they also assert the importance of queer perspective when it comes to taste-making and the aesthetic arts.

Nominees for the 14th Annual Dorian TV Awards (honoring shows which debuted June 1, 2021-May 31, 2022) are listed below. Winners will be revealed on Wednesday, Aug. 12.

BEST TV DRAMA: “Better Call Saul”; “Heartstopper”; “Yellowjackets”; “Severance”; “Succession”

BEST TV COMEDY: “Abbott Elementary”; “Barry”; “Hacks”; “The Other Two”; “Our Flag Means Death”

BEST LGBTQ SHOW: “Hacks”; “Heartstopper”; “The Other Two”; “Our Flag Means Death”; “Somebody Somewhere”; “RuPaul’s Drag Race”

BEST TV MOVIE OR MINISERIES: “Dopesick”; “The Dropout”; “Midnight Mass”; “Station Eleven”; “The White Lotus”

BEST NON-ENGLISH LANGUAGE TV SHOW: “Elite”; “Lupin”; “My Brilliant Friend”; “Pachinko”; “Squid Game”

BEST UNSUNG SHOW: “Better Things”; “The Other Two”; “Our Flag Means Death”; “Russian Doll”; “Somebody Somewhere”; “We Are Lady Parts”

BEST TV PERFORMANCE: Quinta Brunson (“Abbott Elementary”); Kit Connor (“Heartstopper”); Bridget Everett (“Somebody Somewhere”); Bill Hader (“Barry”); Lily James (“Pam & Tommy”); Natasha Lyonne (“Russian Doll”); Melanie Lynskey (“Yellowjackets”); Amanda Seyfried (“The Dropout”); Jean Smart (“Hacks”); Zendaya (“Euphoria”)

BEST SUPPORTING TV PERFORMANCE: Murray Bartlett (“The White Lotus”); Anthony Carrigan (“Barry”); Jennifer Coolidge (“The White Lotus”); Hannah Einbinder (“Hacks”); Jeff Hiller (“Somebody Somewhere”); Janelle James (“Abbott Elementary”); Matthew Macfadyen (“Succession”); Christina Ricci (“Yellowjackets”); Rhea Seehorn (“Better Call Saul”); Sydney Sweeney (“Euphoria”)

BEST TV MUSICAL PERFORMANCE: Beyonce, “HYPERLINK “https://www.youtube.com/watch?v=4aeDlZOD-B0″Be Alive” (94th Academy Awards); Kristin Chenoweth and cast, “HYPERLINK “https://www.youtube.com/watch?v=_PmS5JIfSkk”Tribulation” (“Schmigadoon!”); Bridget Everett and Jeff Hiller, “HYPERLINK “https://www.youtube.com/watch?v=As-a_bzFrl0″Don’t Give Up” (“Somebody Somewhere”); Jean Smart, “You Make Me Feel Like a Natural Woman” (“Hacks”); Cecily Strong and cast, “HYPERLINK “https://www.youtube.com/watch?v=Dj5mJGyoYIM”Corn Puddin’” (“Schmigadoon!”); Hannah Waddingham and cast, “HYPERLINK “https://www.youtube.com/watch?v=4B0HktX4xqQ”Never Gonna Give You Up” (“Ted Lasso”)

BEST TV DOCUMENTARY OR DOCUMENTARY SERIES: “The Andy Warhol Diaries”; “The Beatles: Get Back”; “How to with John Wilson”; “Spring Awakening: Those You’ve Known”; “We Need to Talk About Cosby”

BEST CURRENT AFFAIRS PROGRAM: “The Amber Ruffin Show”; “The Daily Show with Trevor Noah”; “Full Frontal with Samantha Bee”; “Last Week Tonight with John Oliver”; “The Late Show with Stephen Colbert”; “The Rachel Maddow Show”; “ZIWE” (Showtime)

BEST ANIMATED SHOW: “Arcane”; “Big Mouth”; “Bob’s Burgers”; “Q Force”; “Tuca & Bertie”; “What If…?”

BEST REALITY SHOW: “Legendary”; “The Real World Homecoming: New Orleans”; “RuPaul’s Drag Race”; “Survivor”; “Top Chef: Houston”; “We’re Here”

MOST VISUALLY STRIKING SHOW: “Euphoria”; “The Gilded Age”; “Loki”; “Severance”: “Squid Game”

CAMPIEST TV SHOW: “Diana: The Musical”; “Euphoria”; “Girls5Eva”; “Nine Perfect Strangers”; “Schmigadoon!”

WILDE WIT AWARD (to a performer, writer or commentator whose observations both challenge and amuse): Joel Kim Booster; Quinta Brunson; Jerrod Carmichael; Jennifer Coolidge; Bowen Yang

THE “YOU DESERVE AN AWARD!” AWARD (to a uniquely talented TV icon we adore): Gillian Anderson; Christine Baranski; Lynda Carter; Kim Cattrall; Cassandra Peterson

GALECA LGBTQIA+ TV TRAILBLAZER (for creating art that inspires empathy, truth and equity): Jerrod Carmichael; Margaret Cho; Russell T. Davies; Kate McKinnon; Bowen Yang

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Photos

PHOTOS: 2022 Baltimore Pride

Annual LGBTQ march held on Saturday

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Baltimore Pride 2022 (Washington Blade photo by Linus Berggren)

The 2022 Baltimore Pride Parade was held on Saturday, June 25. The march was followed by a block party and entertainment.

(Washington Blade photos by Linus Berggren)

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