Arts & Entertainment
Family fare, Oscar bait, franchises pepper holiday ’19 movie season
All-star cast leads Fox News harassment drama ‘Bombshell’
With Thanksgiving coming so late this year, the holiday movie release schedule is especially crowded. LGBT cinephiles have plenty of great films to choose from.
Currently on screen is Elizabeth Banks’ stylish and suspenseful reboot of the “Charlie’s Angels” franchise. Despite a great cast, including Kristen Stewart as a queer crimefighter, the movie unfortunately failed to catch fire at the box office. It’s worth a look, especially as a fun break from holiday preparations.
Also on screen is “Parasite,” by South Korean director Bong Joon Ho (“Snowpiercer” and “Okja”). A contemporary fable about class warfare, the movie has already been generating a lot of awards buzz.
Opening Nov. 22 is “Waves” by acclaimed director Trey Edward Shults (“Krishna” and “It Comes at Night”). The moving drama about a suburban African-American family stars Sterling K. Brown (“This Is Us”), Kelvin Harrison Jr., Taylor Russell, Lucas Hedges and Renée Elise Goldberry (“Hamilton”).
“A Beautiful Day in the Neighborhood” stars Tom Hanks as the legendary Mr. Rogers, but the focus of the movie is really on cynical journalist Tom Junod (Matthew Rhys) whose life gets turned around when he’s assigned to do a profile of the legendary children’s television host. Viewers be warned: this is not a movie for the whole family.
This week’s family-friendly opening is Walt Disney’s “Frozen II,” the continued adventures of Elsa, Anna, Kristoff, Sven and Olaf. The confusing sequel lacks the charm (and narrative coherence) of the original, but still packs a significant visual and emotional punch.
Opening in time for the Thanksgiving holiday (Nov. 27) is the delightful family crime caper “Knives Out.” Directed by Silver Spring native Rian Johnson (“The Last Jedi”), the all-star cast includes Daniel Craig, Christopher Plummer, Jaime Lee Curtis, Don Johnson, Michael Shannon, LaKeith Stanfield, Toni Colette and Chris Evans. It’s a great way to spend quality time with your own family.
Queer filmmaker Todd Haynes (“Carol,” “Far from Heaven” and “Velvet Goldmine”) branches out in a very different direction with “Dark Waters.” The true crime drama stars Mark Ruffalo, Anne Hathaway, Tim Robbins, Bill Pullman and out actor Victor Garber.
Also opening for the holiday weekend is “Queen & Slim.” Written by queer authors Lena Waithe and James Frey, the movie stars Daniel Kaluuya (“Get Out”) and newcomer Jodie Turner-Smith in a tale of a first date gone horribly wrong.
In the meantime, following the critical and popular success of “Roma,” Netflix is again pursuing a hybrid release strategy for three of its prestige projects: they’ll receive a theatrical release before they start streaming. Loosely based on Shakespeare’s history plays, “The King” stars Timothée Chalamet as the future Henry V. Martin Scorsese’s epic crime drama (with a running time of three-and-a-half hours) “The Irishman” stars Robert De Niro, Al Pacino, Joe Pesci and Anna Paquin. “Marriage Story” stars Adam Driver and Scarlett Johansson as a couple facing the break-up of their marriage.
More traditional holiday offerings at Netflix include the animated tale “Klaus” with the voice talents of Joan Cusack, Rashida Jones and J.K. Simmons and “Let It Snow,” a story about a small-town Christmas that includes an LGBT storyline. On a less seasonal note, Netflix is also streaming “I’m With the Band: Nasty Cherry” about a fledging all-female rock band that includes an openly lesbian musician.
Amazon Studios is also trying a hybrid release strategy with “The Report.” Screening in theaters now and streaming on Amazon Prime on Nov. 29, the inside-the-Beltway tale stars Adam Driver as a Senate staffer investigating the CIA’s post 9-11 Detention and Interrogation Program and features Annette Bening as Sen. Dianne Feinstein.
Fans of the Christmas favorite “Love Actually” can enjoy the film and a special holiday party on Thursday, Dec. 5 at the Warner Bros. Theater at the Smithsonian National Museum of American History (si.edu/imax/movie/love-actually).
New releases continue pouring into theaters in December. On Dec. 6, there’s the Cannes favorite “Little Joe,” a horticultural thriller with Emily Beecham and out actor Ben Whishaw; “The Aeronauts,” which reunites Eddie Redmayne and Felicity Jones from “The Theory of Everything;” and the stunning “Two Popes” starring Jonathan Pryce as Pope Francis and Anthony Hopkins as Pope Emeritus Benedict.
On Thursday, Dec. 12, Reel Affirmations will commemorate World AIDS Day with a special screening of “Crystal City,” a hard-hitting look at crystal meth addiction, another public health crisis facing LGBT people. The second half of the evening’s double feature will be “José,” a coming-of-age story about a young gay man living in Guatemala City. Tickets are available at thedccenter.org/events.
On Dec. 13, acclaimed director Clint Eastwood returns with “Richard Jewell,” a drama about the man falsely accused of planting a bomb at the 1996 Summer Olympics in Atlanta.
Three of the year’s most highly anticipated movies will be released Dec. 20: Tom Hooper’s all-star adaptation of Andrew Lloyd Webber’s “Cats”; “Star Wars: The Rise of Skywalker,” the ninth and final installment in the Skywalker saga; and “Bombshell,” the sordid star-studded saga of sexual harassment at Fox News with Charlize Theron, Nicole Kidman, Margot Robbie and John Lithgow.
Last but hardly least, two stories about life during wartime will be released on Christmas Day, Dec. 25. Directed by Sam Mendes (“Skyfall” and “American Beauty”), “1917” stars Andrew Scott and Benedict Cumberbatch in a gripping World War I drama.
Directed by Greta Gerwig (“Lady Bird”), the latest adaptation of Louisa May Alcott’s Civil War saga “Little Women” stars Saoirse Ronan and an all-star cast and is already generating significant Oscar buzz.
Finally, the AFI Silver Theatre and Cultural Center in downtown Silver Spring is always a splendid place to celebrate the cinema of the season. AFI’s delightfully eclectic offerings typically range from the classic (“It’s A Wonderful Life” and the Alastair Sims’ “A Christmas Carol”) to the contemporary (“Die Hard” and “Krampus”). For this year’s schedule, go to afisilver.afi.com.
Out & About
Plan your wedding the LGBTQ way
Washington D.C. LGBTQ+ Wedding Expo scheduled for Sunday
Rainbow Wedding Network will host “Washington D.C. LGBTQ+ Wedding Expo” on Sunday, March 1 at 12:30 p.m.
Guests can meet and mingle with a curated selection of LGBTQ-welcoming wedding professionals from across the region, each ready to help bring your vision to life, and spend a beautiful afternoon exploring everything they need to create a celebration that reflects them.
There will be a relaxed, self-guided look at the Watergate’s spaces and amenities, savor signature cocktails and delicious tasting samples, and connect with other couples who are on the same journey.
Visit Eventbrite to reserve a spot.
Friday, February 27
Center Aging Monthly Luncheon With Yoga and Drag Bingo will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, February 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity.Send an email to [email protected] to receive the zoom link.
Sunday, March 1
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, March 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, March 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, March 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Katii B, Ellie McDyre, and Kelli Kerrigan together previously managed 618 productions, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just pitting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
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