Arts & Entertainment
Family fare, Oscar bait, franchises pepper holiday ’19 movie season
All-star cast leads Fox News harassment drama ‘Bombshell’

With Thanksgiving coming so late this year, the holiday movie release schedule is especially crowded. LGBT cinephiles have plenty of great films to choose from.
Currently on screen is Elizabeth Banks’ stylish and suspenseful reboot of the “Charlie’s Angels” franchise. Despite a great cast, including Kristen Stewart as a queer crimefighter, the movie unfortunately failed to catch fire at the box office. It’s worth a look, especially as a fun break from holiday preparations.
Also on screen is “Parasite,” by South Korean director Bong Joon Ho (“Snowpiercer” and “Okja”). A contemporary fable about class warfare, the movie has already been generating a lot of awards buzz.
Opening Nov. 22 is “Waves” by acclaimed director Trey Edward Shults (“Krishna” and “It Comes at Night”). The moving drama about a suburban African-American family stars Sterling K. Brown (“This Is Us”), Kelvin Harrison Jr., Taylor Russell, Lucas Hedges and Renée Elise Goldberry (“Hamilton”).
“A Beautiful Day in the Neighborhood” stars Tom Hanks as the legendary Mr. Rogers, but the focus of the movie is really on cynical journalist Tom Junod (Matthew Rhys) whose life gets turned around when he’s assigned to do a profile of the legendary children’s television host. Viewers be warned: this is not a movie for the whole family.

This week’s family-friendly opening is Walt Disney’s “Frozen II,” the continued adventures of Elsa, Anna, Kristoff, Sven and Olaf. The confusing sequel lacks the charm (and narrative coherence) of the original, but still packs a significant visual and emotional punch.

Opening in time for the Thanksgiving holiday (Nov. 27) is the delightful family crime caper “Knives Out.” Directed by Silver Spring native Rian Johnson (“The Last Jedi”), the all-star cast includes Daniel Craig, Christopher Plummer, Jaime Lee Curtis, Don Johnson, Michael Shannon, LaKeith Stanfield, Toni Colette and Chris Evans. It’s a great way to spend quality time with your own family.

Queer filmmaker Todd Haynes (“Carol,” “Far from Heaven” and “Velvet Goldmine”) branches out in a very different direction with “Dark Waters.” The true crime drama stars Mark Ruffalo, Anne Hathaway, Tim Robbins, Bill Pullman and out actor Victor Garber.
Also opening for the holiday weekend is “Queen & Slim.” Written by queer authors Lena Waithe and James Frey, the movie stars Daniel Kaluuya (“Get Out”) and newcomer Jodie Turner-Smith in a tale of a first date gone horribly wrong.
In the meantime, following the critical and popular success of “Roma,” Netflix is again pursuing a hybrid release strategy for three of its prestige projects: they’ll receive a theatrical release before they start streaming. Loosely based on Shakespeare’s history plays, “The King” stars Timothée Chalamet as the future Henry V. Martin Scorsese’s epic crime drama (with a running time of three-and-a-half hours) “The Irishman” stars Robert De Niro, Al Pacino, Joe Pesci and Anna Paquin. “Marriage Story” stars Adam Driver and Scarlett Johansson as a couple facing the break-up of their marriage.

More traditional holiday offerings at Netflix include the animated tale “Klaus” with the voice talents of Joan Cusack, Rashida Jones and J.K. Simmons and “Let It Snow,” a story about a small-town Christmas that includes an LGBT storyline. On a less seasonal note, Netflix is also streaming “I’m With the Band: Nasty Cherry” about a fledging all-female rock band that includes an openly lesbian musician.
Amazon Studios is also trying a hybrid release strategy with “The Report.” Screening in theaters now and streaming on Amazon Prime on Nov. 29, the inside-the-Beltway tale stars Adam Driver as a Senate staffer investigating the CIA’s post 9-11 Detention and Interrogation Program and features Annette Bening as Sen. Dianne Feinstein.
Fans of the Christmas favorite “Love Actually” can enjoy the film and a special holiday party on Thursday, Dec. 5 at the Warner Bros. Theater at the Smithsonian National Museum of American History (si.edu/imax/movie/love-actually).
New releases continue pouring into theaters in December. On Dec. 6, there’s the Cannes favorite “Little Joe,” a horticultural thriller with Emily Beecham and out actor Ben Whishaw; “The Aeronauts,” which reunites Eddie Redmayne and Felicity Jones from “The Theory of Everything;” and the stunning “Two Popes” starring Jonathan Pryce as Pope Francis and Anthony Hopkins as Pope Emeritus Benedict.
On Thursday, Dec. 12, Reel Affirmations will commemorate World AIDS Day with a special screening of “Crystal City,” a hard-hitting look at crystal meth addiction, another public health crisis facing LGBT people. The second half of the evening’s double feature will be “José,” a coming-of-age story about a young gay man living in Guatemala City. Tickets are available at thedccenter.org/events.
On Dec. 13, acclaimed director Clint Eastwood returns with “Richard Jewell,” a drama about the man falsely accused of planting a bomb at the 1996 Summer Olympics in Atlanta.
Three of the year’s most highly anticipated movies will be released Dec. 20: Tom Hooper’s all-star adaptation of Andrew Lloyd Webber’s “Cats”; “Star Wars: The Rise of Skywalker,” the ninth and final installment in the Skywalker saga; and “Bombshell,” the sordid star-studded saga of sexual harassment at Fox News with Charlize Theron, Nicole Kidman, Margot Robbie and John Lithgow.

Last but hardly least, two stories about life during wartime will be released on Christmas Day, Dec. 25. Directed by Sam Mendes (“Skyfall” and “American Beauty”), “1917” stars Andrew Scott and Benedict Cumberbatch in a gripping World War I drama.
Directed by Greta Gerwig (“Lady Bird”), the latest adaptation of Louisa May Alcott’s Civil War saga “Little Women” stars Saoirse Ronan and an all-star cast and is already generating significant Oscar buzz.
Finally, the AFI Silver Theatre and Cultural Center in downtown Silver Spring is always a splendid place to celebrate the cinema of the season. AFI’s delightfully eclectic offerings typically range from the classic (“It’s A Wonderful Life” and the Alastair Sims’ “A Christmas Carol”) to the contemporary (“Die Hard” and “Krampus”). For this year’s schedule, go to afisilver.afi.com.
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
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