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Family fare, Oscar bait, franchises pepper holiday ’19 movie season

All-star cast leads Fox News harassment drama ‘Bombshell’

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movies, gay news, Washington Blade
Charlize Theron, Nicole Kidman and Margot Robbie in ‘Bombshell.’ (Photo courtesy Lionsgate Films)

With Thanksgiving coming so late this year, the holiday movie release schedule is especially crowded. LGBT cinephiles have plenty of great films to choose from.

Currently on screen is Elizabeth Banks’ stylish and suspenseful reboot of the “Charlie’s Angels” franchise. Despite a great cast, including Kristen Stewart as a queer crimefighter, the movie unfortunately failed to catch fire at the box office. It’s worth a look, especially as a fun break from holiday preparations. 

Also on screen is “Parasite,” by South Korean director Bong Joon Ho (“Snowpiercer” and “Okja”). A contemporary fable about class warfare, the movie has already been generating a lot of awards buzz.

Opening Nov. 22 is “Waves” by acclaimed director Trey Edward Shults (“Krishna” and “It Comes at Night”). The moving drama about a suburban African-American family stars Sterling K. Brown (“This Is Us”), Kelvin Harrison Jr., Taylor Russell, Lucas Hedges and Renée Elise Goldberry (“Hamilton”).

“A Beautiful Day in the Neighborhood” stars Tom Hanks as the legendary Mr. Rogers, but the focus of the movie is really on cynical journalist Tom Junod (Matthew Rhys) whose life gets turned around when he’s assigned to do a profile of the legendary children’s television host. Viewers be warned: this is not a movie for the whole family.

Tom Hanks as Fred Rogers. (Photo by Lacey Terrell; courtesy Sony Pictures)

This week’s family-friendly opening is Walt Disney’s “Frozen II,” the continued adventures of Elsa, Anna, Kristoff, Sven and Olaf. The confusing sequel lacks the charm (and narrative coherence) of the original, but still packs a significant visual and emotional punch.

Elsa, Anna, Kristoff and Sven in ‘Frozen II.’ (Photo courtesy Disney)

Opening in time for the Thanksgiving holiday (Nov. 27) is the delightful family crime caper “Knives Out.” Directed by Silver Spring native Rian Johnson (“The Last Jedi”), the all-star cast includes Daniel Craig, Christopher Plummer, Jaime Lee Curtis, Don Johnson, Michael Shannon, LaKeith Stanfield, Toni Colette and Chris Evans. It’s a great way to spend quality time with your own family.

The cast of ‘Knives Out.’ (Photo by Claire Folger; courtesy Lionsgate Films)

Queer filmmaker Todd Haynes (“Carol,” “Far from Heaven” and “Velvet Goldmine”) branches out in a very different direction with “Dark Waters.” The true crime drama stars Mark Ruffalo, Anne Hathaway, Tim Robbins, Bill Pullman and out actor Victor Garber.

Also opening for the holiday weekend is “Queen & Slim.” Written by queer authors Lena Waithe and James Frey, the movie stars Daniel Kaluuya (“Get Out”) and newcomer Jodie Turner-Smith in a tale of a first date gone horribly wrong.

In the meantime, following the critical and popular success of “Roma,” Netflix is again pursuing a hybrid release strategy for three of its prestige projects: they’ll receive a theatrical release before they start streaming. Loosely based on Shakespeare’s history plays, “The King” stars Timothée Chalamet as the future Henry V. Martin Scorsese’s epic crime drama (with a running time of three-and-a-half hours) “The Irishman” stars Robert De Niro, Al Pacino, Joe Pesci and Anna Paquin. “Marriage Story” stars Adam Driver and Scarlett Johansson as a couple facing the break-up of their marriage.

A scene from ‘The Irishman.’ (Photo courtesy Netflix)

More traditional holiday offerings at Netflix include the animated tale “Klaus” with the voice talents of Joan Cusack, Rashida Jones and J.K. Simmons and “Let It Snow,” a story about a small-town Christmas that includes an LGBT storyline. On a less seasonal note, Netflix is also streaming “I’m With the Band: Nasty Cherry” about a fledging all-female rock band that includes an openly lesbian musician.

Amazon Studios is also trying a hybrid release strategy with “The Report.” Screening in theaters now and streaming on Amazon Prime on Nov. 29, the inside-the-Beltway tale stars Adam Driver as a Senate staffer investigating the CIA’s post 9-11 Detention and Interrogation Program and features Annette Bening as Sen. Dianne Feinstein.

Fans of the Christmas favorite “Love Actually” can enjoy the film and a special holiday party on Thursday, Dec. 5 at the Warner Bros. Theater at the Smithsonian National Museum of American History (si.edu/imax/movie/love-actually).

New releases continue pouring into theaters in December. On Dec. 6, there’s the Cannes favorite “Little Joe,” a horticultural thriller with Emily Beecham and out actor Ben Whishaw;  “The Aeronauts,” which reunites Eddie Redmayne and Felicity Jones from “The Theory of Everything;” and the stunning “Two Popes” starring Jonathan Pryce as Pope Francis and Anthony Hopkins as Pope Emeritus Benedict.

On Thursday, Dec. 12, Reel Affirmations will commemorate World AIDS Day with a special screening of “Crystal City,” a hard-hitting look at crystal meth addiction, another public health crisis facing LGBT people. The second half of the evening’s double feature will be “José,” a coming-of-age story about a young gay man living in Guatemala City. Tickets are available at  thedccenter.org/events.

On Dec. 13, acclaimed director Clint Eastwood returns with “Richard Jewell,” a drama about the man falsely accused of planting a bomb at the 1996 Summer Olympics in Atlanta.

Three of the year’s most highly anticipated movies will be released Dec. 20: Tom Hooper’s all-star adaptation of Andrew Lloyd Webber’s “Cats”; “Star Wars: The Rise of Skywalker,” the ninth and final installment in the Skywalker saga; and “Bombshell,” the sordid star-studded saga of sexual harassment at Fox News with Charlize Theron, Nicole Kidman, Margot Robbie and John Lithgow.

BB-8 in ‘Star Wars: the Rise of Skywalker.’ (Photo courtesy Disney)

Last but hardly least, two stories about life during wartime will be released on Christmas Day, Dec. 25. Directed by Sam Mendes (“Skyfall” and “American Beauty”), “1917” stars Andrew Scott and Benedict Cumberbatch in a gripping World War I drama.

Directed by Greta Gerwig (“Lady Bird”), the latest adaptation of Louisa May Alcott’s Civil War saga “Little Women” stars Saoirse Ronan and an all-star cast and is already generating significant Oscar buzz.

Finally, the AFI Silver Theatre and Cultural Center in downtown Silver Spring is always a splendid place to celebrate the cinema of the season. AFI’s delightfully eclectic offerings typically range from the classic (“It’s A Wonderful Life” and the Alastair Sims’ “A Christmas Carol”) to the contemporary (“Die Hard” and “Krampus”). For this year’s schedule, go to  afisilver.afi.com.

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Photos

PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

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