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Sin City Classic brings LGBTQ athletes together for weekend in Vegas

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The biggest LGBTQ sporting event in the world is about to get bigger.

The Sin City Classic Sports Festival, which kicks off next week in Las Vegas, is adding four new sports to its lineup, increasing the total number of participating sports to 24. Presented by Lexus, the massive event is set to take place from January 16-19.

The new sports – basketball, indoor rowing, spikeball and steel tip darts –  join a list that includes a wide array of others, from bowling and billiards to dodgeball and running to softball, wrestling and grappling, and more.

The festival brings together LGBTQ sports associations, fans, and allies from around the world every January for a weekend full of competition, companionship and fun. Besides a full roster of sporting competitions during the day, the festival includes nightly social events, including an Opening Night registration party and a Closing Night celebration, which will be held this year at the LINQ Promenade’s Brooklyn Bowl.

“Each year the Sin City Classic continues to grow and brings even more LGBTQ athletes, allies and fans to Las Vegas for a weekend filled with competition and camaraderie. Our nightly events continue to get bigger and better, and we’re happy to be able to offer attendees the opportunity to come together and bond of sport,” said Ken Scearce, tournament director for the Sin City Classic.

The Sin City classic was created by The Greater Los Angeles Softball Association in 2008, as an an LGBTQ softball tournament meant to provide a safe yet competitive atmosphere for LGBTQ athletes. Since then, it’s grown into the largest annual LGBTQ sporting event in the world, hosting more than 8,000 athletes and fans. GLASA remains committed to creating the best experience possible for all the dedicated athletes who participate and the fans and allies to come to enjoy the festival.

This year’s Sin City Classic will be proudly hosted at The Flamingo Hotel and the LINQ Hotel. Besides presenting sponsor Lexus, additional sponsorship comes from Caesar’s Entertainment, AIDS Healthcare Foundation, the Los Angeles Dodgers, Oasis, Tito’s Handmade Vodka, GAYVN, Las Vegas Convention & Visitors Authority and Piranha Nightclub.

For more information about the Sin City Classic or to register your team, please visit www.sincityclassic.org.

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Photos

PHOTOS: Baltimore Pride in the Park

Annual celebration featured vendors, performers

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(Washington Blade photo by Linus Berggren)

Baltimore Pride in the Park was held at Druid Hill Park on Sunday, June 16.

(Washington Blade photos by Linus Berggren)

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PHOTOS: “Portraits”

The Gay Men’s Chorus of Washington performs at the Kennedy Center

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A scene from "Portraits," as performed in a technical rehearsal at the Kennedy Center on Saturday, June 15. (Washington Blade photo by Michael Key)

The Gay Men’s Chorus of Washington performed “Portraits” at the Kennedy Center on Sunday, June 16.

(Washington Blade photos by Michael Key)

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Theater

Sophie Zmorrod embracing life on the road in ‘Kite Runner’

First national tour comes to Eisenhower Theater on June 25

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Sophie Zmorrod (Photo courtesy of Zmorrod)

‘The Kite Runner’
June 25 – 30
The Kennedy Center
$39-$149
Kennedy-center.org

Newly single, Sophie Zmorrod is enjoying life on the road in the first national tour of “The Kite Runner,” Matthew Spangler’s play with music based on Khaled Hosseini’s gripping novel about damaged relationships and longed for redemption. 

“It’s a wonderful time for me,” says Zmorrod. “I’m past the breakup pain and feeling empowered to explore new cities. A lot of us in the cast are queer, so we figure out the scene wherever the show goes.” 

What’s more, the New York-based actor has fallen in love with the work. “I love how the play’s central character Amir is flawed. He is our antihero. He has faults. As a privileged boy in Kabul, he bears witness to his best friend’s assault and doesn’t intervene. He lives with that guilt for decades and gets that redemption in the end.” 

“He does what he can to right wrongs. For me who’s regretted things, and wished I could go back in time, it resonates. Watching someone forgive themselves and do the right thing is beautiful.” 

Via phone from Chicago (the tour’s stop before moving on to Kennedy Center Eisenhower Theater on June 25), Zmorrod, whose background is Lebanese, happily chats about sexuality, ethnicity, and acting. 

WASHINGTON BLADE: Looking at your resume, I see you’ve been cast in roles traditionally played by men. And have you played queer characters? 

SOPHIE ZMORROD: Oh yes, both. Whether or not they’re written on the page as queer, they sometimes turn out that way. And that holds true for this show too.  

With “The Winter’s Tale” at Trinity Rep, I played Leontes — the king who banishes his wife — as a woman. So, in that production it was about two women and touched on the violence that women sometimes inflict on other women.

And there was Beadle Bamford in Sondheim’s “Sweeney Todd” also at Trinity Rep; I played him as a woman who was masculine and wore a suit. It was a great opportunity to explore myself and gender expression. That was a really good experience. 

BLADE: Are you an actor who’s often be called in for queer roles? 

ZMORRAD: Not really. I’m what you might call straight passing. Sometimes I’ve had to advocate for my queerness. To be a part of something. 

Similarly with my ethnicity. I’m called in to audition for the white and Arab roles. It gets tricky because I’m not the exactly the white girl next door and I’m not exactly Jasmine from Disney’s “Aladdin” either. 

This is one of the reasons, I really want people to come see “The Kite Runner,” Audiences need to experience the reality of the wide diversity of Middle Eastern people on the stage. We’re all very different.

And not incidentally, from this 14-person cast, I’ve met some great people to add to those I know from the Middle Eastern affinity spaces and groups I’m connected to in New York.

BLADE: In “The Kite Runner” what parts do you play?

 ZMORRAD: Three characters. All women, I think. In the first act, I’m an elderly eccentric pomegranate seller in the Afghan market, waddling around, speaking in Dari [the lingua franca of Afghanistan]; and the second act, I’m young hip and sell records in a San Francisco market; and at the end, I’m a buttoned-down American immigration bureaucrat advising Amir about adoption.

BLADE:  Your training is impressive: BA cum laude in music from Columbia University, an MFA in acting from Brown University/Trinity Repertory Company, and you’re also accomplished in opera and playwrighting, to name a few things. Does “The Kite Runner” allow you to flex your many muscles? 

ZMORROD: Very much. Playing multiple roles is always fun for an actor – we like malleability. Also, there are instruments on stage. I like working with the singing bowl; it’s usually used in yoga as a soothing sound, but here we save it for the dramatic, uncomfortable moments. I also sing from offstage. 

We are creating the world of the play on a very minimal set. Oh, and we do kite flying, and I’m able to use the some of the languages I speak. So yeah, lots of challenges. It’s great. 

BLADE: It sounds like you’re in a good place both professionally and personally.

ZMORROD: It’s taken a long time to feel comfortable. My being gay was never something I led with. But I’m on the journey and excited to be where I am, and who I am. 

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