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SPRING ARTS 2020: Galleries galore

David Amoroso, Delita Martin, Volkmar Wentzel among artists in current exhibitions

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galleries, gay news, Washington Blade
Agnes Moorhead as Endora on ‘Bewitched.’ Painting by David Amoroso from his exhibit ‘Raised by TV on display now at Artists & Makers Studios. (Image courtesy Amoroso)

Local gay artist David Amoroso pays homage to ’70s TV with his exhibit “Raised by TV” at Artists & Makers Studios (11810 Parklawn Dr., Rockville, Md.) featuring paintings of Agnes Moorehead (“Bewitched”), Florence Henderson (“The Brady Bunch”), Fred Rogers (“Mister Rogers’ Neighborhood”), Bea Arthur (“Maude”), the cast of “The Jeffersons,” the cast of “Charlie’s Angels,” Carol Burnett, Jean Stapleton (“All in the Family”), Mary Tyler Moore and more. The exhibit runs through March 26. Amoroso also displays his work in the back room at Miss Pixie’s. 

The Teresa Lozano Long Gallery of the National Museum of Women in the Arts (1250 New York Ave., N.W.) displays “Delita Martin: Calling Down the Spirits” through April 19. This exhibit contains seven large prints of black individuals, which Martin created and decorated using a variety of means in order to “create a new iconography for African Americans based on African tradition, personal recollections and physical materials.” Admission is $10 for adults, with discounts for students and seniors. Members and those 18 and under enter free.

‘Soul Keeper,’ a 2016 gelatin printing, acrylic, conté, hand stitching and decorative papers on paper by Delita Martin. (Photo by Joshua Asante; courtesy National Museum of Women in the Arts)

The American University Museum at the Katzen Art Center (4400 Massachusetts Ave., N.W.) exhibits both the paintings of late AU Professor Emeritus Robert Franklin Gates (in a showing titled “Paint What You See”) and the work of late National Geographic photographer Volkmar Wentzel through May 24. The AU Museum is open to the public and admission is free.

The National Gallery of Art (6th and Constitution Ave., N.W.) hosts “True to Nature: Open-Air Painting in Europe, 1780–1870” through May 3 in the inner tier of the ground floor of its West Building. This exhibit features around 100 oil sketches of landscapes across Europe, created by artists among the likes of Jean-Baptiste-Camille Corot, John Constable, Simon Denis, Jules Coignet and André Giroux. Admission is free.

CulturalDC presents “Rendition” by Zoë Charlton at CulturalDC’s Mobile Art Gallery in Union Market (5th and Neal St., N.E.) through March 22. According to CulturalDC, this collection of sculptures and assorted artwork “addresses cultural identity, race, commodity and cultural tokenism.” Admission is free.

The Phillips Collection (1600 21st St., N.W.) showcases “Moira Dryer: Back in Business” through April 19, describing the assortment of paintings and sculptures as “the first comprehensive museum exhibition to consider the early work of Moira Dryer.” Admission to this exhibit and other ticketed exhibits is $12 for adults, with discounts for students and seniors. Museum members and those 18 and under enter free.

Zenith Gallery’s Upper Northwest Gallery (1429 Iris St., N.W.) displays “Carl Alexander: The Last Washington Color School Painter” through March 21, on which day a closing reception will be held from 2-6 p.m. Alexander studied under famous artist Morris Louis as an early member of the Washington Color School movement, which went on to become world-renowned. Admission is free.

‘Yellow, Pink, Blue and Purple,’ a work by Carl Alexander in display at Zenith Gallery. (Image courtesy Zenith)

Hillwood Museum (4155 Linnean Ave., N.W.) exhibits “Natural Beauties: Exquisite Works of Minerals and Gems” through June 7. The items presented in this showing “are crafted from materials like jade, agate, onyx, rock crystal, amethyst, jasper, malachite and lapis lazuli.” Suggested donation is $18 for adults, with lesser amounts requested of seniors, college students and children ages 6-18. Children under 6 and Hillwood members are not asked to donate.

The National Gallery of Art (6th and Constitution Ave., N.W.) hosts “Raphael and His Circle” through June 14 in Gallery 22 on the ground floor of its West Building. The gallery celebrates the 500th anniversary of the artistic great’s death with a display of 25 artworks, including four drawings and five paintings by Raphael himself. Admission is free.

The Smithsonian American Art Museum’s Renwick Gallery (17th and Pennsylvania Ave., N.W.) presents “Hearts of Our People: Native Women Artists” through May 17. The Renwick Gallery refers to this exhibit — a collection of more than 80 artworks crafted through varied means throughout history — as “the first major thematic show to explore the artistic achievements of Native women.” Admission is free.

The Textile Museum at the George Washington University Museum (701 21st St., N.W.) showcases “Delight in Discovery: The Global Collections of Lloyd Cotsen” through July 5. Cotsen “assembled thousands of textile fragments, garments and other artworks that reflected his admiration for indigenous cultures and vanishing artistic traditions,” with the intent “to create opportunities for a wider audience to appreciate 3,000 years of human creativity.” Suggested donation is $8 for adults. Museum members, children and current GW students, faculty and staff are not asked to donate.

ARTECHOUSE (1238 Maryland Ave., S.W.) displays “Hanami: Beyond the Blooms” through May 25. According to ARTECHOUSE, in this exhibit, “hand-made ink illustrations by Yuko Shimizu are transformed digitally to follow vibrant cherry blossom flowers on an exciting and interactive journey through land, sea and air” — just in time for cherry blossom season. Admission is $20 for adults with discounts for students, seniors, military members, children and tickets purchased online.

After being closed to the public for almost four months to allow for repairs, the National Building Museum (401 F St., N.W.) reopens today with “The Architects’ Photographer,” which will be exhibited through March, 2021. According to the National Building Museum, this showcase will both feature the work of professional architectural photographer Alan Karchmer and examine “the practice of architectural photography writ large.” 

Transformer (1404 P St., N.W.) hosts “Which yesterday is tomorrow?” by Dahlia Elsayed and Andrew Demirjian from March 14-April 25. According to Transformer, this exhibit “reimagines the Silk Road caravanserai as a potential site for the exchange of ideas and culture,” taking over the interior of Transformer with its furnishings, soundtrack and aromas in the process. An opening reception will be held from 5-8 p.m. on Saturday, March 14. 

The Kreeger Museum (2401 Foxhall Rd., N.W.) presents “Objects from the Studio: The Sculptor’s Process” from March 17-May 23, describing it as a showing that “brings together maquettes, sketches and other objects from sculptors’ studios to explore how outdoor sculptures are made, focusing on works from The Kreeger Museum’s Sculpture Garden.” The “suggested donation” is $10 for adults, with less requested of students, seniors and military members. Members are not asked to donate.

The Smithsonian American Art Museum (8th and F St., N.W.) showcases “Alexander von Humboldt and the United States: Art, Nature and Culture” from March 20-Aug. 16. This exhibit is the first to examine the impact that Humboldt, a famous Prussian explorer, had on “the visual arts, sciences, literature, politics and exploration” between 1804-1903. Admission is free.

The National Gallery of Art (6th and Constitution Ave., N.W.) displays the work of Lynda Benglis from March 22-Jan. 24, 2021. It displays 33 works made between 1966-2003 revealing “how Benglis has forged new forms by constantly exploring different techniques, materials and mediums.” Admission is free.

The Arthur M. Sackler Gallery (1050 Independence Ave., S.W.) exhibits “Meeting Tessai: Modern Japanese Art from the Cowles Collection” from March 28-Aug. 2, describing this showcase as “the first one held at a major museum in the United States in more than 50 years to explore the significance of pan-East Asian influences — a pertinent topic in today’s interconnected world — through the work of Tessai and modern Japanese painting.” Admission is free.

The Smithsonian American Art Museum’s Renwick Gallery (17th and Pennsylvania Ave., N.W.) is suspending “1.8 Renwick,” an installation by Janet Echelman, from the ceiling of the Rubenstein Grand Salon from April 3-Aug. 14, 2022. This massive work consists of “knotted and braided fiber with programmable lighting and wind movement above printed textile flooring,” with a shape inspired by data gathered from the earthquake that rocked Japan on March 11, 2011. Admission is free.

Hirshhorn Museum (7th and Independence Ave., N.W.) presents “One with Eternity: Yayoi Kusama in the Hirshhorn Collection” from April 4-Sept. 20. Describing Yayoi Kusama as “a visionary artist whose revelatory practice has captivated audiences around the world,” the Hirshhorn Museum announced that this showing would “affirm Kusama’s legacy within the Museum’s collection and art history with three significant new acquisitions.” Admission is free, but due to this exhibit’s inclusion of small, enclosed spaces, same-day timed passes — available at the Hirshhorn Museum on a first-come, first-serve basis — are required for exhibit entry.

Waverly Street Gallery (4600 East-West Hwy #102, Bethesda, Md.) showcases “Visual Paradise” by Stephane Themeze from April 5-May 2, with an opening reception from 6-9 p.m. on April 10 and an artist’s reception from 1-3 p.m. on April 26. According to Waverly Street Gallery, the works in this photography exhibit encapsulate Themeze’s conviction that “there is visual pleasure to be had at almost every corner and moment of one’s daily life.” Admission is free.

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Italy

44 openly LGBTQ athletes to compete in Milan Cortina Winter Olympics

Games to begin on Friday

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(Public domain photo)

More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.

Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.

“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”

McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.

Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.

“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.

Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.

Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.

ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.

“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.

The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban transgender women from competing in women’s sporting events.

President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.

The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:

• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.

• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.

• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.

The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.

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Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

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Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

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Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

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(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

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