Arts & Entertainment
David Hockney shares new work as symbol of hope in pandemic
One of the world’s greatest living artists has delivered a much-needed message of hope with a new painting unveiled this week.
David Hockney, 82, shared the new piece on Thursday via Instagram, through Denmark’s Louisiana Museum of Modern Art. A drawing composed on his iPad, the image depicts a cluster of bright yellow daffodils blossoming in the midst of a green field with a grey and barren landscape in the distant background.
The new work is titled, “Do remember they can’t cancel the spring.”
The British artist is a painter, draftsman, printmaker, stage designer, and photographer known as one of the key figures in the pop art movement of the 1960s. The iconic imagery he has produced includes a series of three swimming-pool-themed paintings – “The Splash,” “A Little Splash,” and “A Bigger Splash” – which are his most widely-recognized works. A 1972 work, “Portrait of an Artist (Pool with Two Figures),” set the record for the largest amount paid for an artwork by a living artist when it sold at auction in November 2018 for $90 million – though that record was subsequently broken when Jeff Koons’ “Rabbit” sold at Christie’s in New York for $91 million a few months later.
He has been openly gay throughout his career, exploring his sexuality through artworks such as “We Two Boys Together Clinging,” named after a poem by Walt Whitman.
Hockney has been weathering the coronavirus lockdown at his home in Normandy, the northern French where he relocated from Los Angeles in 2018, jokingly citing the ability to smoke in restaurants as one of the reasons for his transatlantic move, according to The Daily Mail.
He told interviewers, ‘I’d like to just work and paint, and to be able to smoke and eat in a restaurant at the same time. Thank God for Normandy. The French know how to live. They know about pleasure.”
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)
PHOTOS: Freddie’s Follies
Imperial Court of Washington drag group has ‘dissolved’
What to watch for in 2026: midterms, Supreme Court, and more
A reminder that Jan. 6 was ‘textbook terrorism’
Claudia López criticizes Trump over threats against Colombian president
D.C.’s 10 best theater productions of 2025
A look back at the best books of 2025
The year in photos
Safer Ways to Pay for Online Performances and Queer Events
