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Reflecting on Capital Pride
Here’s how our celebrations evolved during ‘70s, ‘80s, ‘90s, ‘00s and ’10s

Rome wasn’t built in a day and neither was Capital Pride. Here’s some context for each decade of our local celebration.
The street party ‘70s

Deacon Maccubbin, owner of gay bookstore Lambda Rising (which closed in 2010), started what has become Capital Pride in 1975 with a one-day community block party on 20th St., N.W. where his store was at the time. About 2,000 attended the gathering, held on Father’s Day with a dozen booths and vendors set up. Several candidates for D.C. City Council attended as well.
In its heyday, Lambda Rising was a de facto gay community center of sorts and frequently hosted author readings/book signings and other LGBT events. Within a few years, the event was attracting about 10,000 and had spread out to three blocks.
It was a heady time for the movement. Inspired by the Stonewall Riots of 1969 in New York City, commemoration events were burgeoning around the country and Washington had a thriving gay and lesbian scene of its own (the LGBT moniker didn’t come into wide use until much later). Several local groups were well established by this time — The Academy of Washington (founded 1961), Washington Blade (founded 1969), the Gay and Lesbian Activists Alliance (then known as the GAA, founded 1971), Metropolitan Community Church of Washington (founded 1970) and others.
Early D.C. Pride events had a family-type appeal and were — as they are today — a place for various arms of the community, from drag outfits to activist groups to leather lovers and beyond, to let their gay hair down for the day. Then-Mayor Marion Barry, elected the previous November, attended his first Gay Pride Day in 1979 and continued throughout his years in office and beyond.
Ups and downs of the ‘80s

The P Street Festival Committee was formed in 1980 to take over Gay Pride Day, as the festival was known, and the annual event was held at Francis Junior High School at 24th and N streets, N.W. By the following year, the event had been dubbed Gay and Lesbian Pride Day and the first parade was held beginning on 16th St. N.W. and Meridian Hill Park and ending at Dupont Circle.
The event grew exponentially in those years from about 11,000 in 1981 to 20,000 by 1983, though it ebbed and flowed with fewer than 10,000 attending in 1986 and 1987.
Washington, like San Francisco and New York, was hit particularly hard by HIV and AIDS and the urgency and frustration of the time was well represented at the gatherings, which had expanded to a week-long event by 1984 with about 28,000 at the street festival and parade combined. The first Pride Heroes were named in 1984.
Turning tide of the 1990s

The P Street Festival disbanded in 1990 and Pride continued with a new entity, Pride of Washington. The event was also moved to the week before Father’s Day so as not to impede on the family holiday.
By 1991, the street festival had expanded to about 200 booths and for the first time, active duty and retired American military personnel marched in the parade. Rain affected attendance several years in a row and the festival flirted with bankruptcy.
In 1995, One in Ten, a D.C. organization that hosted an annual film festival, took over and moved the festival to Freedom Plaza while the parade route started at Francis Junior High School and ended at the plaza. Attendance picked up going from about 25,000 in 1994 to more than 100,000 by 1996.
In 1997, Whitman-Walker Clinic, as it was then known, joined One in Ten as a co-sponsor and the event was renamed Capital Pride. Corporate sponsorships rose dramatically going from $80,000 to nearly $250,000 the following year.
A new millennium, a new day

In 2000, Whitman-Walker became the sole sponsor and the festival moved again, this time to Pennsylvania Avenue, N.W. between 4th and 7th streets, N.W. and the festival’s main stage was repositioned so that the U.S. Capitol building was visible in the background.
By 2002, parade contingents reached 200 and in 2004, about 100,000 attended the various Pride events. Financial problems, however, continued to plague the event with the city agreeing in 2005 to waive thousands in street closing and police overtime fees while the Human Rights Campaign, agreed to an emergency donation of $30,000.
Attendance, however, remained strong with about 200,000 attending in 2006 making it the fourth-largest Pride event in the U.S. Several events such as dance parties, a youth prom, a transgender event, leather pride and more were now under the overall Capital Pride umbrella.
By 2007, several other local non-profits joined Whitman-Walker to form the Capital Pride Planning Committee. In March 2008, Whitman-Walker awarded the production rights to the newly formed Capital Pride Alliance, a group of volunteers and organizations formed by members of the Capital Pride Planning Committee. By 2009, the Alliance was the sole producer of the event.
The tipping point ‘10s

The event reached its 35th anniversary in 2010 and continued to expand its offerings with about 60 events held over a 10-day period and a record high of 250,000 attending the street festival. About 100,000 watched the 2013 parade.
A color guard officially sanctioned by the U.S. Armed Forces joined the 2014 parade, an unprecedented event. The eight-member guard represented each branch of the U.S. armed forces.

Numbers remained strong for the 2014 parade with about 100,000 again at the parade and about 250,000 estimated in total for the various week-long events. Rita Ora, Karmin, Bonnie McKee, Betty Who and DJ Cassidy performed. The theme was “#BuildOurBrightFuture.” Former Minnesota Vikings player Chris Kluwe, an ally, was grand marshal.
The Blade reported more than 150,000 attended the 40th anniversary parade in 2015. A shirtless Wilson Cruz was grand marshal. The Boy Scouts marched for the first time. About 250,000 attended the festival the following day. Musical headliners at the festival grew in stature as Hot 99.5 became the presenter. Carly Rae Jepsen, Wilson Phillips, Amber, En Vogue and Katy Tiz performed amidst ominous skies. The theme was “Flashback.”

In 2016, headliners were Melanie Martinez, Alex Newell (of “Glee”), Meghan Trainor and Charlie Puth. The theme was “Make Magic Happen!” Gay actor Leslie Jordan (“Will & Grace”) was grand marshal. In 2017, the theme was “Unapologetically Proud.” Headliners were The Pointer Sisters, Tinashe and Miley Cyrus. Marriage case plaintiff Edith Windsor was grand marshal.

In 2018: Alessia Cara, Troye Sivan and MAX headlined. The theme was “Elements of Us.” Activist Judy Shepard (mother of hate crime victim Matthew) was grand marshal. In 2019: Shea Diamond, Todrick Hall, Zara Larsson, Marshmellow, Calum Scott and Nina West (of “RuPaul’s Drag Race”) headlined. Earline Budd, Brandon Wolf, Matt Easton and the cast of “Pose” were grand marshals. The theme was “shhhOUT: Past, Present & Proud” to honor the 50th anniversary of Stonewall.

Several Pride events in recent years have been upended. A group of protesters from a local entity called No Justice No Pride blocked the parade route in 2017 forcing it to be re-routed and delayed. They objected to the lack of trans women of color in leadership positions within Capital Pride, lax vetting of corporate Pride sponsors and the presence of uniformed police officers at the parade.

The sound of what people thought were gunshots in Dupont Circle during the 2019 parade brought the proceedings to a halt. It turned out to be a false alarm — no shots were fired. Dozens of participants didn’t get to be in the parade.
And this year the coronavirus pandemic forced organizers to concede, in an unprecedented move, that there was no responsible way to have the parade and festival. Some events were held virtually.
Editor’s note: Information taken from various sources such as previous Washington Blade articles, previous Capital Pride pride guide books, Capital Pride’s own history and more.
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
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