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Former Avalon singer on coming out, getting ousted and where he is today

Michael Passons was founding member of CCM supergroup known for ‘Testify to Love’

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Michael Passons, gay news, Washington Blade
Michael Passons today. (photo courtesy Passons)

Fans of the Christian pop group Avalon always wondered why founding member Michael Passons resigned abruptly in 2003 and then seemed to drop off the face of the earth.

There was talk of a solo album but none materialized. The official word was that he was “moving on to other things.”

The group had had a wildly successful run. Founded in the mid-’90s, Avalon released its self-titled debut album in 1996 on Sparrow and four more (“A Maze of Grace” in 1997, “In a Different Light” in 1999, “Joy: a Christmas Collection” in 2000 and “Oxygen” in 2001) as well as a hits collection with new material (“Testify to Love: the Very Best of Avalon”) in 2003 racking up 19 No. 1 singles on the Billboard gospel charts, two RIAA-certified gold albums, six Dove Awards, an American Music Award and three Grammy nominations. 

Initially there was a blond male and female singer and a brunette male and female singer to round out the foursome in ways that were both visually and sonically appealing. There was regular turnover in one of the “female” slots but Passons, Janna (nee Potter) Long and Jody McBrayer formed the group’s backbone all through its early and most successful years. 

After years of silence, in September, Passons came out as gay on Josh Skinner’s “Jonah and the Whale” podcast and said he was fired from the group for declining to continue with “reparative” therapy. The podcast generated significant media buzz and was aggregated in mainstream outlets like Billboard and People.

Though candid and forthcoming in the podcast, there was more to the story. Passons, a 54-year-old Yazoo City, Miss., native, was chatty and candid in a 45-minute phone interview from his Nashville home on working in the CCM (contemporary Christian music) bubble, hiding his sexuality for so many years, why he opted to come out now and about the Dove Award he nabbed from Whitney Houston at the 1998 ceremony. His comments have been slightly edited for length.

Avalon in 1997. From left are Nikki Hassman-Anders, Jody McBrayer, Janna Long and Michael Passons. (photo by Paul Elledge; vintage promo material via Sparrow/EMI)

WASHINGTON BLADE: It was great to hear the podcast. It felt like you’d just kinda vanished. 

MICHAEL PASSONS: I understand that people would see it that way because you’re just kind of out of the public eye when you’re not making music, not putting music out and doing interviews, and I had not done any of that pretty much in 17 years. And I didn’t really expect this podcast to get the attention that it did get. It was a bit of a surprise to me that there was so much of an interest in a 17-year-old story.

BLADE: Why did it feel like now was the right time? How did it come about?

PASSONS: It wasn’t some calculated move, I was approached by a friend who introduced me to Josh Skinner who has a podcast Jonah and the Whale and said would you like to be a guest? This particular podcast deals with an underwater moment in your life and I had previously had conversations with my family just a couple months earlier, just about my life and the truth of my life so I thought, “Well now is the perfect time,” so it really wasn’t planned out far in advance. An opportunity landed in my lap and I decided to tell the story. 

BLADE: Had you been approached before?

PASSONS: Well, I’ve been pretty under the radar. I’ve been traveling the last 15 years with another Christian group, but only in the band. I play keys for Point of Grace. I wanted to keep my foot in the water … but I didn’t want to be the front guy … so I really hadn’t been approached by journalists at all until now.

BLADE: You tell in the podcast about how they came to your house for a meeting in 2003 and this all came to a head. How had they known you were gay in the first place? What led up to that meeting?

PASSONS: Well at that point I was 38 years old, I wasn’t married, I wasn’t dating, (so) rumors begin to swirl when you have that type of scenario and we had discussions about it several years before. So that’s when … they said to me I needed to go to therapy. It really was in 2002 that they wanted me to go to reparative therapy or at least go see a counselor or some guy who said his credentials were counseling gay people. So I did that to appease them but I knew it was a fruitless effort, and as I say in the podcast, that didn’t last very long. I told them I wasn’t going back to that. It had been a conversation for about a year or so before 2003. 

BLADE: Did you have a pretty good relationship with them otherwise? 

PASSONS: Well over the course of the eight years we were traveling together, I saw those people more than anyone else. Our schedule was so demanding and we toured almost nonstop. … So we did at the time have this family-type relationship but … groups often have a shorter shelf life than solo artists because there are multiple people with multiple goals and aspirations and so unless all four of us aligned, there were always going to be these times where one wants to do a solo deal or they think we should do this or go in this direction and so we kind of started growing apart in our vision. Jody and Janna wanted to do solo records and I thought that was something that was going to fracture the group and our brand and that did cause some tensions because the other two members really wanted to focus our efforts on the Avalon brand because that’s what was familiar to everyone. So over the years we became not as close and then of course you add something like this which kind of draws a line and you have to choose what side of the line you’re going to be on.

BLADE: Bear with me a sec, but I’m going to read you Jody’s quote to CCM Magazine in April, 2004 when he said: “We had a meeting at Michael’s house one day and he told us he was going to move on to other things. We sat and cried and felt like the rug had been pulled out from under us. Things had felt great with the new group and Michael seemed to get along and blend vocally with (then-new member) Melissa (Greene) really well. But Michael had been with us from the beginning and just felt it was time for him to do something else. It’s weird but since his departure, it seems everyone is looking for some scandalous thing to have happened there. It makes me just want to say, ‘Look, I’m sorry to disappoint you that we don’t have some juicy gossip or ‘Dynasty’ episode happening here.” Based on what you shared in the podcast, that was a gross mischaracterization of how it went down. Did you read that at the time? How did it make you feel?

PASSONS: At the time the record label and management held really right reins on us because they created the group, it was their idea. They wanted to find a group that was already in existence that was two guys, two girls. They couldn’t do it so they said, “Let’s just put one together,” so we never felt like we had ownership of much. … So when management and label say, “This is what you are to say,” it became kind of like a bullshit fest at that point. You just gotta stick with the story and that’s what Jody was doing, he was sticking with the story he was told to say. … That was just the way they chose to handle it at the time. … Interestingly enough, Jody reached out to me after the podcast aired and we had not really talked in 17 years other than bumping into each other in a restaurant and saying a quick hello. We met for about an hour we met at a park here in Nashville and just walked around and he apologized profusely and said his heart was broken when he was listening to that podcast. He was very sincere and I  accepted what he had to say and I feel like our relationship has actually — there was some definite closure there as far as what I’d been feeling all of these years and so that was a good thing that came out of this and I’m glad he reached out to me. 

The Blade invited McBrayer to comment. In response to the question, “Did you feel muzzled by the label?” he sent this response: “Absolutely muzzled. However I would have never ever said anything to hurt Michael’s reputation. We were asked for years about what happened and myself and my family refused to say anything that would put Michael in a bad light. We were given a statement and told to go with it. We did everything we were told at the time. … Michael knows I love him and hate how all of it went down and how he was treated by the industry. I’m so thankful he’s happy and grown beyond it all now. I will continue to protect him. He will always be family.” 

BLADE: Was there any truth to what they were saying? Had you been considering a solo album?

PASSONS: No. I know my strengths and my strength was not as a solo artist. …  I enjoyed the team mentality of a group. … I think fans and people outside the industry took the press release at face value but people inside the industry heard pretty quickly what had really happened. Gossip and rumors spread really quickly around Nashville so I just thought, “OK, I’m gonna just start life No. 3 here.” (chuckles)

BLADE: A few other big CCM artists eventually came out like Jennifer Knapp and Ray Boltz. Did you follow that or ever compare notes with them?

PASSONS: I don’t know either of those artists personally. I’ve never really interacted with them. I think we did a show once with Jennifer years and years ago but it was just mainly, “Hello, nice to meet you.” I applaud them for living their best life and telling their truth but I just never felt like mine was necessarily a story that needed to be told. I wasn’t a solo artist. I would get recognized occasionally. People would say, “Oh, you’re that guy who was in that group,” but I would say 80 percent of fans just knew me as the blond guy. So I didn’t feel like I had tons of name recognition or that my story mattered. But in the last few years, I wanted to be more truthful with my family so that’s really where all this came out of.

BLADE: Did anybody else from your CCM days reach out besides Jody?

PASSONS: I’ve received tons of texts and Instagram messages from friends from home, friends from college, fans, strangers. As far as the industry, some people that I haven’t seen in a while. It was very interesting. Amy Grant texted me and told me she listened and thought my story was beautiful in the way I told it and graceful and I appreciated that. Susan Ashton reached out and I haven’t seen her in years. She was very encouraging. She said, “You are seen and heard and loved.” Everything has been overwhelmingly positive.

BLADE: Did you get to know the other artists very well or have much interaction on the multi-artist tours you did like “Emmanuel” or “My Utmost”?

PASSONS: Yeah, we had a lot of time to just hang out, especially on the bus. You’re traveling late at night and everyone’s wired so you’re staying up and visiting. But we were really new artists at that time and we were thrown into a mix of all of these people that were our mentors, our heroes. We were fans of theirs and now we’re all of a sudden peers, just because of how Avalon came together. Our very first tour before we even sang a note on a record was “Young Messiah” in ’95. We had just come together weeks before and just had enough time to record one Christmas song so that we could sing that song on that tour and there we were next to 4 HIM and Point of Grace and Steven Curtis Chapman and Larnelle Harris and that was mind-blowing to be with all these great artists. But yes, everyone was very welcoming had lots of encouragement for us and advice and I actually really enjoyed those tours.

BLADE: I saw you guys once with Twila Paris. What was she like?

PASSONS: That was our first tour (the “Where I Stand Tour” in 1997). We did Young Messiah that Christmas and then we did our record, then we toured with Twila. We were definitely getting our feet wet just seeing how this industry was going to work … how we were gonna mesh as a group  because we were thrown on stage and we had to find our blend. Live, It’s one thing to be in the studio and be mixed and blended but to sing live, the Twila Paris tour was really just where we began to hone our craft as a group and so yeah, that was wonderful. I had many good experiences wth that tour. We did a spring tour and a fall tour with Twila and it was a long tour but we definitely leaned a lot. 

BLADE: Is there anybody in CCM who struck you as markedly different from their public persona?

PASSONS:  I feel like everyone would be a little different than what you perceive them to be because you only see a very structured view of them by the PR department of the record label. I really enjoyed getting to know Sandi Patty because when you listen to her music, you just don’t pick up on the edge that she has. She has this great sense of humor that’s a little edgy. I don’t know, my image of Sandi Patty was that she was always walking around in some state of meditation or sitting around in a prayer circle because when you’re growing up you just think of someone in such a reverent way because you respected their music so much and she was just she a cut up, she kidded around, she invited us to her home in Indiana at that point just to hang out with her family and I just I enjoyed seeing a whole different side of her. She’s a very strong personality, a strong woman and listening and singing along with her records, it was just good to see the other side of her. 

BLADE: What have you been living on all these years?

PASSONS: I play for Point of Grace and also a friend of mine in town, an attorney and I actually work with her in her law practice and of course being friends with the boss, you can leave anytime and so I’m free to travel whenever I need to and want to so that allows me to hang out with Point of Grace and go where they go. 2020 has been interesting. Since March, we’ve only had two shows and they were very small, so it’s been really interesting year for sure.

BLADE: What denomination did you grow up in?

PASSONS: Southern Baptist. A little country church in Mississippi.

BLADE: Are there still elements of Baptist or evangelical theology you struggle with? Queer or otherwise? 

PASSONS: I’m past struggling with it. Of course, it’s something I think about often but I don’t struggle with it any longer. … I’ve definitely got a different view of spiritualism. I don’t consider myself religious but I do believe in God and so I do have a spiritual life but it just doesn’t involve organized religion and that’s just where I’ve landed.

BLADE: But do you still believe the Christianity basics — Jesus died for our sins and rose on the third day and so on or is it a broader thing for you?

PASSONS: It’s a broader spiritual thing and like I said in my previous interview, I’m just in this place of my prayer to God is show me what is true. I’m not gonna close my mind to anything, I’m not going to say, “Oh this is what I was taught and I don’t believe that anymore,” I just want to step back and rebuild all those boxes, rebuild what my spirituality is, kind of like just implode it to ground level and let’s start again. I was taught by very well-intended people. All my Sunday School teachers in that little church, they didn’t have any malice, they were well-intended people teaching what they believed. We were spoon fed, so at some point in your life you have to just decide of all that information you took in, what do you really believe? I had to get to the point where I was OK disagreeing and not believing some of the things I was taught. it wasn’t disrespectful to those people, I just have to find my own way. 

BLADE: Do you think the conservative, white evangelical world will ever become openly accepting of LGBT people? Is it a lost cause or could it be a whole different story in another generation?

PASSONS: I think there is hope. I’ve seen so much progress in Christian circles just in my lifetime that I never thought I would see. It’s pockets, it’s not widespread, but … I think there is hope. A lot of things used to be justified with scripture that they eventually came around on. (Author) Peter Gomes calls it “the last prejudice of the church.” … After I left, Avalon recorded a song called “Orphans of God,” which I thought was interesting that they were singing it because I was definitely an outcast to them. But now my friend (out country singer) Ty Herndon and Kristen Chenoweth are going to cover it for a Christmas release as a duet and they asked Melissa Greene and I to sing backing vocals on it so now it will take on a whole new meaning. It was a really nice, full circle moment. 

BLADE: Did you keep up with what Avalon was doing much after you were kicked out?

PASSONS: No. It would have put me in a bad headspace. 

BLADE: Have you had many boyfriends? Are you in a relationship now?

PASSONS: I am. I’m with a wonderful guy now and it’s going well.

BLADE: Not married though?

PASSONS: No, not married (laughs). 

BLADE: How long was it before you were comfortable dating guys? 

PASSONS: It took me a while, because when all that went down, I internalized a lot of things and I thought, “Well this is my fault,” type of thing. It really took many years for me to just work through all the junk and work through that cloud in my head and so it wasn’t like some big unleashing. It wasn’t like I left Avalon and just started living my best life, it definitely took awhile to repair the hurt that happened from those several years when Avalon was ending and all the things I went through at that point.

BLADE: Do you know of other LGBT people in CCM who are not out?

PASSONS: Yeah, I do. I feel for them because I know that panicky feeling I used to have, that someone might catch on. … But I think a lot of conservative Christians might be naive as to how many people are gay or bi in their church. You learn from a very early age to be a good actor. 

BLADE: Who was your favorite Avalon producer to work with?

PASSONS: Brown Bannister produced most of the records when I was in the group. He’s, you know, such an icon in our industry and I have so much reverence for him and so much respect, so it was an honor to work with him. He actually brought out the best in me. There was something about just his people skills and he was just so kind and thoughtful in how he spoke with you and guided you through the recording process. He just took the time, even just to find the right microphone for me, because the mic in the studio can make a world of difference. I remember going through five or six mics before we found the right one. A lot of producers are just like, “OK let’s get this going, all right that’s great on to the next one.” He just took time to make it right and I appreciated that.

BLADE: How long did it take to make those albums on average?

PASSONS: When it came time to record, we would try to just block off weeks where we would just go in there and do vocals, vocals, vocals vocals and really mainly weekdays because we would go out on the weekends and do one-offs, you know, weekend dates here and there. So we wouldn’t obviously do a new record in the midst of a tour because we’d want to tour the new record but during our one-offs we would get in there and try to get in it done and probably over the course of a month and a half, two months, we would have everything done. 

BLADE: How involved were you all with the vocal arrangements? I always loved that outro and all those layers on “We Are the Reason,” for instance. How did you come up with all those intricate lines?

PASSONS: We had a great vocal vocal producer named Michael Mellett and he had been a studio singer in Nashville a long time and had toured with Billy Joel as a background singer. He would come in and help arrange our parts and he was amazing at it. And I remember he did work on our Christmas record and I remember that outro those alternate melodies that he helped us come up with, I loved that too. I felt like that really updated the song. It’s interesting because when we did it it was 20 years old and now it’s been 20 years since we did it, so it needs to be done again now. But it was my favorite song growing up. I used to sing it with an accompaniment tape at my little country church when I was a kid. 

BLADE: Yeah, I love it too. Did (songwriter) David Meece ever say anything after you guys cut it?

PASSONS: Indirectly. I think he might have said something to Brown but we heard that he liked it.

BLADE: Who’s a celebrity who would exemplify your type?

PASSONS: (laughs) My type, wow. I’m definitely attracted to someone who is confident but not cocky, someone who has sensitivity but is not overly sensitive, someone who’s just confident in themselves, that’s a big attraction to me. If I were to throw out a celebrity I see a lot of those qualities in, and maybe I’m wrong, but someone like Bradley Cooper. 

BLADE: Did you guys in Avalon have any say in choosing singles?

PASSONS: We were included in conversations but I feel like ultimately the label got what they wanted. There’s one little battle that we won and in retrospect not just one, but I just remember this instance, where the label disagreed with us about what we should call our second record and had we listened to the label, we probably would have sold a lot more. They wanted us to call it “Testify to Love” and we had no idea when we were naming the record and about to release it that that would be the one song that Avalon would be known for or that it be our biggest song ever. We thought “A Maze of Grace” was such a clever title. They disagreed but they let us do what we wanted. But who knew “Testify to Love” would become such a huge song for us? 

BLADE: Was (Sparrow president) Bill Hearn around much?

PASSONS: We would see him periodically and even his father Billy Ray, who started the company, they’re both deceased now, but they were very approachable. They weren’t always in our meetings because we were more with A&R and publicity and stylists but when they were around, they were very approachable, very hands on.

BLADE: When you win a Dove Award, did you each get one or just one for the group?

PASSONS: At the ceremony, just one is given but then they mail three more to you like a month later.

BLADE: Where do you keep yours?

PASSONS: I have a little study/office that I’m sitting in right now. I just have them on a shelf along with some pictures and mementos and things I like to keep out. The interesting story about one of our Dove Awards is our first Dove Award for new artist of the year and that was in 1998 I believe, and we got new artist of the year at the 29th Dove Awards and that was the year that Whitney Houston performed with Dottie Rambo … and we were backstage after we won doing a press junket so I missed her performance and I’m a huge Whitney Houston fan, like I would rival anyone else saying they’re a huge Whitney Houston fan. (laughs) She’s pretty much my all-time favorite artist. So after the show some press people wanted to take a photo of Whitney holding a Dove Award. She didn’t have one so Jody was standing close by with his and they said, “Can we have your Dove Award for a picture,” and so Whitney took our Dove Award and had her picture made with it and of course that was the only one we got that night and our manager said, “OK I’m gonna take that to the office and hold it ’til the others come in and you all can come by and pick them up,” and so before he could get to it, I got that particular one and took a Sharpie and made a mark on the bottom of it and the day that our manager said, “OK you can come by and pick up the Dove Awards they’re all in,” I was first one in there and I picked them all up and looked for the one I made the mark on because I wanted the one that Whitney had held. So I’m holding it right now, I’ve got that one in my hand and I always think of Whitney.

BLADE: Who were your favorite CCM acts growing up? Or did you listen to more pop?

PASSONS: I listened to a lot of pop and and country. My family is from a rural Mississippi town so country music was really most of what was on the radio and I love that old ’70s country. I still listen to it just because it has a lot of good memories. But I didn’t really know there was such a thing as CCM other than, you know, like Bill and Gloria Gaither-type stuff until I was in high school and someone handed me a tape of “Age to Age” by Amy Grant and that just lit a fire in me like I had no idea this type of thing existed, this is what I want to do. And of course I’ve just been — I was a fan of Amy Grant from that day on and she was definitely a huge influence in the way I would sing music, the way I would write music, I would listen to interviews of her and I would just — she was a great teacher in that respect of just knowing how to respond to questions, how to react to people, just her demeanor, how she handled herself, she was definitely a role model.

BLADE: So that must have been mind-blowing to work with her producer (Brown Bannister) all those years later.

PASSONS: Yeah, definitely. And then her text last week, yeah, that was a nice moment.

BLADE: Why didn’t the more progressive Christian denominations ever have their own version of CCM? There are a few fledgling queer gospel singers out there but nothing like the machine that CCM was. Maybe they didn’t care as much if their kids listened to Metallica or whatever? 

PASSONS: I think your theory might hold some weight, just that the conservative Christians were looking for an alternative for them and their families to listen to. One thing I think there probably wouldn’t have been a market in the liberal circles to sustain the industry, they wouldn’t have purchased the CDs and the music. It was the conservatives who made this a business and the Christian music business is a business. You have to be making money to be in CCM, that’s the dichotomy that I’ve always wrestled with. CCM depended on Becky, and I’ll tell you who Becky is. Becky is the pseudonym for their target audience. So any meeting we were in, it was always asked, “What would Becky buy, would Becky like  this song?” And Becky is a 20-, 30- or 40-something conservative Christian female and she was the target audience because she was the one buying the CDs and the tapes and downloading the music and so I think that’s maybe why the conservative church has kind of a market on CCM music.

BLADE: Is she related to Karen?

PASSONS: (laughs) That’s funny. If they’re not related, they’re probably best friends.

BLADE: When your bandmates came to your house that day, did it feel like it was coming from a place of love and concern or did it feel like a power play? Like they were trying to oust you?

PASSONS: It did feel like a power play. There were some very complicated personalities in the group and so it definitely — I did not feel much love that day. 

BLADE: To me, it was like when Florence got kicked out of the Supremes. They could go on and do whatever they want, but without Florence, it wasn’t the Supremes. Without you, it wasn’t Avalon. The one female singer didn’t matter so much because she always changed. That was like the new season of “Charlie’s Angels,” you always knew she would change. But when you left, it was never the same.

PASSONS: I appreciate that, I’ve heard several say that and it’s always good to know that my contribution is something that was missed. 

Michael Passons (left) with his Avalon bandmates in a photo from their 1997 ‘A Maze of Grace’ album. With him from left are Jody McBrayer, Nikki Hassman-Anders and Janna Long. (photo by Paul Elledge; vintage promo material via Sparrow/EMI)
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Exhibit showcases trans, nonbinary joy in Maryland and Virginia

‘Becoming Ourselves’ proclaims that our lives are ‘expressions of divine creation’

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Oshee (Photo by Gwen Anderson)

Gwen Andersen was putting up posters for her photography exhibition “Becoming Ourselves” in and around Takoma Park shortly following the death of Nex Benedict. “Everybody’s heart was heavy,” the lesbian photographer said, “and I’m waltzing around town putting up these posters.” At a bookstore, she asked the person working at the front desk if she could put up one of the posters. They immediately looked at it more closely because of the trans flag, and said yes. 

“When they read it and saw that it was something positive, beautiful, happy, they started to cry,” Andersen said, and she instinctively asked if she could give them a hug. With permission, she walked around the counter and embraced them — and in many ways, herself — in a world where negativity and violence takes aim at and harms the LGBTQ community. It was a powerful moment, she admitted, because “the first person didn’t even see the pictures.”

“That’s when I realized.” she said, “just how the idea of this is making an impact.”

“Becoming Ourselves” is an exhibition of 26 photos featuring happy and joyful trans and nonbinary adults and children that has been displayed at six different spaces of worship and one gallery in Maryland and Virginia. From the United Universalist Congregation of Rockville (UCCR) to its eighth spot that opened at the Sandy Springs Meeting House on Oct. 1, the exhibition originally started after Andersen’s friend Marian Bowden connected her with Sandra Davis, then president-elect for the Women’s Caucus of Art. Davis, seeing that Andersen had something critical to say during a time of intense anti-trans violence, became her mentor. 

Andersen decided to host the exhibition at the UCCR based on the suggestions of her friend Rev. Jill McCrory, an affirming pastor and justice advocate, who along with Stevie Neal had previously invited Andersen to help found Montgomery County (MoCo) Pride. McCrory recommended UCCR and Davis shared that the church had their own hanging system, but for Andersen, their eager acceptance of the show sealed the deal. 

“They were so happy to have been asked,” Andersen said. “They weren’t just consenting. They were wildly enthusiastic about it. I could not have had a better first place to host this.” 

Rev. Dr. Rebekah Savage echoed this affirmation. Andersen approached her in October 2023 and from the very beginning, Savage acknowledged, we knew it would be a vital gift to congregants. Showcasing queer and trans people in spaces of worship, as the portraits hung in the Sanctuary during Sunday morning worship for Transgender Day of Visibility is critical, Savage explained, and it “does more than challenge exclusion,” Savage said. “It proclaims to the world that LGBTQ+ lives are sacred, beautiful, and an essential expression of the divine creation.”

“This visibility is both healing and life-saving, especially right now: for trans youth and families who need to know that there are faith communities ready to celebrate with them fully,” Savage continued. “Becoming Ourselves,” she said, visualized the leadership of our trans loved ones and held space for joy and celebration during times of intense violence. It has, Savage said, “become a beacon of hope, within our congregation and beyond, witnessing to the power of love, equality, and justice as sacred commitments.”

But there was a time crunch — the exhibition would open in March 2024, so all photos had to be taken by December 2023 and to her surprise, there was great interest in being part of the project. She had taken some photos already, but when a friend’s child asked if their friends could be part of it, they realized they would need extra enforcements to get the photos taken and processed in time for printing, so she connected with Salgu Wissmath, a nonbinary photography who recently opened their own exhibition Divine Identity,” and other photographers from Los Angeles, London, and Baltimore. 

She also reached out to Natasha Nazareth from Gaithersburg and Elias Nikitchyuk who worked locally and contributed photos to the exhibition. 

She also brought a child — Emery — on as the Formal Youth Adviser, recognizing that the show’s most important audience would be trans and nonbinary children. The resulting 26 photos of joyful trans and nonbinary adults and children were chosen by LGBTQ young people from across the United States who shared their selections through a virtual survey, and the group just made the tight deadline. Sadly, Stevie (a nickname for the beloved Petra Stephanie) Neal passed before the project was put on display, but their estate covered photography printing costs.

Soon, the UCCR was filled to the brim with photos of happy and joyful trans people. While UCCR has designated a room for its display, there were too many so the photos spilled out into the hallway, entryway, and anywhere else they would fit. It was only the first of many surprises. 

She anticipated just displaying the show at the church in Rockville, but at the opening, McCrory shared that she would love for the show to be on display at Bethesda United Church of Christ (UCC) where she was then and is now working as an interim pastor, so it went to Bethesda UCC next, but that wasn’t its final stop as church members attended other parishes, they shared that they wanted the photos displayed in their own spaces of worship, and soon the photos had travelled to Christ the Servant Lutheran Church in Gaithersburg, Pilgrim Church in Wheaton, Hope United Church of Christ in Alexandria, PhotoWorks at Glen Echo, and finally, Third Space in Baltimore — its most recent stop at the recommendation of one of the photographers. A friend of Octavia Bloom, a Baltimore photographer, wanted the show to come to their hometown. 

The exhibition at Third Space came to an end on Aug. 8, but as before, another church —this one Sandy Springs Meeting House — stepped up to host the show. The brick Sandy Springs Meeting House was originally constructed in 1817 and has stood ever since, making the Sandy Spring Meeting of the Religious Society of Friends one of the oldest Quaker Meetings in Maryland. Sandy Spring just put up their hanging system, on loan from a local artist, this month and aims to have the show on display to the public soon. 

For some, the choice to display the exhibition in churches may seem like a strange or at least surprising one, but for Andersen, it was a meaningful choice. For Andersen, it helps counter the narrative of churches being places of hostility and part of campaigns against us. While recognizing the history of harm that churches and other religious institutions have caused through conversion therapy, exclusion, hate speech, and more, Andersen’s exhibition showcases how spaces of faith can also be key centers of LGBTQ advocacy and organizing. In fact, D.C. has a rich history of LGBTQ activism based out of and supported by faith communities. 

“The fact that it was held in a church made so many people so happy. It also made many people cry because the church has been a place of hostility because the resistance, the hatred, of lesbians, gays, bis and transgender people has been biblical, both in terms of its size and in terms of its purported origin, and so having churches hold this exhibit was dearly important symbolically,” Andersen said.

Andersen shared that so many friends of hers who came to the show had not visited churches in decades because they (justifiably in some cases) viewed them as completely hostile locations. When they went to the exhibitions in the churches and were treated well, she said, she believes it was a healing experience, as it was for many trans and nonbinary children and adults and their parents who are facing a world of negative representation — either hostile from conservative, Christian nationalist groups or media portraying trans and nonbinary people as victims. 

Andersen wanted to create a show that offered hope to trans and nonbinary kids, as It Gets Better did many years before. sharing videos and photos of happy and joyful LGBTQ adults as a way to share positivity and hopefully prevent suicide among LGBTQ children. It was more than timely than ever following Benedict’s death in February 2024. The previous day, Benedict was assaulted by other high school students in a girls’ restroom and later died by suicide.  

“The purpose of the show was to counter all of the negativity because with Republicans running and now Trump in office there was so much animosity and hostility and people trying to pass these hateful laws that I knew this had to be having a negative impact on the mental health of trans kids.” 

Andersen hopes that this exhibition enriches this rich tradition and sparks new conversations — and maybe even more happy tears — at Sandy Springs Meeting House this fall. 

The show will be open most days between about 10 and 4 except for Mondays and Saturdays. Viewers are advised to call Sandy Springs Meeting House at 301-774-9792 first on weekdays. The show will continue until the end of December.

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Best of LGBTQ D.C. 2025

The Blade’s 24th annual celebration of our community

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In a challenging year for D.C. and the local LGBTQ community, it’s important to remember that there are people, places, and organizations that work hard each day to support us. From activists to bartenders, politicians to drag queens, the Blade’s annual review of D.C.’s best is a welcome break from the news. 

We need to support our queer-owned businesses now so please review the list and then patronize as many of them as you can. Our community has a long history of pulling together and dancing our way to better days, so you know what to do.

This was a big year for our annual friendly competition with more than 5,000 nominations in 75 categories and nearly 20,000 votes. The Blade’s Stephen Rutgers coordinated the voting, while Michael Key shot most of the photos. This year’s contributing writers are: Lou Chibbaro Jr., Michael K. Lavers, Joe Reberkenny, Kevin Naff, Tinashe Chingarande, Shreya Jyotishi, Evan Caplan, and Patrick Folliard.

This year’s Local Hero Award goes to Stonewall Sports, which is celebrating its 15th anniversary this month, in recognition of all its leaders do to promote unity in our community and to give back. Congratulations to all the winners and nominees.


Local Hero: Stonewall Sports 

(Photo by John Jack Photography; courtesy of Stonewall Sports)

stonewallsports.org

Sports, for a lot of LGBTQ people, stir up complicated feelings — for some, they bring back memories of uncomfortable gym classes or the sense of not quite fitting in with other teammates. Stonewall Sports, a community-based nonprofit for LGBTQ people and their allies, was created to push back against the idea that sports aren’t a welcoming space for queer people — and to build a place where the community can grow, thrive, and support one another.

Founded in D.C. in 2010 by Martin Espinoza, Mark Gustafson, Melvin Thomas, Scott Moorehead, and Scott Filter, Stonewall Sports began as a small kickball team. Fifteen years later, it has exploded into a national network with 27 chapters across the U.S., offering a wide range of sports in the DMV — including billiards, bocce, climbing, dodgeball, and kickball.

“We seek to be the premier social sports organization for LGBTQIA+ individuals in the DMV and nationwide, really focusing on building community that lasts,” Stonewall President Stu Wales told the Blade. “This is an opportunity for people to feel comfortable in their own identity in organized sports… to participate fully without having to worry about who they are.”

Stonewall Sports’s mission is clear: sports for all. At a time when trans athletes are being singled out and excluded from participation, the organization continues to provide inclusive, affirming spaces for every member of the LGBTQ community. “We make sure everyone feels welcome — from how we recruit to how we build teams — so no one ever has to question if they belong here,” Wales said.

But building community isn’t the only thing Stonewall Sports has achieved. Over the past 15 years, the organization has raised hundreds of thousands of dollars for local charities.

“We’re as much a philanthropic organization as we are a social sports organization,” Wales said. “There was one year where we raised over $100,000 just in a single year, and that really demonstrated our commitment to one of our key pillars — that was part of what we were founded on and what sets us apart from other local social sports organizations in the DMV.”

From donating money to Whitman-Walker Health, DC Black Pride, The Boys and Girls Club of Greater Washington, and House with a Heart senior pet sanctuary — just to name a few — the organization continues to reinvest in the community in a wide array of ways.

Whether it’s on the National Mall on Sundays for kickball or in Logan Circle on Wednesdays for bocce, Stonewall Sports continues to bring people together — on and off the field — proving that in D.C., sports can be competitive, impactful, and community-driven.

Stonewall Kickball (Washington Blade photo by Thomas Hausman)

NIGHTLIFE

Best Drag Queen: Cake Pop!

Cake Pop! (Washington Blade photo by Michael Key)

From her larger-than-life costumes to her beat-thumping DJ sets and growing “Pop” drag family, Cake Pop has quickly become a fixture in D.C.’s drag scene. The Chicago-born, D.C.-based queen is constantly on the move — whether she’s hosting a show, spinning a set, or running her “Pop-Up” bar that took over the top floor of Pitchers earlier this year. After first winning Best Drag Queen in 2022, Cake Pop is once again taking the crown — proving she’s a true D.C. favorite.

Editor’s Choice: Sasha Adams Sanchez


Best Drag King: King Molasses

King Molasses (Washington Blade photo by Michael Key)

For the fourth year in a row, the freshly crowned “King of Drag” has taken home another honor. King Molasses knows how to command a stage — delivering performances that get the crowd cheering for the sticky-sweet king. With more than 37,000 Instagram followers, Molasses showcases a bold mix of color, confidence, and masculine flair. Fresh off winning the first-ever drag king reality TV competition in July, this is one king D.C. is more than happy to bow down to.

Editor’s Choice: Dylan Dickherson


Best Transgender Performer: Gigi Paris Couture

Gigi Paris Couture (Washington Blade photo by Michael Key)

Hailing from Arlington across the Potomac, Gigi Paris Couture is a celebrated name in DMV drag and beyond. With a career spanning decades, Miss Couture has dazzled audiences nationwide with her stunning performances and sexy, show-stopping costumes. Her trophy case is as impressive as her talent: most recently winning Miss Perry’s in 2023, along with Miss Freddie’s 2015, Miss Diamond International 2007, Miss Tennessee Continental 2003, Miss New York, New York Continental 2002, and Miss Luchos Continental 2001. With so many crowns, it’s a wonder she has room for them all.

Editor’s Choice: Brooke N Hymen


Best Drag Show: Daddy Issues at Kiki

Daddy Issues at Kiki (Washington Blade photo by Michael Key)

915 U St., N.W.

dcwannahaveakiki.com

Who says drag is only for the weekends? Not Daddy Issues! Each Wednesday at 10 p.m., some of the DMV’s best drag performers take over the second-floor stage at Kiki with incredible performances, games, and a vibe that “might help you catch a daddy!” Hosted by Evry Pleasure and featuring a rotating cast including Cake Pop, Druex Sidora, Indiana Bones, and Crimsyn, this midweek extravaganza proves that drag in D.C. never takes a day off.

Editor’s Choice: Freddie’s Follies


Best LGBTQ Party: Flower Factory

Flower Factory (Photo by Jake Stronko)

1223 Connecticut Ave., N.W.

@flowerfactoryparty

Since its debut in 2021, this queer DJ collective dance party has become a staple of D.C.’s LGBTQ nightlife. Held once a month at Zebbie’s Garden in Dupont Circle, Flower Factory turns the neighborhood into a cross between a daytime rave, Studio 54, and your favorite gay bar. If it’s the second Sunday of the month and you spot fabulously dressed revelers radiating color, florals, and queer joy, odds are they’re heading to Flower. The collective has grown immensely over the past few years, spinning sets at Somos in Mexico City, venues across Provincetown and New York City, and even hosting a special WorldPride party in 2025 — and it shows no signs of slowing down.

Editor’s Choice: Grizzly Bear Happy Hour


Best Bartender: Stephen Sides, Little Gay Pub

Stephen Sides (Washington Blade photo by Michael Key)

1100 P St., N.W.

thelittlegaypub.com

With his warm smile and handsome facial hair, Stephen Sides is one face you definitely want to see on the other side of the bar. Sides has an extensive history in the food service industry, and an even longer list of friends who request LGP’s signature espresso martini poured by him. Whether it’s a busy Friday night or a quiet weekday, Stephen makes every guest feel like part of the little gay family. 

Editor’s Choice: Ben Oursler, Annie’s


Best DJ: DJ Honey

DJ Honey (Photo courtesy of DJ Honey)

@djhoney215

Honey Johnson, better known as DJ Honey, continues to break barriers as a Black lesbian DJ, spinning at venues across the country. From BET events to World AIDS Day celebrations and even the Library of Congress, her resume proves that success comes from hard work. Her unique style gives a platform to underrepresented musical talent in Thurst Lounge and beyond, making every set unforgettable.  

Editor’s Choice: DJ Matt Bailer


Best Neighborhood Bar: As You Are Bar

As You Are (Washington Blade photo by Michael Key)

500 8th St., S.E.

asyouaredc.com

As You Are doesn’t just see itself as a café turned nightclub — it proudly brands itself as home. Owners Jo McDaniel and Rach “Coach” Pike are no strangers to LGBTQ nightlife, both having worked at A League of Her Own in Adams Morgan. This dynamic duo built their own “haven for queer expression and connection,” with a special spotlight on Sapphic events and DJs, a scene that can be hard to find elsewhere. Whether you’re coming for coffee, cocktails, or a night of dancing, As You Are makes everyone feel welcome.

Editor’s Choice: Number Nine


Best Outdoor Drinking: Trade

Trade (Washington Blade photo by Michael Key)

1410 14th St., N.W.

tradebardc.com

Edging out LGP, which won last year, Trade snagged the top spot this year likely due to its sizeable patio, newly expanded during Pride season. With echoes of erstwhile Town patio, Trade’s outdoor space brings the gay community together to enjoy its XL happy hour around the brightly lit tree that stands at attention in the center of the space.

Editor’s Choice: Little Gay Pub


Best Happy Hour Presented by ABSOLUT: Annie’s Paramount Steakhouse

Annie’s Paramount Steakhouse (Washington Blade photo by Michael Key)

1607 17th St., N.W.

annieparamountdc.com

Annie’s Paramount Steakhouse has been a Dupont Circle fixture for more than 75 years. George Katinas opened the restaurant in 1948 on the corner of 17th and Church streets, N.W., where JR.’s is now located. He later renamed it in honor of his sister Annie. Annie’s Paramount Steakhouse, which is now located on 17th Street between Corcoran and R streets, continues to welcome locals and visitors alike with its signature cocktails, food, and camaraderie.

Editor’s Choice: Crush


Best LGBTQ Bar: Crush

Cast members of Queer Eye visit Crush Dance Bar in August. (Washington Blade photo by Michael Key)

2007 14th St., N.W.

crushbardc.com

Crush Dance Bar, which opened in the busy U Street corridor in 2023, is one of the city’s most popular LGBTQ establishments.

Its walls — adorned with posters of Lady Gaga, Kylie Mingoue, Janet Jackson, and myriad other pop divas — provide the perfect backdrop for revelers who are looking to let loose. Owners Stephen Rutgers and Mark Rutstein have succeeded in making Crush the city’s “all-inclusive nightlife destination on 14th Street.”

Editor’s Choice: Trade


Best LGBTQ-Friendly Bar: Dacha Beer Garden

Dacha Beer Garden (Washington Blade photo by Michael Key)

Multiple locations

dachabeergarden.com

Dacha, a longstanding popular outdoor watering hole, is not officially a gay bar. Yet, you will consistently see groups of D.C.’s LGBTQ community hanging out at Dacha Beer Garden drinking boots of beer and enjoying a selection off the German-style beer garden’s extensive menu. With its giant murals of gay icons Elizabeth Taylor at the Shaw location and Jackie Onassis in the Navy Yard spot, it’s easy to see why gay, straight, and truly everyone can find something to enjoy.

Editor’s Choice: Jane Jane


Best LGBTQ Bar Outside the District: Freddie’s Beach Bar

Freddie’s Beach Bar in Arlington, Va. (Washington Blade photo by Michael Key)

555 23rd St. S 

Arlington, Va.

freddiesbeachbar.com

The DMV LGBTQ bar scene discussion must mention longstanding Freddie’s Beach Bar in National Landing, Arlington. Freddie’s has been a staple in the area since it opened more than 20 years ago. Serving classic cocktails and a full menu, the bar is also known for its infamous Sunday Buffet Brunch, and daily events including drag shows, bingo, and karaoke, it makes sense that Washington Blade readers have voted Freddie’s the best “LGBTQ+ but straight friendly restaurant and bar” outside of the District for several years.

 Editor’s Choice: Baltimore Eagle


ARTS & ENTERTAINMENT

Best Theater Presented by Wild Side Media: Arena Stage

Arena Stage (Washington Blade photo by Michael Key)

1101 6th St., S.W. 

Arenastage.org 

Famous for its in-the-round productions, the Tony Award-winning Arena Stage located just steps from the Wharf, is the country’s largest theater committed to presenting American plays and playwrights.  

Arena is currently presenting the Broadway bound revival of “Damn Yankees” (through Nov. 9) directed by Sergio Trujillo and starring Rob McClure as Applegate, Ana Villafañe as Lola, and Jordan Donica as Joe. It’s a fresh take on a beloved classic.

Editor’s Choice: Studio Theatre


Best Theater Production: “Kiss of the Spider Woman,” Gala Hispanic Theatre

Actors Martín Ruiz as Molina (left) and Rodrigo Pedreira as Valentín in GALA Hispanic Theatre’s production of ‘Kiss of the Spider Woman.’ (Photo by Daniel Martínez González)

3333 14th St., N.W.

Galatheatre.org

In September, GALA Hispanic Theatre in Columbia Heights kicked off its 50th anniversary season with an exciting revival production of out playwright Manuel Puig’s “Kiss of the Spider Woman” 

First a novel published in 1976 (the same year GALA was founded), then a play, followed by a Broadway musical and films, “Kiss of the Spider Woman” is a stunningly enduring work. GALA’s production was brought to life by a triad of queer talent including director José Luis Arellano, and appealing actors Martín Ruiz and Rodrigo Pedreira

Editor’s Choice: “Summer, 1976,” Studio Theatre


Best Live Music in D.C. Presented by Wild Side Media: 9:30 Club 

9:30 Club (Photo by Farrah Skeiky)

815 V St., N.W. 

930.com

No stranger to the Blade’s “Best of,” the 9:30 club has been a favorite of DMV audiences in search of live entertainment since 1980. Over the years, the key destination venue has hosted a wide range of artists ranging from the Red Hot Chili Peppers to Alison Moyet to Tony Bennett, making it one of the most respected live music spots in America. 

Editor’s Choice: The Anthem


Best Live Music Outside of D.C.: Wolf Trap

Wolf Trap (Photo courtesy of Wolf Trap)

1551 Trap Rd. 

Vienna, Va.

Wolftrap.org

In nearby Northern Virginia, Wolf Trap National Park for the Performing Arts boasts a sprawling green campus with a major theater as well as smaller other venues all with pitch perfect acoustics. 

Arvind Manocha, the out president and CEO of Northern Virginia’s Wolf Trap Foundation for the Performing Arts for more than a decade, loves his job. And for him, part of that means promoting diversity and queer inclusion.

As part of its impactful lineup, Wolf Trap presents “Out & About,” an annual two-day outdoor music festival spotlighting LGBTQ artists and vocal allies. With the new musical event, Manocha and his programming team bring together entertainment and visibility by featuring big queer names like headliner Brandi Carlisle.

Editor’s Choice: Merriweather Post Pavilion


Best Local Artist Presented by Wild Side Media: Miss Grace David

Miss Grace David (Photo by Farrah Skeiky)

missgracedavid.com 

Miss Grace David is a Black, queer, and non-binary femme performance and textile artist based in the D.C. area. By using character performance, textile production, world-making, and storytelling, their work connects human emotion and personal experience with visual abstraction.

Editor’s Choice: Diane D’Costa 


Best Museum: National Museum of African American History & Culture

National Museum of African American History & Culture (Washington Blade photo by Michael Key)

1400 Constitution Ave., N.W.

nmaahc.si.edu 

Since opening its doors in 2016, the museum has engaged millions of people worldwide, sharing the unvarnished truth about African-American experiences, advances, and contributions. The anti-DEI crusade of the Trump administration serves as a reminder of the important role museums play in telling the full American story. The museum remains closed due to the federal government shutdown. 

Editor’s Choice: National Gallery of Art


Best Professional Sports Team: Washington Spirit

Washington Spirit (Photo courtesy of Washington Spirit)

For the second year in a row, Blade readers voted the Washington Spirit, D.C.’s premier professional women’s soccer team, as the best local professional sports team. The highly regarded team last year was ranked second in the National Women’s Sports League.

It has consistently supported local LGBTQ groups like SMYAL, and its many LGBTQ fans believe Washington Spirit understands the importance of playing hard and supporting LGBTQ representation in sports.

Editor’s Choice: Washington Commanders


COMMUNITY & BUSINESS

Most Committed Activist: Preston Mitchum

Preston Mitchum (Photo by Kollin Benson)

An acclaimed D.C. attorney and digital creator, Preston Mitchum is described online by people who know him as a Black, queer advocate and activist, with a focus on the power of Black people, young people, and queer, trans, and non-binary people

With more than a decade of legal and policy experience, he has worked for and or provided support for more organizations and causes you can shake a stick at in the areas of racial and gender justice, LGBTQ liberation, and reproductive health, rights, and justice policies.

As a respected public speaker, he has appeared on TV news programs and was quoted in news publications, including the Washington Post, on the wide range of issues on which he has worked. “A force to be reckoned with, Preston Mitchum isn’t just a name, it’s a symbol of commitment, passion, and the embodiment of change,” one of his admirers states in an online posting.

Editor’s Choice: Jordyn White


Best LGBTQ Public Official: George Garcia

George Garcia (Photo by Judy Schloss)

D.C. Mayor’s Office on Volunteerism and Partnership

George Garcia served as Director of Operations for the Mayor’s Office of LGBTQ Affairs since September 2024, and prior to that he served as the LGBTQ Affairs office’s Grants and Partnerships Specialist since February 2023. In early October of this year, he began a new job as Deputy Director of Operations and Finance for the Mayor’s Office of Volunteerism and Partnerships, which is also known as Serve DC.

He is described in an LGBTQ Affairs Office statement as a dedicated community leader with more than 14 years of experience advocating for underserved populations, especially within the LGBTQ community. He holds a master’s degree in public administration from D.C.’s American University, where he honed his expertise in public policy, strategic planning, and leadership. While working in the LGBTQ Affairs Office, he played a lead role in the city’s support for WorldPride events this year, “coordinating 10 community coalitions and managing a $5 million budget.”

Editor’s Choice: Council member Zachary Parker


Best Community Ally: Robert White

D.C. Council member Robert White (Washington Blade photo by Michael Key)

An At-Large member of the D.C. City Council since 2016, Robert White has emerged as one of the Council’s strongest supporters and allies of the LGBTQ community. He currently chairs the Council’s Committee on Housing. And in September he announced he is a candidate for the D.C. congressional delegate seat for which he is running in the city’s June 2026 Democratic primary.

A self-described proud fifth generation Washingtonian and an attorney, he has served prior to being elected to the Council as the city’s first Director of Community Outreach for the D.C. Office of the Attorney General. He currently also serves as an adjunct professor at the Georgetown University Law Center.

Editor’s Choice: Erin Palmer


Best Medical Provider: Whitman-Walker Health

(Photo courtesy of Whitman-Walker Health)

1201 Sycamore St., S.E.

whitman-walker.org

Whitman-Walker Health was founded in 1973 as the Gay Men’s VD Clinic as a volunteer operation in a church basement before incorporating as the Whitman-Walker Clinic in 1978. It was named after poet Walt Whitman and Dr. Mary Edwards Walker, a physician who worked in D.C. during the Civil War before becoming a women’s rights activist.

It became a leading first responder to the HIV/AIDS epidemic in the 1980s, providing medical care and support for gay men and others impacted by the epidemic. It has since expanded into a comprehensive community health center with services that include primary care, dental, mental health, and legal aid, with a continued focus on serving the LGBTQ community in the D.C. metro area.

Editor’s Choice: AIDS Healthcare Foundation


Best Non-Profit: SMYAL

SMYAL Executive Director Erin Whelan speaks at the 2025 SMYAL Fall Brunch. (Washington Blade photo by Michael Key)

410 7th St., S.E.

smyal.org

Celebrating its 41st anniversary this year, SMYAL continues its role as an acclaimed service provider for LGBTQ youth in the D.C. area. Through its after-school programs, counseling services, and LGBTQ youth drop-in center, SMYAL provides LGBTQ youth with safe spaces to express themselves, find support, and build community.

Among other things, it awards $35,000 in scholarships to students each year and provides education and training for adults working with LGBTQ youth in schools, housing programs, local government agencies, and hospitals. SMYAL’s Youth Housing Program provides transitional housing for at least 55 LGBTQ youth experiencing homelessness.

Editor’s Choice: The D.C. Center


Best LGBTQ Center Outside of D.C.: Pride Center of Maryland

2418 St. Paul St.

Baltimore, Md.

pridecenter.org

The Pride Center of Maryland, which serves as an LGBTQ community center, provides a wide range of services for youth, adults, seniors, and families. It states on its website that its programs “are designed to meet the diverse needs of our community and provide a safe and welcoming space for all.”

Its programs include mental health counseling, HIV health services, support groups, education and training, a computer lab, and a game room along with space for community events and meetings. While its headquarters is based in Baltimore, its website points out it has “a presence throughout the state, including Prince George’s County, Montgomery County, Frederick, and Charles counties, and conducts outreach and education activities within those counties.”

Editor’s Choice: CAMP Rehoboth  


Best Day Trip: Annapolis 

Annapolis, Md. (Photo by SeanPavonePhoto/Bigstock)

downtownannapolispartnership.org

Less than an hour from D.C., Annapolis makes the perfect day trip. With its charming streets, historic waterfront, and the Naval Academy’s good-looking midshipmen, Maryland’s state capital is filled with visual pleasures. What’s more, Annapolis offers a range of attractions, including parks, galleries, and museums that cater to the LGBTQ community. For more information go to annapolispride.org.

Editor’s Choice: Baltimore 


Best Adult Store: Bite the Fruit 

Bite the Fruit (Washington Blade photo by Michael Key)

1723 Connecticut Ave., N.W. (second floor)

bitethefruit.online

Go ahead, succumb to the temptation found at Bite the Fruit. The busy queer-owned Dupont Circle retailer of adult novelties and provocative apparel specializes in promoting “healthy sexual and sensual exploration.” 

Editor’s Choice: What’s Your Pleasure DC


Best Local Content Creator: Bri Battle, @queertalkdc

Bri Battle (Photo courtesy of Bri Battle)

instagram.com/queertalkdc

Bri Battle’s @queertalkdc promises to inform readers about “everything queer in the DMV and beyond.” Some of the events and organizations Battle has promoted include DMV Dyke Camp 2025, All Things Go, and the Columbia Mental Health clinics. Battle has also championed taking oneself out as a form of self-care.

Editor’s Choice: AJ Dronkers, @aj_dc


Best Local Website: Washingtonian Problems

instagram.com/washingtonianprobs 

Washingtonian Problems is a website that revels in “celebrating the quirks and spirit of the District.” Some of its recent posts highlight the impact of the federal government shutdown in D.C., such as asking readers about local businesses that are “doing government shutdown specials.” Others note U.S. Rep. Marjorie Taylor Greene (R-Ga.) and other Capitol Hill personalities who try to make their mark in the nation’s capital. 

Editor’s Choice: Popville


Best Local TV/Radio Personality: Tommy McFly, NBC4

Tommy McFly (Photo by Jonathan Thorpe)

Tommy McFly has been a fixture on local airwaves for more than a decade. Washingtonians can currently watch him doing “The Scene” on NBC4.

I’m proud to be surrounded by so many incredibly talented queer media professionals in D.C.,” McFly told the Washington Blade. “Just like on the airwaves, our vibrant community is made better because so many people feel they can live their lives authentically here — at work, in public, and at home. I know that isn’t the case everywhere. It’s something we need to cherish. And we have a responsibility to keep bringing everyone along.”

McFly was in the closet when he moved to D.C. in 2006. He said the city since then “has embraced me and my husband, Chrys, in countless ways.”  

“But the opportunity to be your neighbor — a friendly face on TV, at live events, in your feed and on the street — is the most incredible gift, and one I’ll never take for granted,” said McFly.

Editor’s Choice: Lorenzo Hall, WUSA 9


Best Fitness or Workout Spot: VIDA Fitness

VIDA Fitness (Photo courtesy of VIDA)

Multiple locations

vidafitness.com

For the second year in a row, VIDA Fitness is the most popular gym among LGBTQ Washingtonians.

Vida has locations in Logan Circle, the Navy Yard, City Center, U Street, Ballston, and Reston. The exclusive Penthouse Pool at the U Street location remains the go-to summer destination for locals who don’t want to schlep to the beach.

Editor’s Choice: Barry’s Bootcamp


Best Lawyer: Erin Palmer

Erin Palmer (Washington Blade photo by Michael Key)

Erin Palmer has been the associate director of the Pro Bono Institute’s Corporate Pro Bono project since 2024. The organization’s website notes she “brings extensive experience in legal ethics, litigation, and public interest advocacy.”

She is an alum of the American University Washington College of Law and of the University of Pennsylvania. Palmer is also a former member of the D.C. Advisory Neighborhood Commission.

Runner-up: Chase Strangio


Best Dentist: Dr. Robert McKernan, Big Gay Smiles

Dr. Robert McKernan (Photo by Sam Fatima)

biggaysmiles.com

Dr. Robert McKernan of Big Gay Smiles continues to make Washingtonians “smile with Pride.”

“Big Gay Smiles Dental is an LGBTQ2IA+ owned practice that prioritizes comfort, quality, and community,” says Big Gay Smiles on its website. “We understand the stressors related to going to the dentist and actively work to redefine what it means to provide queer- (and ally-) focused dental care.”

Big Gay Smiles also donates 10 percent of its annual revenue to HIV/AIDS service organizations.

Editor’s Choice: Dr. Gregory Martin, DDS


Best Amateur Sports League: Rogue Cornhole

Rogue Cornhole (Photo courtesy of Rogue Leauge Sports)

rlsports.org/cornhole

Rogue Cornhole describes itself as a “fun, socially minded, LGBTQ+ non-profit that strives to better our communities through volunteer efforts and raising funds for local non-profit organizations. The group, while championing cornhole, pledges to “have fun, cherish friendships, meet new people, and to be engaged with and committed to bettering our community through educational efforts.”

Editor’s Choice: DC Front Runners


Best LGBTQ Social Group: Gay Men’s Chorus of Washington

Gay Men’s Chorus of Washington perform ‘Passports’ at the Lincoln Theatre in March. (Washington Blade photo by Michael Key)

gmcw.org

The Gay Men’s Chorus of Washington, DC, has inspired gay men and many others since its founding more than 40 years ago. The chorus, which has performed at the White House, the Kennedy Center, and many other famed institutions, currently includes more than 250 members. It remains “the LGBTQ+ voice of equality in the nation’s capital.”

Editor’s Choice: Capital Sapphics


Best Local Businessperson: Russwin Francisco, Bite the Fruit

Russwin Francisco (Washington Blade photo by Michael Key)

1723 Connecticut Ave., N.W. (second floor)

bitethefruit.online

Established in 2012 in D.C., Bite the Fruit is gay-owned, straight-friendly and kink forward. It is a peerless retailer of adult novelties and provocative apparel that promotes healthy sexual and sensual exploration. 

Editor’s Choice: Gregory Jones, Capital Center for Psychotherapy & Wellness


Best Clergy: Bishop Thomas Wieczorek

Bishop Thomas Wieczorek (Photo courtesy of Wieczorek)

Thomas Wieczorek is a priest with the D.C.-based affiliate parish of St. Mary’s National Catholic Church of North America; he was elected auxiliary bishop in 2022.  

Wieczroek has held many titles during his lifetime: award-winning newspaper reporter, baker, police officer, fire chief, deputy and director of public safety, city manager, and consultant. He is active in D.C. and other communities, having been the vice chairperson of Capital Pride, chairperson of Ionia-Montcalm County Domestic Violence Program, and other groups. 

Editor’s Choice: Rev. Dr. Adalphie Johnson 


Best Real Estate Agent: Michael Moore, Compass 

Michael Moore (Photo courtesy of Michael Moore)

1313 14th St., N.W.

michaelmoorehomesdc.com

Michael Moore cares about doing good work for people through each step of the buying and selling process. For him, the client experience is the heart of the business, and his commitment to investing in the longevity of those relationships defines his career. He’s also been a longtime advocate for AIDS LifeCycle bike rides, Caron Treatment Centers, and Food and Friends. 

Editor’s Choice: Lamar Brathwaite, Coldwell Banker


Best Real Estate Group: Bediz Group, RLAH

Bediz Group (Photo courtesy of Bediz Group)

Multiple locations

202-642-1616

bediz.com 

The Bediz Group is a real estate team of seven agents and this is its fifth win in this category. In addition to real estate services, Bediz Group also offers an in-house creative team that provides high-caliber marketing collateral that ensures your property stands out. The group’s weekly emails reach more than 3,600 readers and it promotes its listings on its social media platforms. 

Editor’s Choice: The Tom Buerger Team, Compass 


Best LGBTQ-Owned Business: LGBT+ Counseling Collaborative 

(Photo by Cindy Kane Photography; courtesy LGBT+ Counseling Collaborative)

lgbtcounselingdmv.com 

This collaborative is a dedicated team of queer and trans-identifying psychotherapists serving LGBTQ+ clients, their families, and allies. The group’s mission is to provide culturally competent, social justice oriented, queer affirming, neurodiverse-informed, and trauma informed therapeutic services to clients who want to actively engage in healing and processing around personal history, generational cycles, and systemic issues with clinicians who have similar lived experiences and values. 

Editor’s Choice: Urban Adventures


Most LGBTQ-Friendly Workplace: Stratus Firm

Stratus Firm (Photo courtesy of Stratus Firm)

stratusfirm.com 

Stratus specializes in events that are dynamic, large-scale, and production-heavy and produces high-impact experiences for a wide range of corporations, associations, and nonprofits. 

Editor’s Choice: Whitman-Walker Health


Best Home Furnishings: Miss Pixie’s 

Miss Pixie’s (Washington Blade photo by Michael Key)

1830 Columbia Rd., N.W.

misspixies.com 

Established in 1997, Miss Pixie’s opened at 1810 Adams Mill Rd. NW in Adams Morgan in a tiny 550-square-foot space with 18-foot ceilings. Miss Pixie quickly learned to “stack it deep and sell it cheap,” and most of the weekly inventory was gone by the end of each week.

Sadly, Miss Pixie’s announced the store is closing on Oct. 31 so stop by soon for 20 percent off many items.

Editor’s Choice: West Elm


Best Pet Business or Vet: City Paws Animal Hospital

1823 14th St., N.W.

citypaws-14th.com 

City Paws has assembled a team of caring, compassionate, and highly skilled veterinary professionals who share the same dedication to delivering the highest quality veterinary care while building solid and lasting client relationships.

Editor’s Choice: Canino Dog Boutique


Best Salon/Spa: Logan 14

Logan 14 (Washington Blade photo by Michael Key)

1314 14th St., N.W.

logan14salonspa.com

Logan 14 Aveda Lifestyle Salon & Spa is the winner for the ninth consecutive year. The salon places an environmentally conscious, queer-affirming focus on hair, skin and makeup services. The LGBTQ-owned salon strives to create a nurturing environment and uses entirely naturally derived Aveda products. Guests can opt for medspa treatments in addition to traditional salon services, all of which promote rejuvenation. The 14th Street salon opened in 2010 and features a 75% LGBTQ clientele.

Editor’s Choice: Bang Salon


Best Med Spa: ProMD Health

ProMD Health (Photo courtesy of ProMD Health)

1003 K St., N.W. #835

promdhealth.com

Editor’s Choice: Javan Wellness


Best Hotel: Eaton DC

The Pride room in the Eaton Hotel was prepared for WorldPride 2025. (Washington Blade photo by Joe Reberkenny)

1201 K St., N.W.

eatonworkshop.com 

Eaton DC was the 2024 Editor’s Choice in this category. A member of World Rainbow Hotels, Eaton DC is focused on diverse cultural programming, equitable community-building, and environmental sustainability. This flagship location is LGBTQ-friendly and offers an inclusive safe space for guests. The boutique hotel is also home to a Pride-themed hotel suite, featuring Marsha P. Johnson’s quotes on the wall, rainbow decor and decorations based on feedback from LGBTQ hotel staff. The hotel is nestled downtown, walking distance from the National Mall. Eaton Workshop’s original location is in Hong Kong.

Editor’s Choice: Dupont Circle Hotel


Best House of Worship: Sixth & I

Sixth & I (Washington Blade photo by Michael Key)

600 I St., N.W.

sixthandi.org

Sixth & I is the winner for the second year in a row. The multi-denominational and non-membership institution is housed in a historic 1908 synagogue. The synagogue offers cultural and spiritual programming ranging from comedy, concerts, and live podcasts. Past live entertainment included talks from Janelle Monáe, Jonathan Van Ness and Ocean Vuong. Sixth & I also offers a range of LGBTQ-inclusive services and events, including Pride Shabbat services, gay weddings and other community events.

Editor’s Choice: Metropolitan Community Church of DC


Best Tattoo Parlor: Second Son Tattoo

Second Son Tattoo (Washington Blade photo by Michael Key)

1712 14th St., N.W. (third floor)

secondsontattoo.com

This tattoo and piercing shop located just north of Logan Circle prioritizes safe and enjoyable experiences for its clients. While the shop isn’t LGBTQ owned, Second Son Tattoo strives to create custom tattoos best fit to customers’ wishes. The shop’s eight artists specialize in a variety of artistic specialties, including black and grey realism, florals, anime, and line work.

Editor’s Choice: Tattoo Paradise


Best LGBTQ Event: Capital Pride

The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

capitalpride.org

Capital Pride, an annual LGBTQ parade and festival held in June, is Washington’s premier Pride celebration. A parade featuring community organizations, corporate sponsors and local businesses, a street festival, a gala and a block party are just some of Capital Pride’s many featured events, all organized by the Capital Pride Alliance. The event originated as Gay Pride Day, a one-day block party, in 1975; the event is now a multi-day celebration that lights up a variety of neighborhoods. Capital Pride is set to be held from June 8-14 in 2026.

Editor’s Choice: Miss Adams Morgan Pageant


Best WorldPride Event: WorldPride Music Festival

Jennifer Lopez performs at the WorldPride Music Festival. (Screen capture via Jennifer Lopez/YouTube)

worldpridedc.org/events/music-festival-global-dance-party/

The WorldPride Music Festival served as the District’s dance party on June 6 and 7 for the 50th year of Capital Pride. The two-day music festival was held on RFK Festival Grounds on the banks of the Anacostia River. Featured artists included Jennifer Lopez, Troye Sivan and Reneé Rapp. The WorldPride Music Festival is set to be held in Amsterdam in 2026.

Editor’s Choice: MIXTAPE Pride Party


Best Diversity of Pride: DC Black Pride

Ts Madison speaks at the 2025 Black Pride Opening Reception. (Washington Blade photo by Michael Key)

1001 16th St., N.W.

dcblackpride.org 

DC Black Pride, held on Memorial Day weekend, raises awareness and funding for HIV/AIDS while celebrating Black Pride and community. The event began with a Black Gay and Lesbian Pride event in 1991 and has since blossomed into an event of 500,000 Black LGBTQ attendees and allies. As the catalyst for Black Pride events, more than 50 cities globally center their celebrations around Washington’s model. The Center for Black Equity produces DC Black Pride annually. 

Editor’s Choice: Trans Pride


Best Pride Outside of DC: Baltimore Pride

A scene from the 2024 Baltimore Pride Parade. (Washington Blade photo by Michael Key)

baltimorepride.org

Baltimore Pride is the best non-D.C. winner for the second consecutive year. The Pride Center of Maryland hosts Baltimore Pride annually in celebration of LGBTQ contributions and diversity. The event began in 1975 with a peaceful activist demonstration and has since evolved into a range of events spread throughout the downtown area. The celebration takes place in and near Mount Vernon, Baltimore’s “gayborhood.” Typical events include the Pride Parade and Block Party, the Twilight on the Terrace Gala, Youth Pride and Pride in the Park.

Editor’s Choice: Virginia Pride, Richmond


Best Car Dealership: BMW of Fairfax

BMW of Fairfax (Washington Blade photo by Michael Key)

8427 Lee Hwy 

Fairfax, Va.

bmwoffairfax.com

Editor’s Choice: DARCARS


Best Private School: Edmund Burke

(Photo courtesy of Edmund Burke School)

4101 Connecticut Ave., N.W.

burkeschool.org

Editor’s Choice: Maret School


FOOD & DRINK

Best Coffee Shop: Spark Social House

Spark Social House (Washington Blade photo by Michael Key)

2009 14th St., N.W.

spark-dc.com

Spark Social House, which opened in March 2025, is Washington’s first LGBTQ alcohol-free bar, but is also so much more than that. A community gathering place in the heart of D.C.’s LGTBQ nightlife center at 14th and U Streets, N.W., the two-story space serves coffee and tea during the day, bringing in friends, colleagues, and dates in an inclusive, welcoming space. And in the evening, it becomes a sober party, with DJs, performances, and events.

Editor’s Choice: Three Fifty Bakery & Coffee Bar


Best Outdoor Dining: Hank’s Oyster Bar

(Photo courtesy of Hank’s Oyster Bar)

Multiple locations

hanksoysterbar.com

With locations in Dupont, the Wharf, and Alexandria, this 20-year-old institution has collected numerous Blade awards, like Best Chef (owner Jamie Leeds) and Best Craft Cocktails. In Dupont, the outdoor patio is a classic scene, located right off 17th Street, for everything from first dates to catch-ups to events. As a community-oriented space, Hank’s has placed a sincere focus on being inclusive for its two decades, meaning that everyone is welcome on its breezy patio with both great food and great people watching. On the Wharf, The sweeping vistas pair especially well with oysters and lobster rolls. 

Editor’s Choice: Barcelona


Best Restaurant: Tabard Inn

Tabard Inn (Washington Blade photo by Michael Key)

1739 N St., N.W.

tabardinn.com

One of the oldest hotels in Washington, D.C., the Tabard Inn opened in 1922 in the style of an English manor and has been oozing charm ever since. While not gay-owned, it’s become a welcoming gathering space for LGBTQ locals and visitors, owing to its geography in Dupont Circle, eccentric nature, somewhat hidden locale, and diverse staff and clientele. The restaurant, started as a tea room, is full of art and warmth, and places a focus on mid-Atlantic cuisine.

 Editor’s Choice: Red Hen


Best Brunch: Shaw’s Tavern

Brunch at Shaw’s Tavern (Washington Blade photo by Michael Key)

520 Florida Ave., N.W.

shawstavern.com

Shaw’s Tavern has been a mainstay of the LGBTQ community for many years, with LGBTQ management and a prime location by nightlife and culture. Boasting a large outdoor patio, this New American restaurant is primed for big brunch business (running an impressive seven hours, from 10 a.m.-5 p.m.), especially wrapped around its bottomless mimosas and brunch cocktails and shots. Brunch brings sandwiches, flatbreads, waffles, lots of eggs, and a healthy dose of socializing.

Editor’s Choice: HER Diner


Best Brewery: Red Bear Brewing Company

Red Bear Brewing Company (Washington Blade photo by Michael Key)

209 M St., N.E.

redbear.beer

Having taken home Best Brunch, Best Neighborhood Bar, and Best Local Brewery awards in the past, this year, it’s back to win the Best Brewery award yet again. This gay-owned venue in the District hosts drag shows (including brunch), trivia, and stand-up performances, among other events, along with a big space for board games and casual conversation. It has poured brews with suggestive titles like “Hefe Don’t Preach,” “OktoBEARfest,” and “Tall, Dark and Nutty,” to name a few.

Editor’s Choice: DC Brau


Best Distillery: Republic Restoratives Distillery

(Washington Blade photo by Michael Key)

1369 New York Ave., N.E. 

republicrestoratives.com

Winning this honor multiple times, Republic Restoratives is women-owned, community-led, made in the District, and as activist-oriented as they come. Republic’s vodka, Civic Pride, was created out of frustration with popular brands co-opting the rainbow flag while also supporting organizations or efforts that directly harm LGBTQ people. It created and then quickly sold out bottles of “Madam” a bourbon-rye whiskey on whose label Kamala Harris’s smiling visage is featured.

Editor’s Choice: Cotton & Reed


Best Burger: Duke’s Grocery

Duke’s Grocery (Washington Blade photo by Michael Key)

Multiple locations

dukesgrocery.com

The 2021, 2023, and 2024 winner, Duke’s Grocery serves burgers with a British accent. With locations in Dupont Circle (recently refreshed), Woodley Park, Navy Yard, and Foggy Bottom, this restaurant serves guests hearty portions of bar food. The burger has landed it on a whole bunch of lists, from Zagat to the Washington Post. Besides its famed Proper Burger, it also has salmon, Impossible, and Wagyu burgers. The Dupont location was closed for a year, undergoing a renovation, and recently reopened to royal fanfare.

Editor’s Choice: Lucky Buns


Best Pizza: Andy’s Pizza

Andy’s Pizza (Washington Blade photo by Michael Key)

Multiple locations 

eatandyspizza.com

Andy’s Pizza serves up pizza straight from the long and storied New York tradition. Featuring stone deck ovens, long-fermented dough, Wisconsin mozzarella, California tomatoes, and a skilled pizzaiolo named Andy, this neighborhood pizzeria brings New York to D.C. while serving classic combinations. Andy’s has seven spots across the area, including one spot in Shaw across from 9:30 club and near popular gay bars. Options include flavors like pepperoni and white sauce, but the whole pies come in a range of options, including a Buffalo crispy chicken and a vegan pie with plant-based cheese.

Editor’s Choice: We the Pizza


Best Ice Cream/Gelato: Yala Greek Ice Cream

Yala Greek Ice Cream (Washington Blade photo by Michael Key)

3143 N St., N.W.

yalagreekicecream.com 

The newest scoop on the block, Yala Greek Ice Cream, started by Chrys Kefalas and Salah Czapary, blends flavors from their heritage with sugar and cream to create D.C.’s latest frozen treat obsession. From classics like chocolate and vanilla to adventurous flavors like “Mornings with Thea,” a Greek yogurt ice cream with orange preserves, Yala uses mix-ins like pistachios sourced from the EU and milk from Maryland “A2” cows, known for being easier to digest. With lines often stretching around the block, it’s easy to see why Yala has quickly become a favorite for locals craving something sweet and unique.

Editor’s Choice: Jeni’s Splendid Ice Cream


Best Winery: Chester Gap Cellars

Chester Gap Cellars (Washington Blade photo by Michael Key)

4615 Remount Rd. 

Front Royal, Va. 

chestergapcellers.com 

Located in Front Royal, Virginia, just a little over an hour from Washington, gay-owned and gay-friendly Chester Gap Cellars offers the best in valley vistas and delightful vintages. The small estate winery’s owners also have an Airbnb where guests can eat, sleep, enjoy the outdoor fire pit, and indulge in more vino. 

Editor’s Choice: District Winery


REHOBOTH BEACH

Best Rehoboth Drag Queen: Magnolia Applebottom

Magnolia Applebottom (Washington Blade photo by Michael K. Lavers)

She’s done it again. Magnolia Applebottom (aka Jeremy Bernstein) is your pick for Best Rehoboth Drag Queen for the fourth consecutive year. At a time of anti-DEI crackdowns and legislative attacks on everything from drag to trans healthcare, the queens will show us the way as they have bravely done for decades. Magnolia remains a constant fierce and fearless presence not just in Rehoboth but throughout the Eastern Shore, from Salisbury to Milton, Del. Catch her at Diego’s in Rehoboth and during the month of October at the Milton Theater where Bernstein stars as Frank N Furter in “The Rocky Horror Picture Show.” 

Editor’s Choice: Regina Cox


Best Rehoboth Drag Show: Splash Party with Magnolia at Diego’s

(Washington Blade photo by Daniel Truitt)

37298 Rehoboth Ave.

Rehoboth Beach, Del.

diegosbarnightclub.com

A second win for Magnolia this year and a repeat winner in this category from last year. The Splash Party at Diego’s remains one of the hottest events in town, Saturdays at 5 p.m. on the outdoor patio. 

Editor’s Choice: Follies at the Beach, Freddie’s 


Best Rehoboth-Area Live Show: Pamala Stanley at Diego’s

Pamala Stanley (Washington Blade photo by Daniel Truitt)

37298 Rehoboth Ave.

Rehoboth Beach, Del.

diegosbarnightclub.com

The beloved Pamala Stanley celebrated her 20th year of performing in Rehoboth Beach this summer with her Sunday night dance party and Monday night piano show. The Monday event is on pause now that the summer season is over, but you can still catch Pamala on Sundays starting at 5 p.m. through New Year’s. After 20 years, Pamala’s show remains the place to be seen on Sundays as locals and tourists alike come together to party. It’s two hours of upbeat, infectiously joyful pop and disco peppered with Pamala’s inimitable humor and wit. 

Editor’s Choice: Naughty Bingo with Magnolia Applebottom at Diego’s


Best Rehoboth Outdoor Dining: The Back Porch Café

The Back Porch Café (Washington Blade photo by Daniel Truitt)

59 Rehoboth Ave.

Rehoboth Beach, Del.

backporchcafe.com

Many locals know about the important role that the Back Porch Café played in elevating Rehoboth’s culinary scene but not many realize how pivotal the 51-year-old restaurant was in bringing together the quiet town’s gay, straight, and trans communities. The Back Porch was an important gathering place for the town’s creative residents and a place not just for excellent food but for art exhibitions. Today, the Back Porch continues to serve up top-notch French fare in an unpretentious, welcoming setting. The outdoor patio is one of the few places in Rehoboth where you can dine al fresco in a private, convivial courtyard. After dinner, take time to stroll the restaurant and take in the art that adorns the walls. There’s a lot of fascinating history to be found in this irreplaceable icon of Rehoboth Beach.

Editor’s Choice: The Purple Parrot


Best Rehoboth Coffee Shop: Rise Up

Rise Up (Washington Blade photo by Daniel Truitt)

502 Rehoboth Ave.

Rehoboth Beach, Del.

riseupcoffee.com

Rehoboth’s coffee scene is in flux after the recent closure of the town’s Starbucks. Rise Up is part of a small regional chain of coffeehouses that offers a small menu and a cocktail bar. But most visitors grab a coffee or latté and relax in the spacious lounge or outdoor patio complete with complimentary Wifi enabling you to work or just quietly doom scroll.  

Editor’s Choice: The Coffee Mill 


Best Rehoboth Restaurant: Blue Moon

(Washington Blade photo by Michael Key)

35 Baltimore Ave.

Rehoboth Beach, Del.

bluemoonrehoboth.com

Perennial favorite Blue Moon remains on top after winning this category last year. With so much competition from regional and out-of-town chains like Atlas Restaurant Group, it’s nice to see a local, gay-owned restaurant continue to serve up the best food in town. Go early for the Moon’s excellent happy hour specials or to hear John Flynn on the piano then indulge in the luxurious lobster risotto or perhaps a comforting bowl of short rib stroganoff. 

Editor’s Choice: Henlopen City Oyster House


Best Rehoboth Real Estate Agent: Andy Staton

Andy Staton (Photo courtesy of Andy Staton)

18949 Coastal Highway, Suite 304

Rehoboth Beach, Del.

shopdelawarehomes.com

After seven consecutive wins in this category by local legend Lee Ann Wilkinson, there’s a new agent atop the list. Longtime local Realtor Andy Staton is your pick for Best Rehoboth Realtor. The Andy Staton Group at Monument Sotheby’s “combines concierge style attention to customer detail to meet seller and buyer needs in a modern service-oriented approach,” according to its website. You may have seen Andy in his role as a TV host for the American Dream Network or in one of his videos promoting his love of pickleball. 

Editor’s Choice: Chris Beagle 


Best Rehoboth Business: Diego’s

Diego’s (Washington Blade photo by Daniel Truitt)

37298 Rehoboth Ave.

Rehoboth Beach, Del.

diegosbarnightclub.com

Diego’s dominated this year’s awards with multiple wins, showcasing the hard work of owners Darryl and Joe Ciarlante-Zuber to create an unabashedly queer space with year-round entertainment, friendly bartenders, and multiple indoor/outdoor spaces to gather with friends. Whether you come for an intimate happy hour with friends, a Sunday T-dance with Pamala Stanley, or late-night dancing with internationally renowned DJs, Diego’s never disappoints. 

Editor’s Choice: Freddie’s Beach Bar


Best Rehoboth Bartender: Katie Lyell, Aqua Bar& Grill

Katie Lyell (Washington Blade photo by Daniel Truitt)

57 Baltimore Ave.

Rehoboth Beach, Del.

Katie Lyell is a first-time winner in this competitive category but she’s no stranger to the regulars at Aqua. Fighting the crowds to the bar in summer, you will be greeted by Katie’s always-smiling face. 

Lyell, 39, is straight and has been married for two years. She grew up in Newark, Del., and attended Frostburg State University.

She’s in her eighth year bartending at Aqua and says the bar has become much more of a year-round destination since she started. 

“We’ve been able to extend our season because of it,” she said, noting Aqua will hold its annual closing party on Jan. 1 and likely reopen for St. Patrick’s Day in March.

She plans to “hibernate” during the break and travel with her husband.

The best part of working at Aqua? “Getting to meet so many different people, even if it’s just for a 60-second interaction. I enjoy chatting with everyone. I really love my community.”

What’s her most dreaded drink order? “Three martinis at one time because I can only make two in a shaker.”

Lyell says the highlight of her summer was Memorial Day Weekend because customers count down to the unofficial summer kickoff weekend. 

“I also really love Bear Weekend, it’s always a great time.”

Editor’s Choice: Eddie Adam, Diego’s 

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Jennifer Lopez talks ‘Kiss of the Spider Woman,’ queer representation

Latest version of iconic story ‘a love letter to humanity’

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(Movie poster image via IMDB)

With its riveting storyline and gorgeous dance scenes, it’s no wonder that one of the standout films this awards season is “Kiss of the Spider Woman.” Originally a bold novel published by Argentine writer Manuel Puig in 1976, it was adapted into a play and then a screenplay. In 1985, the film earned four Academy Award nominations, with William Hurt winning Best Actor — the first ever awarded for a portrayal of an openly queer character.

Ten years later, in 1993, the story was turned into a Broadway musical starring the iconic Chita Rivera, and won several Tony Awards. Fast forward to 2025: for this new version, Jennifer Lopez and Diego Luna both play dual roles in the film, which also stars newcomer, Tonatiuh. 

The film takes place in 1983, during Argentina’s troubled times; two prisoners are forced to share a confined cell in Buenos Aires. Valentín (Luna), a Marxist revolutionary, is committed to his political idealology, despite being tortured and deprived by the guards. Molina (Tonatiuh), a gay window dresser who is in jail because of his sexual orientation, survives the insanity by fantasizing about his favorite movie, telling Valentin all the details. While their connection begins as a way for them to emotionally escape, it grows deeper, in the most profound way.

Through stories, confessions, and sacrifice, the duo discover unexpected tenderness and the possibility of love in a place designed to annihilate the human spirit.

“These two men who could not be different in every single way, everything is stripped away from them in their lives, the politics, class, education, all this stuff goes away, and they start to see themselves as individuals,” said Bill Condon, the Academy Award-winning writer-director known for such films as “Gods and Monsters,” “Chicago,” “Dreamgirls” and “Beauty and the Beast,” who was deeply moved as he wrote the script.

Producing the updated version of the film was vital to Lopez, who is also an executive producer. “I think it’s more relevant than ever,” she said at a recent Golden Globes press event.

“The idea of a trans or gay character in this movie…the kind of divisiveness that we’ve experienced in the world in the past few years. A story about two people who are thrown together, who are so opposite, who are so different from each other. And find the humanity and fall in love with each other. Who would never probably even find themselves in the same circles. That’s really important to have queer representation in movies. In my own family, I know how important that is for people to see that.”

Tonatiuh, who steals every scene he is in, lost 45 pounds for the role.

“I think there’s a certain moment that’s happening right now that we need to remind ourselves that dignity and humanity and love transcend gender,” he said. “They transcend sexual orientation. They transcend all of those things. And so, yes, we deal with queer themes in our film, but I do think that it is a love letter to diversity. It is a love letter to humanity as a whole.”

Condon loved every version of “Kiss of the Spider Woman,” each of them was “revolutionary” for its time.

“But when you read that novel, it’s taken us this long to really catch up to what it was saying. And specifically, this was well before the election season and well before we knew what was going to happen. But it was clear that trans people were going to be demonized, that they were going to be a part of the conversation…it did feel that this was something that was bubbling up and happening. So that’s what made it feel very urgent.”

Lopez added: “The revolution that you’re saying that we need right now is exactly the reason why I think the movie is so important right now for people to see. Because it reminds you that it’s really, at the end of the day, about two people getting along and falling in love, when you really forget about all of the other things, that we’re all just human. And it is about humanity.”

Tonatiuh hopes that the film inspires people to step up.

“We constantly see the news, we see everything that’s going around and we wonder, ‘What is it that I can do? I’m just one person.’ But this isolationist mentality is the thing that gets us here. Every one of us has little actions to take and little moments to do. And especially in a moment where Latinos in general in this country are experiencing massive negative public relations, just attack after attack after attack, it’s really wonderful to showcase what Latino dignity is and reminding people of, like the talent, the joy that our culture adds to the United States and the world.”

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