a&e features
Former Avalon singer on coming out, getting ousted and where he is today
Michael Passons was founding member of CCM supergroup known for ‘Testify to Love’
Fans of the Christian pop group Avalon always wondered why founding member Michael Passons resigned abruptly in 2003 and then seemed to drop off the face of the earth.
There was talk of a solo album but none materialized. The official word was that he was “moving on to other things.”
The group had had a wildly successful run. Founded in the mid-’90s, Avalon released its self-titled debut album in 1996 on Sparrow and four more (“A Maze of Grace” in 1997, “In a Different Light” in 1999, “Joy: a Christmas Collection” in 2000 and “Oxygen” in 2001) as well as a hits collection with new material (“Testify to Love: the Very Best of Avalon”) in 2003 racking up 19 No. 1 singles on the Billboard gospel charts, two RIAA-certified gold albums, six Dove Awards, an American Music Award and three Grammy nominations.
Initially there was a blond male and female singer and a brunette male and female singer to round out the foursome in ways that were both visually and sonically appealing. There was regular turnover in one of the “female” slots but Passons, Janna (nee Potter) Long and Jody McBrayer formed the group’s backbone all through its early and most successful years.
After years of silence, in September, Passons came out as gay on Josh Skinner’s “Jonah and the Whale” podcast and said he was fired from the group for declining to continue with “reparative” therapy. The podcast generated significant media buzz and was aggregated in mainstream outlets like Billboard and People.
Though candid and forthcoming in the podcast, there was more to the story. Passons, a 54-year-old Yazoo City, Miss., native, was chatty and candid in a 45-minute phone interview from his Nashville home on working in the CCM (contemporary Christian music) bubble, hiding his sexuality for so many years, why he opted to come out now and about the Dove Award he nabbed from Whitney Houston at the 1998 ceremony. His comments have been slightly edited for length.
WASHINGTON BLADE: It was great to hear the podcast. It felt like you’d just kinda vanished.
MICHAEL PASSONS: I understand that people would see it that way because you’re just kind of out of the public eye when you’re not making music, not putting music out and doing interviews, and I had not done any of that pretty much in 17 years. And I didn’t really expect this podcast to get the attention that it did get. It was a bit of a surprise to me that there was so much of an interest in a 17-year-old story.
BLADE: Why did it feel like now was the right time? How did it come about?
PASSONS: It wasn’t some calculated move, I was approached by a friend who introduced me to Josh Skinner who has a podcast Jonah and the Whale and said would you like to be a guest? This particular podcast deals with an underwater moment in your life and I had previously had conversations with my family just a couple months earlier, just about my life and the truth of my life so I thought, “Well now is the perfect time,” so it really wasn’t planned out far in advance. An opportunity landed in my lap and I decided to tell the story.
BLADE: Had you been approached before?
PASSONS: Well, I’ve been pretty under the radar. I’ve been traveling the last 15 years with another Christian group, but only in the band. I play keys for Point of Grace. I wanted to keep my foot in the water … but I didn’t want to be the front guy … so I really hadn’t been approached by journalists at all until now.
BLADE: You tell in the podcast about how they came to your house for a meeting in 2003 and this all came to a head. How had they known you were gay in the first place? What led up to that meeting?
PASSONS: Well at that point I was 38 years old, I wasn’t married, I wasn’t dating, (so) rumors begin to swirl when you have that type of scenario and we had discussions about it several years before. So that’s when … they said to me I needed to go to therapy. It really was in 2002 that they wanted me to go to reparative therapy or at least go see a counselor or some guy who said his credentials were counseling gay people. So I did that to appease them but I knew it was a fruitless effort, and as I say in the podcast, that didn’t last very long. I told them I wasn’t going back to that. It had been a conversation for about a year or so before 2003.
BLADE: Did you have a pretty good relationship with them otherwise?
PASSONS: Well over the course of the eight years we were traveling together, I saw those people more than anyone else. Our schedule was so demanding and we toured almost nonstop. … So we did at the time have this family-type relationship but … groups often have a shorter shelf life than solo artists because there are multiple people with multiple goals and aspirations and so unless all four of us aligned, there were always going to be these times where one wants to do a solo deal or they think we should do this or go in this direction and so we kind of started growing apart in our vision. Jody and Janna wanted to do solo records and I thought that was something that was going to fracture the group and our brand and that did cause some tensions because the other two members really wanted to focus our efforts on the Avalon brand because that’s what was familiar to everyone. So over the years we became not as close and then of course you add something like this which kind of draws a line and you have to choose what side of the line you’re going to be on.
BLADE: Bear with me a sec, but I’m going to read you Jody’s quote to CCM Magazine in April, 2004 when he said: “We had a meeting at Michael’s house one day and he told us he was going to move on to other things. We sat and cried and felt like the rug had been pulled out from under us. Things had felt great with the new group and Michael seemed to get along and blend vocally with (then-new member) Melissa (Greene) really well. But Michael had been with us from the beginning and just felt it was time for him to do something else. It’s weird but since his departure, it seems everyone is looking for some scandalous thing to have happened there. It makes me just want to say, ‘Look, I’m sorry to disappoint you that we don’t have some juicy gossip or ‘Dynasty’ episode happening here.” Based on what you shared in the podcast, that was a gross mischaracterization of how it went down. Did you read that at the time? How did it make you feel?
PASSONS: At the time the record label and management held really right reins on us because they created the group, it was their idea. They wanted to find a group that was already in existence that was two guys, two girls. They couldn’t do it so they said, “Let’s just put one together,” so we never felt like we had ownership of much. … So when management and label say, “This is what you are to say,” it became kind of like a bullshit fest at that point. You just gotta stick with the story and that’s what Jody was doing, he was sticking with the story he was told to say. … That was just the way they chose to handle it at the time. … Interestingly enough, Jody reached out to me after the podcast aired and we had not really talked in 17 years other than bumping into each other in a restaurant and saying a quick hello. We met for about an hour we met at a park here in Nashville and just walked around and he apologized profusely and said his heart was broken when he was listening to that podcast. He was very sincere and I accepted what he had to say and I feel like our relationship has actually — there was some definite closure there as far as what I’d been feeling all of these years and so that was a good thing that came out of this and I’m glad he reached out to me.
The Blade invited McBrayer to comment. In response to the question, “Did you feel muzzled by the label?” he sent this response: “Absolutely muzzled. However I would have never ever said anything to hurt Michael’s reputation. We were asked for years about what happened and myself and my family refused to say anything that would put Michael in a bad light. We were given a statement and told to go with it. We did everything we were told at the time. … Michael knows I love him and hate how all of it went down and how he was treated by the industry. I’m so thankful he’s happy and grown beyond it all now. I will continue to protect him. He will always be family.”
BLADE: Was there any truth to what they were saying? Had you been considering a solo album?
PASSONS: No. I know my strengths and my strength was not as a solo artist. … I enjoyed the team mentality of a group. … I think fans and people outside the industry took the press release at face value but people inside the industry heard pretty quickly what had really happened. Gossip and rumors spread really quickly around Nashville so I just thought, “OK, I’m gonna just start life No. 3 here.” (chuckles)
BLADE: A few other big CCM artists eventually came out like Jennifer Knapp and Ray Boltz. Did you follow that or ever compare notes with them?
PASSONS: I don’t know either of those artists personally. I’ve never really interacted with them. I think we did a show once with Jennifer years and years ago but it was just mainly, “Hello, nice to meet you.” I applaud them for living their best life and telling their truth but I just never felt like mine was necessarily a story that needed to be told. I wasn’t a solo artist. I would get recognized occasionally. People would say, “Oh, you’re that guy who was in that group,” but I would say 80 percent of fans just knew me as the blond guy. So I didn’t feel like I had tons of name recognition or that my story mattered. But in the last few years, I wanted to be more truthful with my family so that’s really where all this came out of.
BLADE: Did anybody else from your CCM days reach out besides Jody?
PASSONS: I’ve received tons of texts and Instagram messages from friends from home, friends from college, fans, strangers. As far as the industry, some people that I haven’t seen in a while. It was very interesting. Amy Grant texted me and told me she listened and thought my story was beautiful in the way I told it and graceful and I appreciated that. Susan Ashton reached out and I haven’t seen her in years. She was very encouraging. She said, “You are seen and heard and loved.” Everything has been overwhelmingly positive.
BLADE: Did you get to know the other artists very well or have much interaction on the multi-artist tours you did like “Emmanuel” or “My Utmost”?
PASSONS: Yeah, we had a lot of time to just hang out, especially on the bus. You’re traveling late at night and everyone’s wired so you’re staying up and visiting. But we were really new artists at that time and we were thrown into a mix of all of these people that were our mentors, our heroes. We were fans of theirs and now we’re all of a sudden peers, just because of how Avalon came together. Our very first tour before we even sang a note on a record was “Young Messiah” in ’95. We had just come together weeks before and just had enough time to record one Christmas song so that we could sing that song on that tour and there we were next to 4 HIM and Point of Grace and Steven Curtis Chapman and Larnelle Harris and that was mind-blowing to be with all these great artists. But yes, everyone was very welcoming had lots of encouragement for us and advice and I actually really enjoyed those tours.
BLADE: I saw you guys once with Twila Paris. What was she like?
PASSONS: That was our first tour (the “Where I Stand Tour” in 1997). We did Young Messiah that Christmas and then we did our record, then we toured with Twila. We were definitely getting our feet wet just seeing how this industry was going to work … how we were gonna mesh as a group because we were thrown on stage and we had to find our blend. Live, It’s one thing to be in the studio and be mixed and blended but to sing live, the Twila Paris tour was really just where we began to hone our craft as a group and so yeah, that was wonderful. I had many good experiences wth that tour. We did a spring tour and a fall tour with Twila and it was a long tour but we definitely leaned a lot.
BLADE: Is there anybody in CCM who struck you as markedly different from their public persona?
PASSONS: I feel like everyone would be a little different than what you perceive them to be because you only see a very structured view of them by the PR department of the record label. I really enjoyed getting to know Sandi Patty because when you listen to her music, you just don’t pick up on the edge that she has. She has this great sense of humor that’s a little edgy. I don’t know, my image of Sandi Patty was that she was always walking around in some state of meditation or sitting around in a prayer circle because when you’re growing up you just think of someone in such a reverent way because you respected their music so much and she was just she a cut up, she kidded around, she invited us to her home in Indiana at that point just to hang out with her family and I just I enjoyed seeing a whole different side of her. She’s a very strong personality, a strong woman and listening and singing along with her records, it was just good to see the other side of her.
BLADE: What have you been living on all these years?
PASSONS: I play for Point of Grace and also a friend of mine in town, an attorney and I actually work with her in her law practice and of course being friends with the boss, you can leave anytime and so I’m free to travel whenever I need to and want to so that allows me to hang out with Point of Grace and go where they go. 2020 has been interesting. Since March, we’ve only had two shows and they were very small, so it’s been really interesting year for sure.
BLADE: What denomination did you grow up in?
PASSONS: Southern Baptist. A little country church in Mississippi.
BLADE: Are there still elements of Baptist or evangelical theology you struggle with? Queer or otherwise?
PASSONS: I’m past struggling with it. Of course, it’s something I think about often but I don’t struggle with it any longer. … I’ve definitely got a different view of spiritualism. I don’t consider myself religious but I do believe in God and so I do have a spiritual life but it just doesn’t involve organized religion and that’s just where I’ve landed.
BLADE: But do you still believe the Christianity basics — Jesus died for our sins and rose on the third day and so on or is it a broader thing for you?
PASSONS: It’s a broader spiritual thing and like I said in my previous interview, I’m just in this place of my prayer to God is show me what is true. I’m not gonna close my mind to anything, I’m not going to say, “Oh this is what I was taught and I don’t believe that anymore,” I just want to step back and rebuild all those boxes, rebuild what my spirituality is, kind of like just implode it to ground level and let’s start again. I was taught by very well-intended people. All my Sunday School teachers in that little church, they didn’t have any malice, they were well-intended people teaching what they believed. We were spoon fed, so at some point in your life you have to just decide of all that information you took in, what do you really believe? I had to get to the point where I was OK disagreeing and not believing some of the things I was taught. it wasn’t disrespectful to those people, I just have to find my own way.
BLADE: Do you think the conservative, white evangelical world will ever become openly accepting of LGBT people? Is it a lost cause or could it be a whole different story in another generation?
PASSONS: I think there is hope. I’ve seen so much progress in Christian circles just in my lifetime that I never thought I would see. It’s pockets, it’s not widespread, but … I think there is hope. A lot of things used to be justified with scripture that they eventually came around on. (Author) Peter Gomes calls it “the last prejudice of the church.” … After I left, Avalon recorded a song called “Orphans of God,” which I thought was interesting that they were singing it because I was definitely an outcast to them. But now my friend (out country singer) Ty Herndon and Kristen Chenoweth are going to cover it for a Christmas release as a duet and they asked Melissa Greene and I to sing backing vocals on it so now it will take on a whole new meaning. It was a really nice, full circle moment.
BLADE: Did you keep up with what Avalon was doing much after you were kicked out?
PASSONS: No. It would have put me in a bad headspace.
BLADE: Have you had many boyfriends? Are you in a relationship now?
PASSONS: I am. I’m with a wonderful guy now and it’s going well.
BLADE: Not married though?
PASSONS: No, not married (laughs).
BLADE: How long was it before you were comfortable dating guys?
PASSONS: It took me a while, because when all that went down, I internalized a lot of things and I thought, “Well this is my fault,” type of thing. It really took many years for me to just work through all the junk and work through that cloud in my head and so it wasn’t like some big unleashing. It wasn’t like I left Avalon and just started living my best life, it definitely took awhile to repair the hurt that happened from those several years when Avalon was ending and all the things I went through at that point.
BLADE: Do you know of other LGBT people in CCM who are not out?
PASSONS: Yeah, I do. I feel for them because I know that panicky feeling I used to have, that someone might catch on. … But I think a lot of conservative Christians might be naive as to how many people are gay or bi in their church. You learn from a very early age to be a good actor.
BLADE: Who was your favorite Avalon producer to work with?
PASSONS: Brown Bannister produced most of the records when I was in the group. He’s, you know, such an icon in our industry and I have so much reverence for him and so much respect, so it was an honor to work with him. He actually brought out the best in me. There was something about just his people skills and he was just so kind and thoughtful in how he spoke with you and guided you through the recording process. He just took the time, even just to find the right microphone for me, because the mic in the studio can make a world of difference. I remember going through five or six mics before we found the right one. A lot of producers are just like, “OK let’s get this going, all right that’s great on to the next one.” He just took time to make it right and I appreciated that.
BLADE: How long did it take to make those albums on average?
PASSONS: When it came time to record, we would try to just block off weeks where we would just go in there and do vocals, vocals, vocals vocals and really mainly weekdays because we would go out on the weekends and do one-offs, you know, weekend dates here and there. So we wouldn’t obviously do a new record in the midst of a tour because we’d want to tour the new record but during our one-offs we would get in there and try to get in it done and probably over the course of a month and a half, two months, we would have everything done.
BLADE: How involved were you all with the vocal arrangements? I always loved that outro and all those layers on “We Are the Reason,” for instance. How did you come up with all those intricate lines?
PASSONS: We had a great vocal vocal producer named Michael Mellett and he had been a studio singer in Nashville a long time and had toured with Billy Joel as a background singer. He would come in and help arrange our parts and he was amazing at it. And I remember he did work on our Christmas record and I remember that outro those alternate melodies that he helped us come up with, I loved that too. I felt like that really updated the song. It’s interesting because when we did it it was 20 years old and now it’s been 20 years since we did it, so it needs to be done again now. But it was my favorite song growing up. I used to sing it with an accompaniment tape at my little country church when I was a kid.
BLADE: Yeah, I love it too. Did (songwriter) David Meece ever say anything after you guys cut it?
PASSONS: Indirectly. I think he might have said something to Brown but we heard that he liked it.
BLADE: Who’s a celebrity who would exemplify your type?
PASSONS: (laughs) My type, wow. I’m definitely attracted to someone who is confident but not cocky, someone who has sensitivity but is not overly sensitive, someone who’s just confident in themselves, that’s a big attraction to me. If I were to throw out a celebrity I see a lot of those qualities in, and maybe I’m wrong, but someone like Bradley Cooper.
BLADE: Did you guys in Avalon have any say in choosing singles?
PASSONS: We were included in conversations but I feel like ultimately the label got what they wanted. There’s one little battle that we won and in retrospect not just one, but I just remember this instance, where the label disagreed with us about what we should call our second record and had we listened to the label, we probably would have sold a lot more. They wanted us to call it “Testify to Love” and we had no idea when we were naming the record and about to release it that that would be the one song that Avalon would be known for or that it be our biggest song ever. We thought “A Maze of Grace” was such a clever title. They disagreed but they let us do what we wanted. But who knew “Testify to Love” would become such a huge song for us?
BLADE: Was (Sparrow president) Bill Hearn around much?
PASSONS: We would see him periodically and even his father Billy Ray, who started the company, they’re both deceased now, but they were very approachable. They weren’t always in our meetings because we were more with A&R and publicity and stylists but when they were around, they were very approachable, very hands on.
BLADE: When you win a Dove Award, did you each get one or just one for the group?
PASSONS: At the ceremony, just one is given but then they mail three more to you like a month later.
BLADE: Where do you keep yours?
PASSONS: I have a little study/office that I’m sitting in right now. I just have them on a shelf along with some pictures and mementos and things I like to keep out. The interesting story about one of our Dove Awards is our first Dove Award for new artist of the year and that was in 1998 I believe, and we got new artist of the year at the 29th Dove Awards and that was the year that Whitney Houston performed with Dottie Rambo … and we were backstage after we won doing a press junket so I missed her performance and I’m a huge Whitney Houston fan, like I would rival anyone else saying they’re a huge Whitney Houston fan. (laughs) She’s pretty much my all-time favorite artist. So after the show some press people wanted to take a photo of Whitney holding a Dove Award. She didn’t have one so Jody was standing close by with his and they said, “Can we have your Dove Award for a picture,” and so Whitney took our Dove Award and had her picture made with it and of course that was the only one we got that night and our manager said, “OK I’m gonna take that to the office and hold it ’til the others come in and you all can come by and pick them up,” and so before he could get to it, I got that particular one and took a Sharpie and made a mark on the bottom of it and the day that our manager said, “OK you can come by and pick up the Dove Awards they’re all in,” I was first one in there and I picked them all up and looked for the one I made the mark on because I wanted the one that Whitney had held. So I’m holding it right now, I’ve got that one in my hand and I always think of Whitney.
BLADE: Who were your favorite CCM acts growing up? Or did you listen to more pop?
PASSONS: I listened to a lot of pop and and country. My family is from a rural Mississippi town so country music was really most of what was on the radio and I love that old ’70s country. I still listen to it just because it has a lot of good memories. But I didn’t really know there was such a thing as CCM other than, you know, like Bill and Gloria Gaither-type stuff until I was in high school and someone handed me a tape of “Age to Age” by Amy Grant and that just lit a fire in me like I had no idea this type of thing existed, this is what I want to do. And of course I’ve just been — I was a fan of Amy Grant from that day on and she was definitely a huge influence in the way I would sing music, the way I would write music, I would listen to interviews of her and I would just — she was a great teacher in that respect of just knowing how to respond to questions, how to react to people, just her demeanor, how she handled herself, she was definitely a role model.
BLADE: So that must have been mind-blowing to work with her producer (Brown Bannister) all those years later.
PASSONS: Yeah, definitely. And then her text last week, yeah, that was a nice moment.
BLADE: Why didn’t the more progressive Christian denominations ever have their own version of CCM? There are a few fledgling queer gospel singers out there but nothing like the machine that CCM was. Maybe they didn’t care as much if their kids listened to Metallica or whatever?
PASSONS: I think your theory might hold some weight, just that the conservative Christians were looking for an alternative for them and their families to listen to. One thing I think there probably wouldn’t have been a market in the liberal circles to sustain the industry, they wouldn’t have purchased the CDs and the music. It was the conservatives who made this a business and the Christian music business is a business. You have to be making money to be in CCM, that’s the dichotomy that I’ve always wrestled with. CCM depended on Becky, and I’ll tell you who Becky is. Becky is the pseudonym for their target audience. So any meeting we were in, it was always asked, “What would Becky buy, would Becky like this song?” And Becky is a 20-, 30- or 40-something conservative Christian female and she was the target audience because she was the one buying the CDs and the tapes and downloading the music and so I think that’s maybe why the conservative church has kind of a market on CCM music.
BLADE: Is she related to Karen?
PASSONS: (laughs) That’s funny. If they’re not related, they’re probably best friends.
BLADE: When your bandmates came to your house that day, did it feel like it was coming from a place of love and concern or did it feel like a power play? Like they were trying to oust you?
PASSONS: It did feel like a power play. There were some very complicated personalities in the group and so it definitely — I did not feel much love that day.
BLADE: To me, it was like when Florence got kicked out of the Supremes. They could go on and do whatever they want, but without Florence, it wasn’t the Supremes. Without you, it wasn’t Avalon. The one female singer didn’t matter so much because she always changed. That was like the new season of “Charlie’s Angels,” you always knew she would change. But when you left, it was never the same.
PASSONS: I appreciate that, I’ve heard several say that and it’s always good to know that my contribution is something that was missed.
a&e features
In stressful times, escape to Rehoboth Beach
Here’s what’s new in D.C.’s favorite beach town for 2025
At last, after an uncharacteristically cold and snowy winter, another Rehoboth Beach season is upon us. I have been going to Rehoboth Beach since 1984, and it was the first place I went where people only knew me as a gay man. It was the year I came out. It was a summer community back then. Today it really is an exciting year-round community. But it’s still the summer season when Rehoboth shines, and when the businesses make most of their money.
The summer brings out tens of thousands of tourists, from day-trippers, to those with second homes at the beach. Everyone comes to the beach for the sun and sand, food, and drink. Some like to relax, others to party, and you can do both in Rehoboth Beach, Del.
Stop by CAMP Rehoboth, the LGBTQ community center on Baltimore Avenue, to get the latest updates on what is happening. CAMP sponsors Sunfestival each Labor Day weekend, and a huge block party on Baltimore Avenue in October. They train the Rehoboth Beach police on how to work with the LGBTQ community, and have all kinds of special and regularly scheduled events. Pick up a copy of their publication, Letters, which is distributed around town.
I asked Kim Leisey, CAMP’s executive director, for her thoughts, and she said, “CAMP Rehoboth looks forward to welcoming our friends and visitors to Rehoboth Beach. We are a safe space for our community and will be sponsoring social opportunities, art receptions, concerts, and art exhibits, throughout the summer. If you are planning a wedding, shower, reception, or business meeting, our beautiful atrium is available for rental. We look forward to a summer of solidarity and fun.” While at CAMP stop in the courtyard at a favorite place of mine, Lori’s Oy Vey! Café, and tryher famous chicken salad.
There’s something for everyone at the beach, from walking the boardwalk and eating Thrasher’s fries, to visiting Funland, or playing a game of miniature golf. Or head to some of the world-class restaurants like Drift, Eden, Blue Moon, or Back Porch.
Some random bits on the summer 2025 season. Prices are going up like everywhere else. Your parking meter will cost you $4 an hour. Meters are in effect May 15-Sept. 15. Parking permits for all the non-metered spaces in town are also expensive. Transferable permits are $365,non-transferable $295, or after Aug. 1 if you only come for the end of summer, it’s $165. Detailed information is available on the town’s website.
Rehoboth lost one of its best restaurant this off-season, JAM, but Freddie’s Beach Bar and Restaurant is open for its fourth season. Owner Freddie Lutz told the Blade, “We are looking forward to a fabulous season. Freddie’s has a dance floor and is the only music video bar in town.” There is also live entertainment, karaoke, and Freddie’s Follies drag show Friday nights.
My favorite happy hour bar is Aqua Grill, which has reopened for the season. I recommend taking advantage of their great Tuesday Taco night, and Thursday burger night. Then there is The Pines and Top of the Pines. Bob Suppies of Second Block Hospitality told me, “Come, relax, and play. We are ready! I have been spending summers here since the mid-90’s, and Rehoboth Beach seems to age like a fine wine. Between the new, and favorite restaurants opening back up, the shops bursting with incredible finds, and all the great LGBTQ+ bars to entertain everyone, nowhere beats the Delaware beaches this summer.”
Head down the block on Baltimore Avenue and you get to La Fable restaurant. Go all the way to the beach and you will see the new lifeguard station, which is slated to open later this month. Also, demolition of the old hotel and north boardwalk Grotto Pizza has happened. The site will become a new four-story, 60-room hotel, with ground level retail space.
Then join me at my favorite morning place at the beach, The Coffee Mill, in the mews between Rehoboth and Baltimore Avenues, open every morning at 7 a.m. Owners Mel and Bob also have the Mill Creamery, the ice cream parlor in the mews, and Brashhh! on 1st street, where Mel sells his own clothing line, called FEARLESS! Then there is the ever-popular Purple Parrot, celebrating its 26th year, now with new owners Tyler Townsend and Drew Mitchell, who welcome you to their iconic place. It has only gotten better. If you head farther down Rehoboth Avenue you will find the Summer House with its upscale Libation Room, and a nice garden looking out on Rehoboth Avenue. Also on Rehoboth Avenue is Gidget’s Gadgets owned by the fabulous Steve Fallon. With the renewed interest in vinyl records you may want to stop in at Extended Play.
Then there is the always busy and fun, Diego’s Bar and Nightclub. Joe Zuber of Diego’s told the Blade, “Get ready for a great gay ole time in Rehoboth Beach. Plenty of entertainment, dancing and fun as we seem to be the next Stonewall generation with this newest administration. Each election brings its concerns about how our gay community will be affected. Come to Rehoboth Beach to escape this summer season!”
If you are in town for Sunday happy hour, make sure to stop there to hear the talented Pamala Stanley who is celebrating her 20th season entertaining in Rehoboth.And on Mondays, Stanley plays Broadway and other classics on the piano at Diego’s.
If you are looking for culture Rehoboth has some of that as well. There is the Clear Space Theatre on Baltimore Avenue. Rumors abound that Clear Space will move out of town. But I can’t believe the commissioners and mayor would be dumb enough to let that happen. This year’s shows include “Spring Awakening,” “Buyer + Cellar,” “Hairspray,” “Beautiful: The Carole King Musical,” and “RENT.”Tickets sell fast so I suggest you book early and they are available online. Then mark your calendars for Saturday, July 19 for Rehoboth Beach Pride 2025 at the Rehoboth Beach Convention Center.
I would be remiss if I didn’t mention some of the other fine restaurants and clubs in town. Just a reminder, during season you often need dinner reservations. Come to the beach often enough, and you can try them all: Café Azafran, Dos Locos, Goolee’s Grille, Rigby’s, Frank and Louie’s, Above the Dunes, Mariachi, and Henlopen City Oyster House, and Red, White & Basil. And take a short drive to Dewey for breakfast or lunch at the Starboard; popular bartender Doug Moore (winner of the Blade’s Best Rehoboth-Area Bartender 2024 award) holds court at one of the inside bars, which has become a de facto gay bar on Saturdays.
One major development in the local dining scene last summer was the purchase of the Big Fish Restaurant Group by Baltimore-based Atlas Restaurant Group. Nearly a year later, not much has changed at the many Big Fish restaurants, although many locals are hoping for a renovation of Obie’s along with a gay night at the ocean-front bar/restaurant.
These are only a few of the fantastic places to eat and drink at the beach. Remember, book your reservations for hotels and restaurants, early. Rehoboth is a happening place and gets very busy.
We are living in stressful times. A visit to Rehoboth is a nice way to escape them for a while. Take the time to destress, enjoy the sun and sand. Take a stroll on the boardwalk and listen to the sound of the ocean, and people having fun. Enjoy good times, good food, good friends, and remember that life can still be good. Recharge your batteries for the rest of the year, by enjoying some summer fun in Rehoboth Beach.
a&e features
Down to shuck!
Oyster farmers Jordan Nally and fiancé Jimmy Kane on caring for Delaware’s waters — and sharing something special with customers
Although I didn’t come out to my family until my 20s, they should have seen the signs. During one of our annual trips to Indian Shores Beach in Florida, my parents splurged on a Polynesian dining adventure at the only tourist spot in town – Tiki Gardens. While waiting for our table, my sisters found a saltwater tank lined with oysters. For what felt like a fortune to an eight-year-old, a fisherman would shuck a pair and sift through the contents. Dressed in my floral Hawaiian shirt, my excitement turned to desperation when both of my sisters’ oysters revealed pearls. After much begging, my father reluctantly paid to have the small, oddly shaped gems mounted in rings. Watching my sisters flaunt their new jewelry, I seethed with envy and secretly vowed to return one day to claim my own treasure from the sea.
Nearly 50 years later, I’m a full-time resident of Rehoboth Beach, Del. It’s the Atlantic Ocean, not the Gulf of Mexico, but it’s close enough to Florida for me. As a local in a small coastal town, I’m keenly interested in how entrepreneurs are capitalizing on the growing tourism industry with innovative business ideas, so when I stumble across an Instagram page featuring two gay oyster farmers, Jordan Nally and his fiancé Jimmy Kane operating just a few miles away on Rehoboth Bay, my curiosity is piqued. After liking all the posts on the page, I slip into their DMs and ask whether we can meet for an interview. I’m delighted and a little nervous when they agree and invite me out on the boat to tour the farm and talk shellfish. Since everything I know about oysters came from a restaurant menu, I did some research.
Less than a week later, I arrive at the marina on Collins Avenue in Dewey on a picture-perfect morning in early May. Nally is waiting by his pickup truck, casually chatting up a couple of tourists. He’s a Delaware native and looks every bit like an oyster farmer in a long-sleeve, sweat-wicking shirt, PVC-coated shorts, and a branded baseball cap for sun protection. That’s all the more surprising given that Nally spent more than a decade working for JPMorgan Chase and had run for election to the Delaware House of Representatives in 2020.
As a good reporter, I’ve done my research: I know that the Inland Bays (made up of Rehoboth, Indian River, and Little Assawoman Bays) were once prolific oyster producers, with peak annual harvests reaching up to two million bushels. However, by the mid-20th century, overharvesting and a parasitic fungus drastically reduced the oyster populations. By 1960, the annual harvest had plummeted to just 49,000 bushels, marking a low point for the industry. In 2013, former Gov. Jack Markell signed legislation, and the commercial shellfish industry was reborn.
As we unload the flatbed of his EV pickup truck and transport the contents to the waiting boat, a retrofitted pontoon, “The Mullet,” Nally fills me in on his origin story. He came up with the idea to dive into aquaculture while he was quarantined in a hotel in Vermont with nothing but a TV and a local magazine with a cover story on oyster farming. He pitched the idea to his partner Jimmy Kane over the phone, and together they started planning how to make it happen. Nally jokes that what began as a fun “COVID project” quickly bloomed into a thriving business: “Some people did sourdough starter, but we decided to start an oyster farm.”
Although Kane is always there to lend a helping hand, Nally is the one who’s usually out tending the farm. Still, Nally stresses that Kane plays a critical support role: “He’s in charge of merchandising, running sales at the market, and grounding me when I have too many wild ideas.”
In April 2023, the couple planted their first batch of “oyster babies,” provided by the hatchery at the University of Delaware. At the time, they were still living full time in Wilmington, so the first year on the farm meant long drives, managing their day jobs from the car, launching the boat, and working for hours out on the bay before heading back home. Eventually, the capital investment and 14-hour days paid off; now, just two years later, they have 50 floating bags, each holding about 2,000 oysters.
Out on the open water, we see a half-dozen other oyster farms off in the distance. Despite the great weather, we’re the only boat on the bay. Standing confidently at the helm with his eyes fixed on the horizon, Nally gives me a quick biology tutorial on how oysters make it from the bay to the bar. Growers trigger spawning by adjusting water conditions to mimic spring, then feed the larvae specialized algae. After two to three weeks, the larvae develop an “eyespot” and are transferred to grow-out areas on the seabed or suspended bags. Oysters generally reach market size in 18 to 36 months, but the ideal conditions in Rehoboth Bay cut that time down to less than six months.
Nally opens the throttle and, in less time than I expected, we reach the place where the magic happens – the acre of water designated for Nancy James Oysters. Unconventional and bordering on camp, the couple came up with the moniker to honor their late parents. When I ask Nally to explain why they’ve stuck with the venture, his answer, like the name of their business, is personal: “Every single day, we learn something new. And every single oyster reminds us why we started: to grow sustainably, care deeply for our waters, and share something truly special with our customers.”
As we arrive at the oyster farm, Nally cuts the engines and explains the innovative farming technique Nancy James uses to grow its oysters; picture a series of mesh bags, buoyed by floats, and attached to a main line stretching across a tract of water and anchored at both ends. Growing oysters at the water’s surface allows Nally and Kane to capitalize on natural currents and food availability, resulting in faster growth rates and enhanced flavor profiles. The only downside to this growing technique is that the guys never find pearls because the insides of their oysters are cleaner than those of the bottom dwellers.
The farm is directly across from Bird Island, and the cacophony of 10,000 birds is even louder than the whirring sound from the propellers. After anchoring the boat, Nally casually strips down to his bathing suit and surf shoes and jumps into the 60-degree water without a second thought. It’s the ultimate cold plunge, but if he feels the cold, he doesn’t show it; there’s too much work to do.
“You ready to get dirty?”
The waters of Rehoboth Bay may be pristine, but Nally’s question and smirking grin reinforce the message that oyster farming is a messy business. The first order of the day is to change out the older bags to address biofouling — the attachment of seaweed and algae that can affect the health and inhibit growth of new oysters. Nally selects three gnarly bags and hauls them over to the boat. I pull one onto the deck. Once he’s back on board, we empty the first bag onto the cleaning table, and I feel my stomach lurch. Mixed in with small crabs and tiny shrimp, the oysters are covered in muck. Suddenly, I’m glad to be wearing a pair of rubber gloves.
Following instructions, I start sorting; chefs prefer smaller oysters with well-shaped shells. Trying not to get distracted by Nally’s stories and the ravenous flock of waiting sea birds floating above me, I count out four batches of 100 oysters for same-day delivery. Nally and Kane care about how their oysters taste and look. The boat has a portable generator, sump pump, and pressure washer to clean the shells thoroughly. Always ready to quote DNREC requirements scripture and verse, Nally explains that he has to use approved water, and the easiest way is to clean them with water from where they’re growing.
When I ask if it’s hard to comply with the federal and state requirements, like logging the exact time oysters go in and come out of the water, Nally shrugs and offers a surprisingly pragmatic answer: “Everyone on the bay is aware of safety and works together to comply. If anyone gets sick from shellfish, they don’t care where it came from; it will affect all of us. When you are eating oysters in Delaware that came from Delaware, I feel really confident about safety.”
After harvesting and storing the oysters on ice, Nally checks the currents and wind direction before jumping back into the water; he regularly inspects the bags, floats, securing lines, and clips to ensure everything is in working order. As the oysters grow, Nally and Kane move them into bags with progressively larger mesh sizes and mark each with color-coded zip ties to indicate their growth stage. As they mature, the oysters are thinned out and spread across more bags to prevent overcrowding. It’s hard work, but at the end of the day, the two men are proud of what they’ve built together.
Nally explains that the warm temperatures, sandy bottoms, and high salinity of Rehoboth Bay are ideal. Still, not all farm sites are created equal: “The water here tastes different than the water on that side of the bay. It’s the fetch you’re getting from waves, all the swell, and the current. We have a really strong current on this side, and that side doesn’t, so they’re not as salty.”
Although Rehoboth Bay is known for its shallow depths and typically calm waters, aquafarming is still risky. Nally recalled a harrowing incident last winter when his lines got tangled in the boat’s propeller. Rough weather and a hefty chop made it hard to keep the boat steady. Determined to free the line, he put on his wetsuit and plunged into the frigid water. As a safety measure, he shared his location via iPhone with Kane and told him that if the location stopped moving, Nally was in the water and Kane should call the Coast Guard.
On another occasion, Nally slipped on a wet deck and hit his head — an accident reminiscent of what happened to poor Jennifer Coolidge in “White Lotus.” Fortunately, he fell into the boat rather than overboard. He takes no chances now, wearing a special life vest that automatically inflates if he falls into the bay.
Nally and Kane are the only local farmers offering premium catering services, bringing the freshest oysters and top-notch shuckers to events such as weddings and birthday parties. Nancy James Oysters can also be enjoyed at local restaurants, including Drift Seafood & Raw Bar and Lewes Oyster House. You can find them in person at the Bethany Farmers Market and the Historic Lewes Farmers Market. This summer, the couple will be shucking oysters live every Sunday afternoon at Aqua Bar & Grill. Oysters are always available for purchase online at nancyjamesoysters.com.
It’s another beautiful day when I make the short trip to town and park just outside Drift on Baltimore Avenue. Grabbing an empty seat at the outside bar window, I order without looking at the menu (at Drift, ask for the “Rehoboth Rose” oyster). In less time than it takes to check my phone, there are a dozen premium oysters in front of me — bedded in a tray of crushed ice, just waiting to be devoured.
Savoring the poetry of the presentation, I lift a shell to my mouth and slurp down the meat in one swallow. The taste is pure Delaware. Tom Wiswell, the former executive chef at Drift, describes it best: “It reminds me of being a kid at Rehoboth Beach and like a wave splashing you in the face. It’s fresh, briny, and salty.”
As I enjoy a swallow of a good glass of Cava and reach for another oyster, I realize why these exotic delicacies were dubbed “white gold.” Nearly a half-century older and wiser than that kid in the Hawaiian shirt at Tiki Gardens, I’ve finally realized that the hidden treasure inside the oyster was never the pearl.
a&e features
Your guide to the many Pride celebrations in D.C. region
Scores of events scheduled across DMV amid WorldPride excitement
June is just around the corner, but Pride events have already begun in the region. There are many events scheduled in D.C. for WorldPride 2025, as well as for D.C. Black Pride, Trans Pride, Silver Pride, Latinx Pride, API Pride and Youth Pride. Cities and towns in the region also offer their own LGBTQ Pride festivals and parades.
D.C. API Pride has events scheduled from May 17-June 8 with meetings, shows, concerts, workshops and socials. Highlights include the API Pride Welcome Reception on Wednesday, June 4 at the National Union Building (918 F Street, N.W.); a screening of Saving Face with Director Alice Wu on Sunday June 1 from 2-4 p.m. at the Smithsonian Asian Art Museum (1050 Independence Avenue, S.W.); the Desi & South Asian Drag Show on Thursday, June 5 from 10 p.m. to 2 a.m. at Sinners & Saints (639 Florida Avenue, N.W.); and the QTAPI Nightlife Extravaganza on Friday, June 6 from 10 p.m. to 3 a.m. at Koi Lounge (1413 K Street, N.W.) Visit qtapidc.org/apipride for more information and to register for events.
D.C. Silver Pride is scheduled for Wednesday, May 21 from 4-7 p.m. at the Eaton Hotel (1201 K Street, N.W.). The resource fair and tea dance is hosted by Rayceen Pendarvis.
D.C. Latinx Pride has events scheduled from May 16-June 19. Highlights include a kickoff reception on Thursday, May 22 from 8-10 p.m. at Shakers DC (2014 9th Street, N.W.); La Fe, a celebration of faith and resilience, at the Metropolitan Community Church of Washington (474 Ridge Street, N.W.) on Sunday, May 25 from 10:30 a.m. until 1:30 p.m.; La Fiesta: the Official Latinx Pride Party at Bunker (2001 14th Street, N.W.) on Thursday, May 29 at from 9 p.m. until 3 a.m.; as well as parties, a history walking tour, a film festival, panel discussions and more. Tickets are available for the Official Latinx Pride Party at latinxhistoryproject.org and run from $15 to $76.
Trans Pride Washington, D.C. is scheduled for May 17 beginning with registration at 9:30 a.m., a resource fair from 10 a.m.-4 p.m., panel discussions and workshops throughout the day, the Engendered Spirit Awards at 4 and a keynote speech by Schuyler Bailar with an afterparty scheduled for 6-9:30 p.m. RSVP at transpridewashingtondc.org. Location is shared after RSVP.
D.C. Youth Pride has events scheduled from May 30-June 7 in various locations throughout the city. Registration is free but required. Youth Pride Day is scheduled for May 31 from 10 a.m. to 2 p.m. at Woolly Mammoth Theater Company (641 D Street, N.W.). The event is for LGBTQ+ youth ages 6-18 years old and their parents/caregivers/family (those over 18 must be accompanying an attendee 18 years of age or younger). Register on Eventbrite. Other events include the “Pride Rising” event on Friday, May 30 for LGBTQ+ young adults, a Teen Pride Night, a book launch and a “Proud to Teach” mixer for LGBTQ+ educations at Crush Dance Bar (2007 14th Street, N.W.) on Thursday, June 5 from 6-8:30 p.m.
D.C. Black Pride
The 34th annual D.C. Black Pride has events scheduled from Wednesday, May 21 through Monday, May 26 at the Capital Hilton (1101 16th Street, N.W.) and other venues throughout the city.
Thurst Lounge (2204 14th Street, N.W.) is holding a Thurstnik Reloaded extended hours nightlife event from May 21-26. The event is free; no tickets or wristbands are required.
Xavier Entertainment presents 5 days with 8 events for Black Pride with Supreme Fantasy 2025 from May 22-26. Passes are available at xavierpartydc.com. Events include the DC Black World Pride Kickoff party at Nellie’s Sports Bar (900 U Street, N.W.) on Thursday, May 22; the 3000 Men Block party at Karma (2221 Adams Place, N.E.) on Friday, May 23; Official DC Black Pride After Hours parties at Power Nightclub (2335 Bladensburg Road, N.E.) are scheduled for Saturday, May 24, Sunday, May 25 and Monday, May 26 from 4-8 a.m.; the Cook Out Party is scheduled for Saturday, May 24 from 5-9 p.m. at Aqua Nightclub (1818 New York Avenue, N.E.); the 5000 Men Meatloaf Saturday Rooftop Party featuring headliner Yung Miami at Public Nightclub (1214 18th Street, N.W.) on Saturday, May 24 from 10 p.m. to 4 a.m.; the DC Black World Pride Main Event at Nellie’s Sports Bar (900 U Street, N.W.) is scheduled for Sunday, May 25 starting at 4 p.m.; the Meatloaf After Dark party at Power Nightclub (2335 Bladensburg Road, N.E.) is scheduled for Monday, May 26 from 10 p.m. until 2 a.m.
The Welcome to D.C. Happy Hour is scheduled for Thursday, May 22 from 5-10 p.m. at Metrobar (640 Rhode Island Avenue, N.E.).
The Welcome to D.C. Happy Hour is scheduled for Thursday, May 22 from 5-10 p.m. at Decades Rooftop (1219 Connecticut Avenue, N.W.). Purchase tickets at blisspride.com.
The 9th annual D.C. Black Pride Unity Free Ball is scheduled for Thursday, May 22 from 9 p.m. until 1 a.m. at the Capital Hilton Hotel (1001 16th Street, N.W.). RSVP at Eventbrite for the free event.
Daryl Wilson Promotions presents The Pregame Act 1 party scheduled for Thursday, May 22 from 10 p.m. until 2 a.m. at The Ugly Mug (723 8th Street, S.E.).
The Welcome Reception is scheduled for Friday, May 23 at 3 p.m. until 9 a.m. on Saturday at the Capital Hilton Hotel (1001 16th Street, N.W.).
The 34th annual D.C. Black Pride Opening Reception is scheduled for Friday, May 23 from 5-10 p.m. at the Capital Hilton Hotel (1001 16th Street, N.W.). Special guests include Kerri Colby, TS Madison and Monroe Alise.
The Bliss Pastel Party, a women’s event, is scheduled for Friday, May 23 from 10 p.m. until 3 a.m. at Strand (1400 Eye Street, N.W.). $20 advance tickets are available at Blisspride.com.
The Capital House Music Festival salutes Sam the Man Burns at a free music festival featuring artists and DJs on May 24 from 10 a.m. until 9:30 p.m. at Alethia Tanner Park (227 Harry Thomas Way, N.E.).
The “For the Culture” Brunch Cruise is scheduled for Saturday, May 24 aboard The Spirit of Washington. Boarding time is 11:15 a.m. at the dock at 580 Water Street, S.W. The boat returns to the dock at 3 p.m.
The Writers Forum, a panel of Black, LGBTQ+ writers, is scheduled for Saturday, May 24 from 1-3 p.m. at the Capital Hilton Hotel (1001 16th Street, N.W.).
Daryl Wilson Promotions presents the “Infamous” Saturday Day Party on May 24 from 5-11 p.m. at The Park (1201 Half Street, S.E.).
The Mary Bowman Poetry Slam Open Mic is scheduled for Saturday, May 24 from 6-8 p.m. at the Capital Hilton Hotel (1001 16th Street, N.W.). Twelve of performance poets from around the country compete for over $1,500 in prizes in a night of poetry hosted by Kenneth Something.
The Pure Bliss Party, a women’s event, is scheduled for Saturday, May 24 from 10 p.m. until 3 a.m. at Strand (1400 Eye Street, N.W.). Tickets are $25 in advance and available at Blisspride.com.
The Capitol Ballroom Council presents Brunch & Babes: DC Black Pride WorldPride Edition at Hook Hall (3400 Georgia Avenue, N.W.) on Sunday, May 25 from noon until 4 p.m. The drag event, hosted by Sophia McIntosh, features a brunch buffet and giveaways. Tickets are $20-$80.
The Clubhouse 50th anniversary “Children’s Hour Party” with special guest Rochelle Fleming is scheduled for Sunday, May 25 from 3-9 p.m. at Bravo Bravo (1001 Connecticut Ave., N.W.).
Daryl Wilson Promotions presents The Wet Dreams Mega Day Party scheduled for Sunday, May 25 from 5-11 p.m. at The Bullpen (1201 Half Street, N.E.).
D.C. Black Pride 2025 Closeout – The Finale is scheduled for Sunday, May 25 from 6-10 p.m. at Twelve After Twelve (1212 18h Street, N.W.). $15 advance tickets are available at Blisspride.com.
Daryl Wilson Events is hosting the Sunday Night Super Party on Sunday, May 25 from 10 p.m. until 4 a.m. on Monday at The Park (920 14th Street, N.W.).
Pride in the Park is scheduled for Monday, May 26 from 12-7 p.m. at Fort Dupont Park (Minnesota Avenue, S.E.).
The World Pride Black Queer Film Festival is scheduled for May 27-29 from 6-9 p.m. at Howard University’s Blackburn Digital Auditorium (2397 6th Street, N.W.). The event is free, but RSVP and see descriptions of films and showtimes on Eventbrite.
D.C. WorldPride 2025
The international event WorldPride 2025 is to be held in Washington, D.C. from May 18-June 8. Events include a Choral Festival from May 23-June 8; a WorldPride Film Festival from May 27-29; the Capital Cup Sports Festival from May 30-June 4; a Human Rights Conference on June 4-6, as well as marches, concerts, parties, a street festival and more. Visit worldpridedc.org for more information on affiliated events.
The Gay Men’s Chorus of Washington is presenting the International Choral Festival for WorldPride 2025 with daily hour-long pop-up performances from singers from around the world on Friday, May 23 through Sunday, June 8 in venues throughout the city. The festival is free and open to the public, however, premium passes with reserved seating is available at GMCW.org.
The WorldPride Film Festival is scheduled for Tuesday, May 27 through Thursday, May 29 and includes LGBTQ-themed films from across the globe. Screenings are to be held at Alamo Drafthouse Cinema – Cojeaux Cinemas (630 Rhode Island Avenue, N.W. and 1660 Crystal Drive, Arlington, Va.) and Atlas Performing Arts Center – Sprenger Theater (1333 H Street, N.E.). Movie descriptions and showtimes are listed at worldpridedc.org.
Team D.C. is hosting the Capital Cup Sports Festival on Friday, May 30 through Wednesday, June 4 in multiple venues. Athletes from around the world compete in basketball, bocce, cornhole, climbing, swimming, darts, dodgeball, flag football, kickball, golf, pickleball, regatta, roller derby, rugby, soccer, tennis, volleyball and wrestling. The D.C. Front Runners annual Pride Run 5K at Congressional Cemetery on June 1 is included. Find a tentative schedule and registration information at worldpridedc.org.
The Welcome Ceremony + Concert is scheduled for Saturday, May 31 at National’s Park (1500 South Capitol Street, S.E.). Shakira is performing in her Las Mujeres Ya No Lloran World Tour. Tickets run from $108 to $730 and can be purchased through Ticketmaster.
The WorldPride Human Rights Conference is scheduled for Wednesday, June 4 through Friday June 6 at the JW Marriott (1331 Pennsylvania Avenue, N.W.). Featured speakers include the Right Reverend Mariann Edgar Budde, Dr. Lady Phyll and Paula Gerber. Early bird registration is available through capitalpride.org for $350, with virtual registration available for $200.
The National Trans Visibility March is holding a Policy and Safety Summit at the Hyatt Regency Crystal City at Reagan National Airport (2799 Richmond Highway, Arlington, Va.) on Thursday, June 5 through Friday, June 6. Find more information on panels and topics at ntvmarch.org.
The Capital Pride Honors are scheduled for Thursday, June 5 from 7-11 p.m. at the National Building Museum (401 F Street, N.W.). The red carpet gala includes live music, food and a formal awards ceremony for trailblazers in the LGBTQ+ community. Tickets are $105.25 and are available through capitalpride.org.
The Pride Celebration Concert with the International Pride Orchestra is scheduled for Thursday, June 5 at 7:30 at Strathmore Music Center (5301 Tuckerman Lane, North Bethesda, Md.). The International Pride Orchestra joins the Gay Men’s Chorus of Washington for an evening of music. Tickets run from $35-$100 and can be purchased through strathmore.org.
The World Pride Music Festival: Global Dance Party is scheduled for Friday, June 6 through Saturday, June 7 at RFK Festival Grounds (2500 Independence Avenue, S.E.). The two day festival spans three stages. Attendees must be 18 years of age or older to participate. Performers on Friday include Jennifer Lopez, Gallants, Marina, Paris Hilton, Rita Ora, Tinashe, Betty Who, LP Giobbi, Patrick Mason and Trisha Paytas among others, with a closing set by Zedd. Saturday performers include Troye Sivan, Grimes, Kim Petras, Purple Disco Machine, Ray, Sofi Tukker, Anabel Englund, Coco & Breezy, Crush Club, Aluna, Sasha Colby and a DJ set by RuPaul.
The WorldPride 17th Street Block Party is scheduled for Friday, June 6 from 5-10 p.m. and Saturday, June 7 from noon until 10 p.m. along 17th Street, N.W. in the Dupont Circle neighborhood. There will be a beverage garden and LGBTQ+ entertainment.
The Washington Blade is hosting the sixth annual Pride on the Pier Boat Parade & Fireworks Show at The Wharf (101 District Square, S.W.) on Friday, June 6 from 3-10 p.m. and Saturday, June 7 from noon until 10 p.m. The event is free, though VIP tickets are available for purchase on Eventbrite for $30. The boat parade is schedule for 7 p.m. on June 6, and the fireworks show is scheduled for 9 p.m. on June 7. More information is available at prideonthepierdc.com.
The Full Bloom: Friday Main Event is scheduled for Friday, June 6 at 9 p.m. at 1235 W Street, N.E. Tickets are $100 and available at capitalpride.org.
LUSH: The DC Lesbian Nightclub Experience is scheduled for June 6 at 10 p.m. at 618 DC (618 H Street, N.W.). Advance tickets are $15 at ra.co. The event is 21+ and features an “all-dyke DJ lineup” with Lady Lavender, Flotussin and Jacq Jill.
The WorldPride Parade is scheduled for Saturday, June 7 with the step off at 2 p.m. at 14th Street and T Street, N.W. The parade is slated to move down 14th street to Freedom Plaza and then Pennsylvania Avenue.
The WorldPride Street Festival is scheduled for Saturday, June 7 and Sunday June 8 for noon until 10 p.m. along Pennsylvania Avenue, N.W. between 9th and 3rd Streets. There will be food courts, beverage gardens, a Camp Pride Family Area / kids’ zone, community vendors, activities, entertainment and more.
The Post-Parade + Closing Concerts is scheduled for Saturday, June 7 through Sunday, June 8 at the Street Festival and Concert Grounds at 3rd Street and Pennsylvania Avenue, N.W. The event is free to the public, though Tier 2 VIP tickets are available (and quickly selling out) at capitalpride.org for $335.01 for the Saturday concert or $575.20 for Saturday and Sunday. Cynthia Erivo, David Archuleta, CeCe Peniston and Kristine W take the stage on Saturday for the post-parade. Doechii, Khalid, Brooke Eden, 2AM Ricky, Parker Matthews and MkX are scheduled to perform in the Sunday Closing Concert.
The Fabric of Freedom Main Saturday Event is scheduled for June 7 at 10 p.m. at 1235 W Street, N.E. KINETIC Presents and the Capital Pride Alliance host the party featuring three stages, over 100,000 square feet of dance floor, and a performance by Pabllo Vittar. Tickets are available for purchase at capitalpride.org and run from $120.92 to $188.80.
Unwraveled: The Official Women’s Party for WorldPride 2025 is scheduled for Saturday, June 7 from 10 p.m. to 4 a.m. at The Park at 14th (920 14th Street, N.W.). Tickets run from $63.48 to $105.25 and are available for purchase at capitalpride.org.
The International Rally + March on Washington for Freedom is scheduled for Sunday, June 8 with the rally beginning at 9:30 a.m. and the march kicking off from the Lincoln Memorial (2 Lincoln Memorial Circle, N.W.) at noon. The march will end near the U.S. Capitol Building for the WorldPride DC Street Festival and Closing Concert.
Visit worldpridedc.org/events to see a full list of partner and affiliate events for WorldPride 2025 in Washington, D.C.
Regional Prides
The fourth annual Equality Prince William Pride is to be held on Saturday, May 17 at the Harris Pavilion (9201 Center Street, Manassas, Va.) from noon until 4 p.m. The family-friendly event is held in the historic center of Old Town Manassas.
The second annual Herndon Pride is being held at Arts Herndon (750 Center Street, Herndon, Va.) on Saturday, May 24 from noon until 5 p.m.
Annapolis Pride, one of the larger Pride celebrations in the region, includes both a parade and festival on Saturday, May 31. The parade is scheduled to begin at 11 a.m. at the intersection of Calvert and Bladen Streets and end at Amos Garrett Boulevard off of West Street. The festival is to be held at Maryland Hall (801 Chase Street, Annapolis, Md.) from noon until 5 p.m.
The 2025 Arlington Pride Festival is scheduled for Saturday, May 31 from 9 a.m. to 6 p.m. at the Hyatt Regency Crystal City (2799 Richmond Highway, Arlington, Va.). The indoor event is free. A number of other ticketed events ($30-$250) are scheduled for Arlington Pride as well, including a pageant hosted by Shi-Queeta Lee, a drag brunch, speed dating and an afterparty.
The fourth annual Loudoun Pride Festival is scheduled for Saturday, May 31 from noon until 6 p.m. at Ida Lee Park (60 Ida Lee Drive N.W., Leesburg, Va.). The ticketed event ($5) includes musical performances, a magic show, face painting, bounce houses, food vendors, an alcohol pavilion and the return of “Dragstravaganza.”
Page County / Luray Pride is set for Saturday, May 31 from noon until 5 p.m. at River’s Bend Ranch (397 Riverbend Rd., Stanley, Va.). The family-friendly event is free, but horseback riding is available for those who sign up in advance for $60 + tip to trail guide.
The Charles County Department of Health is holding the third annual PrEP for Pride at 4545 Crain Highway in White Plains, Md. from noon until 5 p.m. on Saturday, May 31. The free festival includes a spirited Pride Walk, entertainment and vendors.
Reston Pride is scheduled for Saturday, May 31 from 6-9 p.m. and Sunday, June 1 from 11 a.m.-6 p.m. at Lake Anne Plaza (1609 Washington Plaza N., Reston, Va.). The free events planned for the weekend include the Rising Voices! Community Concert on Saturday and the Pride Festival on Sunday.
The third annual Culpeper Pride Festival is scheduled for Sunday, June 1 from noon until 5 p.m. at the Mountain Run Winery (10753 Mountain Run Lake Road, Culpeper, Va.). The free event includes music, vendors, a 2 p.m. runway contest. An after hours drag show is scheduled for 6-8 p.m., with tickets available for $10.
The City of Rockville Human Rights Commission is hosting the ninth annual Rockville Pride Festival on Sunday, June 1 from 2-5 p.m. at Rockville Town Square (131 Gibbs Street, Rockville, Md.).
The fourth annual Portsmouth Pride Fest is scheduled for Sunday, June 1 from 11 a.m. until 5 p.m. at Portsmouth Festival Park (16 Crawford Circle, Portsmouth, Va.). The family-friendly free event includes entertainment, vendors, community information and a dog park.
Fairfax Pride is scheduled for Saturday, June 7 from 9:30-11:30 a.m. at the Stacy C. Sherwood Center (3740 Blenheim Boulevard, Fairfax, Va.). The Fairfax Pride Launch Event hosted by Fairfax City and George Mason University is set to include children’s activities, crafts, and more.
The 4th annual Mosaic Pride is coming to the Mosaic District (District Avenue, Fairfax, Va.) with drag shows, live music and more on Saturday, June 14 from 3-9 p.m. The day’s events include a 3 p.m. parade, drag story time with Tara Hoot and an aerialist performance.
The 50th annual Baltimore Pride is to be held June 8-15. The full list of scheduled events has not yet been released, but generally includes the Baltimore Pride Parade and the Baltimore Pride Festival. Check back with the Washington Blade for more specific event times as they become available.
The fourth annual Delmarva Pride Festival is scheduled for Saturday, June 14 from 11 a.m. to 4 p.m. at S. Harrison and E. Dover Streets in Easton, Md. The free event includes vendors and entertainment. Other Delmarva Pride events scheduled over the weekend include “A Night in New Orleans” concert and dance on Thursday, June 12 at 7 p.m. at the Garfield Center for the Arts (210 High Street, Chestertown, Md.), as well as a drag show and art event on Friday, a dance (18+) on Saturday and a Pride Brunch on Sunday.
Hampton Roads Pride Weekend is scheduled for June 20-22. Weekend events include a unique boat parade, a Pridefest, a block party and more.
The fifth annual Catonsville Pride is scheduled for Saturday, June 21 from 2-5 p.m. at Catonsville Presbyterian Church (1400 Frederick Road, Catonsville, Md.). The ticketed event ($4-$5) is a charity fundraiser with all net proceeds slated to go to the Journeys Cottage at The Children’s Home (a safe space for trans youth).
The 13th annual Hagerstown Pride is scheduled for Saturday, June 21 from noon until 6 p.m. at Doubs Woods Park (1307 Maryland Avenue, Hagerstown, Md.).
The 12th annual Frederick Pride Festival is scheduled for Saturday, June 28 from 11 a.m. to 6 p.m. at Carroll Creek Linear Park (50 Carroll Creek Way, Frederick, Md.). The free event includes a full food truck court, a beverage garden, hundreds of vendors, a car show, musical guests, drag performances, a children’s area and more.
The eighth annual Alexandria Pride Fair is scheduled for Saturday, June 28 from 3-6 p.m. at Alexandria City Hall and Market Square (301 King Street, Alexandria, Va.). The free event includes exhibitors and vendors, a drag story hour, food trucks, live music, health services a mobile art lab, dancing are more.
FXBG PRIDE (Fredericksburg, Va.) is scheduled for Saturday, June 28 with a march set to begin with speeches at 10 a.m. at Riverfront Park (701 Sophia Street, Fredericksburg, Va.) and move through downtown Fredericksburg. Following the march, the FXBG Pride Festival is scheduled from 11 a.m.-4 p.m. at Riverfront Park. An afterparty at Market Square (214 William Street, Fredericksburg, Va.) is scheduled for 6-11 p.m., with 18+ after 9 p.m. All events are free.
The 2025 Salisbury Pride Parade and Festival is scheduled for Saturday, June 28. The parade is planned to begin at 3 p.m. and move along Main Street in downtown Salisbury, Md. The festival is to run from 2-6:30 p.m.
The Montgomery County Pride in the Plaza is scheduled for Sunday, June 29 from noon until 8 p.m. at Veterans Plaza (1 Veterans Place, Silver Spring, Md.).
Cumberland Pride is scheduled for Sunday, June 29 from noon until 4 p.m. at Canal Place (13 Canal Street, Cumberland, Md.). The free event includes entertainment, vendors and more.
Some cities have opted for Pride celebrations later in the year. Pride festivals in Front Royal, Va. and Westminster, Md. are slated for July 26. C’ville Pride Festival (Charlottesville, Va.), Shenandoah Valley Pride (Harrisonburg, Va.) and Virginia Pridefest (Richmond, Va.) are scheduled for September. Staunton Pride (Staunton, Va.), Southwest Virginia Pride (Salem, Va.), Winchester Pride (Winchester, Va.) and HoCo Pride (Columbia, Md.) are scheduled for October.
Marjorie Taylor Greene’s bill to criminalize gender affirming care advances
Delaware considers enshrining same-sex marriage into state Constitution
Returning to Alcatraz: Memory through a queer lens
PHOTOS: Equality Prince William Pride
Chilean lawmakers back report that calls for suspension of program for trans children
Ashley Biden to speak at Blade’s Summer Kickoff Party in Rehoboth Beach
Pete Buttigieg, eyeing a presidential run, holds Iowa town hall
Global LGBTQ rights crackdown overshadows this year’s IDAHOBiT
Calendar: May 16-22
